Yellow Claw Talks About New Album, New Music, EDC Orlando, Barong Family, and More in this EDM Sauce Interview

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The Dutch DJ duo, Yellow Claw, has been one of the biggest dance music figures in the world for quite some time. The two recently released their new track “Amsterdammed” and are expecting to release their new album, Never Dies, on December 6. Before their EDC Orlando set, EDM Sauce had the chance to interview

The post Yellow Claw Talks About New Album, New Music, EDC Orlando, Barong Family, and More in this EDM Sauce Interview appeared first on EDM Sauce.

NMF Roundup: Diplo remixes Kaskade, Spencer Brown takes on deadmau5 + more

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NMF Roundup: Diplo remixes Kaskade, Spencer Brown takes on deadmau5 + moreSpencer Brown Press 3 E1568995205752

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Diplo leads the charge this NMF with a sultry remix of Kaskade, Felix Cartal and Jenn Blosil’s “More,” and Spencer Brown previews deadmau5’s forthcoming here’s the drop! remix LP with his take on “fn pig (ov).” Cashmere Cat’s sophomore album makes its debut on Sept. 20, featuring song like the Christina Aguilera-sampled “WATERGIRL,” and Chris Lorenzo takes on Boombox Cartel and MadeinTYO’s “NEW WIP.” M83’s much-anticipated 15-song DSVII is out now, featuring songs like “Feelings,” and Kill Paris puts an even groovier spin on Haywyre’s already-funky “Storyteller.” Opiuo and Lafa Taylor shine in “Send It,” and Muzzy tackles Knife Party’s “Ghost Train” with a sinister rendition of his own. Billy Kenny and Huxley take to the dance floor on “SWEAT,” and Feenixpawl and Marcus Santoro bring the feels with “Forever Young.” Cristoph puts his own spin on The Temper Trap’s “Sweet Disposition,” and Dom Dolla plays with words on “San Frandisco.” David Guetta remixes himself as Jack Back in a new remix of “Thing For You,” and Luttrell paints a serene soundscape with his remix of Jai Wolf and Mr Gabriel’s “Lose My Mind.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Saturday Night Session 026: From being a die-hard Tiësto fan to playing on the mainstage, GATTÜSO talks about his entrance into electronic music

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Saturday Night Session 026: From being a die-hard Tiësto fan to playing on the mainstage, GATTÜSO talks about his entrance into electronic musicGATTUSO STUDIO 2

Few moments are more sacred than the reprieve Saturday night provides from the daily grind of school and work. Its importance is meant to be emphasized, and thus, a feature dedicated to “doing the night right” was born. Saturday Night Sessions are set around energizing mixes meant to get the party started. New or old, each episode has one cornerstone thing in similarity: they serve as the perfect backdrop for the weekend pregame.

The journey of becoming a successful DJ and producer is different for everyone, but almost always unified by years of hard work. It’s a grind, and for many, an uphill battle to get booked, grow a fanbase, and score radio placements. Reem Taoz is as familiar with the hard work part of this story as the best of them, but the electronic music industry seemingly woke up one morning and decided that he was going to be a household name. Taoz arrived to the forefront of the electronic music scene the second he got into the studio, and this is almost certainly thanks to his infectious spin on progressive house and club music.

Taoz performs under artist alias GATTÜSO, and the Israel native actually credits legendary producer Tiësto as his inspiration to become involved in the electronic music industry.

He mentions, “I have to credit Tiësto as my biggest inspiration.  I heard him play first in Israel, and when I first started to really travel – it was to go to a Tiësto show, and I ended up following him to shows around the world.”

This led him to Peru, where he started working in the nightclub industry. The more time he spent around the music, the more certain he became that he needed to start creating his own. In 2017, a now New York City based Taoz stopped everything to focus on making music. Two years later he has 12 remixes and seven originals under his belt with 10 new original releases in the works. He has released music on Dim Mak, Armada, Enhanced, and he has his own record label called T&T Records. He has also done official remixes for an extensive list of tier one artists including forthcoming remixes for Galantis, Yellow Claw, and Sam Feldt among others.

The sheer volume of music Taoz has put out despite being a music producer for only two years is impressive. His output begins to make more sense after discussing the amount of time he spends in the studio and what he does outside of work to unwind. He notes, “The past month, I spent 300 hours in the studio, which hasn’t left a whole lot of time…I really try to spend every minute outside of the studio enjoying food, family, and staying healthy.  I’ve said it before, but Im a HUGE fan of sushi, and working out, and I hit the gym and run at least a few miles every day.  I also love tequila and champagne, although I try not to do that every day!”

For those trying to figure out what led to Taoz’s meteoric ascension, one stunt comes to the forefront. Taoz chose the artist name GATTÜSO because he was a huge Genaro Gattuso fan, who is an Italian soccer player from AC Milan.

When asked how he chose his artist name, he explains, “It’s ironic, because the name just came to me one night.  I wanted something that sounded strong and forceful.  I’m a huge football fan (soccer), and I knew that there was a former player for AC Milan, who was a major star, and then went on to coach the team.  I figured that somewhere down the road, we might cross paths, and as it turns out a huge AC Milan fan, with a big instagram account, realized that we had the same name, created a bunch of buzz on it, and we ended up collaborating on a song called ‘Scuza Gattuso,’ which started as an inside joke and went on to be featured in tons of global press outlets, featured on top playlists, and brought me a loyal fan base of Italian listeners.”

GATTÜSO’s inside joke has certainly garnered him a strong Italian fanbase. He also touts an ever-expanding group of loyal listeners in the U.S. and throughout the world. When asked what kind of a Saturday Night his Saturday Night Session will get listeners ready for, Taoz comments, “Life with GATTÜSO is always a party.  Life is meant to be enjoyed – every minute of it, especially this Saturday night! So get ready for good vibes and a playlist you’re going to play again and again.”

______________________________________________________________________________

You kind of came out of nowhere- releasing your first original in 2018, and all of the sudden you’re doing remixes for major artists and your originals are amassing millions of streams. Tell us about your entrance into dance music and why you started producing. 

I have to credit Tiësto as my biggest inspiration.  I heard him play first in Israel, and when I first started to really travel – it was to go to a Tiësto show, and I ended up following him to shows around the world.  Thats what led me to Peru, where I spent a few years in the nightclub business.  The more time that I spent around dance music and DJ’s, I realized that it was time to turn my passion for music as a fan into finding myself as an artist.  I played music as a kid and had messed around with some production software over the years, but in 2017 I stopped everything and turned to focus on producing full time.  My first original releases, “Who We Are” and “Dance Stay High” were really personal songs for me, as was “I Will Play.” This writing was directly from my personal life and was very cathartic for me.  Seeing these songs with millions of streams now is very satisfying because I think it shows that other people feel the way I do, and I’m happy to see my music resonating with people around the world. 

How would you describe your musical style to those who haven’t heard you before?

I love progressive, with big drops, catchy melodies, and driven by memorable vocals and great songs.  Thats what I try to do! I balance this out with club tracks, and Im going to be releasing more of those in the near future, since I have a lot of fun making them. 

Given your first original came out in 2018 and you have since released a plethora of remixes and originals- you must spend quite a lot of time in the studio. What do you do to unwind? 

As of this week, Ive actually released about or exactly 12 remixes and 7 originals. I have another 10 originals that I’m working on now, and about 5 are ready to release.  The past month, I spent 300 hours in the studio, which hasn’t left a whole lot of time.  That said, I love to enjoy my life, and I make sure that I carve out time to do that.  I love making music and that time is very special to me, but I really try to spend every minute outside of the studio enjoying food, family, and staying healthy.  I’ve said it before, but Im a HUGE fan of sushi, and working out, and I hit the gym and run at least a few miles every day.  I also love tequila and champagne, although I try not to do that every day 🙂 

How did you choose the artist name GATTÜSO?

It’s ironic, because the name just came to me one night.  I wanted something that sounded strong and forceful.  I’m a huge football fan (soccer), and I knew that there was a former player for AC Milan, who was a major star, and then went on to coach the team.  I figured that somewhere down the road, we might cross paths, and as it turns out a huge AC Milan fan, with a big instagram account, realized that we had the same name, created a bunch of buzz on it, and we ended up collaborating on a song called “Scuza Gattuso,” which started as an inside joke and went on to be featured in tons of global press outlets, featured on top playlists, and brought me a loyal fan base of Italian listeners.  

Do you have any specific releases or remixes coming out soon that you are particularly excited about?

Yes! All of them.  August was a huge month for me, with 4 remixes back to back. There’s a Two Friends remix coming this month, “Dollar Menu” (Dim Mak 9/6), and then Im finishing up great remixes for Icona Pop (who I have always loved), and Starley, which should be out in October. It’s been amazing to work with such great songs and artists, that I’ve been following and listening to for some time now.  They have all inspired and influenced me, so its really awesome to have these kinds of opportunities.  I’m in the process of finalizing some label deals on a handful of originals, and I’m going to release one this month on my own label, T&T Records, called “Love Is Not Enough.”  I LOVE this record and the singer S.A.L.E.M just kills me.  She’s amazing, has something very special I think, which is hard to find.  

I just did a swap with Mark Sixma.  He’s awesome.  My song with Disco Killerz, “Million Things” was on Dance Rising with his song “Million Miles.”  I loved his style, and when I released “When In Rome” on Armada in July, when it came time to get remixes done, I hit him up and we decided to trade.  Really excited for that to come out September 20th.  

Other releases and remixes I have coming out:

Breathe Carolina X Asketa & Natan Chaim “Get Away feat. Rama Duke” (Spinnin Records)

Steve Void & Louisa – Aint Got You (Strange Fruits/Universal 8/23)

Sam Feldt – Post Malone (Spinnin Records 8/29) 

Galantis & Yellow Claw – We Can Get High (Big Beat/Atlantic 8/30)

What is your favorite song of all time?

Thats a tough call.  Lets go with top 3

Radiohead “Creep” 

Dash Berlin “Till The Sky Falls Down”

R3HAB “Lullaby,” and I was fortunate to do a remix for that one.  I have always been a big fan of Fadil’s and he has now become a friend.  

What kind of a Saturday night is your Saturday night session going to get listeners ready for?

Life with Gattuso is always a party.  Life is meant to be enjoyed – every minute of it, especially this Saturday night! So get ready for good vibes and a playlist you’re going to play again and again.  

Photo Credit: Richard “Parlay” Copier @OneiPhotography

NMF Roundup: NGHTMRE and ZHU link for new single, JOYRYDE reveals ‘MADDEN’ + more

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NMF Roundup: NGHTMRE and ZHU link for new single, JOYRYDE reveals ‘MADDEN’ + moreNGHTMRE Tessa Paisan Ritz Ybor 2017 39 Of 50

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

NGHTMRE and ZHU have linked with Kidd Keem to deliver the delectable “Man’s First Inhibition,” and Seven Lions, MitiS, and RBBTS join forces on “Break The Silence.” JOYRYDE has revealed the third single from his forthcoming LP, “MADDEN,” and Adventure Club, Said the Sky, and Caly Bevier flex their skills on “Already Know.” Duke & Jones try their hand at remixing Party Favor and graves’ “Reach For Me,” and Gareth Emery continues his Laserface takeover with “Laserface 01 (Aperture).” Fox Stevenson announces his debut album with the release of “Hold Steady,” and David Guetta and MORTEN take on a remix of Avicii’s “Heaven.” Also in today’s remix game is Ross From Friends, who puts his own spin on Flume and London Grammar’s “Let You Know.” Mura Masa and Clairo thrill with their release of “I Don’t Think I Can Do This Again,” and Ilan Bluestone reworks Cosmic Gate and Emma Hewitt’s “Be Your Sound.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Tessa Paisan

Galantis purvey pop leanings on ‘Roots,’ with Valerie Broussard

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Galantis purvey pop leanings on ‘Roots,’ with Valerie Broussard48369616 1713513132087904 8729731985028677632 O

Linus Eklöw and Christian Karlsson of Galantis have teamed up with previous Kygo collaborator, Valerie Broussard for a new high-energy dance pop release “Roots,” Galantis’ fourth release of the year.

Broussard’s commanding vocals carry the song from the outset with plucky guitar synth dancing between her lyrics. The song welcomes Galantis back to their pop-directed dance roots with a light melody and a drop that enlists piano and blaring trumpets. “Roots” is a change of pace for the duo, who are most well known for their ability to create uniquely synthesized vocals.

“I’ve always considered myself a bit of a wanderer, and so it surprised me greatly when I started missing Los Angeles while I was away on tour. This song is my love letter to LA, a place I had once considered nothing more than a temporary home, but it’s also about any person or place that makes a life-long traveler want to put down roots,” Broussard says of her songwriting inspiration for the song.

Galantis have released a very distinct collection of releases this year, spanning a OneRepublic collaboration “Bones,” which has gone on to be featured on mainstream radio stations around the world, all of the way to a Yellow Claw collaboration, “We Can Get High.” “Roots” is out now on RCA Records.

Discover your Moonrise Festival must-sees, based on your musical preferences

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Discover your Moonrise Festival must-sees, based on your musical preferencesMoonrise Festival

With Baltimore’s annual electronic affair, Moonrise Festival, rapidly approaching, Dancing Astronaut canvasses the event’s expansive lineup to highlight an array of acts that correspond with attendees’ musical preferences. Ranging from hip-hop heavyweights like 21 Savage to esteemed icons like dance music pioneer, Tiësto, Moonrise’s 2019 roster of talent is vast and spans multiple sub-genres. Although there is no limitation to the number of adept artists who top the festival’s lineup, Dancing Astronaut isolates a handful of producers to underscore why these eye-catching electronic entities warrant “must-see” status for Moonrise’s 2019 installment.

You’re a bass head

Through its consistent curation of bass artists over the years, Moonrise Festival has distinguished itself as one of the most bass-laden events of the East Coast festival circuit. To date, the key to the Baltimore mainstay’s bass-leaning lineups has been variety. As in past years of the festival’s production, Moonrise’s 2019 lineup intermingles renowned bass authorities who’ve proven themselves subwoofer-worthy with experimental producers on the rise.

Who to see:

Yellow Claw: With their 2013 single “DJ Turn It Up,” Yellow Claw meshed booming bass with a vigorous vocal overlay. The production matured to become an early electronic classic. It’s arguably one of the most readily recognizable trap tunes of the last decade. In the time since, Yellow Claw followed the seminal song with multiple hard-hitting albums, like 2017’s Los Amsterdam, 2018’s New Blood, and 2019’s Danger Days. Yellow Claw’s catalog is expansive and intense, and their contributions to the bass and trap landscape: storied. The OGs’ upcoming set rests atop the helm of the bass-centric artist agenda, whether it’s the Moonrise attendee’s first live introduction to Yellow Claw, or a welcomed reunion.

Decadon:

Respected in the Colorado bass music scene, Decadon has mustered considerable momentum in recent years. The producer’s fusion of rock and roll elements with bass line grit distinguished his live format from those of fellow bass taste makers, as his successive series of ear-shaking singles ensnared listeners in search of fiery arrangements. Those unfamiliar with Decadon’s sound will find “Get Me High” and “Inception” to be alluring introductions.

Habstrakt:

“I feel like I haven’t released enough music in 2018 and I’m about to change that,” Habstrakt tweeted as 2018 wound to its inevitable close. True to his word, the French bass authority has released six singles since, his most recent being “Lasagne,” produced alongside Bellecour. However, “Lasagne” only scratches the surface of Habstrakt’s riotous release activity of late. Preceding singles like “Control” and “De la street” exhibit Habstrakt’s rugged approach to bass house style. For a bass-burgeoning showing sure to shut down the Moonrise scene, stop by Habstrakt’s set.

You’ve got an affinity for the underground

Who to see:

i_o: Known for his irreverent, tongue-in-cheek online persona mau5trap resident i_o has steadily amassed an audacious following through his release of entrancing techno productions that command a distinctive presence in their characteristically dark tones, pulsating bass lines, and generally hypnotic frameworks. Offering an intoxicating whirlwind of vocal loops and beats, i_o’s catalog will undoubtedly lend itself to a stimulating live experience.

Hotel Garuda: After Manila Killa left the two-producer project that was Hotel Garuda, remaining member, Candle Weather, elected to carry on the alias as a one-man show, and has left listeners wanting for nothing in the time that has followed. Hotel Garuda’s “Head In The Trees” arrived as a fluid, honey-like production that not only marked the first Hotel Garuda single since Manila Killa halved the duo, but also the inaugural track to feature Candle Weather’s own vocals. There’s a dreamy, sometimes downtempo style to Hotel Garuda’s aesthetic that, infused with indie and house elements, makes for an inventive amalgamation of styles that sets Hotel Garuda apart from fellow entities of the underground.

Justin Martin: A central figure of the Dirtybird Collective, Justin Martin boasts a bubbly brand of house music that merges Martin’s own musical idiosyncrasies with the glitchy, unusual effects specific to Dirtybird productions. Along with Martin’s status as a storied producer comes his acute ability to both read a crowd and galvanize it to dance, leading Martin’s sets to feel distinctly immersive. Martin captivates attendees gathered at his sets with his high-spirited style behind the decks and with his infectious energy. Innovative–and often delightfully wonky–beats animate Martin’s speakers, ensuring that there’s never a dull moment when Martin takes the stage. Come for the music, and stay for the welcoming character of Martin and his assembled following.

You’re more inclined to vocal-centric, mainstream dance sound

Who to see:

Cheat Codes: While nothing in life may be certain, odds are the production in question will emanate some serious mainstream appeal if it bears the Cheat Codes stamp. The electronic trio, comprised of Kevin Ford, Trevor Dahl, and Matthew Russell, have shown their fingers to be planted ever so firmly–and consistently–on the pulse of dynamic dance sound in their series of standalone singles, all of which collaboratively underscore the group’s sonic versatility. While Cheat Codes’ Afrojack feature, “Ferrari,” took the triple-threat entity into trap territory, the Demi Lovato-assisted “No Promises” flaunted Cheat Codes’ acute ear for a smoothly constructed pop-electronic hybrid well-suited for radio play. Attendees seeking boundless live energy and ample opportunity to sing along to catalog staples ought not to pass up their chance to see the three-man outfit live.

Gryffin: Intermixing live instrumentation in DJ sets is an approach that has gathered momentum in the dance context, and Gryffin is one producer who excels at the all-encompassing approach. The classically trained musician has been known to incorporate guitar and piano into his performances, while remaining consistent with the dance format. With an array of wall-to-wall hits under his belt such as “Feel Good,” “Tie Me Down,” and “All You Need To Know,” Gryffin offers Moonrise attendees the quintessential live electronic experience.

Moonrise Festival will return to Baltimore’s Pimlico Race Track from August 10-11. Passes to the festival are available for purchase, here.

NMF Roundup: REZZ and Deathpact link up, Wave Racer unveils new single + more

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NMF Roundup: REZZ and Deathpact link up, Wave Racer unveils new single + moreRezz Porter Robinsin Divinity Remi Live Debut

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

REZZ and Deathpact take no prisoners in their new collaboration, “Kiss of Death,” and Wave Racer follows up recent single, “Auto,” with the soothing “Summer Rain.” Skrillex makes an appearance on Ed Sheeran’s latest, “Way To Break My Heart,” and Tycho reveals his full Weather LP on Mom+Pop/Ninja Tune. Ekali and Reo Cragun bring “Runaway” to Big Beat, and Madeon continues his tour de force with “Dream Dream Dream.” Keys N Krates have released a brand new “beat tape,” featuring tunes like “Sad Piano,” and TroyBoi returns to OWSLA for “PAPI CHULO.” Camelphat throw it way back with a remix of Dirty Vegas’ iconic 2002 release, “Days Go By,” and KSHMR taps Mike Waters for “My Best Life.” Moon Boots and Steven Klavier are all “Tied Up,” and David Guetta and Martin Solveig deliver a club mix of “Thing For You.” Tiësto crafts a big room remix of Illenium and Jon Bellion’s “Good Things Fall Apart,” and Armin van Buuren, Avian Grays, and Jordan Shaw team up for “Something Real.” Sofi Tukker get groovy on “Swing,” and Valentino Khan and Diplo collaborate on a hefty house heater, “JustYourSoul.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Rukes

Galantis and Yellow Claw release uplifting summer collaboration, ‘We Can Get High’

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Galantis and Yellow Claw release uplifting summer collaboration, ‘We Can Get High’Galantis Credit Jimmy Fontaine Main1

Galantis and Yellow Claw have teamed up to produce an uplifting, summer feeler, “We Can Get High,” that sparkles in the high register with bright piano, summertime melodies, and vocals that inspire hope. The double duo shines in curating a happy environment with a douse of thrill and euphoria, smashing heavier kicks and dancing vocal chops into a casual dance skeleton.

This year, Galantis has teamed up with Passion Pit and OneRepublic, expanding their songwriting repertoire beyond genre confines. The collaboration with Yellow Claw marks a partnership in the dance music space where the Swedish duo sprouted from.

Yellow Claw comes fresh off their Danger Days EP, a heavy exposition that touches on their old sound while exploring other avenues of rhythm.

Photo credit: Jimmy Fontaine

NMF Roundup: Ferry Corsten and BT deliver ‘1997,’ Galantis and Yellow Claw team up + more

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NMF Roundup: Ferry Corsten and BT deliver ‘1997,’ Galantis and Yellow Claw team up + moreFerry Corsten Photo Credit Getty

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Ferry Corsten and BT kick off this week’s hottest songs with the release of their hefty new collaboration, “1997,” and Gorgon City take on Local Dialect in a slow-burning remix of “Poseidon.” Sub Focus thrills on a drum ‘n’ bass take on Bring Me The Horizon’s “mother tongue,” and Kaskade and Meghan Trainor join forces on “With You.” Luttrell returns to Anjunadeep for “Need You Now,” and Yellow Claw and Galantis keep things light and breezy on “We Can Get High.” Tiësto has remixed the late Avicii’s “Tough Love,” and Ducky makes a Deadbeats appearance with “Addicted to Your Distance.” Jason Ross brings an even more emotive atmosphere to Gryffin and SLANDER’s “All You Need To Know,” and Gareth Emery and Ashley Wallbridge follow their recent LP with “Never Before.” Kygo teams up with Store P and Lars Vaular on “Kem Kan Eg Ringe,” and Fox Stevenson continues his slew of 2019 releases with “Killjoy.” Gallant serenades smoothly on “Sharpest Edges,” and Matoma links with MNEK and Kiana Ledé on “Bruised Not Broken.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Getty Images

Moonrise announces 2019 lineup, featuring Tiësto, Illenium, Nora En Pure + more

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Moonrise announces 2019 lineup, featuring Tiësto, Illenium, Nora En Pure + moreMoonrise

The two-day Moonrise Festival at Baltimore’s Pimlico Race Course will return for its sixth installment Aug. 10-11 with a wave of diversity in its lineup.

Streaming services are breaching new territory on the genre side of things, with viral charts becoming largely saturated by hip-hop acts. This festival season is starting to reflect these changes, with a prime example in Moonrise Festival. The genre-led ripple effect brings rappers 21 Savage and Smokepurpp, among others, to a largely electronic-based lineup at the race track’s infield.

Joining them are some of dance music’s top players, including Tiësto, Yellow Claw, k?d, Illenium, Nora En Pure, and more.

Purchase tickets here.

Photo credit: Alive Coverage