Diplo presents The Super Mega Ultra Giant Mad Decent Block Party, led by Billie Eilish, G-Eazy, Major Lazer, Miguel

This post was originally published on this site

Diplo presents The Super Mega Ultra Giant Mad Decent Block Party, led by Billie Eilish, G-Eazy, Major Lazer, MiguelDiplo Mon MVMT18 Bryan Mitchell 199

What Diplo wants, Diplo gets, specifically the first-ever Super Mega Ultra Giant Mad Decent Block Party Festival. If the length of the name tells us anything, it’s that the seminal Mad Decent festival is sure to be one hell of a doozy, as the newly minted event’s lineup confirms. Billie Eilish, G-Eazy, Major Lazer, and Miguel head the festival, which will manifest as a fine balance of highly sought electronic acts and equally illustrious hip-hop artists alike.

A Boogie Wit Da Hoodie, Kodak Black, Pusha T, and J.I.D. round out the festival’s hip-hop inclusions, while Dillon Francis, RL Grime, Zeds Dead, REZZ, Ekali, Troyboi, Baauer, and Whethan comprise some of Diplo’s dance picks. The Super Mega Ultra Giant Mad Decent Block Party Festival also casts glances at talent from genres beyond the electronic and hip-hop spheres, to draw the stylistically malleable Quinn XCII, R&B’s Pink Sweat$ and Jesse Reyez, and Finneas out.

Needless to say, the inaugural Mad Decent Block Party branded affair is a must attend for many reasons, primary of which—at least, for dance music fans—is Major Lazer’s occupancy of a headlining slot. Diplo previously intimated that Major Lazer will likely dissolve after delivering their fourth—and probably final—album together, in a January interview with Complex. As such, The Super Mega Ultra Giant Mad Decent Block Party Festival might well be one of Major Lazer’s last large-scale performances.

The unveiling of The Super Mega Ultra Giant Mad Decent Block Party Festival’s lineup comes just after Mad Decent Block Party Festival tweeted out a video with a particularly suggestive caption on April 5: “IT’S HAPPENING.” While the far from subtle warning altered past attendees of Diplo’s multi-city Mad Decent Block Party party series to be ready for a followup announcement regarding the fate of a MDBP festival, Diplo’s presentation of a full-fledged lineup has presumably taken many by surprise, given how quickly it succeeded the preliminary Twitter hint that a MDBP festival was in the works.

The Super Mega Ultra Giant Mad Decent Block Party will descend upon Gillette Stadium in Foxborough, Massachusetts for two days of fun, come July 20-21. Tickets to the festival will go on sale at 10 a.m. EST April 12.

Diplo presents The Super Mega Ultra Giant Mad Decent Block Party, led by Billie Eilish, G-Eazy, Major Lazer, MiguelSuper Mega Ultra Giant Mad Decent Block Party

Photo credit: Bryan Mitchell

Shambhala Music Festival reveals its 2019 lineup, featuring Silk City, GRiZ, Zeds Dead, and more

This post was originally published on this site

Shambhala Music Festival reveals its 2019 lineup, featuring Silk City, GRiZ, Zeds Dead, and more2017galleryweb JamesColetta SMF D1 099 1

Shambhala Music Festival is recognized as the longest-running music festival in Canada. It is known for its eccentric art installations, educational workshops, and unique blissful experiences that soothe the soul. The wait for the 2019 lineup is over, and Shambhala has delivered a promising set of talent for their 22nd anniversary, returning to the Salmo River Ranch in British Columbia, Canada on Aug. 9-12.

Heavy-hitting dubstep acts like Excision, Zeds Dead, Downlink, Liquid Stranger, and Boogie-T will bring their forceful bass to the ranch for the fest’s forthcoming iteration. The lineup also includes bass house favorites such as Jauz, Cazztek, Jack Beats and Volac, along with sultry electronica and nu jazz sets from Bonobo and Grammy-nominated producer ZHU. The roster is blessed by legendary veterans from around the world, including Kaskade, Diplo and Mark Ronson‘s Silk City project, Nero, and Chris Lake and Chris Lorenzo as Anti Up, who are undoubtedly putting together an unforgettable performance.

Attendees can expect an all new installation called “Shambhala Favourites,” which feature the talents of A-Skillz, Father Funk, Smalltown DJs, Stickybuds, and more. Over the course of April, Shambhala will be adding 200-plus artists to the lineup that will fulfill all six stages, The Amphitheatre, The Fractal Forest, The Grove, The Living Room, The Pagoda and The Village.

Learn about payment plans and get tickets here.

Shambhala Music Festival reveals its 2019 lineup, featuring Silk City, GRiZ, Zeds Dead, and moreSMF 2019 Haedliner Release Web Version 1

Photo credit: James Coletta

Spring Awakening reveals multifarious undercard: Andrew Bayer, Chris Lake, TroyBoi, + more

This post was originally published on this site

Spring Awakening reveals multifarious undercard: Andrew Bayer, Chris Lake, TroyBoi, + moreSAMF2018 0609 215039 4768 DVS

After confirming its new location and official headliners earlier this week, Spring Awakening Music Festival has released the remainder of the lustrous 2019 lineup.

Spring Awakening’s undercard, though there’s hardly anything lowly about it, spans some of the most accomplished names in techno, house, trance, and bass music. Anjuna-adept festival-goers will notice the generous number of names from Above & Beyond‘s hallowed home for all things trance and house music to celebrate the Anjuna-branded stage that will land at SAMF this year along with a menagerie of native talent, from longtime veteran Andrew Bayer to former The M Machine member, Luttrell, who just released his first album with the label’s subsidiary imprint, Anjunadeep. From Spring Awakening’s subterranean bass caverns will spawn Liquid Stranger, Rusko, TroyBoi, G Jones, and more across the sweeping, 60-artist ticket.

Announced earlier this week, Spring Awakening 2019’s headliners GRiZ, REZZ, Martin Garrix, DJ Snake, Zedd, and Illenium will touch down at Hoffman Estate’s Poplar Creek for the festival’s first year at its expansive new location June 7-9.

Tickets to Spring Awakening are available here.

Spring Awakening reveals multifarious undercard: Andrew Bayer, Chris Lake, TroyBoi, + moreSamff

Photo Credit: React Presents

It’s comeback season: newly renovated Webster Hall announces first shows of 2019

This post was originally published on this site

It’s comeback season: newly renovated Webster Hall announces first shows of 2019Webster Hall

After a long-winded hiatus for renovations and full-blown restructuring, Veteran New York venue, Webster Hall is prepared to reopen its doors, following its summer 2017 closure.

The East Village fan favorite will usher in its 2019 year of production on May 1, with a performance from Patti Smith and Her Band. The cross-genre acts that span Webster’s May event calendar prove that the event hall will continue its tradition of catering to attendees’ diverse musical preferences. Webster Hall will see acts from distinctive sonic spheres take the stage, or respectively, the decks. TroyBoi, MGMT, The Japanese House, Royal Trux, Broken Social Scene, FKJ, Sharon Van Etten, Aaron Tveit, Johnnyswim, Old Dominion, and Chromeo, who will joined by a live band, account for Webster’s multifarious May billings.

Webster will additionally see appearances from Empire Of The Sun, Real Estate, and City of the Sun later in the summer. The historic venue will also welcome the return of Emo Nite, along with its Saturday club nights, returning in September. Visit Webster Hall’s official website for a full list of events and additional information.

Photo Credit: Scotty Hawk for Nest HQ

Welcome to the Jungle: the local event brand shaping China’s flourishing electronic music culture

This post was originally published on this site

Welcome to the Jungle: the local event brand shaping China’s flourishing electronic music culture8

The air at China’s Electric Jungle music festival is rife with more than just thick blankets of meandering cigarette smoke. The untethered Chinese electronic festival goers beam with the enthusiasm of a culture not yet jaded by the “put-your-fucking-hands-up” of it all. 

China’s sprawling electronic music scene, while invariably unique (despite Western influences), follows the traditional counter-culture-becomes-the-culture plot. Among the local efforts to secure dance music widespread recognition, Jungle Events is most notable for working, not just to throw sensational, world-class festivals with the most sought-after electronic acts, but to promote camaraderie among its supporters.

“Jungle is one of the only domestic festival brands in China. The team is made up of Chinese ravers who want to establish a community of ravers in China, not just throw festivals,” says Chinese trance titan and perennial Jungle billing, Luminn, echoing the company’s distinct ethos.

Signed to Armin van Buuren’s army of global trance talent, Armada, Luminn (real name, JunLiang Fan) speaks ambivalently towards the influx of foreign festival brands embedding themselves in the Chinese market. As the first Chinese artist to secure a clean sweep of spots on the Ultra, EDC, and TRANSMISSION lineups, he posits with authority: Jungle stands out. 

It’s simple enough. The Chinese want to go to raves thrown by Chinese ravers. That’s not to say international muscle hasn’t amassed a robust following in recent years. Ultra China’s first swing in 2017 drew over 40,000 awestruck attendees to its inaugural weekend in Shanghai. The goliath outfits also make an effort to book domestic talent. EDC China’s official flyer from last year sprinkled the hometown heroes alphabetically alongside Alison Wonderland, Disclosure, and the lot—same-size font and all. 

“Rave:” an antiquated term on US or European soil. But inside China’s cocktail of fresh-faced organizers and authorities privy to the most arbitrary whims (event permits count for little), the tired term has earned its wings here. Even the most meticulously planned festival is an inspired act of valor for the Chinese—clandestine warehouse setting be damned. 

KSHMR, born Niles Hollowell-Dhar, reckons he’s performed in China more than any other country outside the US. Resting on the upper-most echelons of both the international big-room scene and Jungle’s most recent lineup, the California native revels in the laundry-fresh feel of China’s developing dance scene.  

“They are probably the most enthusiastic of any fanbase that I have around the world—showing up at the airports when I arrive, and even at the hotels,” says KSHMR. “There’s a vigor and a zeal to the Chinese people that I feel it’s a shame that a lot of the world doesn’t understand.”

Once the effects of the awe-inducing elixir comprised of Skrillex, REZZ, and Martin Garrix, (just a few of Jungle’s other active ingredients) subsides, we remember Jungle 2018’s auspicious undercard. Radiating sweet heat akin to her effervescent live sets is DJ Lizzy. Chinese-turned-New-Jersey-native, Lizzy Wang was the first female Chinese DJ to book a slot at Ultra. Inspirited by Newark’s omnipresent hip-hop culture, Wang started making music to relate to her more rambunctious American peers. Like a video-game heroine, she began unlocking levels of newfound confidence with every DIY production skill acquired from days spent poring over YouTube tutorials.

Wang attributes Jungle’s loyal following to its keen and ever-domestic ear. 

“[The Jungle Team] cares about what the Chinese ravers want to see on a lineup,” says Wang. “It’s about more than selling tickets.” 

Both the Jungle founders, a collective of former University of Southern California transfer students, and Chinese EDM at large, owe at least their root infrastructure to dance music conventions from the states; though what’s evolved since their most nascent notions of EDM world-building is unmistakably domestic. Luminn observes the recent rush of Chinese producers opting to include Mandarin and Cantonese lyrics in their tracks. 

As with nearly any art form, there is a degree of reciprocity inherent in Eastern and Western influences that travels through the global dance music scene. Just before his Saturday performance at Jungle’s most recent installment, globetrotting English-born, part-Chinese trap talent, TroyBoi spoke of his manifold use of Asian instrumentation in his productions (“KinjaBang” and “Souls,” are two of the starkest examples).

“I like to create a worldly sound, with an electronic/hip-hop backbone to it that will translate wherever I play,” he says. “It gives me an edge when I come to tour in places like China.”

In comparison to TroyBoi, the LA-based Drezo was one of the most unanticipated additions to the 2018 lineup. Sporting visuals suited for a biopic on Satan himself, and a nefariously pulsing electro/house sound to match, Drezo’s performance was certainly liable to send Jungle patrons into a head-scratching frenzy. Instead, Drezo’s prescribed dose of strange was just what Saturday’s Bass Stage ordered, accruing a commendable crowd that was as excited as it was confounded.

“Something about the atmosphere here reminds me of the [US] scene around 2011,” says Drezo just after his set. “They go crazy for everything.”

Repeat Jungle dignitary, Terry Zhong, a recent grad of Boston’s Berklee College of Music cites Justin Beiber and Lady Gaga’s blurring the lines of pop and dance music as a vessel for EDM’s Chinese infiltration. The Insomniac talent began fine-tuning his piano prowess at the age of five—since then cracking a sundry of local lineups, including EDC Guangdong, as well as prominent bookings throughout the domestic club circuit. 

“[The Chinese] are trying to emulate what’s happening in the US,” says Zhong. “But now we’re starting to grow our own dance scene, to find a Chinese PLUR.”

Sound familiar? 

 

NMF Roundup: KOAN Sound return with debut LP, Dillon Francis unleashes ‘LFGD,’ SNBRN remixes Hotel Garuda + more

This post was originally published on this site

NMF Roundup: KOAN Sound return with debut LP, Dillon Francis unleashes ‘LFGD,’ SNBRN remixes Hotel Garuda + moreKoan Sound

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

The release of the NINJAWERKS Vol. 1 compilation album this week brings new tunes from some of dance music’s biggest names, including Dillon Francis and Kaskade. Andrew Bayer has joined forces with Ane Brun for the gorgeous “Love You More,” out on Anjunabeats. RL Grime has revealed a colossal set of remixes for NOVA, including a formidable rework of “Rainer” by k?d. KOAN Sound burst back onto the scene with the release their debut full-length, Polychrome. HEYZ works wonders in his new single with darkDARK, “Darkest Little Friend.” Hardwell delivers some sunshine in the form of “How You Love Me” with Conor Maynard and Snoop Dogg. Nicky Romero flips Jess Glynne‘s “Thursday” in his newest, and NGHTMRE and Big Gigantic make magic with “Like That.” Cloonee keeps the beat rocking with a feel-good take on Matoma‘s “Sunday Morning,” and Ekali strips “Leaving” down for a serene, acoustic rendition.

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

China’s Electric Jungle festival co-founder, Boyi Zhou, talks dance music culture, obstacles, and the wild time yet to come [Q&A]

This post was originally published on this site

China’s Electric Jungle festival co-founder, Boyi Zhou, talks dance music culture, obstacles, and the wild time yet to come [Q&A]9 1 1

For the past few years, Boyi Zhou and his Jungle Events team have been toiling away, trying to carve out a vivacious, unfettered space in the Chinese event circuit for electronic dance music. While Zhou, the event brand’s marketing manager, and his team have tried to emulate a lot of the underground dance music culture they were indoctrinated into while studying abroad in LA, there is much about their nook of the EDM continuum that is inherently Chinese.

This month (Dec 8-9), Zhou and the Jungle Events team will return with another installment of what is now the largest dance music festival in all of China, Electric Jungle, projected to attract over 60,000 attendees. The team is combining its Goliath headliners, Skrillex and Martin Garrix, with a sundry of international, nuanced talent, like REZZ, Drezo, TroyBoi, and Illenium–just to name a few.

Like many electronic fests in the US, the Foshan Chuanlord Tourism & Leisure EXPO resort-residing Electric Jungle will be broken off into meticulously curated stages, including a Berlin-nightclub-themed techno stage, a bass stage, which will receive a one-day Monstercat makeover, and of course, a main stage. Zhou says, that while the nature of the festival may be unorthodox, especially within its respective culture, organizers want to preserve authentic Chinese tradition while on their home turf, wielding ancient Chinese monsters as a motif throughout festival grounds.

Also quite like in the US, festival organizers must fiercely delegate with local authorities to gain the privileges necessary for throwing an event of this scale–though, for Zhou and co., this is a much weightier burden. Standing on the precipice of, what is for the Chinese, still such an underground culture, the local government still doesn’t fully fathom Jungle Events and their counterparts’ intentions; though, Zhou says, that’s beginning to change. Zhou sat down with Dancing Astronaut to talk about not only how he’s mediating these profound obstacles, but also his initial infatuation with the LA “rave” scene, launching one of the first Chinese-language dance music blogs, and his observations of the Chinese electronic festival circuit at large.

Tickets to Electric Jungle as well as additional festival info can be found here.

How did the idea for the festival come about?

I was attending college in the US living in LA for six years and I went to a lot of raves. So I started a blog, Jungle EDM, one of the first all-Chinese electronic music blogs. Soon I had over 10,000 followers. Back then there were no blogs about electronic dance music in China. And there were no Chinese materials for translation. So I was the first one to translate all of the English dance music materials to Chinese. When I graduated, I came back to China and started my own festivals.

Can you compare the underground dance music scene you were indoctrinated into in LA to that of China?

I wouldn’t say it’s the same at all, but it’s growing really fast. In America basically, dance culture is the pop culture. But in China it’s a sub-genre or subculture of all other music genres.

Who are some of the biggest influencers in growing China’s dance music scene?

I would say the newer festivals, and the nightclubs. The nightclubs are doing really well. They’re hosting a lot of foreign artists bringing the culture to China.

Tell me about your Jungle team?

So the original founders are all from California. We all went to the same school. We met there. We all went to the community college first in Santa Monica and we transferred to different schools, but when we all came back to China, we decided to make the festival.

What do you predict your greatest challenge to be in executing a successful Electric Jungle this year?

Probably getting certain permits. It’s really strict in China. You can not go ’til after 10 pm, the curfew time. And the production is limited. You can not use certain effects like fireworks, or any variation of fire. Also, the audience capacity limits are very strict.

How are you guys working to mediate those issues?

Well, when we first came here to do this in China, the government didn’t really understand us. It’s getting better now. We are taking special precautions and working with the government to try to clear up the discord. They are trying to work with us and are working on giving us a little more room, so that we can ensure the production and safety are up to our standards.

Can you tell me about what your intentions were with lineup curation?

A lot of them fit the marketing needs. We selected a lot of the artists from the data analysis, from the stream players. In addition to them and the artists the founders selected for personal preference, there is also a lot of local talent. We are trying very hard to promote them. Those artists have a great advantage with the local demographic because of the language. A lot of the local artists are using Chinese language to make their songs, and they have their own fans.

Can you tell me about the theme and location of the festival?

It’s right next to Guangzhou. It’s the center of the Guangdong area: just one province in China. The benefits would be that it’s not the biggest city, so the restrictions are less. It’s close to the two biggest cities in China. Transportation and hospitality are a disadvantage, less hotels and trains, etc. It’s a small city to us, but would be relatively big in the US. I would say it’s something like Seattle. The festival will be held at a resort, complete with a theme park, mini zoo, and a hotel with a restaurant. We’re doing the festival in the parking, given its considerable size.

*This interview has been edited for clarity and readability.

Lunar Lunes: Hermitude brings blissful beats, Protostar and Muzzy captivate in new collab, DROELOE and Sem ‘face the sea’ together + more

This post was originally published on this site

Lunar Lunes: Hermitude brings blissful beats, Protostar and Muzzy captivate in new collab, DROELOE and Sem ‘face the sea’ together + moreLunar Lunes E1540831560592

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes will be a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

This week’s selection of tunes includes new releases from Nora En Pure to TroyBoi to Morgan Page. Kicking off, Aussie duo Hermitude return for a blissful collaboration with Bibi Bourelly. Nora En Pure launches her Polynesia EP with a gorgeous song of the same name, and fellow beats queen WHIPPED CREAM goes from zero to 60 in “Bad For Me.” In “Facing the Sea,” DROELOE and Sem find themselves and “[acknowledge] that it’s going to be hard and that you’re going to struggle and that you should face those problems head-on.” Protostar and Muzzy hold nothing back on their new Monstercat drum & bass heater, “MELTDOWN.” Darude taps JVMIE for “Timeless,” a powerful trance number on Gareth Emery‘s Garuda.

The selection will be updated every Lunes (Monday).

Odesza releases “Falls” remixes by Troyboi, TOKiMONSTA, Kaskade and more

This post was originally published on this site

Who needs new music when you can have six totally different remixes. That’s the beauty of any collaboration or remix – you get to keep enjoying your favorite song but also six new songs at the same time. Today, Odesza released six new mixes of one of their most popular songs, “Falls”. Troyboi’s remix takes us

The post Odesza releases “Falls” remixes by Troyboi, TOKiMONSTA, Kaskade and more appeared first on EDM Sauce.

TroyBoi releases ‘Frustrated’ ahead of his forthcoming Mad Decent EP

This post was originally published on this site

TroyBoi releases ‘Frustrated’ ahead of his forthcoming Mad Decent EPTroyboi Concert Jatin Gandhi Photography

TroyBoi has released the first single off his V!BEZ Vol 2 EP, “Frustrated.” The new track, which R&B vocals from Destiny, comes just weeks ahead of the record’s forthcoming November 2 arrival on Diplo‘s Mad Decent imprint.

In “Frustrated,” the trap kingpin weaves sultry instrumentation with dissident, emotive vocals and popping ad-libbed samples. Almost every element bounces after the song’s climax, from its rumbling 808s, to its melodic violins. TroyBoi’s versatility and forward-thinking within the industry is as apparent as always in this new release, as he commingles elements of his signature, modern trap with old-school R&B.

TroyBoi also recently released a remix of “Do One,” from grime grandpas Pete & Bas. The elders’ catchy flow carries a heavy weight that TroyBoi builds nicely and drops into similarly hilarious trap sounds that could certainly rock a festival stage.

Photo Credit: Jatin Gandhi Photography