Disco funk legend Nile Rodgers announced mid-June that he and his storied band Chic had a new album on the way, the band’s first effort in 26 years. Modern day maestros of the genre — and a few unassuming additions — were enlisted for the making of the record, including Anderson .Paak, Vic Mensa ,Stefflon Don, and Craig David and now, we’re getting a taste of the madness that’ll ensue with the LP’s first single, “Till The World Falls.”
A tantalizing and glitzy new disco track with a Vic Mensa verse and Mura Masa guest appearance; “Till the World Falls” is a meeting of glorious past and present funk extravagance. Anderson .Paak, NAO, and anaïs each had a hand in the track’s songwriting.
Nile Rodgers & Chic’s record is fittingly titled It’s About Time and will arrive September 7.
People ask if I ever get tired of writing about Marshmello. I mean yes, yes I do. That being said, Marshmello does his absolute best to keep things interesting. Not many artists in the game right now can say they are selling out Red Rocks and the LA Convention center, landing pop hits in the
DJDS, the Los Angeles dance-production duo who used to record as DJ Dodger Stadium, were still an underground phenomenon when they released their great 2014 debut album Friend Of Mine. Since then, they’ve worked with Kanye West on The Life Of Pablo, inked a major-label deal, and changed their name to something that won’t … More »
Thousands of gun violence protesters took to the streets of Washington, D.C. today for the March For Our Lives’ Rally. The brave survivors of last month’s Parkland school shooting organized this demonstration, sparking 800 sister marches worldwide. Musicians are using this opportunity to speak out about gun reform, including Ariana Grande, Common, Andra Day, Miley … More »
Remember the first time a kid from Chicago really challenged hip-hop’s status quo? He showed us how swapping 808s for chopped soul samples might actually be cool and that skinny jeans and neon Polos could be just as hip-hop as football jerseys and Cartier. He ushered in a new era of hip-hop by allowing himself to be weird and detailing his journey through the come up across three coming-of-age themed albums that have since cemented their places in the hightest echelons of modern hip-hop history. That kid was Kanye West, and nearly two decades after his emergence, his influence has shaped three of the genre’s brightest new torch carriers: Chance The Rapper, Vic Mensa, and now undisputedly, Towkio.
Each of these three young forward-thinkers are now pushing hip-hop into the future on those same principles, and at times, experimental appeal — though now Towkio is officially planting his flag with his debut LP, WWW. One listen through the new album, and it becomes clear that Towkio’s definition of hip-hop not only sets him apart from most of his contemporaries’, but also that it doesn’t necessarily adhere to current hip-hop conventions either; he doesn’t seem phased in the slightest.
Conceived between the journey from an emerging Chicago rapper to lamping at Rick Rubin’s mythical Malibu recording sanctuary Shangri La, Towkiosets the narrative in WWW.‘s first bars on “Swim,”
“New chapter, new page, made some money off the first mixtape. Now I’m living, good chillin by a beach that’s not a lake. Said the earth controls the moon so we control the waves.”
Relying heavily on these ideas of perspective, frequency and resonant connectivity, the foundational motifs go beyond just the track titles and lyrics. They are weaved into the record’s eclectic complexion of genres, roping together dreamy psychedelic intros, footworking breaks, funk, trap, R&B, and a healthy dose of his throaty vocal hopskotch. Creating the album took the “Drift” rapper to pyramids in Mexico, winding Hawaiian hills, and ultimately 92,000 feet into the atmosphere to quite literally drop his album from a visual vantage point that only a microscoping group of humans in history have ever witnessed.
Sonically, the record plays upon hip-hop’s new wave versatility, with a welcomed serving of pop appeal on tracks like “Hot S**t,” the Teddy Jackson-assisted “Symphony,” and a cheeky breakbeat cut on “Disco.” Louis The Child‘s contribution to the album, “Loose,” opens like it’s the much needed mid-record breather, before quickly tightening down and breaking into a rambunctious collection of bombastic kicks and tenacious spits.
The real respite, however, comes as one of the album’s final additions — a sleepy R&B piece alongside Grammy-nominated SZA called “Morning View.” Throughout its 13-track span, celestial trains of thought play a key aesthetic role in WWW.‘s compilation, culminating on pieces like “Alone” and “2 Da Moon.” Such a theme is not unlike the early outputs of fellow unconventionals like Kanye and Kid Cudi.
photo credit: Lenny Gilmore
Towkio showcases his inextricable acceptance of weirdness, and unapologetically declares it cool in his own way as well. It isn’t cookie-cutter rap music, and it wouldn’t be true to Towkio if it was. If still not skeptical about the Yeezy coming-of-age parallels, listen to him and Vic Mensa go in with brilliant, youthful defiance on “Forever” and tell me it doesn’t sound like the logically matured progression to West’s seminal classic, “We Don’t Care.”
On paper, WWW. is built by a team of sharp industry power players, with Lido behind the console raking in substantial writing and producing credits with Knox Fortune and frequent SZA songwriter Carter Lang, all beneath the legendary Rick Rubin’s watchful eye. Together, a seemingly motley crew of differently-wired creators have come together to aid in the delivery of Towkio’s triumphant longform debut — a relatable narrative of introspection and simultaneous emergence, all wrapped up in the underlying concept of the “overview effect” and how we relate to the daily risks we all take living on this big blue rock with one another.
Nowadays, the burgeoning rapper keeps his head in the stars, his feet in the California sand, and he’s survived a plummet from space that would humble anyone. Towkio has officially staked his claim in his corner of the ever-growing hip-hop empire, and in two more decades from now, who knows how WWW. will inspire an entirely new generation of rappers?
Earlier this year, Christian Scott aTunde Adjuah, the New Orleans jazz trumpeter, released all three albums in the series that he’s called The Centennial Trilogy. He’s not done yet. Scott likes to call his style “stretch music” because it pulls from so many sources beyond jazz, and on a new track, he’s proven just … More »