Rare is an accurate title for a Selena Gomez album. Gomez, the former Disney Channel teen actress turned pop superstar and tabloid fixation, is part of the class of big-time pop singers who haven’t released a full-length project since the middle of last decade — a group that includes Adele, Rihanna, and her former boyfriends … More »
At this late date it’s rare to encounter music that truly sounds like nothing else, but El Mal Querer pulled it off last year. The Catalonian singer Rosalía’s second album was truly unique, alchemizing traditional flamenco with futuristic R&B in a manner that felt both natural and visionary. Palmas that hit like accented … More »
“I have taken out my Invisalign, and this is the album!” Billie Eilish announces at the outset of her debut album. The 17-year-old singer then collapses into hysterical laughter with a male cohort — presumably her older brother, a fellow musician named Finneas O’Connell who’s been her close collaborator ever since … More »
A non-exhaustive list of American musicians who’ve hit it big in Europe and the UK before breaking through back home: Jimi Hendrix, Backstreet Boys, NSYNC, the Strokes, the White Stripes, Andrew W.K. To that list you can now add Ava Max — aka Wisconsin-born, Virginia-raised Amanda Ava Koci — whose “Sweet But Psycho” might be … More »
Poor Icona Pop. The shouty Swedish singing duo don’t have much to hang their hat on, historically speaking. In the moment, I thought their 2013 debut album was pretty good, but time has mostly forgotten them. The one thing they could definitely claim is SEO dominance for the phrase “I Love It” thanks to the … More »
As long as there has been pop music, there have been boy bands. But ask any American about the “boy band era” and they’ll probably assume you’re talking about the turn of the millennium, when Backstreet Boys and NSYNC led an insurgent army of meticulously styled hormone-activating ensembles. These dreamboat teams were the predominant unit … More »
I am sitting on a folding chair in the middle of a football field. A few dozen yards in front of me stand two video screens several stories high, each angled slightly toward its respective side of the stadium, converging at the center of the stage like two sides of a triangle. A gargantuan rig … More »
“Boo’d Up” is blowing up. Ella Mai’s sumptuous ’90s R&B throwback, first released way back in February 2017 as the opening track of her Ready EP, is on its second week at #8 on Billboard’s Hot 100 singles chart. The slow-burn success story had its genesis in Spotify and Apple playlist placement but … More »
The most important day of every week: New Music Friday. As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed.
Break out your Tigers Beat: The White Panda elevates the hottest rising boy band, save for Brockhampton, lifting Why Don’t We’s empowering hit single “Trust Fund Baby” to newfound heights with an injection of feel-good vibes and upbeat danceability that beckons innumerable repeats.
Raito digs into a bag of old-school garage tricks with a burgeoning breakbeat remix of Virtual Self‘s hyperactive, fantasy-themed electronic “Ghost Voices,” transforming the number into an even heavier, drum-sweltering beast.
With the vocal help of Tima Dee, Fareoh asserts his versatile studio reign once more.
Though the track’s title and lyrical content is lacking sincere cerebral depth, SNBRN coalesces Peking Duk‘s “Wasted” into a digestible summertime tune, making the number’s monotone vocals and cringeworthy frat bro vibes a smaller, but bearable pill to swallow.
Junior Sanchez embodies the essence that’s come to define him on “Forget” — always moving forward, without ever losing sight of where he’s been.
Sofi Tukker busts out a thrashing, ridiculously colorful new tune ahead of their debut album Treehouse out next Friday, April 13, elevating its anticipation to unforeseen heights.
At long last Chris Lake has found his mind…. It seems this beat has taken it, and we’re glad to finally have it back, even if it was just for the sake of this one tantalizing tune.
Daniel Avery’s cavernous, contemplative techno album Song For Alpha has arrived. Perhaps best encapsulating the aforementioned, “Glitter” is a flurry from the club space, rife with atmosphere, and embedded influence of the greats that came before him.
Saving the best for last, Icelandic multi-instrumentalist and composer Ólafur Arnalds bestows his latest sonic gift “re:member.” Enough said.