Stream Snails’s ‘SLIMEAGEDDON’ EP, a grotesque project from the ‘Slug King’ himself

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Stream Snails’s ‘SLIMEAGEDDON’ EP, a grotesque project from the ‘Slug King’ himselfSnails Slimeageddon EP

Snails‘s SLIMEAGEDDON EP is here, with its arrival just as viscous as the sagely chosen title intends.

The seven-track mass of swampy tracks saw release off the Canadian dubstep DJ/producer’s newly minted Slugz Music. Prior to the EP release, the “Slug King” slowly seeped out a foreboding foray of offerings from the project, including “Follow Me,” with Adventure Club featuring Sara Diamond, “Snailephant” with Wooli, “Redline” with Boogie T, and “Magnets” with Zeds Dead featuring Akylla.

“RAVN,” “Crank Bass,” featuring Liam Cormier, and “Bonkers” featuring Sirah are the newly released tracks off the project, all of which carry Snail’s signature cutthroat bass format and mayhem persona. “RAVN” has more of a cinematic appeal, acting as the opening segment to what is undoubtedly a well-curated project amongst friends.

The EP’s rollout comes soon after the unveiling of Snails’s original comic book, THE SLUGGERNAUT, a culmination of the music producer’s persistent use of vivid visuals and unique character fantasy. His website describes the comic book as “SLIMEAGEDDON, King Slugz, SLUGGTOPIA, and The Shell are all part of a bigger vision — one that hasn’t been fully explained…until now.”

Zeds Dead Debuted Showstopping Collaboration With Delta Heavy This Weekend [WATCH]

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Zeds Dead has powered through 2018 with arguably more momentum than ever before. That is saying a lot for a duo who is partly responsible for the popularity explosion of dubstep in North America. The guy’s fresh sounds, constant releases and championing of up and coming artists such at 1788-L have helped them become more

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Zeds Dead release third volume in Deadbeats compilation series, ‘WE ARE DEADBEATS’

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Zeds Dead release third volume in Deadbeats compilation series, ‘WE ARE DEADBEATS’WE ARE DEADBEATS VOL 3

Deadbeats has solidified its name in the bass space after Canadian duo Zeds Dead revealed the imprint in 2016. Through a myriad of collaborations and support, Dylan Mamid and Zachary Rapp-Rovan released two label-exclusive compilation albums in 2017, featuring established and up-and-coming acts the dubstep veterans have their eyes on.

The third iteration, WE ARE DEADBEATS (Vol 3), is out now, featuring an array of well-known artists and newer talent. This is a must-listen for anyone into bass music, as the collection of songs comes directly from forefathers of the genre. To celebrate, each artist provided DA with an exclusive quote about their piece of work for the compilation.


Gentlemens Club: “When we made “Keep It Simple,” we set out to make something a bit different. It’s our take on the current free-form bass movement. We had a lot of fun experimenting with different styles on this track.”

um..: “It was fun making something darker than normal. It’s cool knowing that we can change things up and still get a positive reaction from our fans.”

Ducky: “‘Leave’ is a song I wrote when I was going through a transitional period out of a shitty relationship that turned out to be one of my favorite songs from this year. So stoked to be a part of this fire compilation! Really proud of this one, give it a listen <3.”

Blunts & Blondes: “It’s some blunt-smokin’ dubstep.”

Jaenga: “It feels great to release this tune after playing it out for the last few months. I finished it just as I was walking on stage for the Electric Zoo afterparty this year. I think its a good segue into my debut album that I’ll be dropping early 2019.”

Holly: “My new song ‘MISSU’ represents my emotions about my life right now. I tried to create this thrilled and homesick vibe with the hard drop and the ambient build up, and I’m super happy with all the sound design + how the track come out. Hope you feel the way too!”

Sippy: “The inspiration for ‘Lithos’ was to create a hard stomping tune that you can’t help to head bang to. It’s a simple idea, but the sub and the drums give that hard-stomping vibe.”

SoDown: “Zeds Dead has been killing the game when it comes to diverse bass music. When they said they wanted ‘Eskimo,’ I was really excited. I’ve been a fan of theirs for a long time and I’m stoked to be a part of the compilation.”

Klutch: “I’m typically a melody writer. That’s what most of my tracks center around. But I really wanted to collaborate with some friends who are left-field experimental trap, so I took some samples and tried to use that influence to create something that they would want to jump on. I ended up enjoying the process so much that I just decided to conclude the track myself. So this was my take on that new wave of experimental trap.”

Mersiv: “‘Mind Sounds’ is my deep, electric, loud version of mind control! My favorite part is the grand finale at the end. The track speeds up halfway through, has a little dnb tease, then slaps you with wub madness at the end. Bury That Sound.”

Cozway: “‘Radicals’ started out with Bonnema sending me the guitar-lead drop which reminded me of an Indian sitar and established a definite ethnic vibe for the rest of the track. We had this vision of the track being like running through multi-chambered fractal temple, so each part is different yet related. Overall we wanted to make something really different and we are super excited to release this on Deadbeats! Enjoy the ride!”

Rome In Silver: “‘Glass’ is about trying something new and shattering all expectations. It allowed me to step out my comfort zone, blend two styles I enjoy, and create a song out of my norm. I hope you guys enjoy it!”

Electric Forest Reveals The 2019 Lineup: Odesza, Bassnectar, Zeds Dead, 12th Planet and More

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Needed time to breathe in between Electric Forest’s one weekend announcement and the lineup? Too bad. Within one week, Electric Forest has debuted that they’re going back to one weekend, that the tickets are going on sale Friday, and now we have the lineup. It’s okay, I’m overwhelmed too. In 2019, Odesza, Kygo, Bassnectar, Zeds

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ODESZA, Bassnectar, Zeds Dead, and Kygo top impeccably curated Electric Forest 2019 lineup

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ODESZA, Bassnectar, Zeds Dead, and Kygo top impeccably curated Electric Forest 2019 lineup36467260 1771093626272667 1859437706333913088 O 1

Electric Forest is pulling out all the stops for their single 2019 edition. The festival recently scaled back their two weekend offering back to their original one weekend format, though organizers were quick to even it out with the delivery of 2019’s lineup. To say next year’s billing is stacked would be an understatement — ODESZA, Kygo, Bassnectar, and Zeds Dead are holding down headlining duties, with festival favorites The String Cheese Incident returning for a three-night run. The under card features a mile-long list of talent headed to Rothbury, Michigan including Claude VonStroke, Alison Wonderland, Bob Moses, Lettuce, Ekali, Whethan, Gramatik and many more across June 27 – 30.

SLANDER and NGHTMRE are billed for a GUD VIBRATIONS label showcase, with Snails, TOKiMONSTA, The Knocks, and Bloodpop all slated for Electric Forest 2019 as well. Live sets from Gorgon City, Pnuma, and Ookay are expected, along with jam band flavors and a healthy serving of hip-hop from T-Pain. See Electric Forest 2019’s full lineup below.

ODESZA, Bassnectar, Zeds Dead, and Kygo top impeccably curated Electric Forest 2019 lineupElectric Forest Lineuop 2019

Snails and Wooli Partner Up to Release New Single “Snailephant”

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Snails fans, it’s definitely been a great month for you! Recently, Snails announced that he will be releasing his “SLIMEAGGEDDON” EP sometime this ending year and now he has officially given us a teaser. He has teamed up with dubstep rising star, Wooli, to bring you some epic “Vomitstep.” “SNAILEPHANT” is a new impressive track

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DA Presents: ’30 Days of Fright’ featuring REZZ, Gesaffelstein, Noisia, Drezo, and more [Playlist]

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DA Presents: ’30 Days of Fright’ featuring REZZ, Gesaffelstein, Noisia, Drezo, and more [Playlist]SPOOKS PLAYLIST 1

Grab a mask, slam back some candy corn, and get primed to get spooky: it’s October and officially witching season. Electronic music fanatics might be creatures of the night all year round, but there’s something so undeniably righteous about the Halloween season that makes the rapturous roar of dance music even more spellbinding. Whether in the form of diabolic dubstep or demonically deviant techno, the advent of electronic music has given the world some of its most truly terrifying tunes. In that vein, the Dancing Astronaut terror squad is proud to present 30 Days of Fright, our most dastardly dance music favorites for the spookiest month of the year.

By Asher Norris and Bella Bagshaw 


Surrender your consciousness and step inside REZZ‘s world of swirling asphyxia with “Relax.”

Feel your blood begin to bubble and your pulse hectically hasten as BlackGummy and Brooks’s “Neverdeader” breathes a bit of electronic hellfire.

Stream if you dare, as this flame-throwing dubstep track from Kill The Noise, “Black Magic,” will leave your eardrums scorched, but entirely satiated.

Zeds Dead offers up the score for entertainment of the entirely un-dead variety with their timelessly terrifying, “Demons.”

Careful – Megan James’s delectably delicate voice may seem perfectly benevolent, but make no mistake: lofty pipes like hers are witchy by nature.

ZHU plays maestro for all things that boogie and bump in the night with “Nightcrawler.”

Taste the psychedelic strangeness of An-Ten-Nae and Alice D.’s “Raindrops On Roses,” and fall into their preternatural purgatory.

Ever wanted to dance with the devil himself? Habstrakt‘s harrowing house track, “She Goes,” is an opportunity to do just that.

Zomboy invites you to venture through his dubstep-riddled zombie apocalypse with “Ressurected.”

Crowned prince of menacing sound design, Drezo sprinkles a ghastly vocal cut and some unearthly growls in one of his most downright evil releases, “Dead.”

Ivy Lab puts a wickedly delicious spin on an already-crazed Noisia classic, “Tentacles.”

Bask in the eerie ecstasy of Eekkoo and Forrest’s pulsating house production, “Preach.”

NERO solidifies their title as masters of destruction and drum ‘n’ bass with “Doomsday.”

Slithering and psychotic, Noisia’s “Lilith’s Club” will summon spooky sentiments from listeners across the board.

Catch a case of the techno scaries with Gesaffelstein‘s devilishly danceable “Viol.”

Magic Sword wields triumphant electrowave, “In The Face Of Evil,” to fend off even the most nefarious of forces in the days leading up to this All Hallow’s Eve.

Phantogram‘s off-kilter ambiance from “Funeral Pyre,” is the ideal supernatural soundscape, topped with seductive static and levitation-inducing guitar chords.

An undoubtedly foreseen, but fundamental addition to the list, deadmau5‘s “Ghosts ‘n’ Stuff” keeps the freaky, phantasmic fun flying all season long.


Float through the ectoplasm of The Upside Down with this exquisitely melodic synthwave track direct from the second Stranger Things soundtrack.

We’re not really sure what Moody Good is investigating in the malignantly-sampled “This Is The Investigation,” but we’re pretty sure it’s not natural.

Step inside Pryda‘s low-lit techno tunnel and experience the roaring mania of “Rebel XX.”

Those with a predilection for the creepy crawly end of the electronic continuum need only submit themselves to Knife Party‘s iconic “Centipede.”

Street Fever’s winding techno musings inside “Dispose” may be simplistic, but they’ll leave listeners reeling with haunted rejoice.

Feed Me‘s two-headed trap/dubstep hybrid “Pink Lady” will have you seeing phantom strobes well into the afterlife.

It’s virtually impossible to overload on REZZ tracks during any month, but it’s especially tricky this time of year. Her immortal state of “Delusion” thrusts listeners below ground, where the most formidable forces can frolic freely.

Virtual Riot unleashes a bloodcurdling, cinematic ruckus with zombie-apocalypse-themed, “Haunted.”

Names are not at all deceiving as Shadient takes Wavedash and Quest‘s unnervingly vocalized “Devil Music” for ransom.

Coast the un-departed synth-pop streets of Dance With The Dead’s chillingly regal “Nightdrive.”

Spirits loom overhead, as Stephan Bodzin’s “Singularity” permeates shuddersome sounds of uncertainty.

The evil computers of the underworld unite on Knife Party’s riot-conjuring, “Internet Friends.”


There’s too many spooky dance cuts to round up all at once, alas, we’ve got you going with a pretty good start. Keep the spooks in rotation all month long, and don’t forget to mix in “Monster Mash” a few times to get into the spirit of things this season. Stream the full 30 Days of Fright collection below.

Wisconsin will house new Excision, Zeds Dead-headlined, RADIANCE NYE

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Wisconsin will house new Excision, Zeds Dead-headlined, RADIANCE NYERadiance Nye

Milwaukee’s Wisconsin Center is quickly emerging as a hotbed for electronic music in 2018. Following the collective’s recent announcement that they’ll hold a new Halloween event with GRiZ, ODESZA, and RL Grime, called JAWBREAKER Festival, the venue has unveiled they’ll also be throwing a New Year’s Eve soiree to match: RADIANCE NYE.

The NYE extravaganza, to be held Monday, December 31, will be brimming with bass. Zeds Dead and Excision protrude from the list of performers as self-evident main events, and are backed with noteworthy support from Bear Grillz, Spock, and Whipped Cream. The heavy-handed bass lovers of the Midwest needn’t travel far to ring in the New Year at full throttle this time around.

Tickets can be purchased here.

Wisconsin will house new Excision, Zeds Dead-headlined, RADIANCE NYERadiance
 

Zeds Dead & DNMO Prove They’re Royalty in ‘We Could Be Kings (ft. Tzar)’

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Coming in hot this new music Friday is none other than Zeds Dead and budding producer DNMO. Their brand new collaboration “We Could Be Kings (feat. Tzar)” is out now on the duo’s booming Deadbeats label. Zeds Dead & DMNO – “We Could Be Kings (feat. Tzar)” Featuring a satisfying mix of signature nefarious beats

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Zeds Dead sears all senses with ‘We Could Be Kings’

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Zeds Dead sears all senses with ‘We Could Be Kings’Zeds Dead We Could Be Kings 1

The boys are back — and they’ve fastened a few guests to the sidecar for their latest bass-rumbling masterpiece, “We Could Be Kings.”

The track, in its essence, exemplifies Zeds Dead‘s inexorable ability to package such powerful and tender affect into jarring, bass-driven music. While the DNMO-accompanied “We Could Be Kings”‘s downtempo format may reach the listener with a bit less vehemence than one might expect from the well-seasoned duo, the subtle drum ‘n’ bass fills and decisive female vocals, compliments of Tzar, up the ante a bit — adding that familiar, rousing sense of emotional urgency. The final ingredient to the fierce paradox comes from the fluttering melodies laid alongside the boys’ signature static-heavy, winding bass lines.

Zeds Dead has been exacting their most earnest efforts lately towards furthering their Deadbeats label, by not only keeping up with regular guest-riddled SoundCloud mixes, but releasing under the imprint themselves with like-minded newcomers and established counterparts alike. Seventeen-year-old DNMO is a Deadbeats newcomer, fitting swimmingly with the under-the-radar brand of artistry Zeds Dead built the imprint to bolster. “We Could Be Kings” is the Toronto duo’s third track of the year under the Deadbeats emblem, preceded by Ganja White Night-starring “Samurai,” as well as “Kill Em,” featuring Redman, 1000volts, and Jayceeoh.