Cherry Glazerr – “Call Me” (Feat. Portugal. The Man)

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Cherry Glazerr - "Call Me" (Feat. Portugal. The Man)Cherry Glazerr’s most recent full-length, Stuffed & Ready, has continually impressed us since its release this past February. It’s rocking, confident, and intoxicating to say the least. The band made its late-night TV debut last week on The Late Late Show With James Corden, and today they’re back with … More »

Watch Robin Pecknold, James Mercer, & Friends Cover “Suite: Judy Blue Eyes” With Judy Collins Herself

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2019 Newport Folk FestivalThis year’s Newport Folk Festival was quite eventful! Not only did country supergroup the Highwomen make their official debut performance, the fest ended with an all-star event called “I Had A Song” featuring a number of big names covering some of the best tunes ever. That’s how we got Kermit The Frog More »

Cassius release their final album, ‘Dreems’ [Stream]

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Cassius release their final album, ‘Dreems’ [Stream]Cassius Dreems

French house icons, Hubert Blanc-Francard, and the late Philippe Zdar, known to fans as Cassius, have released their fifth and final album in Dreems. The LP features heavy-hitters from across the musical spectrum like Portugal. the Man’s John Gourle and Mike D of Beastie Boys infamy, but ultimately represents more than two decades of musical growth since Cassius’s first releases in 1996.

Dreems isn’t just an hour of new Cassius material, which would be a delight in itself, but it’s an album where songs successfully build on one another, borrowing melodies, instruments and vocal motifs throughout, proving the duo’s attraction to the art of the LP. The album’s most vivid example of this is in how “W18” thematically and musically unfolds into its successor, “Walking on Sunshine.” Other track like “Summer,” the album’s opener, and “Don’t Let Me Be” draw a more refined and generally upbeat picture than 2016’s Ibifornia, while still maintaining much of the latter’s highly-acclaimed funk.

With Dreems being the group’s final release, it’s hard to find a more apt farewell than in the lyrics of the album’s title track.

Never before I had someone like you right by my side
Never before I had someone
Never before I had someone like you right by my side
Never before I had someone

CRSSD announces first arm of fall lineup: Portugal. The Man, Fisher, Amelie Lens, + more

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CRSSD announces first arm of fall lineup: Portugal. The Man, Fisher, Amelie Lens, + moreCRSSD

San Diego’s biannual bedrock electronic music destination, CRSSD, has announced the first lineup phase of its fall run for 2019. At the top of the Sep 28-29 ticket sits indie sensations, Portugal. The Man, feverish house frenzy, Fisher, preeminent techno talent, Richie Hawtin, and more.

In just a handful of years since its harbor-side genesis along Waterfront Park, CRSSD has become a mainstay within Southern California’s festival front. Riddled with the niche, underground sounds that make dance music so beautifully beguiling, CRSSD’s curation has flourished in immaculately kept time with dance and indie culture.

Typical for each installment, CRSSD organizers will speckle its artistry across three stylized stages, as view of the picturesque Pacific glistens in their wakes. House heads would do well to flock to the The Palms, where Shiba San and Walker & Royce will hop on a back-to-back display. Techno is ever in the air at the City Steps, where Amelie Lens, Richie Hawtin, and more mavens of the moment will find their low-lit dwelling place. Finally, the Ocean View will house an amalgamation of experimental sounds from a-CRSSD the board, like Hot Chip, KAYTRANADA, and Portugal. The Man.

General festival information as well as tickets (available Jun 11) can be found here.

Photo Credit: Felicia Garcia

Plan To Make Portugal. The Man Alaska’s Official Hold Music Put On Hold

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The state has put songs from the Grammy award-winning band Portugal. The Man and four other artists with Alaska ties on hold. More »

Ookay drops heavy beats again in new Jay Rock remix

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Ookay drops heavy beats again in new Jay Rock remix43235982 1859109077475773 8739832390899204096 N

From trap-heavy beginnings, California-based Ookay has proven to be quite the versatile producer as of late with a more electronic, pop-leaning sound. This was most evident on his debut Wow! Cool Album! and continued on for a remix of Portugal. The Man‘s “Tidal Wave.” His latest single, “Bad Habits,” has received widespread approval and was accompanied by a fall tour announcement, putting him in a great position to round out 2018. Despite this streak, the multi-talented musician is taking no breaks in releasing a rework of Jay Rock‘s “Win.”

The Top Dawg Entertainment veteran climbed through the ranks this year with features on Kendrick Lamar‘s Black Panther soundtrack, causing Ookay to hop on the bandwagon. However, he’s decided to revert back to old ways for a second, complementing the bass-heavy hip-hop beat of the original with some pounding trap and dub hits on the remix. A live audience won’t know what hit them when the second drop comes to fruition, consisting of straight distortion and occasional robotic synths.

Ookay will embark on his “Bad Habits” fall/winter tour in November, with special guests Bonnie X Clyde, DNMO, and more.

Tom Morello enlists Whethan and Portugal. The Man to honor Chris Cornell in ‘Every Step That I Take’

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Tom Morello enlists Whethan and Portugal. The Man to honor Chris Cornell in ‘Every Step That I Take’Tom Morello Whethan Portugal The Man Every Step That I Take

There comes a time when an artist must break out of their comfort zone and experiment in order to evolve artistically. That time has come for Tom Morello of Rage Against The Machine fame, whose efforts adventuring into different musical realms has resulted in his upcoming, electronic-laced LP dubbed The Atlas Underground. It’s due for an October 12 release.

One of its singles comes from a melancholic place. “Every Step That I Take” sees him honoring his fallen Audioslave band mate and famed rocker Chris Cornell, who was reported to have taken his own life earlier in the year. Its lyrics subtly mention topics like depression, anxiety, and the struggle to “find the neon path.” Though it taps the expertise of bass sensation Whethan in producing its electro undertones, Morello and other collaborator Portugal. The Man ultimately exert a larger influence over the piece for a relatable, nuanced piece with a long guitar riff at the end that’s radio-friendly to its core. Of the record, the musician stated:

“‘Every Step That I Take’ is about how the dreams, and depression, and love and the lack of it on the emotional steps of the gallows are processed. It was a song written by myself and Matt Shultz from Cage the Elephant and Johnny [Gourley] from Portugal.The Man sings it and it’s just a beautiful song. One of my favorites on the record.”

Morello also joined with SAVE, an organization dedicated to suicide awareness and prevention. The Atlas Underground album will also include features by Steve Aoki, RZA, Pretty Lights, Knife Party, and more.


PLS&TY Turns Portugal. The Man’s Track “Live In The Moment” Into Pure Future Vibes

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The blissful future bass connoisseur PLS&TY is back at it again this time with a remix of Portual. The Man’s single “Live In The Moment”. It is a twist on the original that really takes the song into a whole new direction. Filled with the sounds and style that we have come to see from

The post PLS&TY Turns Portugal. The Man’s Track “Live In The Moment” Into Pure Future Vibes appeared first on EDM Sauce.

Beavis & Butt-Head Come Out Of Retirement To Critique Portugal. The Man

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Beavis & Butt-Head have come out of retirement to criticize Portugal. The Man. The band has been opening their shows on tour with the video for “Feel It Still,” their wildly successful pop hit, edited by Mike Judge, the creator of Beavis & Butt-Head. More »

Eminem brings out 50 Cent, ODESZA has their crowning moment, Cardi B shows off baby bump: Everything that happened at Coachella Day 3

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The 19th annual edition of Coachella Valley Music & Arts Festival is officially in the books. After Beyoncé handed over her empowering main stage performance on Saturday night, fans probably wondered if the final day of Coachella could ever be as iconic. Fortunately for all, Coachella is a festival that always seems to top itself. Marquee acts, such as Eminem, Miguel, and Cardi B, gave attendees a second wind in the sweltering Indio desert with their closing day performances, along with burgeoning electronic talents ODESZAIllenium, and San Holo.

Here is DA‘s guide to the key moments of day three at Coachella 2018.

Eminem brings out an all-star cast in Dr. Dre, 50 Cent, Skylar Grey, and more 

As Coachella’s closing headliner for an audience of nearly 100,000 people, Eminem knew he had a tough act to follow in Queen B’s landmark two-hour set (which made her the first ever woman of color to headline the festival). Marshall Mathers rounded up an all-star roster to join him on stage — including Dr. Dre50 Cent, Bebe Rexha, Skylar Grey, and Kehlani — to perform some of the biggest career hits.

While Mathers was sure to cover his golden-age hits “The Real Slim Shady” and “Lose Yourself,” his set list didn’t just focus on his own discography. The rap icon was joined by his mentor, Dr. Dre, onstage to perform “Still D.R.E.” and “Forgot About Dre.” The pair even nodded back to Snoop Dogg’s classic, “Nothin’ but a G Thang,” along with a cover of Tupac’s 1996 hit with Dre, “California Love” (which Snoop and Dre had previously resurrected a hologram of Tupac in the latter’s own 2012 headlining appearance).

Photo credit: Kevin Mazur, Getty Images for Coachella

Eminem’s mentee 50 Cent then took to the stage for a medley of “In Da Club” and “My Life,” giving the set a nice bookend appeal as it showcased their own hip-hop family lineage. Finally, Eminem was joined by longtime collaborator Skylar Grey as they performed multiple tracks, including “Stan,” “Walk on Water,” and “Love the Way You Lie,” showing off their electric chemistry.

Photo credit: Kevin Winter, Getty Images for Coachella

ODESZA delivers a milestone performance with aerial drones, a live drum line, and many special guests 

Harrison Mills and Clayton Knight of ODESZA had a sparkling 2017 after releasing their critically-acclaimed studio album, A Moment Apart, which netted their first-ever Grammy nomination. What better way to cap a wildly successful year than a spring kick-off performance in one of the world’s most visible festivals.

Back in 2015, ODESZA made headlines at Coachella when they brought out USC’s full drum line for a stunning rendition of their track “Bloom,” along with a live remix of Alex Adair’s “Make Me Feel Better.” So the Seattle-based duo knew they had to one up themselves.

This year, Knight and Mills’ appearance was nothing short of cutting-edge as they filled the late night headlining slot on Coachella’s main stage. Time sped up and slowed down, hearts stopped and began racing all at once, and technological spectacle felt organic in ODESZA’s live performance at Coachella.

Photo credit: Kevin Winter, Getty Images for Coachella

With this year’s inclusion of the highly-disciplined ODESZA drum line — which the pair has been incorporating in their album-accompanying “A Moment Apart” tour — Knight and Mills took this element to its height by incorporating drum line members throughout the entire set. It’s clear that the coveted ODESZA drum line has become a permanent mainstay during the most commanding moments of their live act.

Along the way, ODESZA brought a number of vocalists onstage to perform their various tracks from the latest album. Naomi Wild was first to take front and center in her live performance of “Higher Ground.” Wild’s mic had issues at the start, for which the design team quickly solved as the young singer belted her soft tune to an awe-inspired audience. To cap it all off, Knight and Mills brought out high-powered soul artist Leon Bridges to perform their single, “Across The Room,” as hundreds of aerial drones floated up into the California night sky to erect ODESZA’s icosahedron logo.

ODESZA have been diligently perfecting their live act over the years, working to incorporate immersive visual elements and surprise guest appearances along the way. But never before has an EDM act integrated such a captivating array of LED drones in their act to bring visual production from the screen into the sky. In addition to pioneering their own new genre, the boys can now count themselves spearheads for the visual production side as well.

Illenium brings his full AWAKE live band to the Sahara tent

Illenium is one EDM act that is currently smashing every bar he’s set for himself artistically; and with incredible candor and humility, one might add. The talented and focused artist out of Denver has been selling out arenas, collaborating with everyone whose anyone, and incorporating a live element to his shows. Now Illenium’s AWAKE act has become a mainstay at festivals, including band members Dabin, Day, and Said The Sky.

While in Indio Valley, the artist covered a full spectrum of his own classics in the Annika Wells-assisted “Crawl Outta Love,” his remix of Flume and Tove Lo‘s “Say It,” and his track, “Rush Over Me,”with Seven Lions and Said the Sky. The melodic dub step producer then paid homage to Excision and Zomboy before ending with his track with MAX, “Beautiful Creatures.”

Perhaps the shinning moment of Illenium’s Coachella debut came in the form of a live VIP of his track with 1788-L and close friend, Said the Sky, “Where’d You Go.” Fans have certainly been going crazy over the live edit online.

Illenium x Said The Sky x 1788-L – Where’d You Go (VIP) from EDM

Migos is plagued by sound issues in the Sahara tent

After walking onto stage 30 minutes late, and having sound issues early on, people were apparently not happy with the Migos‘ performance. Yet, within a couple minutes, Quavo, Offset, and Takeoff easily earned the crowd’s forgiveness. The group began with “Higher We Go,” the opening track of Culture II, and by the time they slipped into their second song, “Slippery,” the crowd was in full-frenzy mode. Migos waited until the set’s final stretch to survey their biggest and most recent hits, which included the classic “Bando” for Offset (whose original was given to him by fiancée Cardi B).

“We thank God for making us the greatest group in the world,” Quavo proclaimed as a closing statement. It was the kind of humble arrogance that didn’t quite match the trio’s rather plagued live performance at Coachella.

Photo credit: Scott Dudelson, Getty Images for Coachella

THEY.’s performance included a nod to Kurt Cobain 

As THEY. took to Coachella’s Mojave stage, the rap/R&B hybrid duo surprised attendees with an refreshing and intriguing rock-crossover by covering Nirvana‘s “Rather Die.” Intriguing, because of how odd it seems to take on such a disturbing song and refit the track with a hip-hop drop. Refreshing, because hip-hop acts rarely, if ever, sample rock ballads. THEY. were certainly keen to rework a song from Nirvana’s Nevermind album beyond the wildly overdone “Smells Like Teen Spirit.”

Perhaps Kurt Cobain might have appreciated the subversive move.

Photo credit: Scott Dudelson, Getty Images for Coachella

Pregnant Cardi B brings out Chance The Rapper, Kehlani, and G-Easy 

Cardi B, who recently revealed her baby bump during an SNL performance, brought out a number of superstar friends during her afternoon Coachella performance, with live collaborations with Chance The Rapper on their single, “Best Life,” and G-Easy on “No Limit.”

The “Bodak Yellow” rapper also performed livcuts of “Bickenhead,” “Drip,” “Bariter Cardi” with 21 Savage, and her remix of Bruno Mars‘ “Finesse.”

Photo credit: Christopher Polk, Getty Images for Coachella

Photo credit: Scott Dudelson, Getty Images for Coachella

Portugal. The Man trolls ODESZA fans, delivers rock history lesson 

Portugal. The Man are known for their silly pre-set messages. Just last week, the band used amusing musings like “Having fun? Getting fucked up? Talking politics at family dinners?” and “Kevin’s got a boner” at a performance in Reno, Nevada. During closing night of Coachella 2018, as the sun began to set, the Alaskan rockers delivered a message to ODESZA campers in quirky fashion.

Portugal. The Man – “If you’re here for Odesza, you’re a little early” from Coachella

Yet it wasn’t only fun and games for Portugal, as they spent the entirety of their set schooling attendees with a serious rock music history lesson. After kicking off with Metallica‘s “For Whom the Bell Tolls,” the alt-rock band then surveyed a broad range of classics from Pink Floyd, T. Rex, and Black Sabbath, before ending with a “Hey Jude” sing-a-long.

“To anybody who says that there’s a lack of rock bands at Coachella, it’s not about genre — it’s about music,” the group’s front man shouted. “But if you are gonna complain about the lack of rock bands at Coachella, this is the only band here you need to see.”

Photo credit: Scott Dudelso, Getty Images for Coachella 

Featured photo credit: Kevin Mazur/Getty Images for Coachella