Drake Is Having Fun Again, And People Can’t Get Enough

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Drake announced a new album this week, and depending on its tracklist, it may already be eligible for gold certification — never mind that it’s not out for another two months. More »

Logic and Marshmello Release Music Video For “EVERYDAY”

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Logic and Marshmello are two dudes that came into 2018 on a mission. Marshmello has been releasing new music literally every week and Logic has continued to grace us with lyrical perfection with his mixtape “Bobby Tarantino II”. On said mixtape, the two collaborated for the timeless track “EVERYDAY” (not to be confused with Logic’s

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It’s The Freakin’ Weeknd Baby, I’m About To Have Me Some Crushing Nihilistic Despair

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Viewed one way, it’s a pretty impressive flex: You’re about to headline Coachella, and this is what you drop? … More »

Lil Dicky Is Making A Career Out Of Being Charismatic And Problematic In Equal Measure

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It takes real talent to create a song based on the premise that Chris Brown is the man and end up with something likable. For three minutes and 36 seconds — or 5:21 if you’re watching the music video, as more than 57 million people have so far — that’s the illusion “Freaky Friday” successfully … More »

So, What’s Popping On The UK Pop Charts These Days?

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“God’s Plan” rules the world. Drake’s dominant single is #1 on Billboard’s Hot 100 singles chart for an eighth straight week, and its ubiquity extends well beyond the United States. Although the song hasn’t caught on in Asia or Africa and is only a minor hit in Latin America, it’s the most popular track globally … More »

Lollapalooza announces 2018 edition with The Weeknd, Bruno Mars, Vampire Weekend, ODESZA, more

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lollapalooza

The Midwest’s premier music festival, Lollapalooza, returns to Chicago’s Grant Park August 2–5 with a newly announced lineup for the behemoth, 4-day affair. Topping the 2018 bill are The Weeknd, Bruno Mars, Jack White, Arctic Monkeys, Travis Scott, Logic, and ODESZA, and, most notably, Vampire Weekend — the band’s first live performance in four years.

Other high-profile acts include Tyler, The Creater, CHVRCHES, LL Cool J, Portugal. the Man, and Brit superstar Dua Lipa. The festival’s electronic and dance music bookings are just as thrilling, with a comprehensive roster of veteran and rising acts: Zedd, ExcisionDillon Francis, Galantis, Illenium, REZZ, Chromeo, Hippie Sabotage, Tycho, Zomboy, WhatSoNot, Malaa, Valentino Kahn, Petit Biscuit, Ghastly, Chris Lake, Herobust, and Space Jesus.

Lollapalooza also boasts an impressive undercard with Gucci Mane, Lil Pump, St. Vincent, and Aussie one-woman band Tash Sultana, who rarely tours the US.

With over a hundred names set to appear over the weekend, Lollapalooza truly has become an American institution with something to satiate everyone’s musical tastes. GA and VIP passes to Lollapalooza can be found here.

Pop Radio’s Love Affair With White Rappers Continues Apace

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“Let You Down” begins with plaintive minor-key piano chords and a trembling vocal run through that omnipresent chipmunk effect, the wildly popular pitched-up modulation that makes the human voice sound slightly alien. The singer intones, “All these voices in my head get loud/ I wish that I could shut them out/ I’m sorry that I … More »

NMF Roundup: Headhunterz returns to hardstyle, Marshmello links up with Logic, and Ookay drops off bouncy new single

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sunset-music-festival-tessa-paisan-2017-90

The most important day of every week: New Music Friday. As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed.


Chopped vocal samples and hip hop-inflected rhythmic additions make for an eccentric sound on Hanz‘s “Clutched.”

Progressive mastery is alive and well on “Keep My Light On,” a single that sees DubVision and Raiden team up for a release on Martin Garrix‘s imprint, STMPD Records.

Headhunterz makes his return to hardstyle production via a massive new LP, The Return of Headhunterz.  

Anjunabeats entity, Jason Ross puts forth his first single of 2018, “Through It All,” an uplifting number that harmoniously balances Fiora‘s soaring vocal with the song’s ascending synths.

Black Tiger Sex Machine make a statement on New Worlds, an album that sees the Canadian trio wield trap, bass, and electro production elements.

Dance music’s saccharine sweetheart Marshmello links up with Logic for “Everyday,” a single that epitomizes the carefree vibe characteristic of Friday.

Gareth Emery and Ashley Wallbridge jointly take on Signum and Scott Mac‘s “Coming on Strong.”

Paris Blohm and Myah Marie prove to be a collaborative dream on “Body High.”

Element constructs the quintessential filthy drop on his hard-hitting new release, “Needles.”

A soothing guitar melody complements Nevve‘s fluid vocal contribution on Boombox Cartel‘s latest, “Whisper.”

Ookay channels the bouncy synth work that has come to be characteristic of a Marshmello production on his whimsical new offering, “Loved or Lost.”

QUIX and JVMIE’s “I’ll Give You The World” is an expert example of lush future bass production.

Reminiscent of Foster the People and Portugal. The Man, the vocals in Lemaitre‘s “Machine” create an indie-infused groove.

Tisoki takes on Oliverse‘s “Leave Them Behind,” flipping the track into a smooth-gliding dubstep rendition.

KDrew and KVNNIBVL bring the weekend vibes with a smattering of falsetto-like vocals and a lighthearted, bobbing beat in “Body of Gold.”

Logic and Marshmello Drop Spring Anthem “Everyday”

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This is what music is all about right here. Bringing together two powerhouse artists at their respective crafts and creating a damn shwinger. Since taking on the industry, there has not been a second to breathe for the man in the Mello helmet. He has been traveling the world playing at the greatest festival and

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You Gotta Respect Fall Out Boy’s Commitment To Being A Little Much

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Fall Out Boy have always been a lot. God gave singer-guitarist Patrick Stump indestructible musclebound vocal cords that cannot be contained, and he fully indulges their powers. Musically, his songs tend to be big and bold, often dispensing with conventional notions of good taste in their pursuit of stadium-sized glory. As a lyricist, bassist Pete … More »