Skrillex and TroyBoi coalesce for full-throated battle cry, ‘WARLORDZ’ [Stream]

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Skrillex and TroyBoi coalesce for full-throated battle cry, ‘WARLORDZ’ [Stream]Unnamed

Skrillex has been back in electronic earshot in a big way this past year, vigorously venturing the festival front and continuously churning out high-caliber offerings both under his Boys Noize-assisted Dog Blood masthead, along with a recent Kelsey Lu remix. But he warned that the sun had only begin to rise on his release agenda for the year. Now he’s delivering on that promise.

He’s now taken up arms with worldly and ever-active torrential trap talent, TroyBoi. Their boisterous OWSLA-housed brainchild, “WARLORDZ,” is intuitively named for its audacious architects. The track exudes the complexity and dexterity of its creators, oscillating between throaty Asian vocals and tender piano-driven interludes.

Troyboi and Skrillex to Drop New Collab “War Cry” Friday

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After what has now become a full blown comeback, Skrillex is back in full force and dropping more music than we have seen in a while. After showcasing the new heater at Paradiso the other week, Moore has officially announced the release of his collab with Troyboi titled, “War Cry” this Friday June 20th. We

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Palm Springs Heats Up For First Splash House Festival of 2019

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This past weekend, partygoers headed to the picturesque desert city of Palm Springs to partake in a magical sun drenched weekend filled with non stop electronic music. Goldenvoice’s Splash House kicked off their first Splash House pool party of the year at 3 iconic Palm Springs hotels. Not only were partygoers offered up a massive

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ZEDD IN THE PARK to return to LA State Historic Park September 2019

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ZEDD IN THE PARK to return to LA State Historic Park September 2019Zedd Coachella 2019 Weekend 1 Main Stage Sunday

Zedd‘s one-day headlining festival, ZEDD IN THE PARK will return to LA State Historic Park on September 7, 2019, to record its second annual year of production. The “365” producer will be joined by TroyBoi, Keys N Krates, Jax Jones, and Brownies & Lemonade. Zedd’s announcement of ZEDD IN THE PARK’s impending sequel follows the “365” producer’s recent news that he would soon be hitting the road on his Orbit Tour through North America and Europe, kicking off this September.

Those interested in attending ZEDD IN THE PARK 2.0 can sign up to purchase pre-sale tickets, here. Pre-sale tickets will go on sale June 5. General on-sale will begin on June 7 at 10 AM PT.

Photo Credit: Courtesy of Coachella

Exclusive Event Recap: Troyboi Throws Down At Webster Hall In NYC

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The trap god known as Troyboi seems to always be on point, providing his fans with countless works of art and the most inherently energetic shows one could imagine. He has been on an absolute rampage recently playing at some of the biggest venues around the world while also continuously releasing quality music. This past

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Diplo presents The Super Mega Ultra Giant Mad Decent Block Party, led by Billie Eilish, G-Eazy, Major Lazer, Miguel

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Diplo presents The Super Mega Ultra Giant Mad Decent Block Party, led by Billie Eilish, G-Eazy, Major Lazer, MiguelDiplo Mon MVMT18 Bryan Mitchell 199

What Diplo wants, Diplo gets, specifically the first-ever Super Mega Ultra Giant Mad Decent Block Party Festival. If the length of the name tells us anything, it’s that the seminal Mad Decent festival is sure to be one hell of a doozy, as the newly minted event’s lineup confirms. Billie Eilish, G-Eazy, Major Lazer, and Miguel head the festival, which will manifest as a fine balance of highly sought electronic acts and equally illustrious hip-hop artists alike.

A Boogie Wit Da Hoodie, Kodak Black, Pusha T, and J.I.D. round out the festival’s hip-hop inclusions, while Dillon Francis, RL Grime, Zeds Dead, REZZ, Ekali, Troyboi, Baauer, and Whethan comprise some of Diplo’s dance picks. The Super Mega Ultra Giant Mad Decent Block Party Festival also casts glances at talent from genres beyond the electronic and hip-hop spheres, to draw the stylistically malleable Quinn XCII, R&B’s Pink Sweat$ and Jesse Reyez, and Finneas out.

Needless to say, the inaugural Mad Decent Block Party branded affair is a must attend for many reasons, primary of which—at least, for dance music fans—is Major Lazer’s occupancy of a headlining slot. Diplo previously intimated that Major Lazer will likely dissolve after delivering their fourth—and probably final—album together, in a January interview with Complex. As such, The Super Mega Ultra Giant Mad Decent Block Party Festival might well be one of Major Lazer’s last large-scale performances.

The unveiling of The Super Mega Ultra Giant Mad Decent Block Party Festival’s lineup comes just after Mad Decent Block Party Festival tweeted out a video with a particularly suggestive caption on April 5: “IT’S HAPPENING.” While the far from subtle warning altered past attendees of Diplo’s multi-city Mad Decent Block Party party series to be ready for a followup announcement regarding the fate of a MDBP festival, Diplo’s presentation of a full-fledged lineup has presumably taken many by surprise, given how quickly it succeeded the preliminary Twitter hint that a MDBP festival was in the works.

The Super Mega Ultra Giant Mad Decent Block Party will descend upon Gillette Stadium in Foxborough, Massachusetts for two days of fun, come July 20-21. Tickets to the festival will go on sale at 10 a.m. EST April 12.

Diplo presents The Super Mega Ultra Giant Mad Decent Block Party, led by Billie Eilish, G-Eazy, Major Lazer, MiguelSuper Mega Ultra Giant Mad Decent Block Party

Photo credit: Bryan Mitchell

Shambhala Music Festival reveals its 2019 lineup, featuring Silk City, GRiZ, Zeds Dead, and more

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Shambhala Music Festival reveals its 2019 lineup, featuring Silk City, GRiZ, Zeds Dead, and more2017galleryweb JamesColetta SMF D1 099 1

Shambhala Music Festival is recognized as the longest-running music festival in Canada. It is known for its eccentric art installations, educational workshops, and unique blissful experiences that soothe the soul. The wait for the 2019 lineup is over, and Shambhala has delivered a promising set of talent for their 22nd anniversary, returning to the Salmo River Ranch in British Columbia, Canada on Aug. 9-12.

Heavy-hitting dubstep acts like Excision, Zeds Dead, Downlink, Liquid Stranger, and Boogie-T will bring their forceful bass to the ranch for the fest’s forthcoming iteration. The lineup also includes bass house favorites such as Jauz, Cazztek, Jack Beats and Volac, along with sultry electronica and nu jazz sets from Bonobo and Grammy-nominated producer ZHU. The roster is blessed by legendary veterans from around the world, including Kaskade, Diplo and Mark Ronson‘s Silk City project, Nero, and Chris Lake and Chris Lorenzo as Anti Up, who are undoubtedly putting together an unforgettable performance.

Attendees can expect an all new installation called “Shambhala Favourites,” which feature the talents of A-Skillz, Father Funk, Smalltown DJs, Stickybuds, and more. Over the course of April, Shambhala will be adding 200-plus artists to the lineup that will fulfill all six stages, The Amphitheatre, The Fractal Forest, The Grove, The Living Room, The Pagoda and The Village.

Learn about payment plans and get tickets here.

Shambhala Music Festival reveals its 2019 lineup, featuring Silk City, GRiZ, Zeds Dead, and moreSMF 2019 Haedliner Release Web Version 1

Photo credit: James Coletta

Spring Awakening reveals multifarious undercard: Andrew Bayer, Chris Lake, TroyBoi, + more

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Spring Awakening reveals multifarious undercard: Andrew Bayer, Chris Lake, TroyBoi, + moreSAMF2018 0609 215039 4768 DVS

After confirming its new location and official headliners earlier this week, Spring Awakening Music Festival has released the remainder of the lustrous 2019 lineup.

Spring Awakening’s undercard, though there’s hardly anything lowly about it, spans some of the most accomplished names in techno, house, trance, and bass music. Anjuna-adept festival-goers will notice the generous number of names from Above & Beyond‘s hallowed home for all things trance and house music to celebrate the Anjuna-branded stage that will land at SAMF this year along with a menagerie of native talent, from longtime veteran Andrew Bayer to former The M Machine member, Luttrell, who just released his first album with the label’s subsidiary imprint, Anjunadeep. From Spring Awakening’s subterranean bass caverns will spawn Liquid Stranger, Rusko, TroyBoi, G Jones, and more across the sweeping, 60-artist ticket.

Announced earlier this week, Spring Awakening 2019’s headliners GRiZ, REZZ, Martin Garrix, DJ Snake, Zedd, and Illenium will touch down at Hoffman Estate’s Poplar Creek for the festival’s first year at its expansive new location June 7-9.

Tickets to Spring Awakening are available here.

Spring Awakening reveals multifarious undercard: Andrew Bayer, Chris Lake, TroyBoi, + moreSamff

Photo Credit: React Presents

It’s comeback season: newly renovated Webster Hall announces first shows of 2019

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It’s comeback season: newly renovated Webster Hall announces first shows of 2019Webster Hall

After a long-winded hiatus for renovations and full-blown restructuring, Veteran New York venue, Webster Hall is prepared to reopen its doors, following its summer 2017 closure.

The East Village fan favorite will usher in its 2019 year of production on May 1, with a performance from Patti Smith and Her Band. The cross-genre acts that span Webster’s May event calendar prove that the event hall will continue its tradition of catering to attendees’ diverse musical preferences. Webster Hall will see acts from distinctive sonic spheres take the stage, or respectively, the decks. TroyBoi, MGMT, The Japanese House, Royal Trux, Broken Social Scene, FKJ, Sharon Van Etten, Aaron Tveit, Johnnyswim, Old Dominion, and Chromeo, who will joined by a live band, account for Webster’s multifarious May billings.

Webster will additionally see appearances from Empire Of The Sun, Real Estate, and City of the Sun later in the summer. The historic venue will also welcome the return of Emo Nite, along with its Saturday club nights, returning in September. Visit Webster Hall’s official website for a full list of events and additional information.

Photo Credit: Scotty Hawk for Nest HQ

Welcome to the Jungle: the local event brand shaping China’s flourishing electronic music culture

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Welcome to the Jungle: the local event brand shaping China’s flourishing electronic music culture8

The air at China’s Electric Jungle music festival is rife with more than just thick blankets of meandering cigarette smoke. The untethered Chinese electronic festival goers beam with the enthusiasm of a culture not yet jaded by the “put-your-fucking-hands-up” of it all. 

China’s sprawling electronic music scene, while invariably unique (despite Western influences), follows the traditional counter-culture-becomes-the-culture plot. Among the local efforts to secure dance music widespread recognition, Jungle Events is most notable for working, not just to throw sensational, world-class festivals with the most sought-after electronic acts, but to promote camaraderie among its supporters.

“Jungle is one of the only domestic festival brands in China. The team is made up of Chinese ravers who want to establish a community of ravers in China, not just throw festivals,” says Chinese trance titan and perennial Jungle billing, Luminn, echoing the company’s distinct ethos.

Signed to Armin van Buuren’s army of global trance talent, Armada, Luminn (real name, JunLiang Fan) speaks ambivalently towards the influx of foreign festival brands embedding themselves in the Chinese market. As the first Chinese artist to secure a clean sweep of spots on the Ultra, EDC, and TRANSMISSION lineups, he posits with authority: Jungle stands out. 

It’s simple enough. The Chinese want to go to raves thrown by Chinese ravers. That’s not to say international muscle hasn’t amassed a robust following in recent years. Ultra China’s first swing in 2017 drew over 40,000 awestruck attendees to its inaugural weekend in Shanghai. The goliath outfits also make an effort to book domestic talent. EDC China’s official flyer from last year sprinkled the hometown heroes alphabetically alongside Alison Wonderland, Disclosure, and the lot—same-size font and all. 

“Rave:” an antiquated term on US or European soil. But inside China’s cocktail of fresh-faced organizers and authorities privy to the most arbitrary whims (event permits count for little), the tired term has earned its wings here. Even the most meticulously planned festival is an inspired act of valor for the Chinese—clandestine warehouse setting be damned. 

KSHMR, born Niles Hollowell-Dhar, reckons he’s performed in China more than any other country outside the US. Resting on the upper-most echelons of both the international big-room scene and Jungle’s most recent lineup, the California native revels in the laundry-fresh feel of China’s developing dance scene.  

“They are probably the most enthusiastic of any fanbase that I have around the world—showing up at the airports when I arrive, and even at the hotels,” says KSHMR. “There’s a vigor and a zeal to the Chinese people that I feel it’s a shame that a lot of the world doesn’t understand.”

Once the effects of the awe-inducing elixir comprised of Skrillex, REZZ, and Martin Garrix, (just a few of Jungle’s other active ingredients) subsides, we remember Jungle 2018’s auspicious undercard. Radiating sweet heat akin to her effervescent live sets is DJ Lizzy. Chinese-turned-New-Jersey-native, Lizzy Wang was the first female Chinese DJ to book a slot at Ultra. Inspirited by Newark’s omnipresent hip-hop culture, Wang started making music to relate to her more rambunctious American peers. Like a video-game heroine, she began unlocking levels of newfound confidence with every DIY production skill acquired from days spent poring over YouTube tutorials.

Wang attributes Jungle’s loyal following to its keen and ever-domestic ear. 

“[The Jungle Team] cares about what the Chinese ravers want to see on a lineup,” says Wang. “It’s about more than selling tickets.” 

Both the Jungle founders, a collective of former University of Southern California transfer students, and Chinese EDM at large, owe at least their root infrastructure to dance music conventions from the states; though what’s evolved since their most nascent notions of EDM world-building is unmistakably domestic. Luminn observes the recent rush of Chinese producers opting to include Mandarin and Cantonese lyrics in their tracks. 

As with nearly any art form, there is a degree of reciprocity inherent in Eastern and Western influences that travels through the global dance music scene. Just before his Saturday performance at Jungle’s most recent installment, globetrotting English-born, part-Chinese trap talent, TroyBoi spoke of his manifold use of Asian instrumentation in his productions (“KinjaBang” and “Souls,” are two of the starkest examples).

“I like to create a worldly sound, with an electronic/hip-hop backbone to it that will translate wherever I play,” he says. “It gives me an edge when I come to tour in places like China.”

In comparison to TroyBoi, the LA-based Drezo was one of the most unanticipated additions to the 2018 lineup. Sporting visuals suited for a biopic on Satan himself, and a nefariously pulsing electro/house sound to match, Drezo’s performance was certainly liable to send Jungle patrons into a head-scratching frenzy. Instead, Drezo’s prescribed dose of strange was just what Saturday’s Bass Stage ordered, accruing a commendable crowd that was as excited as it was confounded.

“Something about the atmosphere here reminds me of the [US] scene around 2011,” says Drezo just after his set. “They go crazy for everything.”

Repeat Jungle dignitary, Terry Zhong, a recent grad of Boston’s Berklee College of Music cites Justin Beiber and Lady Gaga’s blurring the lines of pop and dance music as a vessel for EDM’s Chinese infiltration. The Insomniac talent began fine-tuning his piano prowess at the age of five—since then cracking a sundry of local lineups, including EDC Guangdong, as well as prominent bookings throughout the domestic club circuit. 

“[The Chinese] are trying to emulate what’s happening in the US,” says Zhong. “But now we’re starting to grow our own dance scene, to find a Chinese PLUR.”

Sound familiar?