SYN transports listeners to another universe in ‘Abduction’

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SYN transports listeners to another universe in ‘Abduction’Abduction Syn

Electronic music seems to breed an endless sea of anonymous producers, and there is a new one on the scene in the form of SYN. The producer popped up about seven months ago, and has since released remixes for Kill the Noise, Slipknot, along with a few originals. The latest addition to the artist’s original collection is titled “Abduction.” The dubstep tune melts into an intense psy-trance culmination, engulfing the listener in a hectic and otherworldly sonic experience. The producer has labled the track as “new rave,” and with its all-encompassing energy and biting wubs, the classification seems to hit the nail on the head.

SYN’s social media posts are all in first person, so we can deduce that the producer is a single person as opposed to a group, but little is known otherwise about the up-and-coming act.

Kill The Noise completely transforms ‘Only Want U’ into a multiflavored new remix

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Kill The Noise completely transforms ‘Only Want U’ into a multiflavored new remixKill The Noise

Only those who have listened to Snails, NGHTMRE, and Akylla’s original rendition of “Only Want U” numerous times would be able to identify the similarities in Kill The Noise‘s surprising remix of the track.

The introduction opens with an Afroman level of funk infusion, and melts into slightly cunning vocal edits not featured in the original. Those familiar with Kill The Noise’s previous productions might feel a bit surprised after the first minute of the track given its calmer nature, but this surprise soon becomes familiarity once the track drops into a cacaphony of shrill synthesis and heavy dubstep rhythms. Luckily, a moment of respite follows at the end, when the remix drifts slowly off into a field of bass breaks. Such a wide range of influences and styles in three minutes makes for quite the captivating listen, but those who love the original should not go into listening to the remix looking for similarities between the two.

Photo Credit: BBC

SLANDER & Tucker Kreway Release New Remix of Kill the Noise’s “Jump Ya Body”

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For the last month, DJ duo, SLANDER, has been releasing back to back tracks that everyone has surely enjoyed. This week, the duo released a new remix of the Kill the Noise’s “Jump Ya Body” with DJ-producer Tucker Kreway. These talented producers have created a blood curling remix that will have you headbanging uncontrollably. When

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SLANDER teams up with up-and-comer Tucker Kreway for remix of Kill The Noise’s ‘Jump Ya Body’

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SLANDER teams up with up-and-comer Tucker Kreway for remix of Kill The Noise’s ‘Jump Ya Body’Slander Jump Ya Body

SLANDER has teamed up with Canadian up and comer Tucker Kreway to put a new spin on Kill The Noise‘s “Jump Ya Body,” featuring Mercedes. The remix has a substantially increased BPM compared to the original, and the producers bring the bassline to the forefront of the track. SLANDER and Kreway’s rendition gives dubstep fans something to love.

SLANDER spoke about why they chose to remix this specific track in an official release.

Kill The Noise has always been a huge influence of ours over the years! After doing our remix for his album back in 2016 we knew we had to do another one sometime in the future and we felt ‘Jump Ya Body’ was the perfect song to update and put our spin on!” — SLANDER

Rumors have been circulating the SLANDER will be embarking on a tour, but this has yet to be confirmed. Those who like the remix can download the track for free here, and fans can keep their fingers crossed that they will be able to see the duo perform it live on tour soon.

Snails and Kill The Noise team up with Sullivan King and Jonah Kay for new heavy metal bass track, “Shake The Ground”

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Snails and Kill The Noise team up with Sullivan King and Jonah Kay for new heavy metal bass track, “Shake The Ground”DA WM 45

Snails has teamed up with Kill The Noise, affectionately self-dubbed Kill The Snails, to create a heavy-handed metal/dubstep hybrid featuring Sullivan King and Jonah Kay. The new face melter, titled “Shake The Ground” finds Snails and Kill The Noise in the booth together ahead of their slated back-to-back performance at HARD Summer in August. Enlisting his OWSLA veteran contemporary on the new collaboration, Snails is officially launching his newly announced record label Slugz Music with his latest.

The track’s piercing, screaming vocals rattle over a pulsing bass backdrop. Screaming vocals pierce the listener to their core, and compliment the pulsing backdrop. “Shake The Ground” is exactly the type of assaulting output one would image would come from one of dubstep’s most venerated forces linking with bass music’s current reigning heavyweight. On the new release, Snails explains,

“We wanted to try something new and different on this one and bring our metal and rock n’ roll roots into the song. The energy of the crowds when we drop this song at festivals is what makes it all worth it. Really, really proud of this one!”

Snails Unveils New Label with the release of ‘Shake the Ground’

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You’ve probably heard this Earth-shattering banger before —its been thrown around in mixes and live sets for the past few months. But now, it’s finally here. ‘Shake the Ground’ is the epic brain child of bass music maniacs Sullivan King, Snails and Kill The Noise. The trio are joined by metal enthusiast Jonah Kay to

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Snails Begins His Very Own Record Label

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News has recently surfaced that Dubstep DJ, Snails, has begun his very own record label titled, Slugz Music. The label is set to release it’s very first track on June 27th. “Shake the Ground” was created by the very own, Snails, along with artists Kill the Noize and Sullivan King. This is a collaboration that

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Seven Lions, Kill The Noise, Tritonal, & Haliene combine for the stunning ‘Horizon’

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Seven LionsKill The NoiseTritonal, and HALIENE just released an instant classic, “Horizon.” The track, which has made appearances all of the artist’s live sets for months now, is a beautifully anthemic ballad with all the twists and turns of an emotional rollercoaster ride.

A cinematic and hypnotic opening draws listeners immediately in, buttressed with HALIENE’s angelic vocals and deep lyrics. The first drop leads into a beautifully blended whirlwind of synths and swirling melodies coming together in perfect pandemonium. At the song’s second drop, one is taken into a fantastically different direction with a wonky and wonderful display of half-time bass, along with glittering video game synths and arpeggiated chords that are akin to a Porter Robinson track.

Finally, “Horizons” takes a precipitous turn toward DnB-imbued terrain with an impressive finale design that explores speedier tempos and brisk drum work. The track is illuminating, incredibly dynamic, and yet cleanly packaged into a carefully designed masterpiece that is sure to ignite dance floors and festival main stages for years to come. Fans will assuredly be witnessing the song’s magical energy from Seven Lions, Kill The Noise, and HALIENE at EDC Las Vegas this weekend.

Seven Lions, Kill The Noise and, Tritonal Release A True Masterpiece – ‘Horizon’

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Seven Lions is known for his fearless attitude when it comes to production. Any given single could be anything from all-out bass to a euphoric and melodic emotional ride. That is what makes both his songs and live sets so incredibly fun – you just never know what you are gonna get. In his latest

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Seven Lions Launched Chronicles Chapter 1 With Great Success

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Seven Lions has been sculpting his brand for years. It has been one of my greatest pleasures in life to watch Jeff Montalvo grow from a basement dj, back in 2012, to hosting his own event; a sold-out Chronicles Chapter 1 at the WaMu Theatre in Seattle this past weekend. I have been to more

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