It’s one of my life’s great regrets, but I can’t deny it: Last Friday I helped Post Malone’s new album Beerbongs & Bentleys break the single-day streaming record. More »
On Saturday, April 28, Morris joined Zedd onstage at the OMNIA Nightclub in Las Vegas and absolutely stunned the crowd with her verses, later commenting on Twitter that it was her “first time hearing the song this loud.”
“The Middle” is currently sitting at No. 5 on the Billboard Hot 100, and has been on the charts since its January debut.
A post shared by Maren Morris (@marenmorris) on
Whether you’re a Zedd fan or simply listen to mainstream radio, you’ve definitely heard the smash hit “The Middle” featuring the electronic duo Grey and country-pop star, Maren Morris. This track nearly exploded when it was released back in January, climbing all the way to the top of Billboard‘s Dance Mix/Show Airplay charts and hovered
The post Zedd & Maren Morris Debut “The Middle” Together for the First Time appeared first on EDM Sauce.
Last October, six days after a gunman killed 58 people during his performance at the Route 91 Harvest festival on the Las Vegas strip, Jason Aldean made a surprise appearance on Saturday Night Live. For the show’s cold open, the country star and his band covered “I Won’t Back Down,” which functioned as a dual … More »
From his Grammy-nominated Alessia Cara feature to his comparatively more recent release, “The Middle,” Zedd makes music production look easy. The mastered singles that infiltrate radio air waves, though, bespeak layers of complexity that are not immediately perceptible to listeners. “The Middle’s” seamless amalgamation of Maren Morris’ vocals with chord progressions outside of Morris’ country aesthetic effects a smooth pop listening experience that has resonated with many listeners, even those who normally eschew electronic music. Yet the fluidity of “The Middle” masks an intricate developmental process leading up to the single’s official release, one that notably almost never reached conclusion.
In what might arrive as a surprise to fans of the Zedd/Morris collab, “The Middle’s” origins extend well beyond Zedd’s studio. “The Middle” that listeners both know and belt in perfect synchronicity today was originally conceived as a demo by the Monsters and the Strangerz, a Los Angeles studio group and 23-year-old songwriter, Sarah Aarons. Aarons’ name doesn’t appear alongside Zedd or Morris’ on the track, but it was Aarons who would type out the lyrics and melody to “The Middle” on her iPhone. She then headed into the booth to record the demo of the song, which would later fall into the laps of electronic, silver haired duo, Grey. Adding what they call a “medieval axe whipping noise” to the demo — in other words, the sound that you hear in between the lyrics “baby” and “why don’t you just meet me in the middle?” — Grey would then forward the still unfinished track to Zedd.
“They played it for me they were like what do you think, and I thought if done right, this could be a huge smash,” Zedd said of the demo. To be “done right,” the track necessitated the right vocalist, and tracking down the choice voice for the song was quite the feat. “There were months where we almost gave up, because we couldn’t a vocalist,” Zedd revealed. 14 demo vocalists later, including the likes of Bebe Rexha and Demi Lovato, “The Middle” had found its vocal match in Maren Morris. “I had never heard her music until I heard her demo,” Zedd noted, “I was like who’s Maren Morris? She sounds really good.”
“The Middle” currently enjoys the success that an approximate year of production effort, and a team of “no fewer than eight collaborators” warrants, but as the making of “The Middle” video clearly conveys, crafting a hit single is anything but simple, and oftentimes requires some meeting ‘in the middle.’
Via: The New York Times
This is a big week for R&B. That’s true first of all in a statistical sense: The Weeknd’s new EP, My Dear Melancholy, just put up 169,000 equivalent album units in its first week — the biggest total for an R&B release since late 2016 (when, uh, the last Weeknd album came out). We … More »
When Zedd, Maren Morris and Grey‘s “The Middle” came out at the beginning of the year, it quickly garnered millions of plays and views across platforms. The sugar-sweet dance/pop original featured Morris’ charming vocals over catchy production from Zedd and Grey, making for a surefire hit for all three artists.
Over the months since its release, countless remixes have surfaced on SoundCloud — but perhaps none as heavy as this latest one from drummer Ryan Browne. Browne has been making a name for himself by doing percussion-infused takes on songs like Krewella‘s classic “Alive” and Alison Wonderland‘s “Messiah.” With accompanying videos to demonstrate the hard work that goes into these remixes, Browne’s multi-instrumental skills shine. His remix of “The Middle” is backed by hefty guitar riffs and bass and is led by a fast-paced drum & bass rhythm. He’s taken the tidy pop elements of the original and worked them into a more rugged, passion-packed remix.
It’s nearly impossible to sit still for this one.
“God’s Plan” rules the world. Drake’s dominant single is #1 on Billboard’s Hot 100 singles chart for an eighth straight week, and its ubiquity extends well beyond the United States. Although the song hasn’t caught on in Asia or Africa and is only a minor hit in Latin America, it’s the most popular track globally … More »
There is pulling a Taylor Swift, and then there’s pulling a Taylor Swift. Of the handful of country musicians who’ve briefly gotten a foothold in the pop mainstream — a list that in the past couple decades has included Tim McGraw, Faith Hill, LeAnn Rimes, Shania Twain, Lonestar, Lady Antebellum, and Carrie Underwood among others … More »