It all happened so fast — and it keeps happening faster. More »
He’s a remixer at heart, but for DJ Crankdat, 2018 was about showcasing his talents on original music. However, after nearly a year, he’s decided to bring back his fan favorite “re-cranks” with a series tracks from one of 2018’s hottest releases. Astroworld Re-cranked is a selection of three songs from Travis Scott‘s latest album of the same name. He’s released one re-crank-a-day for three consecutive days, each one crazier than the next. According to their SoundCloud descriptions, it seems to be a project that’s close to his heart:
“I haven’t done any proper ‘re-cranks’ in nearly a year. My goal for 2018 was to begin artistically defining myself with my original music. I feel like I did that, but in doing so I had to put a hold on one of my favorite means of expression – remixes…re-cranks are back and I couldn’t be any more proud. Here’s my first project for you, I’ve been working on it since the end of summer. 3 songs from one body of work, but 3 very different vibes.”
Prepare to head-bang through the project’s first installment, an edit of “No Bystanders,” which includes snippets of the original’s most significant verses and climaxes with an intriguing pause before making the crowd go wild. Number two takes on the chart-topping collaboration with Drake “Sicko Mode” and it’s as hard-hitting as the first, allowing for some creative edge with two re-cranks in one, due to the original’s sudden changes in arrangement. Lastly, he brings it down a bit for the chilled-out Weeknd feature on “Wake Up.” It’s more melodic and synth-driven in nature, yet is a great conclusion to something that is bound to be a crucial element of Crankdat’s live show as 2018 comes to a close.
Daft Punk and The Weeknd are being accused of stealing the beat from their 2016 hit collaboration, Starboy,” which peaked at no. 1 on the Billboard Hot 100 at the top of 2017. According to TMZ, poet, singer, and songwriter Yasminah claims her record “Hooyo” is the blueprint for the trio’s joint hit.
Yasminah states she released “Hooyo” in 2009, and of course, “Starboy” came to fruition seven years later. The similarities are obvious: same chorus, same key, same tempo, and same claps on beats two and four. With the “Starboy” rhythm seemingly an obvious rip of the originally, thousands of fans and onlookers are siding with Yasminah with this one.
Two of Yasminah’s producers have already threatened lawsuits over the song, but they never made it to court. She believes that The Weeknd, real name Abel Makkonen Tesfaye, only knew of her song because of his East African roots. While The Weeknd was born in Canada, both of his parents are of Ethiopian descent. Yasminah is now requesting her portion of those settlements, which clock in at over $5 million. The “Starboy” music video currently has amassed nearly 1.4 billion views. Listen to both tracks below and make the comparisons for yourself.
Featured photo: YouTube
Daft Punk and The Weeknd made serious waves when the artists announced a series of collaborations. The main record which the trio produced together was ‘Starboy’. It was a chart-topping hit that has been streamed well over 1 billion times on Spotify alone. Now both Daft Punk and The Weeknd are facing a lawsuit for
The post Daft Punk And The Weeknd Have Been Sued For Supposed Plagiarism On Their Collaboration ‘Starboy’ appeared first on EDM Sauce.
Medasin and Louis Futon dropped a teaser video showing the smooth groove kings going certified bonkers on a flip of Travis Scott‘s “Wake Up.” The video shows the duo jamming on an a cappella of The Weeknd‘s featured vocals, after asking fans for song suggestions for an impromptu rework. The two producers start with the original’s raw vocals, and put it through a multi-step soul machine. The video shows Medasin laying down effortless keyboard stylings, while Louis Futon taps out drums on the fly and records a sliding bass guitar line. The creative chemistry in the studio is palpable, and whatever difficulties Medasin may have playing to thousands on tour clearly disappear when he’s just jamming and creating.
Oddly enough this is the first we’ve seen of the the two artists collaborating, despite dominating the same vein of electronic music. The duo needlessly asked if they should release the full version (the answer is undoubtedly hell yes), but fans can bask in the glory of Medasin’s dance moves while they wait for the rework to drop in full.
Back in May, Donald Glover premiered a striking Childish Gambino music video for his new song, “This Is America.” It was an exciting teaser for a pair of lukewarm tracks that he shared in July, “Summertime Magic” and “Feels Like Summer.” My colleague Chris DeVille titled his The Week In Pop … More »
That The Weeknd has some new music to share is hardly a surprise, given the My Dear Melancholy crooner’s confirmation earlier this month that he was once again rubbing elbows in the studio with Gesaffelstein, a key figure in the 2018 album’s production.
While The Weeknd assisted on two of the year’s most noteworthy releases in the rap ring–Nicki Minaj‘s Queen, and Travis Scott‘s Astroworld–the R&B vocalist certainly isn’t neglecting his own projects, as the second episode of The Weeknd’s Beats 1 radio show, “Memento Mori” evinced.
The Weeknd treated listeners to previews of two new tracks that currently remain unreleased, including a remix of My Dear Melancholy constituent, “Try Me,” that features hip hop heavyweights Quavo, Trouble, and Swae Lee.
Those who missed “Memento Mori’s” live broadcast can stream the newly debuted material, here.
H/T: Consequence of Sound
In June, the Weeknd joined the likes of Drake, Frank Ocean, Pharrell, Nicki Minaj, and more with his own Beats 1 radio show on Apple Music. And like Frank Ocean with Blonded Radio and Drake with OVO Sound Radio, the Weeknd is using his new show Memento Mori to debut some new music. More »
Indonesia looks to a decade of Djakarta Warehouse Project (DWP) this year, as the festival approaches its tenth iteration, set for December 7-9.
The Weeknd, DJ Snake, and Alesso will headline Djakarta’s double-digit celebration, while phase one artists Porter Robinson, RL Grime, Armin van Buuren, and Major Lazer will also join the festivities. DWP will unveil following phases of the 2018 lineup in the weeks to come.
With age comes growth, and as such, Djakarta will expand from a two to three-day affair as the festival relocates to a picturesque new location, Bali’s Garuda Wisnu Kancana Cultural Park. Now one of the largest dance festivals in Asia, Djakarta will commemorate a decade of fluid progression, and electronic music lovers won’t want to miss the occasion. Tickets to DWP’s tenth iteration will go on sale starting August 17, and can be purchased, here.
Photo Credit: bandwagon
Travis Scott‘s newest album, the long-anticipated, ASTROWORLD, has proven itself extraplanetary, indeed. After a little over a week since its release, the album has eclipsed the number one spot on the Billboard 200 chart — beating out Drake‘s multiple-record-breaking double-sided album, Scorpion, which held a fierce five-week streak at the top. Somewhat ironically, Drake is among the flood of high-profile acts to be featured on the album (appearing on “SICKO MODE”), also including Frank Ocean, James Blake, Kid Cudi, The Weeknd, and even Stevie Wonder.
ASTROWORLD is the “Goosebumps” rapper’s third studio album, following his 2015 breakthrough release Rodeo followed by the following year’s Birds In The Trap Sing McKnight. Scott also capped off 2017 with his collaborative project with Quavo of Migos, Huncho Jack, Jack Huncho.
Despite its astronomical success, ASTRO didn’t arrive without its abundant share of hiccups, including a slew of false release date announcements and a sundry of production delays. The carnival-themed album stands as Scott’s second chart-topper, garnering a whopping equivalent of 537,000 album units, with 270,000 of those in traditional album sales.