The Success Of “I Love It” Puts A Perfectly Perverse Bow On Kanye West’s Batshit Year

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Kanye West & Lil Pump's "I Love It" VideoPoor Icona Pop. The shouty Swedish singing duo don’t have much to hang their hat on, historically speaking. In the moment, I thought their 2013 debut album was pretty good, but time has mostly forgotten them. The one thing they could definitely claim is SEO dominance for the phrase “I Love It” thanks to the … More »

The Boy Band Is Changing, But The Old Model Persists For Now

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Why Don't WeAs long as there has been pop music, there have been boy bands. But ask any American about the “boy band era” and they’ll probably assume you’re talking about the turn of the millennium, when Backstreet Boys and NSYNC led an insurgent army of meticulously styled hormone-activating ensembles. These dreamboat teams were the predominant unit … More »

Big Reputation: A Trip To Taylor Swift’s Hyper-Maximalist Stadium Tour

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Taylor SwiftI am sitting on a folding chair in the middle of a football field. A few dozen yards in front of me stand two video screens several stories high, each angled slightly toward its respective side of the stadium, converging at the center of the stage like two sides of a triangle. A gargantuan rig … More »

Ella Mai & Jorja Smith, New Queens Of UK R&B

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Ella Mai“Boo’d Up” is blowing up. Ella Mai’s sumptuous ’90s R&B throwback, first released way back in February 2017 as the opening track of her Ready EP, is on its second week at #8 on Billboard’s Hot 100 singles chart. The slow-burn success story had its genesis in Spotify and Apple playlist placement but … More »

NMF Roundup: The Glitch Mob slows things down, Borgeous reups Marshmello, ATTLAS stuns, Daniel Avery delivers + more

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The most important day of every week: New Music Friday. As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed.


Break out your Tigers Beat: The White Panda elevates the hottest rising boy band, save for Brockhampton, lifting Why Don’t We’s empowering hit single “Trust Fund Baby” to newfound heights with an injection of feel-good vibes and upbeat danceability that beckons innumerable repeats.

Raito digs into a bag of old-school garage tricks with a burgeoning breakbeat remix of Virtual Self‘s hyperactive, fantasy-themed electronic “Ghost Voices,” transforming the number into an even heavier, drum-sweltering beast.

Borgeous reupholsters Marshmello‘s “FRIENDS” with a most passionate swatch, ditching the track’s acoustics, and accentuating its passionate lyrics tenfold.

Ashley Wallbridge‘s uplifting Gareth Emery rework and effervescent trance tune aligns itself with an era of Armada‘s finest amidst its formal release.

With the vocal help of Tima Dee, Fareoh asserts his versatile studio reign once more.

Midnight Kids consider Shaun Frank‘s “Addicted” in a compelling new ’80s-centric dance-heavy decorum.

Big Gigantic ushers everyone to the dancefloor with a groovy new take on The KnocksFoster The People collaboration.

Though the track’s title and lyrical content is lacking sincere cerebral depth, SNBRN coalesces Peking Duk‘s “Wasted” into a digestible summertime tune, making the number’s monotone vocals and cringeworthy frat bro vibes a smaller, but bearable pill to swallow.

Marcel Dettman‘s burgeoning warehouse Mount Kimbie remix of “Four Years And One Day” meets streaming services as a meticulously crafted far cry from its shoegazey original.

The Glitch Mob slow things down with Elohim, showcasing their softer side, and highlighting their carefully calculated production capabilities.

Junior Sanchez embodies the essence that’s come to define him on “Forget” — always moving forward, without ever losing sight of where he’s been.

Sofi Tukker busts out a thrashing, ridiculously colorful new tune ahead of their debut album Treehouse out next Friday, April 13, elevating its anticipation to unforeseen heights.

ATTLAS is at home in the treetops and ensures listeners his glittery techno is a style which will only continue to define an era of mau5trap in years to come.

At long last Chris Lake has found his mind…. It seems this beat has taken it, and we’re glad to finally have it back, even if it was just for the sake of this one tantalizing tune.

Daniel Avery’s cavernous, contemplative techno album Song For Alpha has arrived. Perhaps best encapsulating the aforementioned, “Glitter” is a flurry from the club space, rife with atmosphere, and embedded influence of the greats that came before him.

Saving the best for last, Icelandic multi-instrumentalist and composer Ólafur Arnalds bestows his latest sonic gift “re:member.” Enough said.

New Music Friday: Bloody hell pop music’s really good isn’t it

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You’re going to look at this week’s playlist — it’s 37 songs long — and you’re going to think “no thanks I only have room in my brain for about 18 new songs”. Do not think that. Instead prepare yourself for what is, and we are absolutely serious about this, the best New Music Friday since New Music Friday began in 2015.

That’s not to say it’s packed with pop’s biggest names. You possibly haven’t heard of half these people. Very few of these songs are likely to make a huge impression on global streaming charts. But none of that matters, does it? This week’s playlist is absolutely packed with top notch pop music.

We actually got a bit emotional when we realised how much great stuff had been released today. It’s a real ‘maybe we won’t shut down this stupid website after all’ moment.

Notes:

  • RABBII, who we’ve covered a couple of times already on Popjustice, have released a totally beautiful modern pop ballad called ‘Left For Dead’.
  • CHVRCHES, as we know, are back, but released their new song on a Wednesday, therefore contravening Rule 1 of the New Music Friday Agreement and as a result are denied Single Of The Week status. Rvles are rvles chaps.
  • Absolutely brilliant US pop duo Magdalena Bay have chucked out another extraordinary single. Are they signed yet? Can someone at a label please take action in this area? We don’t want to take matters into our own hands and given the shambles that ‘ensued’ the last time Popjustice launched a record label you probably don’t want that either. ‘The Bay’ are really fantastic though.
  • THE RAE MORRIS ALBUM IS OUT TODAAAAAAAAY.
  • There’s loads of brilliantly eccentric pop out this week, including the Kiesza and Chris Malinchak song, Let’s Eat Grandma‘s brave and long overdue foray into being halfway listenable, and Millie Turner‘s extraordinary The Shadow, whose spoken word second verse will totally blow your head off.
  • V promising big-things-t0-come singer of song Sasha Sloan has released two (1 + 1!) songs today and they’re both brilliant.
  • Always nice to hear new Streets stuff, right?
  • Why Don’t We‘s Ed Sheeran-‘penned’ Trust Fund Baby (‽) sounds like it’s just being sung by Ed Sheeran. It is, like a lot of (BUT NOT ALL) Ed Sheeran songs, literally very good.
  • And finally, brace yourself for this one. Kim Wilde — KIM WILDE OUT OF THE 80s — has a new single out today. It’s called Pop Don’t Stop. If you think that title sounds slightly over the top you’re really only 8% of the way to comprehending the pop wrecking ball that’s about to smash its way through your brain. Pop Don’t Stop is the sort of song that exists far beyond our normal comprehension of things like ‘good’ and ‘bad’ but we can state now with some certainty that this song is destined to become a 5pm-on-a-Friday office playlist favourite for many, many Popjustice readers.

UPDATE: It’s now 38 songs because we forgot about the brilliant new ionnalee song.

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You Gotta Respect Fall Out Boy’s Commitment To Being A Little Much

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Fall Out Boy have always been a lot. God gave singer-guitarist Patrick Stump indestructible musclebound vocal cords that cannot be contained, and he fully indulges their powers. Musically, his songs tend to be big and bold, often dispensing with conventional notions of good taste in their pursuit of stadium-sized glory. As a lyricist, bassist Pete … More »

The Path To A Hit Single Is Changing — Just Ask Miley Cyrus & Demi Lovato

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Do you remember “Party In The U.S.A.”? Ha ha, funny question, right? How could you forget it? It was everywhere. There was no escaping it. More »

New Music Friday: Mollie King at the top, boyband pointlessness at the bottom, various songs in between

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Song of the week:
Mollie King — ‘Hair Down’

Wrongs of the week:
Why Don’t We — ‘These Girls’
In Real Life — ‘Eyes Closed’

Boybands are amazing. Boybands are important. Boybands are necessary. None of those three facts excuse what’s on offer this week — the latest effort from Why Don’t We and the first release from In Real Life, the boyband who’ve come about as a result of US show Boy Band. A good reminder that for every One Direction shifting the parameters of boybandism there have always been a dozen opportunistic, will-this-do creations that undo any good work done by the better boybands, justifying and reinforcing the scepticism with which boybands are generally regarded. In Real Life’s ‘Eyes Closed’ is particularly egregious when you take into account the resources on offer. OH WELL!!!

Additional notes:

  • ‘Already There’, the new song from ARY, is an all-out triumph which, along with Ingrid‘s ‘1234’, presents alternate-universe ideas of what a Mollie King solo career might have sounded like.
  • NONONO‘s ‘Masterpiece’ is strange and wonderful.
  • It’s nice to have Paloma Faith back isn’t it?
  • Ditto Jessie Ware.
  • The fizz has pretty much gone out of Galantis these days which is a sad but not irreversible scenario.

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The post New Music Friday: Mollie King at the top, boyband pointlessness at the bottom, various songs in between appeared first on Popjustice.