Lunar Lunes: Alok and Sevenn sample Pink Floyd, Kidswaste remixes Kidnap + more

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Lunar Lunes: Alok and Sevenn sample Pink Floyd, Kidswaste remixes Kidnap + moreAlok Press Photo E1562010936732

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

In their new collaboration, Alok and Sevenn sample Pink Floyd’s iconic “The Wall,” and Kidswaste puts an emotive spin on Kidnap’s “Skin.” MOODY GOOD unveils “Bite Your Lip” on Deadbeats, and smle taps Seann Bowe for “Haunted.” Aquadrop takes his listeners straight to the beach in his new Armada Deep single, “Patu Patu,” and Goshfather tackles Eminem in his new remix of “The Way I Am.” Mielo has reimagined Crywolf’s “DRIP” in his latest, and Justice Skolnik brings vocalist Adam Gokcebay for “All I Wanted.” Olver Smith has delivered “Curiosity” on Anjunabeats, and Cheat Codes and Trixxie team up on “All Of My Life.” CARBIN brings along Mezzi Mae for “Numb,” and Elliot Berger and Laura Brehm make it “Back To You.” Ephixa and Going Quantum celebrate Monstercat’s eighth birthday with “Let’s Roll,” and Kwon has crafted a rendition of Manila Killa’s “Wake Up Call.”

The selection is updated every Lunes (Monday).

Lunar Lunes: Bingo Players delivers groovy ‘1000 Years,’ josh pan and Dylan Brady team up for soulful ‘Wheels’ on OWSLA + more

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Lunar Lunes: Bingo Players delivers groovy ‘1000 Years,’ josh pan and Dylan Brady team up for soulful ‘Wheels’ on OWSLA + moreJosh Pan Owsla Press

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

Bingo Players kicks off his 2019 releases with a groovy new original, “1000 Years.” josh pan and Dylan Brady have unveiled a mellow single from their forthcoming OWSLA LP, “Wheels,” and Myon hops on Gryffin‘s Gravity remix EP for a euphoric take on “Just For a Moment.” Bishu puts a booming future bass twist on QUIX‘s “Giving Up,” and Duskus crafts a dancefloor-ready take on DROELOE‘s “Only Be Me.” GTA, Dillon Francis and Wax Motif‘s “I Can’t Hold On” gets a formidable psytrance rework from Slippy, and Jay Robinson makes his mau5trap debut with “Nineteen81.” Ray Volpe flexes his dubstep skills on a collab with Armanni Reign, and Jeremy Olander takes listeners on an eight-minute journey with “Shogun.” LP Giobbi puts a fresh spin on Hotel Garuda‘s “One Reason,” and Bear Grillz kicks it up to 150 BPM for his new bass house/dubstep heater, “Flow.” Ryan Browne casts an eerie spell in his newest original, “The Reaper,” and Rameses B polishes his newest LP off with a gorgeous trance number, “Cyclone.”

The selection is updated every Lunes (Monday).

NMF Roundup: Rusko goes old school with ‘Mr. Policeman,’ W&W remix Steve Aoki and BTS, Galantis jet to ‘San Francisco’ + more

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NMF Roundup: Rusko goes old school with ‘Mr. Policeman,’ W&W remix Steve Aoki and BTS, Galantis jet to ‘San Francisco’ + moreRusko

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

As 2018 winds down, Rusko cranks it back up with the release of the feisty “Mr. Policeman.” W&W try their hand at remixing Steve Aoki and BTS‘ “Waste It On Me,” and Galantis close the year with the reveal of their latest original, “San Francisco” with Sofia Carson. The Disciple Records team got together to create one massive holiday collaboration called “Fix The Rail.” NGHTMRE shows no mercy on a VIP remix of The Chainsmokers‘ “Save Yourself,” and Koven tap into Ilan Bluestone‘s new remix compilation with their take on “Another Lover.” Xilent and Chime team up for a hefty dubstep tune, “Twinkle,” and Promnite takes on Alexander Lewis‘ “Off Guard.” Throttle unveils a groovy new Spinnin’ release, “Like This,” and Lipless takes on Nervo in “Emotional.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Ryan Browne takes no prisoners in ‘EPITAPH’

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Ryan Browne takes no prisoners in ‘EPITAPH’Ryan Browne Epitaph

Not many producers can combine dubstep and horns and make it look easy. Ryan Browne, however, does so seamlessly.

The Icon Collective instructor conducts a contrasting symphony in his latest, “EPITAPH.” The introduction to the song is brilliantly deceptive, leading the listener to believe that perhaps it won’t be mind-meltingly intense as his previous metal- and bass-heavy releases.

But this is not the case.

A spirited piano melody leads a section of horns to follow suit as “EPITAPH” quickly gathers momentum and careens into an abyss of bass and wubs. He dives deep with this headbanger-friendly release, taking no prisoners on the way down. This track shows Browne’s production capabilities in their fullest range — from graceful piano melodies to the darkest depths of dubstep.

“EPITAPH” is out now via Black Tiger Sex Machine‘s Kannibalen Records.

Ryan Browne transforms Grabbitz and Pegboard Nerds’ collaboration ‘All Alone’

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Ryan Browne transforms Grabbitz and Pegboard Nerds’ collaboration ‘All Alone’Ryan Browne All Alone

Ryan Browne is known for taking hard-hitting tracks and adding heavy metal and electronic elements to them. He did just this when he took his hand at transforming Grabbitz and Pegboard Nerds‘ cutting track “All Alone.” The original was released two years ago on Monstercat with a combination of sharp chords and dubstep drops.

Browne has found a way to make the track more melodic and flow seamlessly together while keeping an intense drum & bass drop. The scattered synths of the original blend into a cohesive pulsating bass whole with Browne’s rendition, breathing new life into “All Alone.”

Dexter’s Beat Laboratory Vol. 42

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Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


Since he started releasing music again at the beginning of last year, Party Ghost has been on a roll with originals. Each one’s been quite varied in style, tied together with his signature dark and somewhat glitchy vibe. “Kill,” released in early April, slams its listener with deep, reverberating bass — much like his most recent: “Phantom.” This stormy, brooding vibe is executed perfectly in “Phantom,” though it’s more subdued than its April predecessor. “In the year 2145 the world is ran by Spectre Industries,” Party Ghost notes in the song description. “The story begins with Phantom.”


Ryan Browne has been consistently wreaking havoc on the dance music world with fiery remixes and originals that put a hardcore twist on tracks like Krewella‘s “Alive” and Alison Wonderland‘s “Messiah.” In his latest, a cover of the classic “Everytime We Touch” by Cascada, Browne whips out the drum sticks for a powerful take on the 2007 classic, mixing in elements of hardstyle and dubstep for a rendition that’s not for the faint of heart.


Armada powerhouse Armin Van Buuren has followed up his mid-April “Therapy” with the release of a funk-injected remix from Throttle. The Melbourne artist has made a name for himself with groovy hits like his take on “Hit the Road Jack” and his remix of Earth, Wind & Fire’s iconic “September.” His “Therapy” remix looks to be another stellar addition to his discography, as he adds a classic disco vibe to James Newman’s vocals.


There are few things I love more than the mixing of genres. German drum & bass duo Neonlight have put a VIP spin on one of their own tracks, combining gorgeous orchestral elements, soaring electric guitar and a drum & bass rhythm for a formidable four-minute venture. Its action-packed, cinematic feel is bolstered by hefty bass and dramatic builds that leave the listener wanting more as the synths peter out at the end.


Fresh off a four-track NEST HQ EP, Canadian duo Chuurch have come back with a sultry remix of REZZ and 13‘s celebrated collaboration, “DRUGS!” Digging into the style they call “lean bass,” the pair have crafted a remix saturated with wobbles and weighty bass. REZZ and 13’s haunting melody drifts in and out of the remix, allowing the duo to carry it through while adding their own unique twist.

Ryan Browne Releases Genre Bending Remix Of “Everytime We Touch”

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LA based producer/drummer Ryan Browne is bringing the metal to your ears again, and not only that but plenty of other genres along with it. He has recently released a new remix of “Everytime We Touch” by Cascada and it is a tantalizing mix of rock and hard electronic goodness. Ryan Browne, known for his

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Ryan Browne smashes remix of Zedd, Maren Morris & Grey’s ‘The Middle’

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ryan browne

When Zedd, Maren Morris and Grey‘s “The Middle” came out at the beginning of the year, it quickly garnered millions of plays and views across platforms. The sugar-sweet dance/pop original featured Morris’ charming vocals over catchy production from Zedd and Grey, making for a surefire hit for all three artists.

Over the months since its release, countless remixes have surfaced on SoundCloud — but perhaps none as heavy as this latest one from drummer Ryan Browne. Browne has been making a name for himself by doing percussion-infused takes on songs like Krewella‘s classic “Alive” and Alison Wonderland‘s “Messiah.” With accompanying videos to demonstrate the hard work that goes into these remixes, Browne’s multi-instrumental skills shine. His remix of “The Middle” is backed by hefty guitar riffs and bass and is led by a fast-paced drum & bass rhythm. He’s taken the tidy pop elements of the original and worked them into a more rugged, passion-packed remix.

It’s nearly impossible to sit still for this one.

Ryan Browne brings the heat with drum & bass remix of Gryffin’s ‘Nobody Compares To You’

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After a year of successful remixes and originals, drummer/producer Ryan Browne is back in 2018 with a compelling remix of Gryffin‘s “Nobody Compares To You.”

Browne kicks off his take on Gryffin’s October hit with a drum-centered introduction that leads the listener to thinking his remix will be a rock-oriented configuration of the song. As the bridge approaches, it becomes clear that the track will take a different direction. He dives into a drum & bass drop, layered with energetic loops of Katie Pearlman’s vocals. Browne’s rock- and metal-influenced musical background peeks through between drum & bass patterns, making this remix a dynamic, fresh take on the original.

Browne’s remix is out as a part of Gryffin’s “Nobody Compares To You” remix package, which contains other reworks of the song by artists like Codeko, Kap Slap and more.

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Linkin Park – Bleed It Out (Ryan Browne Remix)

Alison Wonderland – Messiah (Ryan Browne Remix)

Ryan Browne – Make It Out ft Karma

Linkin Park – Bleed It Out (Ryan Browne Remix)

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Fresh off the heels of a monstrous remix of Alison Wonderland, Ryan Browne is back with a heavy remix of Linkin Park‘s fiery “Bleed It Out.”

Browne takes to the drums for the track’s introduction, building the anticipation perfectly for the bass-heavy drop he’s crafted. He lets a hefty dubstep pattern take over the chorus of the track before returning to the original song’s vocals for the verses.

“Bleed It Out” was a standout track on the iconic group’s 2007 album, Minutes to Midnight, pushing the boundaries of their music to new heights with Mike Shinoda‘s fiesty rap vocals.

Browne takes the fist-pumping track one step further, stepping up the intensity with a drum-centric introduction and grungy synth work.

Read More:

Alison Wonderland – Messiah (Ryan Browne Remix)

Ryan Browne – Make It Out ft Karma

Steve Aoki releases remix of Linkin Park’s ‘One More Light’