Dancing Astronaut’s Artists to Watch in 2020

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Dancing Astronaut’s Artists to Watch in 2020Rinzen Eoy

2019 has been an undeniably remarkable year for electronic music, but what will the next decade bring? The Dancing Astronaut team has its fingers on the pulse of the coming months—notably artists who saw an immense upward trajectory in 2019 and are primed for a big 2020. These artists aren’t necessarily freshman newcomers, but rather established artists to keep a close eye on next year. In no particular order, we present our Artists to Watch in 2020 list.

Dancing Astronaut’s Artists to Watch in 2020SUBTRONICS SNAILS
Photo credit: @traumashoots


Subtronics had an impressive 2019, boasting a side to bass music unique unto the cyclops army general himself through catchy fills, grotesque sound design, scintillating syncopation, and provoking dubstep arrangements. Known off-stage as Jesse Kardon, the Philadelphia producer rounded the year with a certified viral, festival hit with “Griztronics,” a collaboration with dance music’s lovable, sax-touting, electro-funk Michigander, GRiZ.

Aside from the bigger font size on lineup cards, the sound slinger boasted numerous grade-A collaborations from touted veterans such as Ganja White Night on their “Headband” offer and Rusko with “Bounce.” Other partnerships included the visually appealing “SNAILCLOPS” with Snails and the menacing “Step Aside” with “Midnight Tyrannosaurus.” After success on the festival and streaming stage, the up-and-coming engineer unleashed a furry of audio with his Wooked On Tronics.

Finishing off 2019, the friendly creator is rounding out the year with a Kayzon collaboration, “BRAINCASE.” He of course also has a Zeds Dead collaboration. Get prepared for a thrashing 2020 that can only bring more carnage, because he’s not stopping or slowing down anytime soon.

Chris Stack

Dancing Astronaut’s Artists to Watch in 2020Wa Motif 1
Photo credit: Leonardo Kaczmarek

Wax Motif

G-house, tech-house, nu-disco, hip-hop, Wax Motif can sweep it all up in a song with a flick of his wrist. The longtime scene staple has experienced nothing like a shortage on the original release front over the years. But it wasn’t until 2019 that he unrolled official album plans. 

And what a rollout it was

The first single to usher in the impending album, poised for a 2020 release, also stood as the first single shared via Wax’s newly minted self-started record label of the same name, Divided Souls. “Divided Souls,” a proper modern-day tech-house stomper, ups the ante for G-house fanatics, featuring a sermon-like vocal cut from the preeminent Diddy—yes, that Diddy. Most recently Wax shared, “Lose Control,” featuring the swiftly ascending Matroda, and sampling the late great Missy Elliot, for a dynamic update to an iconic early 2000s dance floor display. 

2020 has plenty of promising developments on the Waxy horizon, between his album plans, new Divided Souls releases, his prolific touring track record, and expected activity from his House of Wax mix series.  

Bella Bagshaw

Dancing Astronaut’s Artists to Watch in 2020Ben Boehmer Photo Cred Kunter Grau E1575388150708
Photo credit: Kunter Grau

Ben Böhmer

For Ben Böhmer, there might inexplicably be no better way to cap off the year than with his debut album. Delivering the awe-inspiring Breathing filled with thematic nuances and progressive shades, Böhmer has poignantly strategized his gentle climb to the top with a steady stream of releases that have unearthed his grasp on ethereal sonics and conjunctively associated him with prolific peers. From his first appearance on esteemed deep house label Anjunadeep‘s Explorations 04 with the potently dreamy “Flug & Fall,” the Berlin talent had already cemented his ascent as a burgeoning act of his own. Consistently reaping radio play from Above & Beyond‘s Group Therapy, Böhmer has also received support from Ferry Corsten‘s Corsten Countdown, Cosmic Gate‘s Wake Your Mind, Aly & Fila‘s Future Sound of Egypt, and more.

While Böhmer’s full potential has hardly been breached, the culmination of his efforts in 2019 is just on the horizon. Coalescing with label mates Luttrell and Spencer Brown on “Gibberish” and “SF to Berlin” respectively, the fledging Berlin producer has transfixed melodic listeners in the studio and on stage—performing at not only Anjunadeep’s Open Air and Explorations circuit, but also supporting Lane 8‘s This Never Happened tour. Now, Böhmer looks to accelerate his career with his own world tour in support of debut LP Breathing and undeniably prepare for what will be his most defining year yet in 2020.

Jessica Mao

Dancing Astronaut’s Artists to Watch in 2020Peekaboo Photo Credit Anastasia Velicescu
Photo credit: Anastasia Velicescu


Peekaboo began gaining recognition in 2018 with his Wakaan-backed Imposters EP, as the cinematic “Arrival” shared a glimpse into his previous education as an audio engineer for horror films. Towards the end of 2018, the Michigan-born producer released scintillating bass squirmer “Babatunde” alongside G-Rex, which received multiple makeovers on a Wakaan remix pack released at the beginning of 2019 including a special VIP remix from the two original creators that graced festivals across stages celebrating deep 808 cuts. 

Another early 2019 highlight is the most popular remix—according to Spotify streams—of Zeds Dead and Jauz’s dual imprint-backed “Lights Go Down,” which combined the slashing and ASMR synths atop rumbling low end that have placed Peekaboo in a box outside boxes, crafting sounds that are unique to his style. In March 2019, he released his four-track Wrecking Ball, which debuted at No. 10 on Billboard’s Dance/Electronic Album chart. The real wrecking ball offering came later that month with the thrashing Bassnectar collaboration “Illusion” featuring Born I from the bass forefather’s Reflective (Part 4) series.

After early success in 2019, the bass maven joined REZZ as the premier feature on her Beyond The Senses tour celebrating her debut self-released extended play, a stamp to the artistry and momentum garnered by Peekaboo this year—and sure to continue for the foreseeable future.

Chris Stack

Dancing Astronaut’s Artists to Watch in 2020Drezo Epic Lighting Goldrush Rukes
Photo credit: Rukes


The wait for word from the Drezo camp has made for a slow-crawling 2019. Earlier this year, he announced a new EP series, Omens, alongside a standalone single, “Afterlife” from the first batch of tracks. While the electro insurrection was mighty, fans were certainly hoping for a full-length release from the fiercely sought-after LA producer this year.

Despite a multitude of delays with the EP launch, Drezo’s been able to summon a preternatural level of patience from his vastly attentive fanbase.

“I just want to represent where the heart of my whole entity lies,” Drezo recently told Dancing Astronaut of the impending EP series. “The dark, gritty club vibe, an atmosphere, really, which is very addicting to some people.”

He’s known for his “evil” earmark: a deliciously disturbing strain of mid-tempo bass. He’s proven adept enough in the production arena to garner official remixes for the likes of Destructo and Tchami, and is a known accomplice of the ever-elusive DJ Hanzel (aka Dillon Francis). 

So while 2019 may have had Drezo’s tour schedule firing on all cylinders, he’s undoubtedly saved the original material for 2020. Don’t touch that dial.

Bella Bagshaw

Dancing Astronaut’s Artists to Watch in 2020Vincent Photo Credit Steven Truong
Photo credit: Steven Truong


Robert Hughes, under his Vincent moniker, already has a lot in store for the start of the new decade. Since stepping on the scene in 2015 with a still-popular remix of Alison Wonderland’s “U Don’t Know,” the Canadian artist has blossomed his career into a vibrant soundscape of dance and techno music.

Accompanied by a world tour at the beginning of the year, his EP For You is his most vulnerable and masterful collection of tracks to date, featuring lyrical and emotive songs, a departure from his typical invigorating electronic sounds. He worked with vocalists like Pauline Herr, Brooke Daye, sad alex, and Love, Alexa on the five-track EP, adding new layers and textures to his sonic palette. Aside from the successful EP, Vincent released many singles throughout the year, most notably his “Falling, Fading” solo venture, his single featuring The Griswolds, “Lost and in Love,” and a collaboration with Naderi, “Wasted Time.” 

Wasting absolutely no time and relishing in his success, Vincent will embark on another world tour starting in January 2020 with The Griswolds.

Mo Kaufer

Dancing Astronaut’s Artists to Watch in 2020Attlas Photo Credit Maria Jose Govea
Photo credit: Maria Jose Govea


It’s been a fairly quiet 2019 for mau5trap mainstay ATTLAS, but that doesn’t mean something isn’t brewing. After much anticipation, the Canadian producer finally revealed the third installment in his beloved Storyline series in July, ending the year-and-a-half drought since the sophomore’s drop. Additionally, he treated fans to his EDC Las Vegas back-to-back set with Rhett on SoundCloud and even put together an edit called “boxed machinery” after hearing how well the two songs went together during the set. ATTLAS regularly played shows in 2019, including a mau5trap label takeover in London in August and a slot on deadmau5’s Cube V3 tour in September. But the best was yet to come.

In the last month of the decade, the talented producer revealed that he’ll be starting 2020 with a bang—with the release of his debut LP, Lavender God. The first single (and track six from the album), “Sinner Complicated,” arrives on Dec. 6. The artist calls the track a “textured and atmospheric roller that progresses with narrative intention from the beginning.”

While there’s no set release date for the album, ATTLAS noted in a Facebook comment that it would be arriving in less than two months via mau5trap.

Robyn Dexter

Dancing Astronaut’s Artists to Watch in 2020Rinzen Eoplanet Press Shot 2
Photo credit: Michael Drummond


Armed with a vision of world-building through sound, Rinzen and his rise as a house and techno storyteller have dawned rapidly. Entangling multimedia influences of cinema and literature with music, the Los Angeles artist has constructed his own brand to be experienced as a full-immersion concept—flush with visual-inducing soundscapes and intriguing pictorial electronic styles. Catapulting his career beginnings in 2017, Rinzen has garnered the early support of deadmau5 with accumulations of several mau5trap releases since including two official deadmau5 remixes, “acedia (ov)” and “Monophobia.”

2019 has only capitalized on his meteoric developments with scything collaborative executions at its finest and an exponential tour front. The mau5trap fixture released three EPs in the year alone, initiating solo efforts on Prologue while joining forces with Mulya and Sobek for Mirrored Screen and Evan Casey and Marb on Torus. The creation behind Torus proved a triple threat: spotlighting Rinzen’s driving force behind the formation of Desert Hearts Black, marking Rinzen as the first release of the sub-label, and witnessed him opening the warehouse launch party. Simultaneously, Rinzen’s tour presence has grown momentously from one booking a month to career-defining triple header dates while also reaping in debuts at Ultra, EDC, Desert Hearts, and more. As his name calls, Rinzen has only just geared up to give 2020 a “sudden awakening.”

Jessica Mao

Dancing Astronaut’s Artists to Watch in 2020Nina Las Vegas Photo Credit Maria Jose Govea E1575388721481
Photo credit: Maria Jose Govea

Nina Las Vegas

Nina Las Vegas has had herself a hugely successful 2019, and all ears are on the Australian artist to take her powerful girl-boss energy into the new decade.

NLV has cemented her status as an EDM tastemaker, with hosting positions on both Triple J and Beats 1 Radio. Towards the latter part of this year, the artist also (finally) collaborated with old pal and fellow Aussie Anna Lunoe for an absolute club detonator titled “One Thirty.” The track was released on Lunoe’s longtime home label, Mad Decent, as well as on Nina Las Vegas’ own imprint, NLV Records.

“It only took 15 years of friendship and [collaborating] in every other aspect of our life to finally build the courage to work on a song together,” she said of the track. “With so much shared between us already, it might have been the easiest day in the studio for each of us.”

The producer’s electric energy is funneled towards all things music, and she’s a passionate advocate for the revitalization of Sydney club life. Those interested in catching a Nina Las Vegas set can see her at Friendship 2020 on Jan. 6.

Mo Kaufer

Dancing Astronaut’s Artists to Watch in 2020Fo Stevenson Photo Credit Franne Norman E1575480362634
Photo credit: Franne Norman

Fox Stevenson

Fox Stevenson‘s rise has been steady over the course of the past several years, but it’d be hard to argue that any year has been more prominent for the producer than 2019. After releases of varied genres on Liquicity, Monstercat, Disciple, Spinnin’, and more, the 27-year-old UK producer decided that this was the time to put together a live band, a debut album, and a live tour. Killjoy hit the airwaves in full in October after tracks like “Out My Head” and “Dreamland” had gradually trickled out. In a brief documentary released on his YouTube channel, the artist noted that it’s “scary” to put out music like the tracks on Killjoy when he was getting bookings for DJ sets where he needed to play heavier music, but when it came down to it, the singer/songwriter knew the time was now. He says this process has been about getting back to what he is “at [his] core,” and his current work has been part of that self-discovery.

With an even farther-reaching sound, the sky’s the limit for Fox Stevenson in 2020 and beyond.

Robyn Dexter

Wax Motif and Matroda pay homage to Missy Elliot in ‘Lose Control’

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Wax Motif and Matroda pay homage to Missy Elliot in ‘Lose Control’Wa Motif 1

G-house A-team Wax Motif and Matroda have aligned on their latest track “Lose Control,” which takes cues from Missy Elliott’s original party-starter released back in 2005.

The song is only the second official release from Motif’s newly minted label, Divided Souls, which so far has showcased only his own tracks, with some featured guests. The seminal track from the imprint invited legendary producer and rapper, Diddy, highlighting Motif’s ability to seamlessly blend the worlds of hip-hop and house.

The updated dance floor destroyer uses the familiar “Lose Control” vocal sample from the original before dropping into a package of heavy bass, arpeggiated plucks, and their iconic pitched-down vocals. The track takes a fresh turn on the original, which was produced by Elliott, with features from Ciara and Fatman Scoop. The rendition is gritty, strange, and destined for any low-light locale where house music is enjoyed.

Photo Credit: Leonardo Kaczmarek

Wax Motif on new label, debut album, and the G-house movement [Q&A]

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Wax Motif on new label, debut album, and the G-house movement [Q&A]Wa Motif 1

From sourcing the sharpest sounds of the sonic second through his House of Wax radio show, to harnessing the same up-to-date energy into his own house music productions, Wax Motif (Danny Chien) is always up to something to keep his act fresh. An incisive remixer and prolific collaborator—known for his work with EDC, Holy Ship!, and HARD Summer founder, Gary Richards (Destructo), OWSLA/Mad Decent all-star, fellow Aussie, Anna Lunoe, and most recently Diddy (yes, that Diddy)—Chien recently released the seminal track to jump-start his new label, Divided Souls.

The eponymous, “Divided Souls” features a DJ-directed, emotionally charged vocal cut, compliments of Diddy (Sean Combs), praising artists who play out lengthy (“20-minute versions”) extended cuts of tracks in their sets. The track is the first single to arrive from the “Fly Kicks” remixer’s forthcoming, debut album, which will see release on the newly minted imprint.

Though he’s been a pivotal purveyor of the hip-hop/house hybrid sound—known as the G-house movement—Wax is never wary to veer off the trodden sonic pathway, harnessing nu-disco, heady bass, and electro into into his cornerstone four-on-the-floor formula. Chien says for the album, though, he’s both updated his old tricks, and tried to focus on songwriting as ardently as possible. Dancing Astronaut caught up with Wax Motif to talk new label digs, G-house, and what to expect from the LP.

Tell me about how “Divided Souls” came together/How you got in contact with Diddy…

It was an old recording that never got released. My friend passed it over and I just started messing with it. In just like a minute, I had a one-bar drum loop, then added a bass loop. I sent it back to him, and he sent it over to Diddy, who was like “Yeah, fire. I’m down.” And then we got it cleared pretty quickly, actually. 

So what’s your goal or mission statement with the new label?

Honestly I just want to put out good songs: obviously club-focused stuff, but stuff you [can listen to any time], kind of like in the morning when you wake up and in the club. I feel like a lot of club stuff is just really really club-or-festival-oriented. I definitely want to find a better balance of songs that you can play in the club as well. 

Is it mainly going to be a housing for your own recordings, or will you feature other artists?

At the start, I feel like it’s just for me mainly, just so I can be able to build the right vibe around it and take it in the right direction. Then I’ll open it up—hopefully next year. 

You’re known for both your prolific, all-embracing DJ-ing/mixing abilities (seen through your radio show) as well as your comprehensive compositions as a producer. Which skill do you feel comes more naturally to you?

I think they go hand in hand. I’m never trying to put anything out that I wouldn’t play in my sets every night. Testing the music in a live setting is an important part of making the music, in a lot of ways. So really, both. Right now, I’m just having a lot of fun making tracks and playing them in my sets that night. 

You’ve worked with Destructo (Gary Richards) a number of times. It seems you share a similar ethos regarding blending hip-hop and house music, or what’s known as the G-house movement. Can you expand on that?

Our tastes are definitely similar. We started working together, and it just came naturally—building on music we liked. It’s growing now, as well, where lots of young kids like Bijou and Dr. Fresch are making stuff of a similar [nature]. 

A lot of my early stuff was really geared [towards G-house]. A lot of it now still is too; it’s just evolved. If you look at my Tinashe “2 On” remix, my YG remix, Young Thug, I think I was definitely one of the first people to start remixing all that new type of rap and R&B stuff into house records. 

Who do you feel are some other newer faces freshening up the scene and bringing nuance to their approaches? 

Right now I’m definitely feeling NOIZU, Matroda, NuKid. I was just working with Matroda actually because we have a song coming out. I think it’s going to be the second track off my album. We’re just putting together the artwork right now. 

What can you tell me about the album? 

It’s gonna be fire. 

**Both laugh** Any details you can share?

I don’t want to say too much right now. I just want to let these songs come out one-by-one and see what people think. This [last song] was kinda me testing the waters. “Divided Souls” was a little more underground in terms of more techno in the drop than what I normally do. When you think of an album you normally want something more diverse. There’s definitely going to be music that people expect and want [from me], but then there’s also going to be song-oriented, house records. 

*This transcript has been slightly edited for clarity and readability

Photo Credit: Leonardo Kaczmarek

Wax Motif links with Diddy for new imprint’s debut single, ‘Divided Souls’

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Wax Motif links with Diddy for new imprint’s debut single, ‘Divided Souls’Wa Motif 1

The Australian-bred, LA-based Wax Motif has recently launched his new very own label, Divided Souls. Wax wasted no time giving the outfit a proper christening, with his expedient release of new native namesake track featuring Sean “Diddy” Combs. “Divided Souls” runs with a house intro that quickly leads into an unabashed monologue, Diddy in the driver’s seat. The sermon denotes how songs are too short to really resonate with people, tipping his cap to DJs who play out the 20-minute versions of tracks.

The house track is aimed towards the live audiences who turn up at the surreptitious after-hour spots and the artists who don’t writhe to people please. Puff Daddy’s soapbox rides above tantalizing synths, waiting on edge for the house hook filled with a running bass, offset high end plucks, and that hallowed four-on-the-floor kick-snare house rhythm.

The track is set to appear on the G-house authority’s forthcoming album. The LP is still in the works, though will of course see a native Divided Souls release.

Photo Credit: Leonardo Kaczmarek

Good Morning Mix: Take a face-melting stroll through Wax Motif’s House of Wax #026

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Good Morning Mix: Take a face-melting stroll through Wax Motif’s House of Wax #026Wa Motif

In recent years, Australia has proven a bottomless breeding ground for inventive electronic artistry. Flume, Alison Wonderland, What So Not, and Anna Lunoe are just a fun-sized chunk of the abundant Aussie eminence molding and maestroing the electronic space from global vantage points. Wax Motif, however, has flown relatively under the radar until recently, despite wide-reaching support from his counterparts and releases on upper-echelon imprints like Tchami’s CONFESSION, AC Slater’s Night Bass, Tiësto’s Musical Freedom, and Destructo’s All My Friends.

Motif’s House Of Wax SoundCloud mix series sees the “Kush Groove” artist, known for his disco-driven, G-House-drenched strain of four on the floor, compile his quixotic tastes in hour-long segments. In the 26th installment, Motif summons the songs of the hour, with piping hot new offerings from Dog Blood, Fisher, Black Caviar, Chris Lake, UMEK, Eli Brown, Matroda, and Sonny Fodera. Now you know: When the wax starts drippin’, it’s time to wake up and shake it.

Photo Credit: James Coletta

Wax Motif and Warez deliver a Deadbeats lesson in “Static Theory”

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Wax Motif and Warez deliver a Deadbeats lesson in “Static Theory”Wat Motif Static Theory

Deadbeats has been letting out some heavy sonic emissions from their Zeds Dead-owned compound. The latest, “Static Theory,” comes to listeners from the LA-based Wax Motif, (the man behind the wall-to-wall festival favorite, his “Fly Kicks” remix) and a fresher face, Warez, who recently materialized on the electronic horizon with a Kayzo collaboration and a pair of Dim Mak guest-mix appearances.

“Static Theory” is anything but stagnant, drawing from Wax’s notoriously elastic beats and skittering hi-hats and Warez affnity for low-end bass. The track’s interference-like textures only add to its pulsing allure, which is heightened by the track’s visual–wherein a sports car endures a slow-motion standoff with a Chinese dragon comprised solely of neon rave lights.

NMF Roundup: Sultan + Shepard take on Fatboy Slim, Klingande and Broken Back create ‘Wonders,’ BROHUG thrill in new Spinnin’ release, and more

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NMF Roundup: Sultan + Shepard take on Fatboy Slim, Klingande and Broken Back create ‘Wonders,’ BROHUG thrill in new Spinnin’ release, and moreOcaso Festival Tamarindo By Pablo Murillo 06 01 2018 0525

The most important day of every week: New Music Friday. As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed.

A groovy introduction transforms Kungs and Stargates’ newest release, “Be Right Here,” and added electronic elements give the catchy release a new twist thanks to remixer Wax Motif.

Swedish trio BROHUG is out with a release for Spinnin’ Records, “The Hunt.” With its intense energy and kicking chords, this new track’s eerie atmosphere is sure to thrill and excite.

Sofi Tukker have followed up their 2017 Portuguese Treehouse track “Energia” with a “Parte 2,” featuring Pabllo Vittar. “Energia- Parte 2” is an infectious track — also in Portuguese, like its predecessor — that can only be described as dance-inducing.

Roger Sanchez and Park & Sons transport listeners into the disco era with groovy new track featuring commanding vocals from Julie McKnight titled “This Feeling.”

Commercial house meets experimental soundscaping in this genre-bending release by Friend Within titled “The Truth.” Friend Within blends a groovy bassline and bright horns with catchy vocals in his new Toolroom release.

Instead of adding a hard drop and intense synth layers as many remixers do with radio-crossover releases, AmPm has lowered the BPM of Nicky Romero‘s collaboration with Taio Cruz, and added melodic moments to give the release a calming effect.

Klingande takes listeners on an indie-electronic journey with Broken Back. With its silky-smooth vocals and laid-back beat, “Wonders” proves summer never has to end.

Sultan + Shepard never cease to surprise with their experimentation across genres and sound design. Their take on Fatboy Slim‘s “Gangster Trippin” will keep a club going until the early hours of the morning, thanks to its high-energy house chords layered over the original 1998 vocals.

The Him have skewed pop with their latest, “Nothing On Us.” It opens with catchy harmonized vocals that lead into bright piano melodies and a cheery house drop.

VALENTINE and West1ne team up for “Backpack,” which effortlessly fuses calming energy with a sizable dose of bass.

While not the usual suspect for electronic music lovers, MOD SUN has infused polarizing future bass chords into the drop of new release, “Burning Up.”

Photo credit: Pablo Murillo

Wax Motif & Hunter Seigel release Wassup

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Worlds collide in Wax Motif’s and Hunter Seigel’s new collab, Wassup. The electric dance track takes us out of this world with the repeated lyrics and unexpected beats and drops. Wassup is a special track with Wax Motif’s funky feel and Seigel’s house and dance background. This track will definitely be one we hear in

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Wax Motif and Hunter Siegel seek to conquer the club with their latest track ‘Wassup’

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Wax Motif and Hunter Siegel seek to conquer the club with their latest track ‘Wassup’Wassap Wa Motif Artwork

Another collaboration between Australia’s Wax Motif and Canada’s Hunter Siegel couldn’t come fast enough. After numerous teases of a new song — cropping up everywhere from club sets to Instagram posts — fans couldn’t wait to get their hands on this juicy new joint effort, and the pair follow up to 2016’s “All Night Man.” Now Waxy and his “No Neon” counterpart have finally delivered once again.

The guys finally come through with “Wassup,” landing by way of Tiësto’s legendary Musical Freedom imprint. The new setlist ignitor bubbles and fizzes with an energetic dance floor-ready groove anchored to a catch, quick vocal chop. “Wassap” perfectly blends both artists’ styles into a funky, bass-pumping house track with screeching, hunker-down-low breaks. Wax Motif and Hunter Siegel have a new burner that is undoubtedly headed for heavy club play all summer long.

Wuki & Wax Motif – Buns (Aylen Remix)

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Aylen has dropped his remix of the Wuki & Wax Motif track Buns and it is delicious. The New Jersey based producer is a bit of a marvel in the edm world in the fact that he can make just about any genre of music. Down Tempo, Trap, Moombathaon, Chill, Funk, Deep House, he can

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