NGHTMRE and SLANDER’s Gud Vibrations set to take over UMF Radio Stage at Ultra 2020

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NGHTMRE and SLANDER’s Gud Vibrations set to take over UMF Radio Stage at Ultra 2020NGHTMRE Tessa Paisan Ritz Ybor 2017 44 Of 50

Now that Ultra Music Festival has confirmed its return back to Bayfront after its 2019 outing to Virginia Key Beach Park, the festival has started to drop 2020 festival news, heightening the excitement for the festival’s return. In September, Ultra unveiled its 2020 promotional theme, “We Return Home,” and now organizers have announced that for the first time, NGHTMRE and SLANDER‘s label Gud Vibrations will takeover the UMF Radio Stage.

NGHTMRE and SLANDER have played Gud Vibrations shows together at Ultra festivals across the world, but this will be the first time the label will take over a stage at the Miami iteration of the festival series. In Ultra’s announcement of the label takeover, they promise the stage will showcase “high-energy bass.”

It has yet to be seen whether NGHTMRE and SLANDER will perform as separate acts on the Gud Vibrations stage, together, or whether they will do both a separate and joint performance to celebrate their label’s takeover. Gud Vibrations has curated some of the scene’s best bass music as of late, including enlisting Habstrakt for his label debut with “De La Street.” WAVEDASH and Shadient are other frequenters of the label. Time will tell which acts will be featured on the stage, but the announcement certainly builds the anticipation for Ultra’s forthcoming lineup announcements.

Photo credit: Tessa Paisan

SLANDER finds Moody Good for a perfectly Gud Vibrations release, ‘Heart Break’

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SLANDER finds Moody Good for a perfectly Gud Vibrations release, ‘Heart Break’Stefan Brending Slander DJ

SLANDER’s Derek Andersen and Scott Land have delivered “Heart Brake” with Moody Good and featuring KARRA through the former’s very own Gud Vibrations imprint, the label the duo founded with NGHTMRE.

The track floats in a haunting air of monstrous, glitched out ad libs below KARRA’s eerie vocals. Building up to its calculated demise, the perturbed vox cuts out while thrashing bass bellows amongst sharp percussion cuts for a headbanger’s euphoria. Sustained bass creates an atmosphere of prolonged rage, adding to the track’s emotional weight.

Announced alongside the single is an NYC show on January 17 at the Great Hall at Avant Gardner. The headlining event will feature THE EYE production, which was also announced for their January 31 and February 1 shows at the Shrine in LA.

Photo Credit: Stefan Brending

Here’s Our EDC Orlando 2019 Must-See List

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Headliners, EDC Orlando 2019 is officially less than a week away and that means it is time to officially prepare your setlist schedule. Set times were released a few days ago, so you can freely choose which artist you want to see and what times they are scheduled to perform. If you didn’t already know,

The post Here’s Our EDC Orlando 2019 Must-See List appeared first on EDM Sauce.

Habstrakt’s ‘The One’ gets remixes from NGHTMRE, Effin, and more

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Habstrakt’s ‘The One’ gets remixes from NGHTMRE, Effin, and moreHabstrakt ByPatBeaudry 003 Resize

Habstrakt had a wild close-out to summer 2019, releasing “The One” alongside an official music video and tour announcement. Since then, the French producer has earned a spot on 1001 Tracklists’ Top 101 Producers list and is currently on his fall headline tour, ultimately taking him through four countries and more than 20 different cities.

To add some fuel to the live show, Habstrakt recently remixed NGHTMRE and Slander‘s iconic track, “GUD VIBRATIONS.” However, he’s stepped aside to let some other producers do the remixing with The One (The Remixes) EP. This batch includes reworks from NGHTMRE, Basstrick, Asdek, Effin, and more.

Released on thriving imprint Monstercat, fellow French producer Basstrick delves into a trap edit, while NGHTMRE’s take is one full of heavy dubstep. Checking off some other genres, Asdek (another French native) provides a bold house beat, while Effin sticks to his roots with dubbed lead synths on the drop. The EP also includes remixes from Unlovable and 22-year-old producer Nitepunk.

Habstrakt will join Boombox Cartel Nov. 1 for a Dia De Los Muertos show in Texas before heading to EDC Orlando on Nov. 8.

Photo credit: Pat Beaudry

Gryffin solidifies two years of preparation with his 16-track debut LP, ‘Gravity’

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Gryffin solidifies two years of preparation with his 16-track debut LP, ‘Gravity’69338567 2222304668060523 8495674662383820784 N

It’s been more than a two-year odyssey for Gryffin since the groundwork for his freshman full-length effort, Gravity, was initially set into motion during the fall of 2017. The project’s aggregate roll-out, which constituted a formal five-track EP release last December, as well as close to a dozen official singles, has decisively come full circle following its lead single introduction with “Nobody Compares To You.”

From bubbling beneath the charts with unofficial SoundCloud remixes to formally producing music in tandem with an abundance of Grammy-nominated acts, Gryffin has navigated a meticulous avenue to his current feat: Gravity out in its entirety, containing a track list that spans 16 sublime titles.

While there are more than a modest number of never-before-heard Gryffin productions to briskly dive into, the 11 previous singles from Gravity cannot be forgotten, including hits like “Remember” with Zohara, “Tie Me Down” with Elley Duhé, “All You Need To Know” with Slander, “OMG” with Carly Rae Jepsen in addition to a myriad of others.

In preparation for the album’s forthcoming release just over the past month, Gryffin unwrapped two final gifts as he continued to exemplify that there would not be a single mediocre listing on Gravity with “Baggage” alongside Gorgon City and AlunaGeorge, and most recently, “Body Back.” In terms of brand new music from Gryffin, perhaps the most enticing listen from the unbeknownst album designations is his long-awaited union alongside Seven Lions, which was debuted during the very first GRAVITY II LIVE spectacle in Brooklyn this past August.

Comprehensively, Gravity is engulfed with transcendent productions that encompass further collaborations with DROELOE, a reunion alongside Zohara, and a duet between MARINA and Model Child. For those fortuitous enough to be in attendance for any of Gryffin’s live performances this past summer, he treated fans to his ethereal drumline-induced introductory piece as the project’s commencing piece that provides the cherry on top to one of the year’s most remarkable dance music bodies of work.

Stream Gravity in full below, and purchase tickets to any of Gryffin’s forthcoming GRAVITY II LIVE shows during the remainder of this fall and winter.

Photo credit: Juliana Bernstein

NMF Roundup: Zedd and Kehlani create a ‘Good Thing,’ Boys Noize links with Francis and the Lights + more

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NMF Roundup: Zedd and Kehlani create a ‘Good Thing,’ Boys Noize links with Francis and the Lights + moreZedd Rukes

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Zedd and Kehlani kick things off this final Friday of September with their new collaboration, “Good Thing,” and Boys Noize links with Francis and the Lights for “Why Not?” Kaskade keeps it mellow on his new collaboration with TELYkast, “No One Else,” and Zeds Dead join forces with Funkin Matt an Fiora for “Feel So.” AC Slater’s new album includes tunes like “Bad Behavior” with Chris Lorenzo and Purple Velvet Curtains, and Mercer takes on DJ Snake and Majid Jordan’s “Recognize.” Golf Clap and MASTERIA deliver “Mystery Scene” on mau5trap/Insomniac, and Gareth Emery follows “Laserface 01 (Aperture)” with “Laserface 02 (Thoughts In Pieces).” Dimension remixes himself on “If You Want To,” and Gorgon City reveal “Warehouse Mix” and “Terrace Dub” iterations of “There For You.” Tritonal team up with Rosie Darling on “Never Be The Same,” and NGHTMRE remixes Saven Lions, SLANDER, Dabin, and Dylan Matthew’s “First Time.” Galantis bring their piano-filled joy to “Holy Water,” and Tinlicker reveal their new LP, This Is Not Our Universe. Anna Lunoe and Nina Las Vegas cook up a weekend heater, “One Thirty,” and YehMe2 remixes Matoma and Bryn Christopher’s “All Around The World.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Rukes

Habstrakt reveals fiery remix of NGHTMRE and SLANDER’s ‘GUD VIBRATIONS’

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Habstrakt reveals fiery remix of NGHTMRE and SLANDER’s ‘GUD VIBRATIONS’Habstrakt

Is it 2015? Not quite, but that hasn’t stopped French producer Habstrakt from digging through the dance music archives to unearth NGHTMRE and SLANDER‘s iconic “GUD VIBRATIONS.”

In the four-plus years since the song’s release, it’s amassed millions of streams and found its way into countless festival sets and mixes. The vocals are instantly recognizable, and the lighthearted, punchy drops wormed their way into the hearts of fans across the EDM spectrum.

Habstrakt seeks to reignite the music world’s love for the track with his new take on the song, released on Mad Decent. He toys with the vocals, building to a fiery drop and driving beat that are sure to thrill fans who’ve clung to each of the producer’s shadowy releases with unbridled enthusiasm.

HiJinx Festival unleashes destructive lineup with Bassnectar, Skrillex, Porter Robinson and more

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HiJinx Festival unleashes destructive lineup with Bassnectar, Skrillex, Porter Robinson and moreSkrille Smokin Amazon AWS 2018 Rukes

Bass music lovers rejoice—the lineup for you has landed. Hijinx Festival returns to Philadelphia this year with a killer lineup for December 27 – 28 featuring the likes Bassnectar, Skrillex, Excision going back-to-back with Slander, GRiZ, a DJ set from Porter Robinson, Zeds Dead and more. Additional firepower comes by way of talented supporting acts like bass up-and-comer Subtronics, Big Wild, CloZee, DROELOE, SoDown, Brainfeeder duo The Underachievers, and veteran talents like Zion I and Kittens

Last year’s roster included Bassnectar and ODESZA alongside GRiZ, Big Gigantic, RL Grime, and Illenium. Now building on that caliber of talent, this year’s cast of electronic heavy hitters look to close out the year with a rumbling wave of low end bass at the Pennsylvania Convention Center,

Tickets to this year’s festival are on sale starting Friday, September 13 at noon EST.

HiJinx Festival unleashes destructive lineup with Bassnectar, Skrillex, Porter Robinson and moreHiJin Festival

Featured image: Rukes

‘Everything changes’: Seven Lions reflects on progress and Ophelia Records from Electric Zoo

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‘Everything changes’: Seven Lions reflects on progress and Ophelia Records from Electric Zoo636132311417960229 1247347347 Jeff

A lot can change in a year.

In February of 2018, Seven Lions took a career-altering step: he erected his own record label, Ophelia Records, swiftly consummating the imprint with the brand’s very first production, “Calling You Home.” The celestial, two-track EP, Ocean, co-produced with Jason Ross soon followed the seminal single. Not long after, “Horizon” arrived, with well-founded assistance from Tritonal and Kill The Noise. The Ophelia agenda continued raking in high-profile ammo in the months that followed.

“My vision for Ophelia was just a place for me to put out my music,” Seven Lions told Dancing Astronaut in an interview at Electric Zoo‘s recently concluded 2019 iteration. “[But] everything changes. Within the last two or three months, our release schedule has gotten so busy that I’m struggling with where to put my [own] music.”

Ophelia’s crowded release schedule led Seven Lions to just last month share two brand new singles, the MitiS-assisted “Break The Silence” and “Another Me,” just a week apart.

The theme of transcendence, which Seven Lions credits as a key creative motivator both in the way that he stylizes his music and in the manner that he disseminates it, has been paramount to Ophelia’s progression in the time since its foundation. Whereas Seven Lions originally conceived Ophelia as a platform for his own releases, the imprint has morphed into something else altogether. Case in point, Ophelia’s takeover of Electric Zoo’s Riverside stage proved a multitudinous showcase of the label’s heavy-atmospheric talent that included Said The Sky, Wooli, Jason Ross, Blastoyz, Crystal Skies, Dimibo, MitiS, and, of course, Seven Lions himself.

“I never really thought it was going to be the way that it is right now but I’m super stoked,” Seven Lions said of Ophelia’s evolution to date. “I had no visions of doing a stage at EZoo or anything like that [when I first founded the label], so now that it’s happening I feel that I’m watching it happen, and I’m going to [continue to] dig further into it.”

More showcases and stage takeovers will be an integral part of Seven Lions’ Ophelia expansion, according to the producer. As 2019 continues winding down, many artists look considerably ahead to calculate their first major career moves in 2020, including Seven Lions, who hopes to book more shows with the express purpose of exhibiting the prolific talent of Ophelia artists.

“I want to have more showcases and want to do more stuff like [stage takeovers] where I can get more people like Crystal Skies in front of a crowd, so they can throw down and show what they can do, because I feel like they don’t really have that opportunity very often,” Seven Lions explained. “Specifically Crystal Skies, Blastoyz, Last Heroes, Trivecta, all those people who haven’t had the exposure that they deserve as producers, trying to get that for them: that’s my goal, to help them get in front of larger audiences.”

From his seat backstage at the Riverside stage, where his label mate, MitiS, is performing, Seven Lions traces Ophelia’s activity over the past year for Dancing Astronaut, noting that the exponential growth that Ophelia has gleaned is largely akin to his own rise as an artist.

“[Music] was a hobby and it turned into something,” Seven Lions reflects. “I’m going to go after it with everything I can. I guess I never dreamed that big and then once it’s right in front of you [it’s] like I’m going to get that sh*t.”

As Ophelia matures, its label head will nevertheless continue to advance the Seven Lions project, which he cites as his “legacy,” enduring on the forefront of the multi-genre master’s creative focus. The weighty entrepreneurial undertaking has certainly kept Seven Lions busy in recent months. In addition to producing and planning his own releases, Seven Lions has also been engaged with his Alchemy Tour.

The ongoing live initiative, which commenced in Long Beach, California on August 17, positions Seven Lions among co-headliners, The Glitch Mob, SLANDER, and NGHTMRE, among supporting acts like SVDDEN DEATH, Jason Ross, and Shadient for a 25-date run across North American cities.

For Seven Lions, the collection of artists convening for The Alchemy Tour represents a synergistic continuum of electronic seniority.

“I wouldn’t say SLANDER and NGHTMRE are newer, but they’re very on the ups [whereas] I’ve been around for a little while,” Seven Lions posits. “But The Glitch Mob has been around for even longer, so it’s cool to expose The Glitch Mob to a newer, younger audience. In general I feel like [the tour] ticks all the boxes: buzzy artists and legends; I feel like I’m somewhere in the middle.”

And with almost a decade of releases under the Seven Lions moniker spanning everything from hardstyle, to trance, to his globally reverberative approach to worldly chill-step, one would be hard-pressed to suggest otherwise.

Listeners can purchase tickets to The Alchemy Tour, here.

Photo credit: Rukes

SLANDER & Kompany deliver heavy bass hitter, ‘Broken’

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SLANDER & Kompany deliver heavy bass hitter, ‘Broken’Slander 2018 Cr Koury Angelo Billboard 1548

Just as SLANDER kicked off their Alchemy tour in Long Beach, CA with what they say was “biggest single stage bass event ever done in the U.S.,” they released their latest single with Kompany entitled, “Broken.”

While the LA-based duo’s discography is as diverse as the city they call home, with the help of Kompany, SLANDER found their dark side on “Broken.” This track nothing but heavy all the way through. Even Fknsyd’s mellifluous vocals can’t restrain the sheer grit of the drums, and with her voice floating on top it almost feels like the soundtrack to a war between two robotic alien races.

Photo credit: Koury Angelo