♫ Listen: Rob Magill – Your Eyes Look Past The Field

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Released on his label,

Rob Magill continues to stir a cauldron of mastery talent using hollow-bodied instruments (both string and wind) in the newest Weird Cry Recordsrelease, Your Eyes Look Past The Field. And it’s more than just how well the whole project collides in flourishes of sound, but the way Rob Magill weaves a symphony in sound: abrasive bass vocals, harmonizing injured tones, percussive whirlwinds, sliding along side each other, and all only in-and-out-ish. Even to the last track, Your Eyes Look Past The Field proves Rob Magill is die hardest! Nawshh:

Your Eyes Look Past The Field by Rob Magill

♫ Listen: Patrick Shiroishi / Rob Magill Duo – “Wind in The Trees”

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this where i be in my Bobbi element

this be where Rob Magill be

Rob been busy, so I asked him, out of the infinite releases he has cooking, which should I cover: Easy Mind, Painful Head! or his recent Weird Cry Records collaborative single “Wind in The Trees” with Patrick Shiroishi? Rob said “Absolutely, ‘Wind in The Trees’.”

So here I sit, hearing the sounds of Rob and Patrick. By the window. Like a conversation about how tactful one’s verbiage of a tweet must be to fire a Secretary of State. Arguing the same points. Boasting and egging each other on. A call and response that’s both an agreement and an argument. GPS like the South Pole is our current navigational route. Nope, it’s nowhere. No hemisphere can behold this brain.

Patrick and Rob entangle emotions with “Wind in The Trees.” I’m upset on so many levels it makes me laugh, and I’m laughing about my emotions that I never thought I could have had, only here they are. All spilled out in sax notes, reeds. Wet reeds in the sax notes snow, walking around. A blizzard. Until the collaborative CD/digital release drops in late April, find Magill on tour and continue to follow every last breath of “Wind in The Trees” below:

♫ Listen: Rob Magill – February Paintings Series [Vol. 1 & 2]

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Vol​.​1 (Focus, Memory, Staff. “compositions from 2014​-​2016”)

Come back king, hero denier, veteran feels: Rob Magill continues to tell the story of Weird Cry in strokes of color. (Focus, Memory, Staff. “compositions from 2014​-​2016”) fucks on so many canvased sounds only the repeat offender could draw the demon out from within. It’ll only feel more and more like adulthood is moving away from youth in an old age of candy-cane:

Vol​.​2 (Escape to Freedom)

Explore the consideration of this title, (Escape to Freedom), while finding yourself caught by Magill’s literature of woodwinds. What is there to dissect? How is he fashioning the notes? At what deliberate action does he expel all conventional, but elaborates the suggestive. What are his lungs going through? At what point does this match up psychologically mid-composition. Painted, fresh:

♫ Listen: Rob Magill – February Paintings Series [Vol. 1 & 2]

This post was originally published on this site

Vol​.​1 (Focus, Memory, Staff. “compositions from 2014​-​2016”)

Come back king, hero denier, veteran feels: Rob Magill continues to tell the story of Weird Cry in strokes of color. (Focus, Memory, Staff. “compositions from 2014​-​2016”) fucks on so many canvased sounds only the repeat offender could draw the demon out from within. It’ll only feel more and more like adulthood is moving away from youth in an old age of candy-cane:

Vol​.​2 (Escape to Freedom)

Explore the consideration of this title, (Escape to Freedom), while finding yourself caught by Magill’s literature of woodwinds. What is there to dissect? How is he fashioning the notes? At what deliberate action does he expel all conventional, but elaborates the suggestive. What are his lungs going through? At what point does this match up psychologically mid-composition. Painted, fresh:

♫ Listen: Rob Magill – February Paintings Series [Vol. 1 & 2]

This post was originally published on this site

Vol​.​1 (Focus, Memory, Staff. “compositions from 2014​-​2016”)

Come back king, hero denier, veteran feels: Rob Magill continues to tell the story of Weird Cry in strokes of color. (Focus, Memory, Staff. “compositions from 2014​-​2016”) fucks on so many canvased sounds only the repeat offender could draw the demon out from within. It’ll only feel more and more like adulthood is moving away from youth in an old age of candy-cane:

Vol​.​2 (Escape to Freedom)

Explore the consideration of this title, (Escape to Freedom), while finding yourself caught by Magill’s literature of woodwinds. What is there to dissect? How is he fashioning the notes? At what deliberate action does he expel all conventional, but elaborates the suggestive. What are his lungs going through? At what point does this match up psychologically mid-composition. Painted, fresh:

Watch: Rob Magill – In Ojai 2016

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Rob Magill ALERT!!!!!!!!!!!!

Premiere: Rob Magill – “The No. 2 Pussycat (excerpt 2)”

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Rob Magill is the complete example of being a modern-day bard. There seems to be no genre he’s untouched. No instrument he hasn’t mastered. Nothing has been left unsaid. Poetry all through the veins. Painting upon the skin and natural world. So what’s next? Just a little LP entitled The Owl and The Pussycat pressed on vinyl by the legendary Drag City Records, with support from Sun Ark.

Above is only a taste of the orchestra he’s composed. The jazz. The chamber. The metrics. The squeals and wheels. The narration. Heavy quests and soundtrack trails. Fire within the soul of sound. Contentment in dedication. Unstifling the mount. Airing all grievances. Harkenings like heaven just awoke you from the casket. It’s time to rip yourself of all mighty emotion. Melt it into The Owl and The Pussycat [PRE-ORDER HERE]. And don’t forget that EARLY BIRD ALWAYS EATS ‘cuz “first 100 orders get free bonus cassette: NOBODY ON THE HIGH MOUNTAIN!”

Snoop the excerpt below and scan that ONE-PAGE below it: