Eric Prydz took his Cirez D alias to Coachella this year for both weekends, serenading techno fanatics and listeners alike at the YUMA stage. The Swedish producer who rose to fame in 2004 with his hit single, “Call on Me,” has distanced himself from the mainstream, forging his own path through the wired forest of stage production with holograms and his new forward thinking live concept, VOID.
Prydz’ Cirez D alias takes Prydz’ talents underground, to cater to his–and fans’–techno cravings. He also plays almost exclusively his own music, which is an accomplishment in itself, given the two-hour length of his recent public performance at Coachella’s second weekend. The only song not by Cirez D is Thomas Schumacher‘s “Golden Hour.”
Time Warp celebrates its 25th year in 2019, for over two decades it has been an intrinsic touchstone for the world global landscape, and its influence and reputation has expanded well beyond its iconic festival in Mannheim Germany. Five years after its last touchdown in America, also the last time Ricardo Villalobos played in America,
Movement Detroit is fully prepared for its Hart Plaza takeover on May 25-27. The family-friendly jewel of the American underground celebrated its 20th birthday in summer of 2018, and will be continuing the celebration in fine fashion for its upcoming iteration with a diverse, all-star lineup. With names like Charlotte de Witte, LSD (Luke Slater, Steve Bicknell, Function), Orbital, and Get Real locked in and the main stages unveiled, the final piece of the festival has been unveiled: showcases.
May 25 sees Movement institution Detroit Love return to its home of the Stargate stage and featuring legacy talent like Carl Craig, Seth Troxler, Stacey Pullen, and Octave One to name a few. Sebastian Mullaert will be hosting a special Circle of Live performance alongside VRIL, Mathew Johnson, and Amp Fiddler on May 26, while Richie Hawtin will also be bringing along a strong cast of friends to join him at his PLAYdifferently takeover of the Pyramid stage. Finally, Ghostly International will be curating the Redbull stage once more with Audion, Shigeto, and more.
David Guetta continues to extend and experiment with his trademark sound with a new release, “This Ain’t Techno,” produced alongside England native, Tom Staar. The track marks Guetta’s return to Spinnin’ Records, which is fitting thanks to the song’s hectic notes and the upbeat tempo that characterizes many of the label’s sterling releases.
Blaring trumpets and energetic chants immediately submerge the listener into a club set along the apex of a night out. The result is a mesmerizing tune that leans heavily on hypnotizing bass chords, spirited vocals, and swirling sound effects. David Guetta has had a knack for taking inspiration from the deeper sounds of house and techno in both his sets and productions as of late. This notion was recently underlined by new music from his Jack Back alias; and “This Ain’t Techno” is a great addition to his ever-fluctuating sound.
Underworld have returned with a new song to continue their Drift series, launching its second installment with “Appleshine.” The duo—who with their formation in 1980 were one of the first to explore electronic music—haven’t lost any talent along their extensive journey, with this 10-minute opus standing as a reminder.
Industrial and technical elements in “Appleshine” together create an emotive movement of music. Paired with a partnering video, the new track is the first piece of episode two ofDrift, whose six-piece first offering was released in 2018. Throughout this episode, viewers learn its backstory.
“On that journey, Karl and Rick stopped at a pig shed in Essex; Rockingham Speedway; a hotel room in Reykjavik; AIR studios and a series of tiny club shows in Amsterdam, Manchester and London. Each of those stop off points helped influence the creation of DRIFT Episode 1 & 2.”
ANNA has hit a huge milestone in her career. This week, the Brazilian-born, Barcelona-based techno artist has taken the reigns for the first time on BBC Radio 1 for an inaugural Essential Mix. She has put her unique knowledge of the global techno arena on display, incorporating the sounds of São Paolo, Berlin, and South Africa as well as her own music across the two-hour long mix. This accomplishment serves as another reminder that with ANNA on the decks, something new and transcendent is bound to be discovered. Of course, this includes her own remix of Jon Hopkins’ “Singularity,” but it only begins there. Other blistering records spun on the show include her atmospheric single “Hidden Beauties,” “Artha,” and her edit to Fairmont’s “Gazebo.”
House and techno titans will unite again atop Detroit’s riverfront Hart Plaza for another Memorial Day weekend segment of Movement Festival. So far, organizers have pulled back the curtain on only a small, yet lustrous, corner of their secured repertoire, including hot-button house authority, Chris Lake, the aptly named, old-school-meets-new-school Hot Since 82, Belgium’s fiercely flourishing techno temptress, Amelie Lens, and local-turned-global rap icon, Danny Brown, who satiates the fest’s longtime affinity for bolstering Detroit-native talent.
The festival, this year pegged for May 25-27 has long acted as a summertime commencement in Detroit–the techno promised land–as well as a harbinger of the annual electronic festival season at large. The 2019 installment will also include a live set from Orbital, who have been a pair of instrumental components in electronic music’s acclimation in both the UK and US fronts since the late ’80s. The upcoming edition will be the duo’s Movement debut, as well as their first live performance in Detroit in nearly two decades.
If last year’s expectation-eclipsing lineup, which included Claude VonStroke, Lee Burridge, Maceo Plex, REZZ, Dubfire, and a face-melting slew of multifarious talent, spanning house, techno, hip-hop, and experimental subsets across the electronic emblem, the ten thus-far-released acts are only a Costco-size sample of what’s to come.
Movement 2019 acts thus far include (in alphabetical order):
AMELIE LENS CHRIS LAKE DANNY BROWN DJ BONE DJ NOBU FLOORPLAN – LIVE HEIKO LAUX HOT SINCE 82 ORBITAL- LIVE STEPHAN BODZIN – LIVE
EDMSauce recently had the pleasure of interviewing, North Carolina based DJ/Producer Kyle Fields better known by his stage name, Spectre. Serving up an eclectic and refreshing mix of house & trance music, Spectre is on the rise in the trance scene! Recently, performing alongside of Armin van Burren, Markus Schulz and Andrew Bayer – Spectre
EDMSauce recently had the pleasure of interviewing, North Carolina based DJ Kyle Field better known by his stage name, Spectre. Serving up an eclectic and refreshing mix of house & trance music, Spectre is on the rise in the trance scene! Recently, performing alongside of Armin van Burren, Markus Schulz, Paul Oakenfold, and Gabriel &
Drezo has spent the past half decade carving out his own lane in the realm of bass-heavy, dark house music. With his spastic percussion and ominous vibe, the LA-based artist draws influences from new wave electronic music while tapping the rave sounds of the past. Now, he’s broken nearly a year of radio silence, taking on the title track of Gesaffelstein‘s seminal debut album, Aleph. Drezo flexes his production prowess with a hard-hitting remix for the French icon, reinventing the track just as Gesaffelstein’s resurgence is beginning.
Drezo begins the remix by playing up the eerie guitar found in Gesaffelstein’s original. As the track begins to build, a bass line eases in, before quickly jumping to prominence with a fierce break. Though his signature heavy low-end is present, this remix stands as a more minimal take on Drezo’s usual style in homage to Gesaffelstein’s characteristically stripped back aesthetic. With hollow synth stabs and a brooding energy, Drezo has put forth a remix fitting for the newly returned French techno luminary, alluding to his own comeback primed for 2019.