“Boo’d Up” is blowing up. Ella Mai’s sumptuous ’90s R&B throwback, first released way back in February 2017 as the opening track of her Ready EP, is on its second week at #8 on Billboard’s Hot 100 singles chart. The slow-burn success story had its genesis in Spotify and Apple playlist placement but … More »
Now here’s a pop posse cut I can get behind: “Bitches” is Tove Lo’s new single, and it features Charli XCX, ALMA, Icona Pop, and Elliphant. A version of the song originally appeared on the Swedish pop musician’s Blue Lips album last year, but this remix has the added benefit of its long string … More »
It’s still a mystery how exactly Karma Fields works, but one thing’s for sure: the AI music act is proving to be revolutionary, especially with the release of “Color Blind,” a new collaboration featuring Tove Lo. The Swedish singer/songwriter, who has climbed the Billboard Hot 100 clearly noticed the technology’s talent and popularity, jumping on the opportunity.
“Color Blind” is a 6-minute-long adventure featuring groovy soundscapes that are constructed by harmonizing electronics, straightforward drum beats and echoing vocals with some added distortion. The vibes are a bit dark, but the overall production is genius.
There is pulling a Taylor Swift, and then there’s pulling a Taylor Swift. Of the handful of country musicians who’ve briefly gotten a foothold in the pop mainstream — a list that in the past couple decades has included Tim McGraw, Faith Hill, LeAnn Rimes, Shania Twain, Lonestar, Lady Antebellum, and Carrie Underwood among others … More »
German production duo ChampionsLeak hit us with their debut single “FuckThePainAway,” featuring vocals from Radiiio. ChampionsLeak is the brain child behind top 40 platinum selling producer Lulou, and German hip hop producer Choukri, who each have worked with the likes of French Montana,Tinashe, Chris Brown, Tove Lo, Fifth Harmony, Era Istrefi, and more. “FuckThePainAway” is a dark RnB tune,
She wasn’t supposed to make it past 25. Charlotte Aitchison’s Charli XCX persona has never been geared toward longevity. Whether braving an apocalyptic day of reckoning on “Nuclear Seasons” or literalizing her mortality on “Die Tonight,” the Cambridge singer has long displayed a sense of fatalism in her music. On True Romance, Charli’s oncoming demise demanded romantic consummation, no matter how transitory. On Sucker, she combated encroaching death with puerile hedonism and carnal distraction. And unlike compatriots and fellow Bacchanalia frontline journalists Arctic Monkeys, whose distaste for English nightlife is so acute you might mistake them for teetotalers, Charli revels in the debauchery of the London club scene, viewing its inevitable hangover as fait accompli and, consequently, a nonissue. This is why her career never seemed likely to sustain itself; the good times were bound to kill this death-obsessed girl. But the joke’s on us: she’s still alive, and on Pop 2, Charli XCX returns for more profligacy, yet this time with a keener perspective recalibrated by the nuances of young adult maturity.
There’s a certain territoriality and arrogance in Charli naming her mixtape Pop 2, but much of her music is spent negotiating the line between admirable confidence and aggressive hauteur. Charli spent roughly half of Sucker explaining that she was too good for you — even if she’ll mete out second and third chances for the sake of comfort and familiarity — while elsewhere flaunting her superhuman tolerance to narcotics and a vast wealth that puts Croesus to shame. And so on Pop 2, we see more of the cocksureness Charli exhibits in spades, as on the escapist-affirmative “Out of My Head” (ft. Tove Lo and ALMA), as well as a self-assured autonomy on tracks like the prurient, cloying “Unlock It” (ft. Kim Petras and Jay Park).
Yet on most of these tracks, Charli XCX sounds to have abjured the truculence and grandeur that granted her notoriety on singles like “Boom Clap,” “Fancy,” and “I Love It,” with much emphasis on her guests, which include Carly Rae Jepsen, CupcakKe, Mykki Blanco, Pabllo Vittar, MØ, Dorian Electra, and more. The Caroline Polachek duet “Tears” finds the singer reckoning with her proclivity for caprice, singing “I killed our life, I’m crazy […] Door shut tight, that ain’t love, no.” In place of her trademark overconfidence, Charli delivers a comparatively unadorned performance, signaling what seems to be genuine feelings of remorse. She may not be the most convincing agent of regret, but Charli didn’t pen these songs in hopes of credence or validation. Instead, she’s singing for her own benefit, to make sense of the needless waffling and unrest in her relationships. More power to her.
In the last 40 seconds of “Delicious” (ft. Tommy Cash), the track shifts from a scrupulously produced club banger to a pristine choir. This is an apt metonym for the instrumentation and arrangements of Pop 2. With production help from the likes of SOPHIE, Life Sim, King Henry, EASYFUN, and executive producer A. G. Cook, the music vacillates between synth-powered spectral screeches and jolts and immaculate choral beds, as if to reconcile the delineation between the impersonal nature of club life, with its ephemeral hookups, and the deceptive jubilance of a real, long-term relationship. The result is mixed bag, with the album’s industrial moments more engrossing by virtue of their immediacy and the more human elements of the production turning into a slog if left alone for too long.
For better or for worse, Charli XCX is embracing maturity on her fourth mixtape. Now 25 years (and some change) old, Charlotte Aitchison looks to be relieving herself of the “born to die young” credo she’s so ardently maintained for the past few years in favor of something more stable. And though she may not find what she’s looking for anytime soon, Charli XCX, on Pop 2, is at least looking down a new path.
Listen, there’s no time: Saint Charli just dropped her new mixtape for the fourth day of Hanukkah, so just freakin listen to it okay?? And if the first track being a Charli/Carly teamup isn’t enough to get your dreidel spinning, well, sorry, there’s honestly no hope for you.
POP 2 is available to stream below via Spotify.
It’s been just about three years since Charli XCX’s last full-fledged LP, the brash and addictive Sucker. But in that time, the pop visionary and Millennial Pink enthusiast has been far from quiet, releasing a steady stream of music via EPs, singles, or mixtapes ahead of her heavily anticipated third … More »
Okay now, this right here… this is news. After tweet-teasing us into reporting that there were reports that she reportedly had a new mixtape reportedly on the way, Charli XCX has now officially announced that her new mixtape is official. It’s called Pop2, and it’s out December 15 via Atlantic. Okay bye…
Wait… there’s more!?
Yes, there isn’t just a new mixtape from Charli XCX, there’s a new mixtape from Charli XCX that features the likes of ALMA, Brooke Candy, Carly Rae Jepsen, Caroline Polachek, CupcakKe, Dorian Electra, Jay Park, Kim Petras, MØ, Mykki Blanco, Pabllo Vittar, Tommy Cash, Tove Lo, those stories and Andy Rooney tonight on 60 Minutes.
OH! Also: Season 3 of The Candy Shop with Charli XCX kicks off today at 12 PM EST on Beats 1. Wow.
Check out Pop2’s tracklist, and listen to first single “Out Of My Head” — featuring the aforementioned Tove Lo and ALMA, and produced by SOPHIE and A. G. Cook — down below! Pop2 is out next f’ing week. Ahhhhhhhhh!!!
01. Backseat [ft. Carly Rae Jepsen]
02. Out Of My Head [ft. Tove Lo and ALMA]
04. Tears [ft. Caroline Polachek]
05. I Got It [ft. Brooke Candy, CupcakKe and Pabllo Vittar]
06. Femmebot [ft. Dorian Electra and Mykki Blanco]
07. Delicious [ft. Tommy Cash]
08. Unlock It [ft. Kim Petras and Jay Park]
09. Porsche [ft. MØ]
10. Track 10