Lunar Lunes: Lemaitre reveal new single, NWYR and Andrew Rayel join forces, Mark Knight releases new Toolroom original + more

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Lunar Lunes: Lemaitre reveal new single, NWYR and Andrew Rayel join forces, Mark Knight releases new Toolroom original + moreLemaitre Rocket Girl Rac Mi

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

Norwegian indie duo Lemaitre bring their breezy, easygoing style to “Fast Lovers,” and Andrew Rayel teams up with W&W under their NWYR alias for “The Melody.” The Disco Fries reveal a funky remix for “Blue” from Kaidro on Armada, and Rogue returns to Monstercat for the dreamy “Oceans.” Dirty Audio taps Shai Hicari for powerful “Run & Go,” and Maddix turns up the intensity on his noteworthy big room number, “Zero.” Toolroom head honcho Mark Knight delivers a new original, “The Mystery of Old Ma Clifton,” and Mako drops a remix of last summer’s “Murder” by Alex Ariete. MELVV takes on Katelyn Tarver‘s “Kool Aid” in his newest venture, and Steve Brian remixes Tritonal‘s “Gonna Be Alright.”

The selection is updated every Lunes (Monday).

Photo credit: BBC

Dexter’s Beat Laboratory Vol. 66

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Dexter’s Beat Laboratory Vol. 66Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


How many flips of ZHU‘s “Faded” is too many? The limit does not exist! I’m always intrigued to hear new takes on this monumental 2016 release. Tiny Elephant gathers momentum quickly in the introduction he’s built, leading up to a dramatic bass drop in the chorus. He’s filtered the original’s vocals in the chorus in a unique way, bolstering the song’s backbone with a pounding house beat. This sensational remix is perfect for those who can’t get enough of the original, as it maintain’s ZHU’s ever-present dark atmosphere.

In his most recent effort, josh pan teams up with AWAY for an eerily melancholy OWSLA release, “Mask.” This trapped-out bass collaboration is highlighted by pan’s sinister vocals, which are ushered in by a plinking piano introduction. The duo hold nothing back in this release, creating a jarring environment that yanks the listener back and forth between more traditional trap elements and stuttered, unpredictable vocal and beat chops.

After making his Monstercat debut earlier this summer, CloudNone has quickly proven himself to be a valuable asset to the Canadian label. His chilled-out take on modern electronic music is perfect for the winter months and is filled with lush soundscapes and subdued vocals. CloudNone has expertly captured the wistful sounds of the season with the union of instrumentals and minimalist percussion. The song is out now as a part of Monstercat’s latest Rocket League compilation.

A.M.R.’s Silver Lining EP kicks off with a gorgeous intro mix of the collection’s title track. This six-and-a-half-minute venture is built around a subtle house beat, but A.M.R.’s introduction of elements like piano and children singing tucks the bass into the background and allows for the melody to shine through. Strings, too, many an appearance, elevating the “Silver Lining” intro mix to a whole new level.

As we settle into colder months, songs like Steve Brian‘s latest are perfect for brightening up a dreary winter day. “Playa de Santiago,” out as part of Enhanced Chill Vol. 5, brings blissful beats and a cheery piano melody that’ll light up any room. Brian has painted a vivid soundscape of rich, resounding synths, layered to perfection. The breaks and variation in percussion keep this song alive throughout its seven-minute entirety.