Miami’s Patrick Cybulski—better known by his stage name, k?d—has been touring the globe in 2019, with stops in Germany, China, Spain, and more. While showcasing live talent is important, a strict tour schedule can cause a slight halt on the new music front. However, k?d wanted to give fans something special to finish out the year, and what better way to do so than alluding to his humble beginnings as a sharp remixer?
Three years ago, k?d was dropping SoundCloud remixes of Hayley Kiyoko, GTA, and more, leading to a euphoric, synth-heavy take on Daft Punk‘s beloved “Doin It Right” from their album Random Access Memories. Racking up over three million streams to date, the iconic remix is credited for jump-starting his career, ultimately leading to a “V2” to celebrate his growth.
three years later: DAFT PUNK – DOIN’ IT RIGHT (k?d REMIX V2) OUT NOW!
k?d’s “V2” remix has been a staple in his live sets as of late, so fans must be relieved to see it finally come to light, as the young producer puts a groovier, funk-based take on this one, more in sync with Daft Punk’s original work. However, each climax is a new treat, with some chillwave electronics on the first break and deep craziness on the second.
k?d recently supported deadmau5 on his “Cube V3 Tour” in Minnesota and is expected to release his debut album Cage Script sometime in 2020.
k?d has one last treat for fans before the year runs out. After spending all of 2020 touring around the world including stops in Germany, Italy, Spain, China, Japan, and more, fans have been clamoring for the new edit of his famous Daft Punk remix that he’s been playing out. Daft Punk – ‘Doin’ It
It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.
After months of anticipation, Illenium’s ASCEND LP has finally arrived, bringing with it tunes like “Sad Songs” with Said the Sky and Annika Wells. The Knocks and Whethan have delivered an irresistibly groovy collaboration with Crystal Fighters, “Summer Luv,” and Gorgon City and MK do the same on “There For You.” Diplo and Morgan Wallen reveal “Heartless,” and Madeaux unleashes his Club Demons EP on Fool’s Gold. Don Diablo puts his own spin on David Guetta and Martin Solveig’s “Thing For You,” and Martin Garrix links with Bonn for “Home.” Cristoph puts his signature stamp on CamelPhat and Jake Bugg’s “Be Someone,” and Deorro reveals “Retumba” with MAKJ after premiering it on Dancing Astronaut. Boston Bun flexes his remixing prowess on Leftwing : Kody’s “I Feel It,” and Hardwell returns with “Retrograde.” Flux Pavilion, Next to Neon, and A:M unveil their new collaboration, “Surrender,” and KRANE links with Malika for “Tell Me Why.”
As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.
As the golden EDM years fade further and further into the background, the number of artists maintaining the sensationalized, hyper-synth feel in their music is dwindling. Some might be happy this trend is on its way out. Others might be sad.
Regardless of any individual’s opinion on the inevitable shift, there is something that always rings true when the hype separates from a particular sound: the artists who stick with it do so because they love it, and Kayzo is sticking with it on his new album, Unleashed.
The young producer didn’t hold anything back on his latest LP, adopting various tempos and genres, including flecks of rock—all built on the raw energy that inspired a generation of kids to don neon furries and gauntlets of polychromatic beads. In keeping with the inclusive spirit of EDM, Kayzo tapped various collaborators for every track on the album. Literally. There is not one song without a feature. 1788-L, YULTRON, and k?d are just a few of artists who contributed their equally enthusiastic sound to the album.
Since its inception in 2015, 88Rising has carved out a special place in the music and arts space as the definitive voice of cutting-edge Asian culture and artistry. Championing artists from Rich Brian to Joji, Higher Brothers to Keith Ape, and more, 88Rising broke grounds when it launched the inaugural Head in the Clouds Music & Arts Festival in 2018. Now, the first Asian-centric music festival in the US returns again for its second year in the running, equipped with two times the capacity and talent.
Head in the Clouds 2019 will feature performances from 88Rising’s roster including Joji, Higher Brothers, NIKI, Rich Brian, August 08, and Dumbfoundead, as well as international acts like Jackson Wang, iKON, and DPR Live. This year’s edition of the event also welcomes an all-new stage dedicated to electronic music—hosting k?d, josh pan, Manila Killa, Y2K, Qrion, and more. Popular Asia-inspired night market 626 Market will curate food options on-site as well.
The single day, all ages event takes place August 17 in Los Angeles, California at the Los Angeles State Historic Park.
General admission tickets are available for purchase here. See the full lineup below.
Continuing it’s meteoric rise as a globally respected movement championing Asian culture and artistry, 88Rising is proud to reveal the full, diversified lineup for the second annual Head in the Clouds Festival taking place on August 17th. Sticking with their ethos, 88Rising’s HITC aims to give the representation for Asian music that isn’t seen on
Another installment of New Orleans festival Voodoo has officially arrived, bringing 65-plus acts across diverse genres together for one jam-packed Halloween weekend. Taking place in New Orleans’ City Park on the Festival Grounds during weekend of October 25-27, the music and arts experience has attracted more than 2000 artists to play since its 1999 debut. Voodoo’s programming traditionally focused on rock and punk artists, having hosted Marilyn Manson, Red Hot Chili Peppers, Pearl Jam, Metallica, Duran Duran, Nine Inch Nails—to name a few. However, over the past years Voodoo Fest has notably expanded their roster to an eclectic curation of genres; electronic has undeniably crept in as a prominent one.
The two-day Moonrise Festival at Baltimore’s Pimlico Race Course will return for its sixth installment Aug. 10-11 with a wave of diversity in its lineup.
Streaming services are breaching new territory on the genre side of things, with viral charts becoming largely saturated by hip-hop acts. This festival season is starting to reflect these changes, with a prime example in Moonrise Festival. The genre-led ripple effect brings rappers 21 Savage and Smokepurpp, among others, to a largely electronic-based lineup at the race track’s infield.
Sweater Beats checked off the bucket list in performing a recent DJ set at Emo Nite in Los Angeles. The Big Beat Records signee indicated in a Facebook post that he started his music career by playing for pop-punk/emo bands in high school. In the same post from February, fans get a Sum 41 beat flip, kicking off a wave of nostalgia for the LA-based producer.
Now, he’s perfectly blended humble beginnings with his current status as an electronic artist with this 33-minute mix from Emo Nite in LA. In addition to some familiar remixes, the mix is stacked with flipped classics and mashups by the producer himself, all representing the pop-punk/emo era of the ’90s and early ’00s. Listeners will hear edits of “Swing Swing Swing” by The All-American Rejects, Yellowcard’s “Ocean Avenue,” a Smashing Pumpkins joint “smashed” with a k?d drop, Fall Out Boy‘s “Sugar We’re Going Down,” and more.
In the mix’s description, the artist said he “got to live out a dream” by playing at Emo Nite. “I spent a lot of time finding/making acapellas for a lot of my fav emo & pop-punk songs so I could make custom remixes and edits,” he notes in the description. “The set was probably the most honest set I’ve ever played, a real mixture of my luv for emo & electronic music.”
Though hardstyle music does not cross paths with the American dance music scene too frequently, k?d may be trying to change that. Taking on the classic hardstyle anthem, “HAHAHA” by SMF, k?d has put his mid-tempo spin on the track to make a truly unique offering.
Slowing hardstyle’s unrelenting bounce down a few notches, k?d pulls in comical vocals from the original, surrounding them with clean synths and an energetic build, before dropping into hard hitting groove that would make even REZZ blush. Paying homage to SMF’s track, k?d laces the breakdown with their iconic melody before doubling down on a truly devious finale for the song. It seems hardstyle fits quite well in a pitched-down format, when edited with the expertise that k?d brings to the table.