If Mac Miller secures the 2019 Grammy for “Best Rap Album” for Swimming, the award will be accepted by late rapper’s parents, who will attend the awards ceremony in Miller’s memory. The annual ceremony and the biggest night in music will return to Los Angeles’ Staples Center on February 10, where Alicia Keys will be playing host.
Miller’s fifth studio showing, Swimming, had been considered one of the rapper’s most visceral to date, exploring themes of mental health that stood out from older released. He passed not long after that, further amplifying the themes set in his record. The LP will compete with productions from four other hip hop entities, Cardi B‘s Invasion Of Privacy, Nipsey Hussle’s Victory Lap, Pusha T‘s Daytona, and Travis Scott‘s Astroworld.
View the list of 2019 Grammy Award nominees, here.
Right now, Pusha-T is enjoying a victory lap for his great 2018. In the past year, Pusha became a rap-feud Thanos, and he also released Daytona, one of the consensus picks for the year’s best rap album. It’s been showing up on year-end lists, and it’s also been nominated for a Best Rap … More »
Just yesterday we published our list of 2018’s juiciest music beefs. Both Drake and Kanye West featured prominently, but their longstanding cold war — which arrived at one of its occasional detentes long enough for Drake to cowrite Kanye’s “Yikes” this summer — did not make the cut. Relations seemed fairly … More »
Being online often feels like witnessing a chaotic, nonstop reality TV show. We’re given windows into the private lives of everyone we didn’t know we were supposed to care about, alerted whenever Ariana Grande cuts her hair or Cher has a thought. There are the couples we’re … More »
Each December, in an effort to celebrate outstanding achievements and commemorate The Year That Was, the pop culture media industrial complex foists lots of lists upon the world. We here at Stereogum are party to that deluge; we shared our collective conclusions about 2018’s best albums a week ago and have been More »
For once, Vince Staples wasn’t sure what to say. Five days after dropping another incredible collection of songs, the Long Beach rapper and reigning Twitter MVP logged into his account and wrote, “I was about to tell y’all FM! not an album but I don’t even know what an album is anymore so … More »
The best rap feud in years isn’t over yet. Pusha-T and Drake stopped making songs about one another months ago, and they reached the stage in their beef where they were conductingpost-mortems in interviews. But last night, Pusha had a show in Toronto, Drake’s hometown, and all hell … More »
Pusha T performed last night at Tyler, The Creator’s LA festival Camp Flog Gnaw. To Pusha’s apparent surprise, the screen behind him flashed the words “Fuck Drake” during his set, prompting the audience to chant those same words. Drake and Pusha have been feuding ever since Pusha dissed Drake on his … More »
We’re inching closer to Skrillex’s imminent return, and while his now-canonized debut LP, Recess, is nearing its fifth birthday, he’s carved out a Hall of Fame career since his momentous mainstream breakout. He’s become one of the most in-demand pop producers of the modern day, while managing to keep close to his post-hardcore roots, build on his electronic music legacy, and explore new sounds all at once. This year, in celebration of turning 30, Skrillex took a much-deserved year off, though a not-so-secret comeback is beginning to take shape, and signs suggest OWSLA’s head honcho could be primed to change the game all over again very soon.
In the meantime, label recruit JOYRYDE is snapping a shorter hiatus as well, linking up with the boss man for his upcoming album’s lead single — the long awaited “Agen Wida.” The pair more than deliver on their new joint effort, so to celebrate, Dancing Astronaut put together an additional 11 (unranked) Skrillex-assisted classics. See if your favorite Skrillex feature made the list below.
A few weeks after the release of his highly anticipated Rick Ross feature, “Purple Lamborghini” (not featured) for the ill-fated Suicide Squad soundtrack, Skrillex switched gears and went full experimental house with veteran French mastermind, Mr. Oizo on “End of the World.” Somewhere between cheeky setlist tool and thumping club cut, Mr. Oizo and Skrillex link up for a memorable house cut featured on Oizo’s 2016 LP, All Wet.
Featured on OWSLA’s 2017 label compilation, HOWSLA, “Chicken Soup” finds Skrillex linked with French bass-house linchpin Habstrakt. The collaboration originally received a live debut during a surprise Skrillex set at Coachella’s DoLab and would eventually come to be one of the biggest tracks of the year. Skrillex’s house output often takes a backseat to some of his heavier studio hallmarks, but “Chicken Soup,” launched Skrillex towards a considerable club-leaning kick, and has since grown to be a fan favorite within a sprawling catalog of monstrous bass hits.
Taking on Hundred Waters’ 2014 standout from Moon Rang Like a Bell, Skrillex reunited with Chance the Rapper, the frequent to breathe new life into “Show Me Love,” with help from vocalists Moses Sumney and Robin Hannibal. The remix, which became Hundred Waters‘ most commercially lauded track to date also served as Skrillex’s directorial debut, crafting a feel-good adventure feature for the cameras, rounding off the remix effort with a perfectly complementary video for “Show Me Love.”
The unconventional nature of Skrillex and Justin Bieber’s creative partnership was perhaps what made the duo so enticing at first. But after a proven knack for crafting hits together, there’s no denying that when the two link up, they’re bound for radio-ready gold. Such was the case on the tropical chart-topper “Sorry” from Bieber’s inescapable Purpose. The album wound up being a massive commercial success and catapulted Skrillex to untouchable pop producer status alongside Bieber for a second time.
Undoubtedly one of the most memorable cuts from the entire OWSLA catalog, the boss man orchestrated a super-collaboration remix of Yogi‘s “Burial” that will probably never get old. It’s just too damn good. It has even become Arby’s unofficial theme song. The 2015 posse cut came after the Aftermath-championed production outfit had already collected remixes of the track from Moody Good and Trollphace. So mashing every rendition together with the additions of Skrillex, G.O.O.D. Music president Pusha T, and a cameo from Denis Rodman in the music video rounded this one out at full blockbuster status for the final product.
What So Not and RL Grime‘s “Tell Me” will always be remembered as the defining emblem of the year trap music took over the EDM zeitgeist. The track is still a hallmark in both producer’s catalogs, though after their first booming collaboration, the world needed a second. In fact, it was practically demanded. So when RL and his Aussie counterpart finally did link back up, they brought along Skrillex for “Waiting,” which became one of the most anticipated tracks of the year in 2016. The track played on the same bombastic trap theme from a few years before, and managed to recreate most of the magic from trap’s extended moment in the sun.
Long before the Mind of a Genius roster was crushing the music world, Skrillex pulled up for “Working For It,” a now legendary posse cut with ZHU and THEY. handling vocal duties. The track combined ZHU’s twanging guitars and ludicrously crisp synth lines with signature Skrillex bass stabs. The result was a certified late-night ready club anthem that hits as hard on the thousandth play as it did on the first.
After striking Top 40 gold twice with Justin Bieber, and creating unique collaborations with artists ranging from K-pop heavyweight CL to Chance The Rapper on 2014’s Recess LP, Skrillex solidified a knack for bringing his productions into a featured vocalist’s unique world. 2017’s “Favor” is a prime example, as Skrillex and Vindata combine Jack Ü-inspired percussion with an lush instrumental that lets NSTASIA’s breezy lines float effortlessly on top.
Roc Nation rapper Vic Mensa is joined by Jahlil Beats and Skrillex for a collaboration that was essentially the OWSLA head’s 2015 follow up to “Wild For The Night” with A$AP Rocky. Scratching the itch to make another repeat-worthy rap-meets-electronic anthem, Skrillex and Jahlil Beats proctor a cinematic trap beat for Mensa to deliver his bars over, that winds up being one of Skrillex’s more unique, albeit less hyped, features in the rap space to date. The final product was then turned over to Zane Lowe for his debut premiere on the newly launched Apple Music platform.
Skrillex has a history of head-turning video concepts, though his animated joint with JAUZ for their Adult Swim Single “SQUAD OUT!” with Fatman Scoop may take the cake. The video is directed by Adult Swim veteran Adam Fuchs, whose credits previously included Aqua Teen Hunger Force and Ugly Americans for the network, as well as music videos for artists such as Flying Lotus and Neon Indian.
The video, unsurprising given its director, is an extension of Adult Swim’s trademark gonzo animation. It opens innocuously enough, with animated avatars of Skrillex and JAUZ riding an elevator. It doesn’t take long though, for things to get very weird. The collaboration was a standout to begin with, and the video made it even better.
To assist on The Game’s The Documentary 2, a follow up LP to his debut solo project from a decade earlier, the OWSLA boss served a trunk-rattling dose of bombastic bravado on “El Chapo.” The Recess producer brought his half of the Escobar-ian swagger with a latin-flavored horn loop and shattering subs providing the perfect backdrop for The Game’s snarling bars. The cartel homage was a little harder than the previous rap features in Skrill’s repertoire, but on his joint with The Game, he proves he can undoubtedly run with the big dogs on “El Chapo.”
Pusha-T is the guest on the latest episode of The Joe Budden Podcast, and the interview is sufficiently juicy. Chief among the subjects discussed is Pusha’s feud with Drake, which played out over a series of dis tracks this summer. To recap: After Pusha threw a stray shot at Drake on his Daytona … More »