Ryan Adams has announced that he’ll be covering the Rolling Stones album Exile On Main St. in its entirety at a tribute show in May that will take place at New Orleans’ Saenger Theatre. The concert’s music director is producer Don Was, and Adams will be joined by what’s described as “an all-star group of … More »
Ryan Adams came out with Prisoner, his last album, about a year ago. And today being Valentine’s Day, he’s followed it up with a quick little one-off: A swoony love song called “Baby I Love You.” The track is full of chiming, Byrds-esque guitars and Phil Spector-style bells, and it’s perfectly lovely. Since Adams … More »
Of all the juicy gossip in Lizzy Goodman’s post-Y2K NYC rock scene history Meet Me In The Bathroom, the juiciest might have been the storyline about Ryan Adams and the Strokes. That drama was chronicled in Goodman’s book last spring and spilled over onto Twitter last summer, and now it has a new chapter in … More »
Gathering our favorite albums of the year is always such a challenge. 2017 was a year where our society may have taken a few steps backwards – exclusionary politics threatened personal freedoms and made some of us feel unwelcome within our own homes. It was 2017’s music – a combination of bright newcomers and longtime favorites – that kept us going forward. Moses Sumney made his eclectic debut with Aromanticism, a genre-defying collection of strummed guitars, twisting synth lines and buzzing harmonies. St. Vincent reworked her labyrinthine tendencies into chrome-clad future pop and Julien Baker exposed the darkest shadows of her psyche to give us all appreciation for every beam of light. Meanwhile, Kendrick Lamar and Bjork invited us into their unique and awe-inspiring worlds.
And though this pursuit was a challenge, looking back on this year’s music has been quite therapeutic for us. The Wild Honey Pie has come together to list the albums that allowed us to escape to places where each one of us felt welcome and understood. There’s no theme to this year’s list, but our top albums do have one thing in common: in their own special way, each of these artists broke down boundaries to remind us that we are all more similar than we might think.
We’d like to invite you into some of these places, where we hope you’ll feel welcome, too. These are our favorite albums of 2017.
30. (Sandy) Alex G – Rocket
29. Tyler, The Creator – Flower Boy
28. Jessie Ware – Glasshouse
27. Priests – Nothing Feels Natural
26. Jay Som – Everybody Works
25. Ryan Adams – Prisoner
24. Perfume Genius – No Shape
23. Slowdive – Slowdive
22. King Krule – The OOZ
21. Sylvan Esso – What Now
20. LCD Soundsystem – American Dream
19. Julie Byrne – Not Even Happiness
18. Vagabon – Infinite Worlds
17. Vince Staples – Big Fish Theory
16. Henry Jamison – The Wilds
15. Fleet Foxes – Crack-Up
14. HAIM – Something To Tell You
13. alt-J – Relaxer
12. SZA – Ctrl
11. Cigarettes After Sex – Cigarettes After Sex
10. Mount Eerie – A Crow Looked at Me
Phil Elverum of Mount Eerie recently lost his wife, fellow musician and comic-book artist Geneviève Castrée, to a heartbreaking battle with cancer. This concept album is dedicated to her, and does not shy away from painful details of their story. A Crow Looked at Me is not just about the way sickness and death infiltrate life, but it is an exploration of what it means to carry on. Elverum says, “there is an echo of Geneviève that still rings, a reminder of the love and infinity beneath all of this obliteration.” This album so beautifully captures that echo.
9. Overcoats – YOUNG
Young is a folk-pop testament to friendship, built from the tightly wound voices of Hana and JJ, and fortified in their dancy and electronic production. This album is about what happens when an unhealthy relationship slowly eats away at who you are. Hana and JJ show us that in friendship and harmony, we can find ourselves again and help to build each other back up. Watching these two grow has been an honor for us, whether they were performing in front of a campfire at our very own Welcome Campers or embracing each other on stage in front of a sold-out audience at Bowery Ballroom.
8. Kendrick Lamar – DAMN.
Kendrick Lamar’s DAMN. is a statement piece — an effort that not only showcases the rapper’s immense talent for spitting rhymes that tackle complex social issues, but one that also sets aside Lamar from his contemporaries as a brave voice never lacking honesty in its approach. DAMN. is as bombastic as lead single “HUMBLE.”, as tightly coiled and cutting in meaning as standout track “DNA.” and as expansive as its collaborations with Rihanna, Zacari and U2 might suggest. DAMN. is a much-needed, explosive force, as conspicuous and unabashed as the caps lock and requisite punctuation of its title.
7. Julien Baker – Turn Out the Lights
This album by Julien Baker is a special one. Baker so candidly shares stories of addiction and what it means to be truly consumed in darkness. However, as she brings us into this place, she infuses it with beauty and grace, delivering so many chilling moments of release. She does not sugar-coat the repeated moments of pain and disappointment, but she does find hope within them, belting out her words so powerfully as if they themselves contain the source of the light (and maybe they do). This album has meant so much to us and I’m sure it has to so many others as well.
6. St. Vincent – MASSEDUCTION
Prefaced by the gently ridged heartbreak and teetering chords of “New York,” St. Vincent’s fifth studio album served as a concentrated break into pop music. Masseduction is a rollercoaster filled with twists and turns that allow Annie Clark to extend her repertoire — slipping into the role of abandoned lover, disco queen, enabler – all without sacrificing her love for rougher edges. Behind the iron-clad pop hooks lies an album full of complex emotional and social machinery, where Clark can convincingly rouse adrenaline-driven love, or evaporate the shadow of a lover between the swelling of a string orchestra and her own breath.
5. Lorde – Melodrama
If any moment captures the tender heartbreak behind Melodrama best, it’s the exact midpoint of the album, where, in the midst of the outro to the first part of “Hard Feelings/Loveless,” the song kicks back into one last verse. “Three years loved you every single day, it made me weak…Now I’ll fake it every single day ‘till I don’t need fantasy, ‘til I feel you leave,” Lorde sings, as memories of the rush of first love well up involuntarily. Melodrama is about accepting these pieces as they come back to you, even when doing so is so difficult. The album serves as a beautifully constructed, often pained reminder that even after momentous loss, you are still whole.
4. Bjork – Utopia
It’s no surprise that Bjork made this list, as her innovation has essentially changed music forever. But what does “utopia” sound like for Bjork? This is an album of love songs, a romantic journal containing flutes, choirs and birds that elevate us beyond the reality that we know. She sings of paradise after healing, giving and receiving love unabashedly. She feels lighter here, which is reflected in the airy instrumentals. Bjork sings, “loss of love, we all have suffered / how we make up for it defines who we, who we are” a realization that seems to be the centerpiece of Utopia.
3. Phoebe Bridgers – Stranger In The Alps
Phoebe Bridgers is one of our favorite new artists of the year. Every song on this album feels like a late-night conversation with a trusted friend. Bridgers drops us directly into her world, tackling feelings of unexplainable sadness, friendship and death. Bridgers has a true gift for finding the right words and remaining brutally honest, transforming the mundane into the alluring, making a “stack of mail and a tall can” sound so profound. This album contains echoes of intimacy and morbidity, reminiscent of her emo/folk predecessors Elliot Smith and tourmate/collaborator Conor Oberst. Ultimately, this is an album that we have found so soothing, so inescapably truthful and so reflective of the times.
2. Moses Sumney – Aromanticism
This debut LP from Moses Sumney stretches wide across space and time. Sumney transcends genre in Aromanticism, weaving together ambient synths, acoustic guitars and soulful melodies. The songs on this album take on many different forms – some just a few sentences spoken above a horn section and some with no lyrics at all, just winding melodies cradled in Sumney’s silky voice. Contrary to many of the albums on this list, this one is not about love but rather the lack thereof. Sumney writes in pure poetry about the relationship to the body and its role in romance and identity. He turns the body to liquid and wings to plastic, disassembling it until it becomes clear that we cannot be defined by our bodies, nor can we be defined by our relationships or our past. Aromanticism may be showing us that we are not meant to be defined at all, but rather, we are just meant to be.
1. Big Thief – Capacity
We chose Capacity as our number 1 album of the year because it is the one we’ve had on repeat since it came out, and it has personally meant the most to us this year. Big Thief continues to amaze us, whether it is the tactful and imagistic storytelling of Adrianne Lenker or the pure magic they create on stage, this band is truly hypnotizing, and Capacity is an excellent portrait of their strengths. I remember the first time I heard the lyrics “there are no enemies / we’re make-believing everything” from the title track. Capacity is a storybook containing several of these wisdom-filled moments. This record is imaginative, emotional and timeless, and we hold it very close to our hearts here at The Wild Honey Pie.
Twitter beefs had a landmark year thanks to the election of a narcissist with a fragile ego as our Commander-in-Chief. But unlike the style of online squabbles we’ve all grown fond of, the ones Trump started could not simply be watched with delight and your favorite popcorn gif (the “Thriller” one is the … More »
Tegan And Sara’s The Con turned 10 years old over the summer, and the duo is about to embark on a tour in honor of it where they’ll play the whole thing live. They also arranged a tribute covers album that features some huge names. We’ve already heard CHVRCHES and Ryan … More »
Pop music is littered with the shattered remains of relationships. As the stereotype goes: Personal strife often makes for good art. And for many artists, nothing is more of a catalyst for a great song than romantic discord or destruction. The list of classic breakup songs and albums feels endless; some artists’ whole catalogs seem … More »
Tegan And Sara’s star-studded The Con X: Covers album comes out in a couple of weeks. We’ve already heard CHVRCHES’ version of “Call It Off,” and today the duo has revealed Ryan Adams’ take on “Back In Your Head.” Adams, of course, already has a notable history turning infuriatingly catchy songs into … More »
Los Angeles singer/songwriter Phoebe Bridgers may just be one of our favorite new artists. In 2015 she released her Ryan Adams-produced EP Killer and has since opened for Conor Oberst on tour. Last week, she shared the third single, “Funeral”, from her upcoming debut album Stranger in the Alps set to be released this Friday, September 22nd. “Funeral” is centered around the anticipation of performing at a young person’s memorial service. Phoebe’s forthright and earnest lyrics make listening to her music feel like a late-night phone call with a deeply trusted friend. The song is arranged with simple acoustic guitars and violins, delivering a warmth and intimacy that is consistently present in her work. She relays feelings of sadness and the honest guilt that follows when she sings, “I woke up in my childhood bed / wishing I was someone else / feeling sorry for myself / and I remembered someone’s kid is dead.” It is almost shocking to hear lyrics so dark sung so tenderly, but it is that paradox that makes Bridgers such a powerful force. If this is any hint of what her upcoming album will sound like, then we are counting down the days.
Ryan Adams recently stopped by The Ellen Show to perform “To Be Without You,” a track off his most recent album Prisoner. Ellen DeGeneres prefaced the performance by saying its one of her “favorite songs.” You can watch it here. Prisoner is out now via Blue Note/Pax Am. More »