Lunar Lunes: Sofi Tukker remix Laurent Wolf, Luca Lush takes on ATLiens + more

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Lunar Lunes: Sofi Tukker remix Laurent Wolf, Luca Lush takes on ATLiens + moreSofiTukker TheFondaTheatre Credit Maimilian Ho

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

Photo credit: Maximilian Ho

Dexter’s Beat Laboratory Vol. 111

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 111Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Two powerhouse artists have come together for an innovative new collaboration, “Bruises.” NGHTMRE and Grabbitz have both had stellar 2019s so far, each with multiple well-received releases under their belts. “Bruises” seamlessly blends both of their styles for an irresistible electronic-alternative product.

The Knocks are unveiling remixes of their recent tunes to the world, and one of the latest of these is a sultry rework of “No Requests” by Steff Da Campo. The Dutch producer gives the lighthearted song a deeper, darker tone, backing its merry vocals with an ominous bassline. It’s groovy but bold in its reinvented soundscape.

The release date of Goldroom‘s Plunge / Surface LP draws nearer, as do the single releases that lead up to it. The latest is “Just Like a Dream,” a blissful, piano-laden piece that features longtime collaborator Nikki Segal on vocals. “Just Like a Dream” dreamily draws out the end of summer, shining bright rays into the early days of autumn.

Modernized disco is seeing a resurgence, popping up in festival sets and across streaming platforms from notable artists. The Disco Fries—as their name aptly implies—are helping lead the charge with fun bootlegs like this Janet Jackson one. “We put together this bootleg of Janet Jackson’s smash ‘All For You’ around the same time we did Mary J’s ‘Family Affair’ and it has crushed in our live sets,” Disco Fries said of the tune.

Scottish artists Last Island and Alex Martyn have clearly been having fun composing music together on their Island Life imprint. July saw the release of “Miles Away,” an effortlessly groovy and lighthearted collaboration, and now they’ve returned with “Romeo.” They call “Romeo” their “attempt at a disco track… not particularly disco,” but it still showcases that spirited soundscape they both seem to foster in their music.

Dexter’s Beat Laboratory Vol. 103

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 103Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


ShockOne recently debuted his sophomore LP, A Dark Machine, and its title track is—in a word—thrilling. Featuring the entrancing vocals of Reija Lee, this drum ‘n’ bass tune is expertly crafted and has a unique quality to it that’s both dark and enticing.

Last Island has been on a roll this year. After his May Sustain EP, the Scottish producer has continued to churn out quality works, including his latest, a funky rework of Xan Langston’s “Don’t Think Just Feel.” In his interpretation, the vocals to glide over an effortlessly groovy beat in such a fun way.

Tom Budin‘s originals are consistently smooth and sleek, and whether he’s creating an original piece of work or remixing another artist, fans can always expect top-of-the-line production. His newest, a remix of Loui PL’s “Right Here,” is no exception. A sexy bassline anchors the tune, complemented by sultry vocals.

HEYZ previews his forthcoming LP with its first single, “Castaway King,” featuring the vocal talents of MAYLYN. The song is a dynamic initial showing from the compilation, incorporating light, flowy elements with a reverberating, dramatic bass.

Murtagh‘s new EP is comprised of just two songs, but in this pair, listeners will find 14 minutes of sheer bliss. This progressive Macarize release sees the producer tackle two times of day, 9 and 10 a.m., with vast differences in tone and ambiance. “9AM” is a gorgeously dreamy number, painting a picture of a perfect morning.

Lunar Lunes: Mija grooves on ‘Sweat It Out,’ Rinzen, Marbs, and Evan Casey team up for ‘Helix’

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Lunar Lunes: Mija grooves on ‘Sweat It Out,’ Rinzen, Marbs, and Evan Casey team up for ‘Helix’Mija Press Photo E1563808144473

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

Mija takes to Hot Haus Recs for her latest release, the groovy “Sweat It Out.” SG Lewis puts his own spin on a familiar tune, and Alexander Lewis closes his new EP with “Left U on Red.” Rinzen, Marbs, and Evan Casey have teamed up for “Helix,” and Borgore taps Abella Danger for “911.” Cassian gives his own take on Just Kiddin’s “There for You,” and Modestep reveal “Blood” on Disciple. 13 puts an eerie spin on Zeds Dead and Delta Heavy’s “Lift You Up,” and Cristoph and Jem Cooke unveil a clip of “Slowly Burning 2019.” Godlands, JEANIE, and Jelacee hold nothing back on “No Stress,” and Phantoms tap Kate Morgan for “5AM.” Lee Burridge and Lost Desert deliver “Melt,” and Party Favor and EZI strip down their collaboration, “Be Ok,” for an acoustic rendition.

The selection is updated every Lunes (Monday).

Dexter’s Beat Laboratory Vol. 99

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 99Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here. Stay tuned for next week’s special Vol. 100 edition!


Last Island and Alex Martyn are a match made in heaven. Their new joint endeavor, “Miles Away,” recently debuted on their own Island Life collective. The tune got its start from a simple jungle sample, and the two artists then built the song around it. It’s effortlessly groovy and makes for the perfect summer anthem with its funky guitar and drifting vocals.

Liquicity RecordsReflections compilation came out last month, but many of the collection’s songs are still making their way onto SoundCloud. One of these is Dualistic‘s remix of Edlan‘s “Dreamcatcher.” Dualistic has put a beautiful spin on this already-otherworldly song, allowing the listener to float above the earth on a cloud of melodic drum ‘n’ bass.

Netsky has teamed up with t1r to prepare his latest sun-soaked tune to hit the festival stage. The two producers have opted to remix Jon Lemmon’s “It’s Gonna Be Alright”—something Auckland producer t1r calls “a definite career highlight.”  This lighthearted remix focuses on Lemmon’s vocals, as the two producers complement his voice with subtle dance production.

Marc Madness recently unloaded a moody retrowave tune by the name of “1986,” hearkening back to the ’80s with its wistful guitar riffs and forceful vocals. Its dark and mysterious atmosphere takes the listener on a journey through the night, enhancing the mood with racing synths. The Polish producer holds nothing back here, and it’s thrilling to hear.

July 12 brings with it the arrival of Tycho‘s new album, Weather. It’s a gorgeous, contemplative venture comprised of previously released tracks like April’s “Easy” and May’s “Pink & Blue.” The album’s eighth and final track shares its name with the LP and is a perfect summation of the compilation with its breezy, relaxing melodies and beats.

Lunar Lunes: Flux Pavilion teams up with GLNNA, Gorgon City hit up ‘Elizabeth Street’ + more

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Lunar Lunes: Flux Pavilion teams up with GLNNA, Gorgon City hit up ‘Elizabeth Street’ + moreFlu Pavilion Press Photo 2019

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

Flux Pavilion takes an emotive approach to his new collaboration with GLNNA, “Somebody Else,” and Gorgon City pay homage to Chicago in “Elizabeth Street.” Noisia deliver a unique time signature on their newest original, “The Hole Pt. 1,” and Com Truise remixes Gold Fields’ “Waterfall” to follow up his new album. As part of Mad Zoo’s new compilation, counsel pop lends his nontraditional sounds in the form of “jd sports,” and Tom Budin links with Tylah Winyard for “Hold On.” Monstercat continues its eighth birthday celebrations with the release of WRLD, Keepsake and Laszlo’s “Back to You,” and Vintage & Morelli delivers “Senshi” to Silk Music. Summer Was Fun puts his own spin on Madeon’s “All My Friends,” and Edu Imbernon releases “S.Y.L.” on Anjunadeep.

The selection is updated every Lunes (Monday).

Dexter’s Beat Laboratory Vol. 92

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 92Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Honey & Badger and kramder burst in, guns blazing, on their latest collaboration, “Da Pinte.” This new CONFESSION release seems to be all power at first, but upon introducing a merry piano theme, it’s apparent this trio of artists know how to combine forceful beat with a groovy melody. Between the vocals, pounding bass, and infectious melody, “Da Pinte” has been stuck in my head all week.

Last Island‘s new EP is a work of art. The Scottish artist just unleashed his Sustain EP, which spans five tracks and sounds best when listened to cohesively. “Emerie’s Cave” serves as a clear introduction, leading into a whole collection of some of his best work, including the final track, “Let Stars Fall.” “I wanted to create a euphoric and synth rich sound with the feeling of traveling through into a new world,” he says of the compilation. And that he did.

Astrale has taken on the task of covering and reworking The Midnight‘s formative “Kids.” Starring Essenger on vocals, this duo have revamped the bittersweet nostalgia of the original into a piece that’s fully their own. The initial two minutes feel like an anticipatory build, dropping into a heavier bed of synths for a dramatic ending of the song.

Groovy beats and funky piano melodies abound on AMTRAC‘s new release, “Formal Disco.” Released via his own Openers Records, AMTRAC shines on this latest track, seamlessly melding a smooth bassline with an irresistible melody. He kicked off his 2019 with the more subdued “Just” in February, but he readies himself for the summer months with this more upbeat original, which he says is a “long overdue follow up” to 2017’s “Informal Disco.”

Nora En Pure consistently delivers a sweet-to-the-ears sonic experience, and her latest is no exception. “Birthright,” released in original club mix and radio edit formats, features a serene piano melody, propped up by a low-key backbone of percussion. At seven minutes long, the club mix is primed to serve as a soothing outro for a night of dancing or simply bring a listener peace during a stressful time.

Dexter’s Beat Laboratory Vol. 83

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 83Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Dutch producer Edlan has been making a name for himself through a variety of Liquicity works over the past few years. Most recently, he’s taken to the label to release his new EP, Go Back Home. The four-track collection offers a diverse blend of his drum & bass production, opening with a dramatic first track that shares the EP’s title. Edlan’s tapped MVE and Neil Hollyn to set the tone for the compilation, and the result is a track that’s peaceful and packed with emotion.

Dabin‘s sophomore album, Wild Youth, made its debut on March 22, showing the full range of his growth since his Two Hearts LP in 2017. On nearly all of the new album’s 10 tracks, Dabin’s collaborated with a slew of talented producers, including Kansas City’s Essenger. These two combined create an emotive force to be reckoned with. They’ve created a melodic piece called “Home” that’s layered with powerful vocals and heavenly piano melodies, tugging constantly at listeners’ heartstrings over the course of the song.

Just before the official start of spring, Mat Zo unleashed some warm-weather music via his new Tracing Steps EP. The Mad Zoo release is comprised of three tracks, plus an extended cut of the previously released “Deep Inside.” In the EP’s opener, “Tracing Steps,” the producer leads the unassuming listener through a sun-soaked introduction of merry string melodies and lighthearted vocals before an unexpected drop takes over. Mat Zo continues to captivate listeners with unpredictable twists and turns—all of the highest quality.

Scottish producer Last Island has taken to Washington D.C.-based label Montaime to release his latest endeavor, “Let’s Go Somewhere.” The new single is full of the ever-grooving melodies Last Island has become known for. Its spirited synth themes are ushered along by occasional clapping and a funky beat, giving the tune a simultaneously funky and laid-back vibe. He calls living on a remote island in Scotland “both a challenge and an inspiration,” but the inspiration is clear and present in his consistently dynamic releases.

Mysterious duo Far Out may be anonymous, but their music certainly isn’t. Their productions are routinely powerful, whether they’re releasing Star Wars remix or taking on Daft Punk’s iconic “Harder, Better, Faster, Stronger.” Their latest release is an original, though, creating “Strangers” from passionate female vocals and a healthy dose of bass on the drops. This melodic tune ebbs and flows beautifully and carries a strong message in its lyrics.

Lunar Lunes: Ekali remixes Alina Baraz, Rusko releases new EP, Modestep and Virtual Riot join forces + more

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Lunar Lunes: Ekali remixes Alina Baraz, Rusko releases new EP, Modestep and Virtual Riot join forces + moreEkali Leaving Owsla

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

Just one week after the release of his massive “R U I N” collab with 1788-L, Ekali returns with an emotive remix of Alina Baraz and Khalid‘s “Floating.” Rusko brings a new body of work to Deadbeats in MEGARAD, and Hermitude links with Hoodlem for the slow-burning “Every Day.” K?d throws it back with a grinding remix of SMF’s 2011 “HAHAHA,” and Modestep and Virtual Riot make a formidable trio in their new Disciple release, “Nothing.” Brasstracks paint a soulful soundscape with a slew of smooth releases in their new R&B-oriented EP, Before We Go, and KDrew unleashes his first track of the year, “Sometimes.” Apashe takes no prisoners in his new The Good The Bad & The Fake EP, and KUURO take on 3LAU and HYO in a new remix of “Punk Right Now.” Two Friends put their own spin on Panic! At The Disco’s “High Hopes,” and Grabbitz turns The Japanese House’s “Lilo” into an upbeat wonder. Justice Skolnik throws it back more than a decade with a fresh take on Justice‘s “D.A.N.C.E,” and Phantoms tap Shaylen for “Are You Up.”

The selection is updated every Lunes (Monday).

Photo credit: Brandon Artis Photography

Dexter’s Beat Laboratory Vol. 70

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 70Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here. Check back next week for her annual favorite tracks of the year playlist!


I was a big fan of Tim Schaufert and CASHFORGOLD‘s original “Gold,” so a recent remix of the track by SNOWMASS intrigued me. The wintery producer has added a chilling melodic dubstep touch to the original, adding in a gorgeous whirlwind introduction of synth melodies leading up to the drop. This pleasing rendition, while much different from its predecessor, maintains the same aura of mystery and wonder as the original — just in a different form.

It’s been nearly two and a half decades since the release of Desree’s “You Gotta Be,” and artists are still picking up on its timeless vocals and message today. New Jersey producer Aylen is the latest to put his own spin on the iconic number, bolstering its bold theme with an easygoing house beat.

Scotland’s Last Island is closing out 2018 in a big way: with a massive remix of The 1975. This rework is effortlessly funky and primed to take over a dance floor. “I’ve always loved The 1975,” Last Island says of the track. “With their latest album, this track stood out to me the most… the line ‘Love It If We Made It’ is so infectious, creating a track ’round it was so much fun and it fell into place perfectly.”

Camo & Krooked‘s “History of the Future” first made its debut in 2010, but given its re-release on Audioporn Records’ 10 Years of Audioporn Records compilation, I’ve deemed now a great time to re-recognize its greatness. This successful duo has been pushing drum & bass boundaries for well over a decade, and tracks like “History of the Future” are perfect examples of just how timeless the genre can be.

New York duo Brasstracks have been all across the continent this year, giving eager fans earfuls of powerful, dynamic horns. They close out their 2018 by bringing the sounds of the season in “Snowdaze,” a collaboration with Charles Gaines. “Snowdaze” paints a serene soundscape of gliding vocals and lush horns rounding out the background for a full, rich R&B number. Its relaxing tone encourages — and rightfully so — everyone to slow down this holiday season and take in the soulful tones of tracks like these. Merry Christmas, everyone!