Last September, UK production duo Mount Kimbie released their new album Love What Survives, their first since 2013’s Cold Spring Fault Less Youth. The album featured guests who’ve been at the forefront of the British music scene this decade, including James Blake on “We Go Home Together” and King Krule on “Blue … More »
Gathering our favorite albums of the year is always such a challenge. 2017 was a year where our society may have taken a few steps backwards – exclusionary politics threatened personal freedoms and made some of us feel unwelcome within our own homes. It was 2017’s music – a combination of bright newcomers and longtime favorites – that kept us going forward. Moses Sumney made his eclectic debut with Aromanticism, a genre-defying collection of strummed guitars, twisting synth lines and buzzing harmonies. St. Vincent reworked her labyrinthine tendencies into chrome-clad future pop and Julien Baker exposed the darkest shadows of her psyche to give us all appreciation for every beam of light. Meanwhile, Kendrick Lamar and Bjork invited us into their unique and awe-inspiring worlds.
And though this pursuit was a challenge, looking back on this year’s music has been quite therapeutic for us. The Wild Honey Pie has come together to list the albums that allowed us to escape to places where each one of us felt welcome and understood. There’s no theme to this year’s list, but our top albums do have one thing in common: in their own special way, each of these artists broke down boundaries to remind us that we are all more similar than we might think.
We’d like to invite you into some of these places, where we hope you’ll feel welcome, too. These are our favorite albums of 2017.
30. (Sandy) Alex G – Rocket
29. Tyler, The Creator – Flower Boy
28. Jessie Ware – Glasshouse
27. Priests – Nothing Feels Natural
26. Jay Som – Everybody Works
25. Ryan Adams – Prisoner
24. Perfume Genius – No Shape
23. Slowdive – Slowdive
22. King Krule – The OOZ
21. Sylvan Esso – What Now
20. LCD Soundsystem – American Dream
19. Julie Byrne – Not Even Happiness
18. Vagabon – Infinite Worlds
17. Vince Staples – Big Fish Theory
16. Henry Jamison – The Wilds
15. Fleet Foxes – Crack-Up
14. HAIM – Something To Tell You
13. alt-J – Relaxer
12. SZA – Ctrl
11. Cigarettes After Sex – Cigarettes After Sex
10. Mount Eerie – A Crow Looked at Me
Phil Elverum of Mount Eerie recently lost his wife, fellow musician and comic-book artist Geneviève Castrée, to a heartbreaking battle with cancer. This concept album is dedicated to her, and does not shy away from painful details of their story. A Crow Looked at Me is not just about the way sickness and death infiltrate life, but it is an exploration of what it means to carry on. Elverum says, “there is an echo of Geneviève that still rings, a reminder of the love and infinity beneath all of this obliteration.” This album so beautifully captures that echo.
9. Overcoats – YOUNG
Young is a folk-pop testament to friendship, built from the tightly wound voices of Hana and JJ, and fortified in their dancy and electronic production. This album is about what happens when an unhealthy relationship slowly eats away at who you are. Hana and JJ show us that in friendship and harmony, we can find ourselves again and help to build each other back up. Watching these two grow has been an honor for us, whether they were performing in front of a campfire at our very own Welcome Campers or embracing each other on stage in front of a sold-out audience at Bowery Ballroom.
8. Kendrick Lamar – DAMN.
Kendrick Lamar’s DAMN. is a statement piece — an effort that not only showcases the rapper’s immense talent for spitting rhymes that tackle complex social issues, but one that also sets aside Lamar from his contemporaries as a brave voice never lacking honesty in its approach. DAMN. is as bombastic as lead single “HUMBLE.”, as tightly coiled and cutting in meaning as standout track “DNA.” and as expansive as its collaborations with Rihanna, Zacari and U2 might suggest. DAMN. is a much-needed, explosive force, as conspicuous and unabashed as the caps lock and requisite punctuation of its title.
7. Julien Baker – Turn Out the Lights
This album by Julien Baker is a special one. Baker so candidly shares stories of addiction and what it means to be truly consumed in darkness. However, as she brings us into this place, she infuses it with beauty and grace, delivering so many chilling moments of release. She does not sugar-coat the repeated moments of pain and disappointment, but she does find hope within them, belting out her words so powerfully as if they themselves contain the source of the light (and maybe they do). This album has meant so much to us and I’m sure it has to so many others as well.
6. St. Vincent – MASSEDUCTION
Prefaced by the gently ridged heartbreak and teetering chords of “New York,” St. Vincent’s fifth studio album served as a concentrated break into pop music. Masseduction is a rollercoaster filled with twists and turns that allow Annie Clark to extend her repertoire — slipping into the role of abandoned lover, disco queen, enabler – all without sacrificing her love for rougher edges. Behind the iron-clad pop hooks lies an album full of complex emotional and social machinery, where Clark can convincingly rouse adrenaline-driven love, or evaporate the shadow of a lover between the swelling of a string orchestra and her own breath.
5. Lorde – Melodrama
If any moment captures the tender heartbreak behind Melodrama best, it’s the exact midpoint of the album, where, in the midst of the outro to the first part of “Hard Feelings/Loveless,” the song kicks back into one last verse. “Three years loved you every single day, it made me weak…Now I’ll fake it every single day ‘till I don’t need fantasy, ‘til I feel you leave,” Lorde sings, as memories of the rush of first love well up involuntarily. Melodrama is about accepting these pieces as they come back to you, even when doing so is so difficult. The album serves as a beautifully constructed, often pained reminder that even after momentous loss, you are still whole.
4. Bjork – Utopia
It’s no surprise that Bjork made this list, as her innovation has essentially changed music forever. But what does “utopia” sound like for Bjork? This is an album of love songs, a romantic journal containing flutes, choirs and birds that elevate us beyond the reality that we know. She sings of paradise after healing, giving and receiving love unabashedly. She feels lighter here, which is reflected in the airy instrumentals. Bjork sings, “loss of love, we all have suffered / how we make up for it defines who we, who we are” a realization that seems to be the centerpiece of Utopia.
3. Phoebe Bridgers – Stranger In The Alps
Phoebe Bridgers is one of our favorite new artists of the year. Every song on this album feels like a late-night conversation with a trusted friend. Bridgers drops us directly into her world, tackling feelings of unexplainable sadness, friendship and death. Bridgers has a true gift for finding the right words and remaining brutally honest, transforming the mundane into the alluring, making a “stack of mail and a tall can” sound so profound. This album contains echoes of intimacy and morbidity, reminiscent of her emo/folk predecessors Elliot Smith and tourmate/collaborator Conor Oberst. Ultimately, this is an album that we have found so soothing, so inescapably truthful and so reflective of the times.
2. Moses Sumney – Aromanticism
This debut LP from Moses Sumney stretches wide across space and time. Sumney transcends genre in Aromanticism, weaving together ambient synths, acoustic guitars and soulful melodies. The songs on this album take on many different forms – some just a few sentences spoken above a horn section and some with no lyrics at all, just winding melodies cradled in Sumney’s silky voice. Contrary to many of the albums on this list, this one is not about love but rather the lack thereof. Sumney writes in pure poetry about the relationship to the body and its role in romance and identity. He turns the body to liquid and wings to plastic, disassembling it until it becomes clear that we cannot be defined by our bodies, nor can we be defined by our relationships or our past. Aromanticism may be showing us that we are not meant to be defined at all, but rather, we are just meant to be.
1. Big Thief – Capacity
We chose Capacity as our number 1 album of the year because it is the one we’ve had on repeat since it came out, and it has personally meant the most to us this year. Big Thief continues to amaze us, whether it is the tactful and imagistic storytelling of Adrianne Lenker or the pure magic they create on stage, this band is truly hypnotizing, and Capacity is an excellent portrait of their strengths. I remember the first time I heard the lyrics “there are no enemies / we’re make-believing everything” from the title track. Capacity is a storybook containing several of these wisdom-filled moments. This record is imaginative, emotional and timeless, and we hold it very close to our hearts here at The Wild Honey Pie.
Archy Marshall, bka King Krule, has launched a fashion line. The collection is available at Babylon LA in Hollywood, and it first went on sale yesterday afternoon. Judging by the store’s Instagram and a preview on Dazed, the collection is mostly (if not entirely) made up of T-shirts and baseball caps. Check out … More »
King Krule released the drizzly, atmospheric album The Ooz last month. It’s not the sort of album that you might imagine would lead to invitations to play late-night talk shows. But we’re living in weird times, and last night, King Krule did musical-guest duties on Conan. Archy Marshall, who appeared to be wearing gold … More »
Back in 2013, we were first introduced to Archy Marshall’s idiosyncratic project King Krule, a bizarre and druggy mix of hip-hop, punk, jazz, and trip-hop-leaning electronics. That debut, 6 Feet Beneath The Moon, immediately showed Marshall to have a very unique musical sensibility, and it won him both wide acclaim and a fervent fan base. More »
Next week, the London enigma King Krule will return to gift with the new album The Ooz. And after sharing the early singles “Czech One” and “Dum Surfer,” he’s now dropped the new track “Half Man Half Shark.” It’s a cryptic, gravelly junkyard groove that reminds me of something that a young … More »
Archy Marshall, owner of a voice that would make gravel itself weep, has unveiled his latest album as King Krule. Weighing in at a hefty 19 tracks, The OOZ is out October 13 via True Panther Sounds in North America and XL Recordings in Europe, and will be the first King Krule album since 2013’s Six Feet Beneath the Moon.
If that weren’t king-kool enough, the announcement of The OOZ comes to us accompanied by a video for a great cut off the album, “Dum Surfer.” In the 2Spooky4U clip, Marshall rolls on a gurney right into a gig at an off-brand Twin Peaks Roadhouse. There, he and his band of undead ghouls rock and/or roll through “Dum Surfer” for a bunch of unsavory and sweaty-looking characters (I didn’t see James and Freddy anywhere, but the Fireman might’ve been diggin’ on it in the back?)…Idk, music videos are weird, right? I’m sure it’s all a really compelling metaphor when you sit down and think about it. Whatever, like I said, the song is great!
Don’t take my word for it though. Watch the video for “Dum Surfer” down below, and find out the secret of The OOZ for yourself when the album comes out on October 13. You can pre-order and pre-save (“pre-saving” is apparently a thing now) the album here.
The OOZ tracklisting:
01. Biscuit Town
02. The Locomotive
03. Dum Surfer
04. Slush Puppy
05. Bermondsey Bosom (Left)
08. Lonely Blue
09. Cadet Limbo
10. Emergency Blimp
11. Czech One
12. (A Slide In) New Drugs
14. Bermondsey Bosom (Right)
15. Half Man Half Shark
16. The Cadet Leaps
17. The Ooz
18. Midnight 01(Deep Sea Diver)
19. La Lune
Last month, Archy Marshall put out “Czech One,” the first proper song under his King Krule moniker since 6 Feet Beneath The Moon, his 2013 debut under that name. That song is included on a 7″ that’s coming out next week, and it turns out it’s also the preface to a new King … More »
Do you remember the last time you were excited about a piece of mail? I have vague memories of being a kid and having the expectation that something cool could show up, but email and social media became commonplace by the time I was a teenager. I never really did the whole letters thing, but … More »
King Krule debuted a couple of new songs on Mount Kimbie’s radio show in April, and during his set at Barcelona’s Primavera Sound festival yesterday, he debuted a few more. Before playing one of them, “The Locomotive,” Archy Marshall announced that it will be on his next LP. Watch him perform all four new … More »