Diplo Responds To Zedd And Max Vangeli After Their Nightlong Twitter Rampage

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Last night Max Vangeli decided that it was time to unburden in the most dramatic and unfiltered way via Twitter. For more than 5 hours straight the Size Records artist called out anyone he saw fit. While Diplo was the main target, Deadmau5, 3lau and even Marshmello’s manager, Moe Shalizi would see their names brought

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Zedd Reignites Beef With Diplo

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ZeddYou’d think that superstar dance DJs would get along with one another. After all, nobody else can possibly understand their lives, right? There are, like, 20 people on this planet who are living lives that did not exist 25 years ago, and it would make sense that they’d find some sort of mutual support society. More »

Zedd Backs Up Max Vangeli For Calling Out Diplo In Twitter Beef

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In 2018 not a day goes by where some unexpected events take place… EDM Twitter is known as a breeding ground for drama and beef, but this evening things took a brutal turn for Diplo. Max Vangeli who is best known for his work with AN21 as well as his masterful 2012 album, People Of

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Andrew Rayel & Max Vangeli feat. Kye – Heavy Love

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Post the release of his second studio album Moments; long-serving Armada steward Andrew Rayel has just released a new collaboration with fellow Moldovan producer Max Vangeli.

Entitled “Heavy Love,” the track lends itself heavily to Vangeli’s progressive house style- with a conscious emphasis on traditional instrument samples with, which makes the backbone of this uplifting single- while the traditional electronic samples are less pronounced throughout the intro and build-up. The talented producers have also recruited singer Kye to provide the vocals for the track, which provides the perfect support for the euphoric bass drop, making for repeated listening.

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‘Top of My Lungs’ (Nikademis Bootleg)

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Early today we received a tip via twitter to check out the fresh up and coming artist, Nikademis. In particular his remix of Max Vangeli and Databoy’s ‘Top of My Lungs’ which he bootlegged into a powerfully aggressive big room, progressive onslaught. The track starts off with the usual buzz saw synths that drive into

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