The Glitch Mob Offers Their Discography For $20, All Proceeds Go To Benefiting California Wildfire Victims

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Over the last few weeks, California has been ravaged by wildfires. These fires have stemmed from an unbelievably dry year for America’s left coast. Thousands have lost their homes, even more, have been (at least) temporarily displaced. It is truly a crisis like the country has never seen. While many individuals have tried to help

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The Glitch Mob Brooklyn Steel Takeover [Show Review + Exclusive Interview]

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About a week ago on a beautiful fall Saturday night in Brooklyn, NY, I along with many other fans were able to see The Glitch Mob legends in action. The show took place at Brooklyn Steel and what a spectacle it was. The group did not disappoint coming in full throttle with everything that we

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1788-L brings renegade funk with official flip of The Glitch Mob’s ‘Disintegrate Slowly’

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1788-L brings renegade funk with official flip of The Glitch Mob’s ‘Disintegrate Slowly’1788 L The Glitch Mob Remi

In his first flex since the blistering S E N T I E N C E EP on Zeds Dead‘s Deadbeats imprint, 1788-L returns to the remix ring with a heavy new flip of The Glitch Mob‘s “Disintegrate Slowly.” The mysterious producer’s contribution to The Glitch Mob’s remix-stuffed deluxe edition of their See Without Eyes LP serves as a loud reminder for any fans remiss of his  remixing savvy.

1788-L’s take borrows the original’s hard rock backbone and speeds things up for an extra dose of energy–and that’s before the gritty bass and pounding percussion take hold. Building around a synth-riff steeped in guitar-style twang, the track explodes into one of the artist’s most nuanced drops to date. The familiar distorted crackle envelopes a glitch-heavy breakbeat and a destructively funky bass line. It’s clear the producer is feeling free and easy to expand his sonic signature to new rhythmic and experimental territory. Even among the heavy hitters delivering the album’s remix consignments, including Machinedrum and REZZ, 1788’s rendition is still an unequivocal standout.

1788-L Remixes The Glitch Mob’s “Disintegrate Slowly”

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1788-L has one-upped himself yet again with his remix of The Glitch Mob’s “Disintegrate Slowly”. Today, The Glitch Mob released an album full of original songs and remixes, but this one stands out from the pack. 1788-L holds some of The Glitch Mob’s original sound but adds in their one-of-a-kind sound that blows us away.

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NMF Roundup: Habstrakt comes in hot, Alpha 9 soothes with ‘Azzura,’ The Black Madonna remixes Silk City and Dua Lipa + more

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NMF Roundup: Habstrakt comes in hot, Alpha 9 soothes with ‘Azzura,’ The Black Madonna remixes Silk City and Dua Lipa + moreGoldrush18b 033 1

It’s most important day of the week: New Music Friday.

We’ve truly been blessed this week, with some of electronic music’s hottest acts dropping insane new productions. Habstrakt drops it low in his fiery new single, “About You,” and Malaa, too, delivers a house anthem in “We Get Crunk.” We welcome the return of Manila Killa, who’s delivered the beautiful “Run Away,” his first single in eight months. Mat Zo‘s released his highly anticipated No Words EP, from which we’ve selected the unparalleled “Music Lost All Words.” It’s also a stellar day for remixes, including The Black Madonna‘s rework of Silk City and Dua Lipa‘s “Electricity” and Syn Cole‘s bouncing take on Matoma‘s “Losing It Over You.” NGHTMRE and SLANDER‘s Gud Vibrations label celebrates with its first release today, too: WAVEDASH and fknsyd‘s “Deathwish.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Rukes

ODESZA’s “Falls” gets an all-star remix pack from Kaskade, TOKiMONSTA, and more

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ODESZA’s “Falls” gets an all-star remix pack from Kaskade, TOKiMONSTA, and moreOdesza

ODESZA blasted back into focus this fall with the release of the horn-powered cinema that is “Loyal”– but that didn’t stop them reaching back to their 2017 track “Falls” for a grip of remixes by a fittingly star-studded set of names. Originally appearing on the duo’s fourth long player A Moment Apart, the Sasha Sloan-assisted cut was pure ODESZA from start to finish, with echoing vocal cuts and tribal percussion. With six stellar artists on hand to reimagine the song, it’s clear the track is headed for exciting new worlds on a stellar array of remixes.

UK-based trap and hip hop savant TroyBoi is up first with a minimal knocker of a rework, featuring sugary guitar strums and twinkling leads over knocking drums. Australian producer Golden Features swoops in next to dial up a menacing and spacey house take that packs equal punch and ambiance. TOKiMONSTA provides a standout addition by preserving the joy and depth of the original along with an injection of stuttering percussion and driving vocal chops. Ever the wildcard, Kaskade surprises with a majestic trap-infused take that lets the vocals soar over rich electro-tinged pads. Photay keeps the unexpected rolling with a rolling and experimental offering that glitches the original’s vocals into a synth like riff. The Glitch Mob wrap the journey up with their sizzling signature electro, capping off a remix pack that brings the ever expansive emotion of ODESZA into the throes of some of electronic music’s most creative minds.

 

 

Photo Credit: Julian Basjel

Machinedrum transforms The Glitch Mob’s ‘Enter Formless’ into a shapeshifting glitch weapon

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Machinedrum transforms The Glitch Mob’s ‘Enter Formless’ into a shapeshifting glitch weaponMachinedrum Glitch Mob Enter Formless Remi

Machinedrum have unveiled a sub-torturing take on The Glitch Mob‘s “Enter Formless,” the opening track to the group’s 2018 album, See Without Eyes. Machinedrum previously supplied remix magic on the electronic group’s 2011 Drink The Sea (Remixes Vol. 2) compilation, and the glitch house stalwart shows no fear this go around crafting a daring and experimental transformation for The Glitch Mob.

The original’s bold synth riffs boom-bap percussion still star in Machinedrum’s rework. The remix opens with the melody flanked gorgeously by acoustic guitars as a snare roll launches into the first drop, a transition that perfectly characterizes the take’s bi-polar sonic structure. Distorted subs swell and expand from behind crunchy breakbeat kicks, before the drop reaches a drum and bass-inspired boil. The guitars and spaced out synth melody return in a wash of echoes and ambiance, before song explodes again into a glitchy drop topped with searing pads. Just as the listener begins settling into the madness, the remix ends on a lone acoustic guitar plucking out the original’s melody to melancholic effect.

Machinedrum’s shape-shifting interpretation latches onto the bold and beautiful elements of the original and dials them up to 11 in their own solo moments, creating a constantly surprising and satisfying new production.

The Glitch Mob Set To Light Up The Stage At Brooklyn Steel in NYC

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The legends of electronic music are here to stay, over the past year they have released tons of new music including a full length album and are now still touring all over the country. The boys of The Glitch Mob have gained some serious momentum after staying out of the spotlight for a bit, and

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The Glitch Mob unveil new documentary, ‘Behind The Blade 2.0’

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The Glitch Mob unveil new documentary, ‘Behind The Blade 2.0’The Glitch Mob 1 1

 

Relentless sonic experimenters of The Glitch Mob have released a new mini documentary, The Glitch Mob: Behind The Blade 2.0, with the help of collaborators, Alienware, in attempts to shed light on their unique processes and artistic mission statement.

The seven-minute feature traces the band’s enduring efforts to travel a less-trodden musical pathway and discover original ways to advance their narrative. One way The Glitch Mob—who is known for their unfettered ability to blend live instrumentation and intricate electronic production—says they have achieved this one-of-a-kind sonic status is through innovations like Blade 2.0: an unparalleled instrument of the group’s own creation that delivers a categorically immersive live experience in ways such as “creating a visual companion piece with each track.”

The group uses the documentary ultimately to emphasize their intentions to bring people together in a time when “people are more divided than ever,” noting their sheer awe of the unifying effect music can have on people.

“In a day in age when everything is about hit singles and pumping out content, we still believe in the album to tell the deeper and more enriched story,” they said. “Good stories have no expiration date, and that is where we have continued to put our focus.”

 

NMF Roundup: Lido’s EP is a must-listen, Dzeko goes deep on bass house heater, The Glitch Mob bring rocking new League of Legends theme song + more

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NMF Roundup: Lido’s EP is a must-listen, Dzeko goes deep on bass house heater, The Glitch Mob bring rocking new League of Legends theme song + moreFalls Festival 2

The most important day of every week: New Music Friday. As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed.


The Magician casts his infectious house melodies on Michael Calfran’s “It’s Wrong,” featuring smooth vocals from Danny Dearden. A bouncing bassline dances with the melody, adding a groovy swing to the remix.

Russian DJ ARTY brings an effervescent light to “Perfect Strangers,” A Euro dance build falls into stuttering electro house. Big, bright synths are part of the lush atmosphere he’s built here, seemingly drawing inspiration from Avicii in his early works.

Timmy Trumpet and Maddix have teamed up to bring stadium-sized psytrance in “The Prophecy,” released off Hardwell‘s Revealed imprint. Middle Eastern vocals dance alongside big kicks and a hefty bassline, while on the verses, bright synths croon above a bed of casual drums, unaware of what’s to come next.

Dzeko teams up with Brazilian producer, Liu, to show off intimidating bass house with body-tingling bass and rhythm-bouncing vocal chops. The melody builds anticipation on “Don’t Stop,” which then drops listeners deep down low into a bass abyss.

Abby Diamond walks along filtered sultry synths, twinkling texture, and accompanying percussive elements in “Irrelevant.” The harmony wafts in the air or flows like water, with Diamond’s dynamic atmosphere personifying elements.

Armada Music has released “Antares,” a bright electro house festival thumper from the two Dutch brothers, DubVision. Inspiring melodies build and maintain anticipation while the kick drives.

Phantoms feature Vanessa Hudgens on their pop-inspired single, “Lay With Me.” Hudgens rides the groove, showing off her range and spirit-lifting hooks.

Anna Yvette gets retro on “Shooting Star,” with her vocals gliding along ’80s synths, old-school drums, and a sparkling atmosphere, while slowing the tempo down for breakdowns. “Shooting Star” also features a sick guitar solo during the bridge.

Lido has released his I O U 1 EP off Emmanuel de Buretel’s Because Music label. “Partake” stands out among the list of must-listens, as a melancholy Lido slows heartbeats and mourns over distraught emotions. The song takes a turn halfway through, touting a story of resiliency.

i_o builds flawlessly on “Feel You Now,” sliding the arrangement into melodic bliss that sounds like stars shimmering in the night. A pulsating bassline drives alongside the big kick rhythm.

League of Legends is known for collaborating with great artists and releasing fire tracks. This time around, they team up with The Glitch MobMako, and The Word Alive for their 2018 theme song, “Rise.” Notes of electronic rock give way to a bit of headbanging in a more pop avenue.

Secondcity delivers groovy funk house with soulful vocals on top in “Tomorrow’s World.” Chord progressions of keys build with sax sounds to create a must-listen for any disco lover.

DJ Doctor Boom delivers a remix pack of JoJo‘s “Oh Yes Oh Yes” off his Del Sol imprint based out of Tampa, Florida. Brian Busto’s stands out for its infectious percussive swing and contrast between gritty lows and scintillating highs.

Hanne Mjøen’s newest single might be called “Sounds Good To Me,” but in actuality it sounds good to everyone. The blossoming Norwegian singer has been signed to Warner — a sign of true talent — and is already capturing worldwide attention with infectious hits like the one above.

Adam Port and RÜFÜS DU SOL make for an enticing combination. The Keinemusik member put his simmering, hypnotic touch on the Australian trio’s original “Underwater,” which works extraordinarily well with the airy chords and feel-good vocals of the song’s first iteration.