Dexter’s Beat Laboratory Vol. 114

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Dexter’s Beat Laboratory Vol. 114Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


New Gramatik always makes for a good day. The funk maestro’s latest piece of work is the eight-track Re:Coil, Pt. II, which includes tracks like “Don’t Give Up.” He taps the vocal talents of Ryan Shaw and ProbCause to polish off a piece of music that’s soulful, hopeful, and groovy.

Also releasing an eight-track body of work on Oct. 25 is StayLoose, who’s unveiled his Bad Star album. This contemplative compilation pulls together some of the artist’s best work to date, like the otherworldly “Deadspace” that’s dripping with mystery and a subtle feeling of melancholy.

Au5 takes to Metanoia Music for the release of his new single, “For You”—an emotive, romantic piece that strongly reflects Au5 in his prime. The vocals are sweet, and the production (as always) is top-of-the-line. He even goes for a completely different feel nearly four minutes into the song, showing just how far he can take the songs he creates.

Wilkinson is back swinging, coming through with a new single for UKF‘s 10th birthday celebration. “Machina” has a gorgeous introduction that allows the producer build the world he’s constructing for “Machina” to take place in. A vocal drop at the minute mark delivers the listener into intense drum ‘n’ bass madness—a Wilkinson specialty.

Grammy-nominated dance act Fatum takes the reins on the latest Win and Woo original, putting together a bold remix on Armada of “Here U R.” The original song had a mellow, slow-groovy feel to it, but Fatum give the tune a darker spin.

NMF Roundup: ZHU and partywithray join forces, Ekali and Kiiara deliver ‘Back To You’ + more

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NMF Roundup: ZHU and partywithray join forces, Ekali and Kiiara deliver ‘Back To You’ + moreEkali Crystal Eyes 1

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

ZHU and partywithray craft a sinister masterpiece on their new collaboration, “Came For The Low,” and Ekali and Kiiara are a dynamic duo when they come together for “Back To You.” Gareth Emery continues to bless the music world with his masterpieces with the installment of “Laserface 03 (Leaving You).” Nora En Pure has revealed her new EP, Homebound, and EDEN releases “projector.” The Knocks team up with Great Good Fine Ok for “Lucky Me,” and Audien brings some drum ‘n’ bass heat with “Reach.” Gryffin soars in his debut LP, Gravity, and Kaskade and Mr. Tape flex on “Come On.” Notaker crafts an otherworldly sonic journey on “From Dust & Ashes,” and Galantis unexpectedly team up with Dolly Parton and Mr. Probz on “Faith.” Moon Boots and Black Gatsby unwind for the weekend on “Whisper In The Wind.” Showtek and Gammer tell us how they really feel on their new collaboration, “EDM Sucks,” and Ryan Browne gives BIJOU and Tyler Graves’ “Crown” a rougher edge. Wilkinson shines on his new single, “Machina,” and Gramatik reveals Re:Coil, Pt. II, featuring tracks like “Don’t Give Up” with Ryan Shaw and ProbCause.

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Bryan Van Wyk

NMF Roundup: Gesaffelstein reveals new EP, JOYRYDE drops ‘Selecta 19’ + more

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NMF Roundup: Gesaffelstein reveals new EP, JOYRYDE drops ‘Selecta 19’ + moreGesaffelstein Selecta 19

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Gesaffelstein surprised the world once again by announcing on Oct. 3 that a new six-track EP would be released the following day. Also making this NMF particularly fiery is a new tune from JOYRYDE, “SELECTA 19,” and Pryda’s new 13-track collection. deadmau5’s here’s the drop remix LP has finally arrived, including remixes from artists like Rinzen, and NGHTMRE and Grabbitz have joined forces to deliver the irresistibly catchy “Bruises.” Kaskade’s new Redux compilation has arrived, featuring songs like “Lose Control” with Brohug, and Zeds Dead have remixed Oliver Tree’s “Miracle Man.” Arty brings weekend bliss with his new single, “Daydreams,” and G Jones drops off a new single, “Dark Artifact.” Armin van Buuren and Matluck keep the upbeat days of summer moving with “Don’t Let Me Go,” and Golf Clap reveal their spicy remix of Destructo’s “Bassface.” The Glitch Mob link with LICK for the dramatic “System Bleed,” and Pegboard Nerds and NERVO come together for “Crying Shame.” Goldroom continues to reveal tunes from his forthcoming LP, including “Just Like A Dream,” and Party Pupils, Louis Futon, MAX, and TOBi deliver a mega-collab, “One Two Things.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Dexter’s Beat Laboratory Vol. 98

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 98Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


In mid-June, Liquicity Records continued the celebration of its 10th anniversary with the release of Reflections Pt. 2. One of the album’s eight tracks—Shock One’s remix of Ekko & Sidetrack‘s “Long Summer”—recently made its way to SoundCloud. It’s a gorgeous drum ‘n’ bass piece, featuring the heavenly vocals of songstress Reija Lee. She sets the mood for the emotive song with a silky introduction, paving the way for the pure, soulful energy that is to follow.

Black Caviar have gracefully morphed Bazzi‘s trap-infused “Paradise” into an upbeat house remix in their latest release. The Pennsylvania natives maintain the original’s smooth-flowing vocals and prep the instrumentals for the dance floor by adding a steady-grooving beat. They keep the mood light with a piano melody that reflects the easygoing simplicity of summer nights—which this tune seems to have been made for.

Fresh off a remix of Local Dialect’s “Poseidon,” Gorgon City have returned to deliver a brand new original, “Elizabeth Street.” The UK duo pay homage to the birthplace of house music, Chicago, in this new piece of work, luring listeners in with a somewhat dark atmosphere and an irresistible bassline. “Elizabeth Street” makes an excellent addition to the pair’s 2019 discography, which at only halfway through the year is already impressive.

I wrote about StayLoose and Fatherdude‘s “Illusions” in May, and my obsession with the tune carries into the remixes of it that’ve followed. One of the latest is from an Australian producer by the name of Dream Fiend. The artist takes a retro approach to his take on the track, bringing in elements of nu disco and synthwave to deliver listeners to the past. Bright synths elevate the song to new levels, and it’s addicting.

Pittsburgh synthwave duo Arcade High recently released their 10-track New Impressions LP, giving fans a taste of the ’80s over the course of the album. The last track before the digital bonus track is “Only Memories,” which harkens back to simpler times with a moody synth melody and a retro beat. It’s wistful and nostalgic, sprinkled with elements of a beloved decade that’s seeing a resurgence in recent years.

Dexter’s Beat Laboratory Vol. 93

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 93Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Swedish producer F.O.O.L has a flair for the dramatic. This is impeccably evidenced in each piece of music he creates, and his latest is no exception. His remix of Magic Sword’s “Legend of the Keeper” is a dark, shadow-infested synthwave rendition, using powerful retro synths to drive home an eerie theme. A strong beat makes up the backbone of F.O.O.L’s remix, making this an enticing song for dance music lovers of all persuasions.

The last New Music Friday of May brings with it the arrival of SNBRN highly anticipated Solé LP. Spanning 10 tracks, including previously released singles like “Feel My Love” and “Never Let You Go,” the LA-based producer brings his own brand of flaming-hot house to tracks like “Bailas Conmigo.” “I’m so humbled to share Solé with the people who made it what it is!” the producer said in a release. “My friends, family and fans are all behind this, and it’s been an amazing year preparing everything to share with everyone.”

A few weeks ago, StayLoose (formerly known as StéLouse) reissued a 2014 EP, The City, in a deluxe format that included a rework of “Sixteen,” now titled “Illusions (Sixteen).” He’s added talented vocalist Fatherdude into the mix, bringing a whole new layer to the tune. The song maintains the ’80s elements it initially possessed but is given an even more pop-oriented vibe with the addition of the spirited vocals. It’s ridiculously catchy, and it’s fun to hear how it’s evolved over the years.

After few months after the release of his Anywhere But Here EP, Mielo has tapped Ryan Collins to remix standout single “ILY” with Sarah De Warren. The original was a somewhat somber affair, lush with moody melodies and sultry vocals. Collins has decided to revamp the tone entirely, picking up the pace from start and integrating a pounding house beat early on. This upbeat rendition gives listeners a fresh new way to absorb the intricacies of Mielo’s original, along with Collins’ added elements.

RÜFÜS DU SOL are continuing to celebrate the success of their Solace LP, gradually releasing several volumes of remixes for the October 2018 album. They’re now on volume six, which features three remixes of “Underwater,” two of which are from Anjunadeep’s Yotto. Yotto offers up both a “dusk” and “dawn” remix of the iconic song. The melancholy tune is taken a step deeper by the talented Finnish producer, who’s leaned fully into the moody undercurrents of the song.

Lunar Lunes: Golf Clap remix BROODS, Chime takes on Super Smash Bros, Volac return to Night Bass + more

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Lunar Lunes: Golf Clap remix BROODS, Chime takes on Super Smash Bros, Volac return to Night Bass + moreGolf Clap Press Photo

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

In this week’s installment, Golf Clap put a groovy spin on BROODS‘ “Peach.” Nicky Romero re-imagines Martin Garrix‘s “Dreamer” with Mike Yung as a melody-centric big room track, and Moscow duo Volac return to AC Slater‘s Night Bass with their Funky EP. Chime holds nothing back on an creative dubstep remake of the Super Smash Bros Ultimate “Main Theme / Lifelight.” Prince Fox continues his string of remixes with a take on Travis Scott‘s chart-topping “Sicko Mode,” and QUIX puts his own spin on GASHI‘s “Creep On Me.” KUURO deliver a formidable Monstercat release, “What U Wanna Do” with Spencer Ludwig, and Alvin Risk reveals his latest as HA with Hodgy, “O.P.E.N.” Culture Code and Rabinik tug at the heartstrings with “Love Somebody,” and Trivecta pounds out a powerful trance beat on his remix of Myon and Late Night Alumni‘s “Hearts & Silence.”

The selection is updated every Lunes (Monday).

Dexter’s Beat Laboratory Vol. 68

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 68Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


It’s been more than two years since StayLoose released his twinkling original, “Let Go,” with Andrew Paley. Today, he blesses fans with an extended vocal cut of the original track, noting that Paley “added some additional vocals to this one to make it extra special.” The inclusion of addition vocals makes this new version particularly dynamic, as Paley’s emotive voice bounces off StayLoose’s timeless future bass stylings.

Laszlo‘s time on Monstercat dates back more than four years, and in that time, he’s delivered a multitude of innovative originals, many playing off an outer space theme. He’s now revealed a full LP on the Canadian label: Liftoff. Laszlo has been building to this 10-track collection for years, with songs like “Airglow” and “Sphere” dating back to 2016. The versatile album sees Laszlo flex a full range of production talents, from drum & bass to trap and everything in between. I instantly gravitated toward “Rendezvous,” a gorgeous piece of work that takes off quietly and builds into a feel-good drum & bass track with a beautiful melody.

SevenDoors makes a bold reappearance on the mau5trap roster with his latest offering, Rising Sun. The EP’s latter half, “Spirit,” is an intricate, seven-minute piece of work that showcases the minimalist techno style he’s been debuting on the label in past releases. “Spirit” is a pensive piece, highlighted by the haunting chants of solemn choirs woven in between its dark, pulsating beat. A variety of airy synth melodies float in and out as well, setting a tranquil tone for the song surrounding them.

Following a mellow remix of TS Graye‘s “Take Notes” in September, Philly’s Instupendo is back with a new rework. This time, he’s taken on sakehands’ “GOODBYE FOREVER.” This rendition is more subdued than the original’s pop-leaning elements, as Instupendo walks the remix along with elements of percussion sakehands’ version lacked. Subtle bass and an easygoing beat make this take on “GOODBYE FOREVER” a fresh listening experience and open it up to the world of dance music a bit more.

“Darkness comes before the dawn,” red. teases to introduce his new original, “Dispatch.” While the minute-long introduction appears to lead into a bright, sunny soundscape, the artist proves to have deceived his listeners by quickly dipping into a deep, resounding bass pattern. While red. appears to have delved into a dark soundscape, he continuously leads listeners back up into the light by introducing glowing melodies. “Dispatch” is a true journey of a song and exudes a vibrantly colored aura from start to finish.

StayLoose and Rozes share their latest collaboration, ‘Mean To Me’

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StayLoose and Rozes share their latest collaboration, ‘Mean To Me’31150374 832412860278979 9155720297578496000 O

This isn’t the first time StayLoose and Rozes have put their talents together to create a magical and uplifting piece of work. Their first collaboration came as a StayLoose remix for one of Rozes’ first songs, “R U Mine,” back in 2015. The track garnered millions of plays and brought the spotlight to both of them, which would ultimately lead to another collaboration, and this time in the form of “Mean To Me,” via Dim Mak Records.

“Mean To Me,” shines with StayLoose’s masterful production in the form of gripping bass and powerful retro synths and percussion, as Rozes sprinkles her sultry voice up and down the track. The pop-leaning song bubbles with energy and delivers on the sound listeners have come to expect from both artists.

“I met the very talented Rozes back in 2015 when I remixed her song R U Mine,” StayLoose says of the track. “A few months later we began playing around with the ideas for Mean To Me. It’s been a long time coming to release this one and I think it shows that great songs stand the test of time.”

StayLoose Flips Louis The Child’s Hit “Better Not”

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With a little help from his friend Freddy from Louis The Child, StayLoose flipped the boys’ 2018 chart-topper “Better Not”.  The Denver native stayed true to the soft intro of the original track, but added his own style of guitar synth that lead into the beautiful vocals of Wafia.  However, once the drop hits StayLoose

The post StayLoose Flips Louis The Child’s Hit “Better Not” appeared first on EDM Sauce.

StayLoose takes a swing at Louis The Child’s ‘Better Not’ ft Wafia

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StayLoose takes a swing at Louis The Child’s ‘Better Not’ ft WafiaArtworks 000381606384 5qec8t T

Denver producer StayLoose, previously known as StéLouse, has been fine-tuning his pop-infused electronic productions since his initial debut in 2014. In the past couple of years, he has grown his following with stellar singles like “Sociopath” featuring Bryce Fox and his vibrant remix of Rozes‘ “R U Mine.”

He got connected with Louis the Child‘s Freddy in 2014, and they continued to stay friends as their careers progressed. After hearing the Chicago duo’s release of “Better Not” featuring Wafia, StayLoose immediately connected with it and decided to put his own spin on it.

In his rendition, StayLoose keeps the integrity of the track by introducing delicate guitar riffs, and Wafia’s whimsical voice, while subtly building with percussion which then guides in the synth-heavy and emotion-filled drop.