Ultra Music Festival Day 1: Full Sets (Listen/Watch)

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Day 1 of the 20th installment of Ultra Music Festival is over, and the EDM world is already buzzing about some of yesterdays set. Thankfully if you didn’t get to watch the full coverage of the stream yesterday, we got you covered here with a TON of FULL sets that we’ve already found across the

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More Than 165,000 People Expected To Attend Ultra Music Festival 2018

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Miami, Florida – With Ultra Music Festival 2018 well underway, the reports are in for how many people are expected to attend Ultra Music Festival 2018. According to officials, this year’s Ultra Music Festival will expect to see roughly 165,000 people. On Friday (March 23), Ultra kicked off artists such as Raiden, Joyryde, Steve Aoki,

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AT&T Brings More Cell Towers To Ultra Music Festival 2018

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If you’re heading to Ultra Music Festival this year in Miami, Florida, chances are you’ll actually have cell service this year. That is thanks to AT&T. AT&T announced that they will be bringing a large cell tower on wheels (COW) to help boost internet connections so that music festival attendees will be able to share

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Full Sets From DJ Mag Poolside Sessions In Miami [Listen/Watch]

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Let the Miami Music Week live streams begin! We already had a full day of events yesterday, and much more ahead all weekend! I’m going to get right to the point here. Check out these full sets from the DJ Mag Poolside Sessions 2018, which was held March 21st and the Surfcomber Hotel in Miami.

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Ultra Music Festival and Winter Music Conference Announce New Merger

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Today (March 21) Ultra Music Festival marketing manager Albert Berdellans announced that Ultra Music Festival has acquired Winter Music Conference. The announcement came during a news conference aboard the yacht SeaFair. Winter Music Conference’s cofounder Bill Kelly informed people that “it’s been in the works for a couple of years,” but he’s been biting his

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BE-AT.TV Shares Miami Music Week 2018 Live Stream Schedule

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Miami Music Week is here in full force and as parties are being held left and right, BE-AT.TV is helping those who couldn’t make it to the beach to see some of those events. Whether you are heading to Miami today or if you can’t make it altogether, BE-AT.TV has announced its 2018 Miami Music

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Claptone selects his favorite non-party spots during MMW [Guide]

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Claptone

Miami Music Week is in full effect, with each day being filled to the brim with a wide array of events to choose from that satisfy any electronic lover’s fancy. However, the choices are so vast, that sometimes making a decision proves an arduous task.

Partying 24/7 is virtually an impossible task, however, and rest is absolutely crucial during any bit of downtime. For most new to the Miami scene or for those who rarely touch down in the city, Dancing Astronaut has enlisted Claptone‘s assistance in picking out spots to check out when craving a bit of relaxation among the chaos. The masked musician has compiled quite the list of places close to his heart, across a broad spectrum of activities.

While perusing the guide, we recommend giving his new single from FANTAST a spin:

Sweat Records

“While on the road, I long for new music. I love to get my fingers dusty, sifting through bins and piles of records, always making sure to bring a spare pair of my signature white gloves.
There happens to be quite a funky spot in Miami, a store called Sweat Records. They’ve got loads of albums and singles, and I always leave with at least one brilliant, new discovery.”

CJ’s Crabshack

“Oh dear! How I love the Crabshack! A family-run and operated eatery with modest design and ambience, serving a variety of crab and seafood dishes, only steps from the beach. How I love to feel the rays of the Miami sun, sitting on the sidewalk terrace. The perfect place for an afternoon with good friends and great food.”

Broken Shaker

“The Broken Shaker is quite the special space. For some reason, every time that I visit, interesting and peculiar things seem to happen. That is all I’ll say.”

Crusing through Biscayne Bay

“Many of you may, or may not know this – but I have sailed the Seven Seas a plenty. I grew up as a mariner, setting sail and attempting to discover lands still uncharted. These days, my nautical ambitions are much more modest. Whenever I am in Miami, I make sure to spend as much time as possible navigating through Biscayne Bay on my humble vessel.”

The Kampong

“This lesser-known, beautiful, flowing garden was designed as a laboratory for the observation and study of tropical plants in Miami. I often find myself wandering through their grounds, with my portable field-recorder in hand, registering the many organic sounds that can be heard, to later incorporate in my original productions. I cloak the call of birds and the rustling of the leaves in mystery, altering their tonality and timbre to the point of being unrecognisable, but still so special to me. The garden of inspiration.”

Guaguanco in Little Havana

“Six years ago, while strolling through Little Havana, I somehow found myself in a Cuban community centre for the arts. It was on this day that I had my first Guanguanco dance lesson with my very kind and astonishingly limber, sixty-seven year-old instructor, Griselda. Although it has been quite some time since my last lesson, I can still feel the rhythm and pulse that makes Cuban music so special. My experiences there led me to incorporate some Spanish-speaking lyrics on my upcoming album, Fantast. The ninth track, entitled La Esperanza, with it’s chorus sung in Spanish, forever reminding me of Griselda’s patience.”

Police Chief Says Snipers Will Be Positioned During Ultra Music Festival 2018

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Miami, Florida – In preparation for Ultra Music Festival 2018, the city of Miami, Florida is working hard to secure this year’s security. Police Chief Jorge Colina said that “We have a lot of police officers that are working. We have plain-clothed officers. We have marine patrol in the water, officers on the ground, aviation

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Live Stream Ultra Music Festival All Weekend Long On EDM Sauce

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For the 20th edition of Ultra Music Festival, EDM Sauce will be once again the home to Ultra Music Festival news, stories, and live updates throughout this year’s festival. In addition to full coverage on Ultra Music Festival 2018, EDM Sauce will also be home to the Ultra Music Festival 2018 live stream. Make sure

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Miami Music Week & Beyond: How Kölsch continues his global domination [Interview]

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Kolsch1

Kölsch didn’t prepare anything for his nine-hour residency sets at the Gewölbe Club in Cologne, Germany. “But that’s the beauty of it,” he reveals.

Known for his rousing, deeply emotive tracks, the Danish producer believes in both the freedom of music, and of his surroundings dictating his sounds. The aforementioned can certainly be said for the artist’s unparalleled open-air performance last fall atop the Eiffel Tower. His oeuvre has only continued to rewrite the rulebook of modern production, with each and every performance serving as a further testament to his craft and rinsing in the global circuit.

Kölsch’s music implements an articulate understanding of his surroundings, the solace of the times, whatever and whenever he may be drawing from — one he earned in part by growing up in the hippie community of Christiania. Though he’s revered for his countless remixes, each original work comes complete with clear sentimentality. The journey is always vibrant and picturesque, with the electronic composer offering his listeners a window into his soul or his past with each carefully crafted piece.

His most recent LP, 1989, was the final installment in an autobiographical series which embeds his finely-tuned craftsmanship with a newfound emotive elevation of his artistic output. Its sonic landscape is an intensified deployment of real-life orchestral sounds, marking a true ascension for the artist.

Unexpectedly, Radio 1 DJ Annie Mac has shown her undying support for Kölsch’s work, noting, “that man is sort of King when it comes to pianos and house music. He’s got a way of wrenching your emotions.” Of course, she’s right. From his last full-length’s gut-wrenching tearing through the bleak, loneliness that at times plagues adolescence, it may seem that there’s only one side to Kölsch; though a deeper dive into his discography proves the artist, like many, contains multitudes.

With a string of high profile festival shows and a stellar BBC Radio 1 show under his belt, his iconic status has showed no signs of stopping. He an Ibiza residency dubbed “In The Dark” at Hï Ibiza last season, played the iconic DC 10, Berghain‘s Panorama bar, and made his infamous Eiffel Tower live stream for five million people.

Dancing Astronaut had a chance to catch up with Kölsch amidst his global domination as he’s about to touch down in the states for Miami Music Week and will return in April for major performances at Coachella. During the discussion, he touched on his thoughts on the US dance scene, the extinction of EDM, how he remedies his sets worldwide, and more.

Shots by SOLOVOV.be

Congratulations on your absolutely incredible year! On top of your BBC Radio 1 domination and playing the main stage at Tomorrowland 2018 you’re approaching your first performance at Coachella. What can attendees expect?
I’m really looking forward to experiencing the whole festival.  I’ve never been, but many friends say it is an incredible festival. I can’t wait to play a killer set.  What you can expect is more of my charming self. That plus good techno records and my intensive competitive miming act is sure to be special. On another note, I don’t think the US is ready for my techno miming act, so I’ll just do the techno.

How do you feel about playing Coachella as opposed to Glastonbury in the UK or Tomorrowland?
Coachella is definitely on the bucket list I always wanted to play. I’ve been lucky over the years to play most of the festivals I dreamt of (Sonar, Melt, Dour, Tomorrowland, Timewarp, Awakenings, Glastonbury, and so on) I actually think that Coachella is the last major festival on my dream list I haven’t played yet, so I’m really excited.

More underground electronic artists seem to be playing at Coachella this year. Why do you think that is?
The downfall of EDM beckons for a new sound to rise.  In Europe, EDM is completely dead, and all big festivals have techno acts as headliners next to the headliner bands. Radio has also lost a lot of the power it used to have, and therefore, kids are finding their own new heroes online and through friends. I love the fact that there is finally room for new music at festivals. Be it techno, fresh Indie bands or hip hop it’s about time all festivals start realizing that mass SoMe Followers, doesn’t always result in guaranteed ticket sales. There have been way too many lazy bookings over the years, and I’m very happy to see that change.

You’ve recently had a successful residency at Gewölbe Club in Cologne, Germany. ISPO. Tell us about how that came to be and how it is playing that club?
IPSO stems from Ipso Facto. It ruffly stems from “by the factor off,” and is the name of my label. I’ve got a bunch of releases planned on the label, so I decided to expand the concept into a traveling residency. Its been going at Gewölbe in Cologne for 2 years now, and I usually end up playing very longs sets. Up to 9 hours. It’s such special club, as it has the only bespoke built Martion Horn Speaker system in the world. The sound is out of this world.

How does it compare to playing a venue like Ushuaia in Ibiza, for instance,  in terms of planning, energy, set length?
It’s a completely different beast. Playing in front of 12,000 people for 90 min demands a completely different level of discipline than a smaller club. There is not the same room for experimentation. Playing nine hours on a good sound system with the right crowd is any DJ’s dream gig. It feels like therapy to me.

Do you do anything to prepare for the up to nine-hour sets for IPSO in Cologne?
I don’t prepare anything, that’s the beauty of it. With the sound system at Gewölbe one thing I’ve been practicing other than slower tempo and energy, is starting my sets with tracks with a more open sound. Maybe tracks that haven’t been squashed in mastering, so there is more room, to intensify the energy later in the set. Its very interesting to experiment with building a set that way.

How do you see the current scene of electronic music in the US from your point of view?
After the extinction of EDM, the scene is fantastic. There is an amazing form of optimism in clubs all over the US. Suddenly there is room to move more freely and it seems a lot of the freaks are coming out again. People are exploring a new sound, and I just get so much great music these days from the states. I love that the scene has escaped the pigeonholing of style, sound, and attitude that was defined by EDM festivals. For a while there it felt like I was playing in 1997 at Mayday in Germany. It was depressingly hilarious to witness that the scene was so far behind. Thank god for the progress.

How does playing clubs where you can create a new chapter for the club compare to playing the Eiffel Tower like you did back in the fall? That seems to be a true once in a lifetime experience…Maybe the best open-air venue in the world…?
It was definitely a life-altering moment. I’ve had a long-lasting love affair with Paris. From early Laurent Garnier records, through Ludovic Navarre to the French Disco house era hailed by Daft Punk, it’s been a defining place for dance music. The last 10 years have ushered a different, and tougher time for the French. Terrorist attacks have sadly been all too frequent and I felt that I needed to illustrate how much we all love and support them. Just to play Acid Eiffel by Laurent Garnier, a record that influenced me so much in 1993, on the Eiffel Tower was extremely emotional.  Dance music may not be political, but on an emotional level we can all show support.

Was there ever a point in your career where you’d said, ok, I know I’ve made it if I’m playing here?
Well playing there was never even a thing I could have ever considered possible. I could have never event dreamt of that, as I got into this scene, so it was a very big deal for me. My French grandmother who is 93 watched the whole set on her laptop…that made me extra proud.

What tracks do you have in mind that you will definitely play at Miami Music Week?
I’ve got so many new demos in want to test out…currently working on a new IPSO collab with Joris Voorn that I will definitely play.
Also testing out stuff for my next Speicher 12”, so demo galore.

Which track do you have in mind for the anticipated b2b with Tiga at All Gone Pete Tong Pool Party?
It’s going to have to be our new tracks from our upcoming IPSO collab. It was such a pleasure working together. We had a great time in the studio.

Which track for the Kompakt at Space Party?
Maybe a Kompakt classic. I’ve been hammering Donnerkuppel by Robag Wrühme again lately, so maybe that one.

Do you have a track in mind for Get Lost Miami?
I’ll see how underground I can get away with playing there. I really want to take it far out, so I’ll be digging into my rarer records for that one…

And finally, where can we expect the Kölsch sound to move to in the new year? One of our all-time favorite quotes of yours is, “I was trying to make a Balearic version of Jeff Mills..” and it’s in reference to the making of “Calabria.” Obviously, a lot of time has passed since then and your music is consistently evolving, but considering your latest exclusive release other than the WhoMadeWho remix and now “Left Eye Left,” was 1989 — the significantly more emotive, final installment in the album trilogy — we wonder whether the grey shall clear and we’ll see a new side of Kölsch…
The Grey is well and over… I’m working on a lot of new material. Experimenting a lot right now with new demos, so let’s see what comes out of that…

Kölsch US Tour Dates:

March 22: All Gone Pete Tong Pool Party Surfcomber, Miami, FL
March 24 – Kompakt Club Space, Miami, FL
March 24-25 – Crosstown Rebels present Get Lost Miami, FL
April 15 – Coachella, Indio, CA
April 22 – Coachella, Indio, CA