As always, Ekali is on fire and is rising at an amazing pace. Today, Ekali announced his tour with 1788-L and Slumberjack. The tour is called the Crystal Eyes tour. Ekali is set to release a fourth EP sometime soon – also called Crystal Eyes – but details of the release are not out just
It seems as if Ekali is taking over the world. Having just played at Tomorrowland for the first time yesterday, Ekali is one of the fasting rising artists this year. Today, in conjunction with SLUMBERJACK, Ekali released the new tune Helios. Ekali seems to have a signature dreamy, almost relaxing sound. Helios starts out with
While only mid-way through 2018, this has already been a watershed year for Canadian bass producer Ekali. Making milestone stops at EDC Las Vegas and Coachella recently, he has now shared the first tune, “Helios,” off his very first EP.
The song is a joint effort with longtime Alison Wonderland collaborators and fellow Aussies, SLUMBERJACK. The song combines SLUMBERJACK’s multifariously textured sampling and robust trap stamina with Ekali’s affinity for playfulness, inherent in the high-pitched vocal chops. While the drop is characterized by a fervent, machine-like vigor, the interludes carry an almost astral ambiance, wrapped in whimsical melody.
Looking ahead, Ekali is expected to follow up with ample new tunes in the near future, as well as the full scope of his North American tour this fall to accompany the EP.
This year, Chicago’s Spring Awakening Music Festival, the largest dance music fest in the Midwest, will return to Addams/Medill Park with another packed, meticulously curated lineup, including Tchami, Virtual Self, Tiësto, Alison Wonderland, and more across its three-day span. Dancing Astronaut has teamed up with the fest to get to know its standout acts a little better, just before SAMF arrives to bid spring adieu June 8-10.
Alexandra Sholler, aka Alison Wonderland, EDM’s token Aussie with the purplest hair and some the most massive bass beats in the game, is heading back to the Windy City for 2018’s Spring Awakening. Aside from her status as a globetrotting DJ/producer, Sholler is also a classically trained cellist, songwriter, and singer — her voice can be heard on nearly every track she writes. Last year, she made headlines for her stellar performance at Coachella, where she and Rezz were the highest paid females on the ticket — not to mention Coachella history.
Known for her transparency about struggling with mental health, Sholler has become something of an advocate in that domain for both other artists and her fans, often taking time out of her sets to speak candidly on the topic. Both her new album, Awake, and her 2015 album, Run, are weighted in unequivocal emotion, a redemptive motif encircling her momentous trap beats and intricate sampling.
A highly in-demand collaborator, Sholler has teamed with talent across the spectrum, including Lido, Wayne Coyne of The Flaming Lips, Chief Keef, and most extensively, fellow Aussies, Slumberjack, whom she speaks so fondly of with Dancing Astronaut before she heads to SAMF’s Equinox Stage June 8. She also divulges into inspiration for Awake, must-see sets at SAMF, and her at-home, one-woman DJ sessions.
How would you compare the Australian dance music scene to the US’s?
I grew up in the dance music scene in Australia. It’s what shaped my whole career as an artist. I feel like the festivals are different. I remember the first time I played EDC Las Vegas in 2015. I had never seen an electronic festival like that in my entire life.
Quite a bit of time elapsed between Run and Awake. Were you working on Awake for that entire time?
No I was not. I did a lot of touring off Run. To be honest, I didn’t expect Run to get the attention it did when I made it. I find it hard to produce and write while I’m on the road, so I started working on Awake when I had more down time in one place. I am also very inspired by my emotions, and Awake is about a pretty heavy series of events in my life. I can’t pick and choose when things happen to me or where I find creative inspiration, and I started writing awake to deal with those particular issues.
How have you evolved as an artist in that time span?
I am not sure. I feel like as I grow as a human, I grow as an artist. It’s very organic for me. I grow off feelings and intuitions. I am super bad at planning, so I think I just have more insight now. I don’t really think about how I have grown. I think I definitely am a better songwriter and producer. That’s the great thing about art: you can always learn new things.
Last time I saw you live, you got up on the decks and had so much enthusiasm. Do you still get that hyped about DJing?
100%, even when I’m alone I get hyped. I think this is the only thing I genuinely love, to be honest. I DJ alone in my house for fun. Once I played for eight hours straight at a house party I threw in LA. Ask Jai Wolf, he was there. I feel better behind the decks than in front of them. Every time I play I feel at home and it is super cathartic for me.
You’ve collaborated with Slumberjack on your past two albums. Tell me about your experience working with them.
I just f****ng love those boys. We really get each other musically. Everything just flows so easily. We always seem to make music in the most random places. “Naked” was finished in a hotel room with sh**ty laptop speakers and my iPhone as a microphone. “Sometimes Love” was made in a kitchen. I prefer collaborations that feel organic where there is mutual and equal respect. I work better that way. I mean everyone does. It is important to have trust in each other’s creative processes. I feel all of that with the Slumberjack boys.
What’s your favorite part of being on tour? Least favorite?
My favorite part is playing shows and feeling the adrenaline and connection with a crowd that comes with that. My least favorite part is the loneliness.
How does it feel to be returning to Chicago for Spring Awakening?
Amazing. I cannot wait. I love the crowd there.
What three sets would you recommend from the Spring Awakening lineup this year?
I would not miss Virtual Self, Bleep bloop, Oh and this loser. Her mother paid me $20 dollars to say this: Alison Wonderland.
If you don’t know KRANE by now then you’ve definitely been living under a rock. This man has been doing some big things over the past year, from releasing his debut album and collaborating with some of dance music’s most prolific artists. There seems to be no stopping his increasing momentum. Not only has he
The post Event Review: Final Show Of KRANE’s “Fallout Tour” In NYC appeared first on EDM Sauce.
This music video is dope as hell, just like the audio was when it first dropped. The extremely far-out, trippy, animated futuristic visuals are the perfect ‘vision’ for the out of control combination of sounds and feels by this group of next level producers. I’d really love to see more collaborations by these four, shit
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After countless hours spent honing his sound, KRANE released his debut LP, Fallout, in October 2017. The 10-track album is the culmination of years of listening to and creating music, and was met with high praise from fans, fellow musicians and publications around the world. The producer has followed up the massive release with an accompanying cross-country tour. We caught up with KRANE to hear how the tour is going so far and what’s coming up in 2018.
What can attendees of the FALLOUT tour expect from your shows?
This is the most me performances to date. Tons of old and new KRANE, and a lot of exclusive edits, remixes and unreleased tunes. The sets are dynamic, and don’t just stay within one kind of sound. MYRNE, Slumberjack and Alexander Lewis are all incredible performers as well, and we’ll have a few surprises on stage for people as well. Have also worked to create a new set of visuals to accompany the music – overall I think people should be very excited.
What are you most excited for with this tour? Any dates you’re particularly looking forward to?
I mean, I can’t pick any one city. Because this is my first headline tour, I feel like the crowds have been more exuberant, open-minded and just wanted to have fun compared to any prior show I’ve played. The energy has been incredible and Im just excited to bring the show to as many people as I can. Though.. if I had to pick a fav it might be Austin, because I get to gorge myself on BBQ the next day…
What has reception of your debut LP been like in the few months since its release?
Above and beyond what I could have hoped for – really. I was worried with putting out so much content at once it’d invite a lot of critique – and while there has been some, it’s filled me with excitement to hear how much it’s resonated with my fans. It’s very heartwarming, and I think people are finding their own story within the album and that’s fantastic.
After part one of the FALLOUT tour wraps up, what are your plans for the remainder of 2018?
More collabs, more remixes, another LP or album (in the works), and just finding more and more ways to serve my listeners, who are truly the most valuable part of this whole project.
After announcing a massive world tour two weeks ago, Australian producer What So Not has confirmed the internet’s speculations: a debut album called Not All The Beautiful Things is coming on March 9. The 12-track LP will feature collaborations with Skrillex, fellow Aussies Toto and Slumberjack, San Holo, Dyro, and James Earl, along with an eclectic array of featured vocalists.
Debut album | “Not All The Beautiful Things” | Out March 9 pic.twitter.com/2NIzCpWDxZ
— WHAT SO NOT (@WhatSoNot) January 30, 2018
Not All The Beautiful Things track list:
- “Warlord” (collaboration with Slumberjack)
- “Be Ok Again” ft Daniel Johns
- “Beautiful” ft Winona Oak
- “Stuck In Orbit” ft Buoy
- “Demons” ft Rome Fortune & Tommy Swisher (collaboration with James Earl)
- “GOH” ft KLP (collaboration with Skrillex)
- “We Keep On Running” (collaboration with Toto)
- “If You Only Knew” ft Daniel Johns (collaboration with San Holo)
- “Monsters” ft Michael Christmas & Tobi Lou
- “Bottom End” (collaboration with Dyro)
- “Same Mistakes” ft Daniel Johns
- “Us” ft Daniels
In addition to this announcement, What So Not released the second single from the forthcoming album, “Stuck In Orbit” featuring Buoy. The five-and-a-half-minute emotive piece beautifully flaunts the artist’s top-notch production, set off by gorgeous vocals from Buoy. If “Be Ok Again” and “Stuck In Orbit” are any indication of what the world can expect from What So Not’s debut album, we’re in for a real treat.
Years of cultivating a distinctive, heady bass sound have culminated into KRANE‘s debut album Fallout. The expansive project has been in the works for some time, during which he compiled all his influences into a cohesive body of work which he states represents “much of my personal sound and background developed over the years of listening to and creating music.” Diving deeper than the average trap artist, KRANE sought to make an album that would be a full expression of him, beyond just music, drawing inspiration from “the aesthetics of movies, television and literature” he enjoys as well.
Fallout thus resulted in a ten-piece collection of heavy, yet enthralling numbers. KRANE wastes little time in reaching high levels of energy. After a smooth “Chemical,” which offers a more “mellowed” soundscape that is warmed by Ahsha & Lemay’s vocal contribution, the Bay Area producer hops right into a festival-ready “Next World.” The QUIX-assisted record is a minimal, yet dramatic trap effort with a cinematic climax at the end wrought by strings samples and buzzing chords.
KRANE truly demonstrates his roots in the wild side of the bass realm through Fallout. A wide array of its compositions are made for the dance space, and make for an invigorating listening in any environment. “Hollow (ft. SLUMBERJACK),” for example, plays around with Eastern-inspired melodies that pep up the lower frequencies. Spitfire verses by Nick Row paired with tingling breakdowns and heavy drops makes “PCP” one of the weightiest cuts on the LP. “Forgotten” fosters a futuristic atmosphere, aided by retro-inspired synthesizers and subtle vocoded vocal accents.
However, the bass maven’s softer side shines on this album as well. He uses a future bass medium for tracks of this variety on Fallout, and pairs it with an assortment of melodic progressions that conjure sentimentality. Through its closer “Nobody But You,” KRANE paints an almost poignant mental picture that is amplified by soaring melodies and gentle rhythms. “Titan,” which features Nolan van Lith, uses arpeggios and titillating highs to create hair-raising effect. His “Away From You” interlude shows off his jazzy side, as sweeping notes and celestial sampling make even ambient sound charged.
Fallout was released on October 26. Purchase the album here.