Lane 8 eases listeners into spring with his first mix of 2018

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One is bound to find something wonderful in your mid-week work hour musings so long as you let Lane 8 soundtrack your day. The This Never Happened label head has just unleashed the first installment of his 2018 seasonal mixtape series, a regular fixture in his catalog since 2013.

Lane 8’s Spring 2018 Mixtape is the first we’ve seen of Goldstein since the release of his album, Little By Little. Like the seasons his musical mixes come to embody, the tone Goldstein sets here is bright and budding — a stark contrast from his bleak yet beautiful winter mixtape — which the artist uses to construct a landscape for easing his listeners into spring, a time of rebirth, renewal, and new beginnings.

Lane 8 uses the two and a half hours to experiment with some of his new album material, which is apparent right off the bat with the slowed tempo of his single “No Captain,” ft. Poliça, before building on his ethereal deep house/electronica stamp with some hopeful atmospheres, winding melodies, and emotional peaks and valleys. 

The great thing about Lane 8 compositions is his ability to fully take the reigns on guiding his listener’s emotions, taking them on a whirlwind ride through the use of changing tempos and carefully executed highs and lows. Goldstein is a conductor of energy, in a sense, if not for his talents in forcing listeners into their deeply introspective, most somber places, before building them back up again, and dropping them off higher than he left them before.

Lane 8 Releases 1st Official Remix From Little By Little, ‘Skin & Bones’ ft. Patrick Baker the Enamour Remix

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Just a few weeks after the release of Lane 8’s sophomore album ‘Little By Little’, one stand out single ‘Skin & Bones’ ft. Patrick Baker has received a remix from Washington DC producer Enamour. Enamour’s music delicately walks the line between deep introspection and pure club play, but the young star takes it super deep and

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Lane 8’s ‘Little By Little’ is a spectacular aural odyssey grounded in its exploration of the human condition

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The great paradox of the modern day is that despite numerous means of instantaneous communication, true and genuine connection is at premium higher than any point in history. Unsurprisingly, contemporary art wrestles with this, notably in Black Mirror‘s recent examination of dating apps and culture from the episode “Hang The DJ,” where the driving tension results from couples being matched up and immediately given a countdown until their inevitable split and disconnect.

Acutely aware of this strain stemming from disconnection is the melodic house maestro Daniel Goldstein, better known as Lane 8. In an effort to establish deeper contact with fans, Goldstein launched his This Never Happened series of events, which required attendees to abandon their phones and experience his mellifluous concoctions while entirely present, free from the distraction of technology.

In a discussion with DA from 2016, Goldstein delved into how important the introduction of his imprint and This Never Happened show concept was for his work:

Towards the end of last year I did a big album tour and played a ton of shows in a row and there were a few where, you know, you would look out playing ‘Diamonds’ or ‘Hot As You Want’ and just see a sea of phones recording the moment and nobody really just actually being there and experiencing it. I remember just seeing that and talking to my wife and saying, these people are not experiencing live music at all – everything is just a spectacle and I feel like that’s kind of something that’s just plaguing everything…”

Encouragingly, Lane 8 will tour his new album under the This Never Happened banner, out now via his imprint of the same name. Dubbed Little By Little, the LP flourishes in its embrace of the past, present, and future brand of his deep and melodic house music.

Lane 8

After the announcement of Little By Little, Goldstein unveiled the first single “No Captain,” featuring the distinct tones of POLIÇA‘s Channy Leaneagh. An intriguing vanguard, Goldstein embarked on a uniquely reflective journey of melodic house and evocative electronica, inspiring instrumental club ballads, and late-night memories along the way.

If standout vocal stylings are to be this album’s defining feature, then Little By Little is Goldstein’s magnum opus of stylistically evolved and meticulously-crafted curation. The producer welcomed several new vocals talents onto the LP, in the form of Australian talent Fractures on both “Clarify” and “Hold On” and the British singer-songwriter J.F. July on “Coming Back To You.” The strength of each vocalist is evident in the lift they give the record, in general, and each track, specifically. Like Lane 8’s earlier work, Little By Little is crafted with the mastery that fans have come to love amongst his catalog: a marriage of introspective and instrumental club tracks.

Each track on Little By Little presents a unique aural journey. Like Lane 8’s 2015 album Rise, Little By Little finds its poise in a form of lyrics that are equally wistful and thoughtful, driving melodies, and a meandering energy. Considering the driving forces behind “Hot As You Want,” featuring Solomon Grey, “Undercover’s” feature of Ghostly International founder Matthew Dear, or even “The One’s” highlight of Patrick Baker, it’s only right Little By Little sees that Lane 8’s use of male vocalists continues.

While each track on Little By Little touches on human connections in some capacity, Goldstein’s best captures the record’s ethos with “Skin & Bones.” “Are we seeking something more than this?” beckons vocalist Patrick Baker. The vocalist offers contemplation in his lyrics, speaking with an air of poignancy on the struggle to forge such meaningful bonds with others.

When Goldstein’s been asked to articulate the inherent meaning of his music in a number of interviews, he’s expressed, like many musicians, that his music is a cathartic medium for his listeners and that he ultimately hopes that they extract their own meanings from it. Surely, each of his tracks reflect intimate moments of his own life; that said, what he outputs is more than likely to move its listener in an entirely different way.

Little By Little is an especially bold release to kick off the new year, given the current climate that is currently straying away from albums in general. In providing such an extensive and sentimental expression of himself, Lane 8 proves that these bodies of work still serve an important purpose in the musical sphere.  This isn’t to say that artists don’t pour their heart and soul into singles or EPs. However, when artists build a labor of love over the course of several years, listeners know that they’re putting everything on the line  and challenging themselves on the immensely exposing path that is penning an LP.

“In a way, I think that’s what this album is all about — taking the time to appreciate each small step in a larger journey,” Goldstein’s expressed of the new record, and little by little, his work is allowing that journey to be all the more enjoyable for many.

Tickets for Lane 8’s Little By Little album tour are available here.

All Photos Courtesy of Lane 8

New Music Friday: Marshmello, Carnage, Mac Miller & More

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It’s Friday, January 12th and that, of course, means new music to get your weekend kicked off properly! This past week, we discovered 158 new songs with a handful of remix EPs, new hit singles, and a handful of albums. Compare this to only 58 new releases last week, this week’s playlist is massive with

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Lane 8’s latest single ‘Stir Me Up’ is an affective serenade

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Lane 8 has dropped off another track ahead of his new album, Little By Little.

Despite the belief that Daniel Goldstein might be finished teasing the record, “Stir Me Up” arrives ahead of the album’s January 19 release as its fourth single.

“Stir Me Up” is sonically aligned with the LP’s lead single, “No Captain,” which intertwines Poliça‘s honeyed vocals. It echoes Lane 8’s desire to embody experiences in his music and simultaneously aligns him as one of deep house’s most erudite proprietors.

“I found a lot of joy in focusing on each little task achieved, each small accomplishment that pushed me one step closer to the goal of making another album – another experience – that I was really proud of. In a way I think that’s what this album is all about – taking the time to appreciate each small step in a larger journey,” he’d said of the work when he released “No Captain.”

Lane 8’s sophomore album, Little By Little, is out January 19, on his own imprint, This Never Happened.

Read More:

Lane 8 stuns in new single ahead of upcoming album, ‘Little By Little’

Lane 8 compiles electrifying ‘2017 Winter Mixtape’

Lane 8 releases ‘Atlas’ rework from upcoming sophomore album [MUST WATCH]



Lane 8 Releases The Captivating And Meticulous ‘Stir Me Up’

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Lane 8 has enjoyed a meteoric rise the last few years. The artist who found his start on French Express and really gained his signature sound on Anjunadeep made 2017 a year of curating a unique, haunting and atmospheric sound. Lane 8 is focused on creating an experience through his music and live shows that

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DA Presents: 2017’s Producers of the Year

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Despite incessant predictions for the trajectory of the scene, 2017 marked a banner year for all things electronic music. As such, producers experienced more freedom to explore more new sounds with the end result not a fractious, rigid delineation between genres, but rather a continuum of experimentation that led to some of the most interesting and forward-thinking music of the year, with the addition of exciting new niches for artists to inhabit.

With this nuance in mind, Dancing Astronaut is proud to present a superlative class of seven producers who stood about the rest in a crowded space. From the more obvious, mainstream mainstays who continually wow to the breakout producers who surpassed everyone’s expectations, 2017 was packed full of impressive productions from this eclectic pack of standouts.




Rezz at The Observatory, photos by Sean Thomson


Isabelle Rezazadeh ripped into the electronic music scene in 2015 with an unparalleled juxtaposition of industrial techno and pummeling bass that immediately carved out an unforeseen niche in the mines of ominously-sinister, singular techno. While Rezazadeh has exuded a singular artistic vision from the very inception of her REZZ moniker, her unique, genuine vision has more recently seeped into all facets of her “brand” in a refreshingly distinct and similarly succinct fashion.

Having signed and released two EPs on mau5trap in 2016 — both The Silence Is Deafening and then Something Wrong Here — REZZ has since earned slots at premier music festivals and become renowned for her craft across the world.

Through her own music, REZZ has widened a sonic space where creative forces can continue to push the envelope in their own creative capacity. To a degree, REZZ’s envelope-pushing M.O. has aided in the present trickle down of underground music into the mainstream light. In both her alignment with underground pioneers and maintsage appeal, REZZ has aided a new generation of electronic music fans on their potential journeys to underground au courant. At the very least, she’s uncovered the lesser known, both stood behind and brought up the independent artists — which is encapsulated most recently in her collaborations with knodis and Kotek on her debut LP, Mass Manipulation. REZZ has also elevated the experimentally inclined that results in a healthy attempt to wreak havoc on the mundane. Surely, her music has driven many to explore what lies beneath the surface of popular post-EDM, but it has concurrently challenged its listeners to examine the very boundaries between the separate sects of EDM and dance music entirely.

Seminal tracks like “Edge,” “Voice In The Wall,” and “Purple Gusher” are some of REZZ’s most well-known tracks, all released in 2016. These solidified the notion that REZZ was truly finding her production footing in 2015. After an appearance on DA‘s 25 Artists to Watch list for 2016, REZZ was duly named our Breakout Artist of the Year one year later. Over the course of 2017 Rezazadeh has only continued to polish her authoritative skills and justify her selection.

If 2016 was the year REZZ defined her signature sound, 2017 marked her ascension into superstardom.

She spent the year honing in on her image, toured the entirety of the fall as a bruising headliner, announced she would be pivoting entirely towards nighttime shows in the following year to enhance the experience, and in turn, established a well-rounded, distinguishable decorum.

As REZZ took her dark, foreboding ouevre across the world this year, she stunned in her meticulous attention to detail, even going so far as to heed fans about watching the videos of her shows online, so even those who missed on the opportunity to experience her sets live could be mesmerized for themselves.

REZZ also elongated her artistic vision in 2017, in a capacity that was internalized for some time. She extended her artistic body of work with a visceral 60-page comic book co-created alongside Luis Colindres, a the Chicago-based graphic designer behind the Mass Manipulation album art and who has worked alongside Rezazadeh since her Something Wrong Here days.

REZZ has announced that she will be slowing down her touring in 2018, and despite her previously announced shows at Holy Ship!, Buku Music + Art Project, Bassnectar’s Chicago-based Spring Gathering, and a few other jaunts, it’s likely that she’ll be laying off on the more direct hypnotism of the masses. Still, even with a reduced schedule on the road, there are no doubts REZZ will continue her momentum into superstardom.

Grace Fleisher


Virtual Self


Porter Robinson‘s ability to reinvent himself at will is a testament to his storied success within the electronic music sphere. In addition to performing stellar solo DJ sets at festivals around the world, the mercurial producer moved into the year by embarking on the Shelter world tour with Madeon, which spanned North America before a few extraordinary dates in London, Amsterdam, Paris, Tokyo, Brisbane, Sydney, and Melbourne. The duo concluded the immersive tour with two back-to-back performances at Coachella, occupying the coveted sundown slot before Lorde and Kendrick Lamar. The Shelter tour’s impact on electronic music created waves, and was solidified as one of the most memorable live performances in EDM’s nascent history.

In the wake of the gargantuan Shelter tour, Robinson forsook his expansive, outwardly turned production and, not for the first time turned a 180, experimenting with a more introspective sound that birthed his alter ego Virtual Self. On the eponymous debut EP, Robinson created a unique sonic landscape in which computer era — the EP would fit perfectly as a soundtrack for video game from the 90s — is used as a basis to explore motifs and existential despair that establish an otherworldly narrative. Virtual Self utilizes psytrance, deep house, and computer-futura influences in order to evoke emotional purgation in the listener. Everything from the mysterious marketing behind the project to its expansive live debut is an off-kilter dive into the unknown.

Porter Robinson’s dive into the virtual abyss known as Virtual Self is one of the most audacious efforts for one of electronic music’s biggest stars recent years, and becomes even more audacious when one remembers that fans had been clamoring for new music from the producer since the release of his seminal LP, WorldsIt’s a testament to Robinson’s prodigious talent that by utterly subverting his fans’ expectations that he managed to give them exactly what they wanted.

John Flynn




The years 2016 and 2017 have functioned synergically for Daniel Goldstein, the Anjunadeep prodigy and Pete Tong-distinguished Future Star who goes by the moniker Lane 8. 2016 would serve as the foundation for a major shift for the Denver-based artist as he established This Never Happened imprint, the label’s foundation followed by the concert series of the same name that derived its immersive nature from its restriction of cell phone use during performances.

Initially met with curiosity and, later, engrossment, the sell-out success of the This Never Happened initiative led Goldstein to extend the tour’s run into a brief summer session that visited Colorado, San Francisco, and New York City from July to September of 2017. Lane 8 effectively bridged the disconnect between listener and live performance in his removal of the cell phone screen from the interpersonal equation, re-engaging audiences, and re-personalizing the live experience.

Amassing a following over the years, listeners enthralled by Lane 8’s Anjunadeep and Suara releases, Lane 8’s conception of the This Never Happened imprint in 2016 would foreshadow the artist’s embracement of an increased independence in 2017, as Lane 8 went out on his own and announced his sophomore album Little By Little, due out Jan. 19 on his label. Concurrently, Lane 8 unveiled the impending album’s accompanying 35-date Little By Little World Tour.

Lane 8’s aural tones, complex choral progressions, and all around intricately produced releases rode an effervescent wave in 2017 that seems to be situated in the realm of the ever rising, the producer’s seasonal mixtapes and ensuing singles — think “Atlas” and “No Captain” — reflective of a continually maturing style that achieves peak after sonically pearlescent peak without plunging. 2017 surfaced as a sort of artistic Bildungsroman year for Lane 8 — one that had the whole world enthralled.

Rachel Narozniak


calvin harris 2017 42 west


Calvin Harris‘ status as one of electronic and pop music’s most gargantuan auteurs is undeniable. Whether it be a headlining performance at Coachella or his massive Las Vegas residency, the Calvin Harris brand has become synonymous with the hedonistic adventures of clubbing.

Wildly enough, however, Harris’ fifth studio album, Funk Wav Bounces Vol. 1marked a turnstile departure from the big room atmosphere that popularized him in the first place. If albums 18 Months and Motion were forthright efforts encompassing an expansive, festival prepped soundscape, Funk Wav Bounces Vol. 1 acted as their virtuosic counterpart.

Harris’ status as an EDM legend certainly helped him in securing features from some of contemporary musics heavy hitters including storied R&B darling Frank Ocean, contemporary hip-hop hit makers Quavo and Offset of Migos, Pharrell Williams, Ariana Grande, Future, and Khalid, to name a few. The album encompassed a forward-thinking landscape of sonic textures, ultimately serving as a beaming playlist in which Harris is the producer and curator. With an unquestionable legacy as a maestro just as capable in the club as in the arena and on the main stage, Harris’ side journey into sunny, funk-influenced territory marked a an unexpected, bold artistic evolution — one that will certainly pay dividends for his long-term contextualization as a producer.

– John Flynn





In the deepest, darkest, most clandestine corners of the electronic music continuum, Andre Haglund, aka Drezo, can be found in front of bewitched crowds with his self-proclaimed “evil downtempo.” Known for his disdain towards genre-assignment, the 26-year-old wielded his visionary, malevolent soundscapes in 2017 as a cudgel to rid the scene of its often formulaic, drop-obsessed predictability. After dropping out of college to pursue DJing, and eventually production, the “Drowning Pool” remixer caught the fateful ear of Dillon Francis’ alter ego/arch-nemesis DJ Hanzel, later linking up to go one deeper on a remix of Francis’ “Need You.”

In just three tracks, Drezo’s long-awaited Jaded EP, released mid-2017, enraptured the ears and blackened the hearts of even the most unsuspecting listeners. Seamlessly weaving electro, house, and techno through the tainted fabric of the nefariously sampled EP, the result is a rich and driving milestone in Drezo’s still incipient career.

To add to his already impressive release history in aligning himself with industry favorites like Mad Decent and OWSLA, this year Drezo was also featured on some of dance music’s hottest radio shows like Triple J Mix Up and BBC Radio 1’s Diplo & Friends, wherein listeners got a heady sampling of Jaded.

Looking ahead, the “Heaven” producer has announced his nationwide Evil Live tour, set to commence in early 2018. Additionally, Drezo and known like-minded comrade REZZ, have both recently hinted on social media about future collaborative work. According to Drezo, “The future is bright, but the music is dark.” After an incredible 2017, one would be hard-pressed to disagree.

Bella Bagshaw





Shigeto stands as something of a an outlier as far as 2017’s top producers go. His tracks aren’t going to set records for most streams and it’s unlikely he’ll play the mainstages of the world’s premier festivals. It’s the release of his first new album in four years and his work building a community in his home base of Detroit, though, that makes the Ghostly International artist a deserving addition to the list.

The aforementioned album, The New Monday, is a triumphant, yet restrained, return to form for the producer. Much like 2013’s No Better Time Than Nowthe new LP sees Shigeto reservedly flex his chops across nine tracks. It also marked a homecoming for the artist, as Shigeto returned to Detroit after a multi-year sojourn in Brooklyn where his career took off. Unsurprisingly, the record takes a multifaceted approach that matches Motown’s diverse musical history. Shigeto flirts with genres as wide ranging as trip hop, techno, acid, and house and imbues them with his signature style — a combination of clever production flourishes and dipped in elements of jazz that recall his early career as a drummer. Though only nine tracks long, The New Monday is full without being forced, as the producer opts for compositions with long run times. with the shortest clocking in at just under three minutes while the longest, a heartfelt ode to his city and the album’s opener, “Detroit Pt. II” has a run time of nearly seven and a half minutes. This combination of tracks combine for an LP that is equally at home on the dancefloor or spinning on a record player on a languid summer day in Michigan.

Beyond the new album, though, Shigeto has taken things a step further in Detroit. He’s recently launched his own label, Portage Garage Sounds, that serves as a creative outlet for the city’s local musicians and also launched a free, weekly showcase at Motor City Wine dubbed Monday is the New Monday — the inspiration for his album’s title. Beyond his immense musicianship, it’s this focus and drive to foster a creative and supportive community in Detroit that makes Shigeto an exemplar of what an artist can accomplish, both in the studio and out in the world, in 2017.

Michael Cooper






Though he’s been steadily making a name for himself over the past few years, Ekali became a dance music household name in 2017.

The Canadian producer kicked off the year with a massive collaboration with KRANE just nine days into 2017 and has been gathering momentum since then.

He toured constantly throughout the year, but never slowed down his flow of fresh releases. With each new release comes an entirely new sound from the producer, as he refuses to shy away from challenges like taking on Porter Robinson’s “Language” with QUIX. His production invigorates — it effortlessly combines relatable elements of today’s mainstream electronic music with his own haunting, delicately crafted style.

His collaborations in 2017 have been massive, teaming up with the likes of TroyBoi for “Truth,” Denzel Curry for tour namesake “Babylon,” Opia for “Past Life,” and many more.

As he flexed his production skills throughout the year, Ekali also shone on a wide range of mixes in 2017, including three hour-long Awakening mixes, a Diplo & Friends mix, and a Triple J mix – all packed full of his favorite music at the time.

Instead of following trends, Ekali has been a trailblazer under Skrillex’s OWSLA imprint, creating a loyal and enthusiastic fan base that sold out many of his Babylon tour stops up until the end of December.

Just a few days before 2017 came to a close, Ekali further cemented his power status by releasing a huge collaboration with ZHU, “Blame,” which marries their styles in a powerfully unexpected way.

In a tweet posted on Jan. 3, the producer called 2017 “the best year of [his] life,” and says he’s ready to “give you an even better 2018.”

We can’t wait.

Robyn Dexter


Read More: 

DA Presents: 15 artists that rocked the underground in 2017

Dancing Astronaut proudly presents the 2017 Label of the Year

Lane 8 stuns in new single ahead of upcoming album, ‘Little By Little’

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Lane 8 has tapped the Manchester musician-producer JF July for “Coming Back To You,” a new single from his forthcoming album,  Little By Little. 

“Coming Back To You” is the latest endeavor on Daniel Goldstein’s sonically-evocative, upcoming aural odyssey. The track’s an archetypal presentation of Lane 8’s stylistic decorum and a pleasing marriage of electronica and deep house. It employs a galvanizing melody and texturized vocal sampling. “Coming Back To You” follows “Atlas” and “No Captain” and hints that Goldstein’s album will be his most expanse aural journey to date.

Lane 8’s sophomore album, Little By Little, is out January 19, on his own imprint, This Never Happened.

Read More:

Lane 8 compiles electrifying ‘2017 Winter Mixtape’

Lane 8 releases ‘Atlas’ rework from upcoming sophomore album [MUST WATCH]

Lane 8 charts a stunning aural adventure in ‘Atlas’




SoCal to Ring in 2018 with Massive Shows

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Are you a Southern California resident or will you find yourself under its sunny skies this New Years weekend? Are you a fan of EDM (which we hope you are since you’re on our site)? Are you still asking yourself where you will be when the clock strikes midnight? If your answer was ‘yes’ to

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Lane 8 compiles electrifying ‘2017 Winter Mixtape’

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Lane 8 has released his winter 2017 installment of his seasonal mixtape series, enlivening even the frigid winter wind itself. The long-time Anjunadeep jewel has recently been releasing music via his own This Never Happened label, which made its debut with his own arresting deep house track “Fingerprint” just last year. With his impending Little By Little album set for release in January of 2018, the cult-like following Lane 8 has garnered over the past several years should expect to be soothed and grooved, if his recent releases, like “Atlas,” are any indication.

There is an air of overcoming and omnipotence running through this winter mixtape, urging the listener to not fall victim to the often immobilizing cold and ensuing complacence characteristic of the season. Lane 8 uses the two and a half hours to showcase some of his new music, and let the listener grow a bit more familiar with his wide-reaching tastes, implementing a house edit of Led Zeppelin‘s “Going Back to California.” The mix illuminates Lane 8’s unparalleled emblem of pensive, ethereal deep house/electronica, while also proving that he is one of the only men alive who can make a banjo sound atmospheric.

Read More: 

Lane 8 releases Atlas rework from upcoming sophomore album [MUST WATCH]

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Lane 8 announces tour dates, releases new single off forthcoming album, ‘Little By Little’