Kill The Noise Leaves Fans Ravenous With Torturous Tease Of His Remix Of Skrillex’s ‘Ruffneck’

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Well, it appears like Kill The Noise is participating in No Nut November as he just left thousands will some serious blue balls. When it comes to barrier-breaking sound design in the world of bass music, Kill The Noise can be considered one of the top dogs. Today, on his Instagram story, Kill The Noise

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DA Presents: ’30 Days of Fright’ featuring REZZ, Gesaffelstein, Noisia, Drezo, and more [Playlist]

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DA Presents: ’30 Days of Fright’ featuring REZZ, Gesaffelstein, Noisia, Drezo, and more [Playlist]SPOOKS PLAYLIST 1

Grab a mask, slam back some candy corn, and get primed to get spooky: it’s October and officially witching season. Electronic music fanatics might be creatures of the night all year round, but there’s something so undeniably righteous about the Halloween season that makes the rapturous roar of dance music even more spellbinding. Whether in the form of diabolic dubstep or demonically deviant techno, the advent of electronic music has given the world some of its most truly terrifying tunes. In that vein, the Dancing Astronaut terror squad is proud to present 30 Days of Fright, our most dastardly dance music favorites for the spookiest month of the year.

By Asher Norris and Bella Bagshaw 


Surrender your consciousness and step inside REZZ‘s world of swirling asphyxia with “Relax.”

Feel your blood begin to bubble and your pulse hectically hasten as BlackGummy and Brooks’s “Neverdeader” breathes a bit of electronic hellfire.

Stream if you dare, as this flame-throwing dubstep track from Kill The Noise, “Black Magic,” will leave your eardrums scorched, but entirely satiated.

Zeds Dead offers up the score for entertainment of the entirely un-dead variety with their timelessly terrifying, “Demons.”

Careful – Megan James’s delectably delicate voice may seem perfectly benevolent, but make no mistake: lofty pipes like hers are witchy by nature.

ZHU plays maestro for all things that boogie and bump in the night with “Nightcrawler.”

Taste the psychedelic strangeness of An-Ten-Nae and Alice D.’s “Raindrops On Roses,” and fall into their preternatural purgatory.

Ever wanted to dance with the devil himself? Habstrakt‘s harrowing house track, “She Goes,” is an opportunity to do just that.

Zomboy invites you to venture through his dubstep-riddled zombie apocalypse with “Ressurected.”

Crowned prince of menacing sound design, Drezo sprinkles a ghastly vocal cut and some unearthly growls in one of his most downright evil releases, “Dead.”

Ivy Lab puts a wickedly delicious spin on an already-crazed Noisia classic, “Tentacles.”

Bask in the eerie ecstasy of Eekkoo and Forrest’s pulsating house production, “Preach.”

NERO solidifies their title as masters of destruction and drum ‘n’ bass with “Doomsday.”

Slithering and psychotic, Noisia’s “Lilith’s Club” will summon spooky sentiments from listeners across the board.

Catch a case of the techno scaries with Gesaffelstein‘s devilishly danceable “Viol.”

Magic Sword wields triumphant electrowave, “In The Face Of Evil,” to fend off even the most nefarious of forces in the days leading up to this All Hallow’s Eve.

Phantogram‘s off-kilter ambiance from “Funeral Pyre,” is the ideal supernatural soundscape, topped with seductive static and levitation-inducing guitar chords.

An undoubtedly foreseen, but fundamental addition to the list, deadmau5‘s “Ghosts ‘n’ Stuff” keeps the freaky, phantasmic fun flying all season long.


Float through the ectoplasm of The Upside Down with this exquisitely melodic synthwave track direct from the second Stranger Things soundtrack.

We’re not really sure what Moody Good is investigating in the malignantly-sampled “This Is The Investigation,” but we’re pretty sure it’s not natural.

Step inside Pryda‘s low-lit techno tunnel and experience the roaring mania of “Rebel XX.”

Those with a predilection for the creepy crawly end of the electronic continuum need only submit themselves to Knife Party‘s iconic “Centipede.”

Street Fever’s winding techno musings inside “Dispose” may be simplistic, but they’ll leave listeners reeling with haunted rejoice.

Feed Me‘s two-headed trap/dubstep hybrid “Pink Lady” will have you seeing phantom strobes well into the afterlife.

It’s virtually impossible to overload on REZZ tracks during any month, but it’s especially tricky this time of year. Her immortal state of “Delusion” thrusts listeners below ground, where the most formidable forces can frolic freely.

Virtual Riot unleashes a bloodcurdling, cinematic ruckus with zombie-apocalypse-themed, “Haunted.”

Names are not at all deceiving as Shadient takes Wavedash and Quest‘s unnervingly vocalized “Devil Music” for ransom.

Coast the un-departed synth-pop streets of Dance With The Dead’s chillingly regal “Nightdrive.”

Spirits loom overhead, as Stephan Bodzin’s “Singularity” permeates shuddersome sounds of uncertainty.

The evil computers of the underworld unite on Knife Party’s riot-conjuring, “Internet Friends.”


There’s too many spooky dance cuts to round up all at once, alas, we’ve got you going with a pretty good start. Keep the spooks in rotation all month long, and don’t forget to mix in “Monster Mash” a few times to get into the spirit of things this season. Stream the full 30 Days of Fright collection below.

Bassnectar, Moby, Kill The Noise, and more observe Voter Registration Day

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Bassnectar, Moby, Kill The Noise, and more observe Voter Registration DayMoby Vote 1

Another National Voter Registration Day has come and gone in the US. This year, a sundry of the electronic circuit’s top-drawer DJs and producers observed the holiday, which falls on the fourth Tuesday of every September, by encouraging their own constituents (listeners) to exercise their right to vote.

With a number of high-stakes US Congressional seats up for grabs this year in the often overlooked mid-term elections, artists like ODESZAMoby, Bassnectar, and Kill The Noise took to Twitter to acknowledge what’s at stake. This year, registering is easier than ever, with not only Google, but social media giants like Facebook, Twitter, and Reddit helping to streamline the process by hosting registration links in various sections of their respective interfaces. So whether you’re a hardcore rail-rider or a laid-back electronica enthusiast, electronic lovers of all shapes and sizes can and should employ their ability to have a say in government.

 

 

 

 

 

 

 

 

 

 

SYN transports listeners to another universe in ‘Abduction’

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SYN transports listeners to another universe in ‘Abduction’Abduction Syn

Electronic music seems to breed an endless sea of anonymous producers, and there is a new one on the scene in the form of SYN. The producer popped up about seven months ago, and has since released remixes for Kill the Noise, Slipknot, along with a few originals. The latest addition to the artist’s original collection is titled “Abduction.” The dubstep tune melts into an intense psy-trance culmination, engulfing the listener in a hectic and otherworldly sonic experience. The producer has labled the track as “new rave,” and with its all-encompassing energy and biting wubs, the classification seems to hit the nail on the head.

SYN’s social media posts are all in first person, so we can deduce that the producer is a single person as opposed to a group, but little is known otherwise about the up-and-coming act.

Kill The Noise completely transforms ‘Only Want U’ into a multiflavored new remix

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Kill The Noise completely transforms ‘Only Want U’ into a multiflavored new remixKill The Noise

Only those who have listened to Snails, NGHTMRE, and Akylla’s original rendition of “Only Want U” numerous times would be able to identify the similarities in Kill The Noise‘s surprising remix of the track.

The introduction opens with an Afroman level of funk infusion, and melts into slightly cunning vocal edits not featured in the original. Those familiar with Kill The Noise’s previous productions might feel a bit surprised after the first minute of the track given its calmer nature, but this surprise soon becomes familiarity once the track drops into a cacaphony of shrill synthesis and heavy dubstep rhythms. Luckily, a moment of respite follows at the end, when the remix drifts slowly off into a field of bass breaks. Such a wide range of influences and styles in three minutes makes for quite the captivating listen, but those who love the original should not go into listening to the remix looking for similarities between the two.

Photo Credit: BBC

SLANDER & Tucker Kreway Release New Remix of Kill the Noise’s “Jump Ya Body”

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For the last month, DJ duo, SLANDER, has been releasing back to back tracks that everyone has surely enjoyed. This week, the duo released a new remix of the Kill the Noise’s “Jump Ya Body” with DJ-producer Tucker Kreway. These talented producers have created a blood curling remix that will have you headbanging uncontrollably. When

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SLANDER teams up with up-and-comer Tucker Kreway for remix of Kill The Noise’s ‘Jump Ya Body’

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SLANDER teams up with up-and-comer Tucker Kreway for remix of Kill The Noise’s ‘Jump Ya Body’Slander Jump Ya Body

SLANDER has teamed up with Canadian up and comer Tucker Kreway to put a new spin on Kill The Noise‘s “Jump Ya Body,” featuring Mercedes. The remix has a substantially increased BPM compared to the original, and the producers bring the bassline to the forefront of the track. SLANDER and Kreway’s rendition gives dubstep fans something to love.

SLANDER spoke about why they chose to remix this specific track in an official release.

Kill The Noise has always been a huge influence of ours over the years! After doing our remix for his album back in 2016 we knew we had to do another one sometime in the future and we felt ‘Jump Ya Body’ was the perfect song to update and put our spin on!” — SLANDER

Rumors have been circulating the SLANDER will be embarking on a tour, but this has yet to be confirmed. Those who like the remix can download the track for free here, and fans can keep their fingers crossed that they will be able to see the duo perform it live on tour soon.

Snails and Kill The Noise team up with Sullivan King and Jonah Kay for new heavy metal bass track, “Shake The Ground”

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Snails and Kill The Noise team up with Sullivan King and Jonah Kay for new heavy metal bass track, “Shake The Ground”DA WM 45

Snails has teamed up with Kill The Noise, affectionately self-dubbed Kill The Snails, to create a heavy-handed metal/dubstep hybrid featuring Sullivan King and Jonah Kay. The new face melter, titled “Shake The Ground” finds Snails and Kill The Noise in the booth together ahead of their slated back-to-back performance at HARD Summer in August. Enlisting his OWSLA veteran contemporary on the new collaboration, Snails is officially launching his newly announced record label Slugz Music with his latest.

The track’s piercing, screaming vocals rattle over a pulsing bass backdrop. Screaming vocals pierce the listener to their core, and compliment the pulsing backdrop. “Shake The Ground” is exactly the type of assaulting output one would image would come from one of dubstep’s most venerated forces linking with bass music’s current reigning heavyweight. On the new release, Snails explains,

“We wanted to try something new and different on this one and bring our metal and rock n’ roll roots into the song. The energy of the crowds when we drop this song at festivals is what makes it all worth it. Really, really proud of this one!”

Snails Unveils New Label with the release of ‘Shake the Ground’

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You’ve probably heard this Earth-shattering banger before —its been thrown around in mixes and live sets for the past few months. But now, it’s finally here. ‘Shake the Ground’ is the epic brain child of bass music maniacs Sullivan King, Snails and Kill The Noise. The trio are joined by metal enthusiast Jonah Kay to

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Snails Begins His Very Own Record Label

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News has recently surfaced that Dubstep DJ, Snails, has begun his very own record label titled, Slugz Music. The label is set to release it’s very first track on June 27th. “Shake the Ground” was created by the very own, Snails, along with artists Kill the Noize and Sullivan King. This is a collaboration that

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