Lunar Lunes: Dr. Fresch remixes The Bloody Beetroots, Fox Stevenson reveals ‘Cavalier’ + more

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Lunar Lunes: Dr. Fresch remixes The Bloody Beetroots, Fox Stevenson reveals ‘Cavalier’ + more5E3A9046 Edit Edit 2 1

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

Moon Boots taps Kaleena Zanders for second release from forthcoming album

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Moon Boots taps Kaleena Zanders for second release from forthcoming albumMoon Boots Kaleena Zanders

The release date for Moon Boots‘ new LP, Bimini Road, creeps closer, and the New York native is gearing up for its full unveiling on Anjunadeep. He’s giving fans a taste of what’s to come with the album’s second single, “Juanita.”

“Juanita” is effortlessly groovy, tapping into listeners’ natural instinct to move their feet to the beat. A sexy vocal hook from Kaleena Zanders seals the deal, as her voice glides fluidly over the funky instrumentals the producer’s concocted. It’s a soulful and joyful piece of music, born of two artists joining forces at a retreat.

“Kaleena’s voice is so incredible and her energy is so infectious. You just have to see it to believe it.” Moon Boots noted in a press release. “I’m amazed thinking back on the session that turned into ‘Juanita.’ It was late at night and our sober daytime sessions had morphed into a full-blown party. Kaleena was saying ‘I need aerobics’ over and over while I was messing around on an SH-101. I asked if she could change it to ‘Juanita hold me.’ It shouldn’t work but it just does. I’m so grateful it was all recorded because it could have been a moment in time we laughed about and half-remembered. This is one of the club tracks I am most proud of, and none of it would be possible without Kaleena’s unstoppable energy and talent.”

Bimini Road is out Sept. 6 on Anjunadeep. Pre-order it here, and catch Moon Boots on tour with a seven-piece band here.

AC Slater drops new track with Kaleena Zanders, ‘Final Fantasy’

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AC Slater drops new track with Kaleena Zanders, ‘Final Fantasy’Ac Slater 1

Night Bass boss, AC Slater, is back on his own label, and once again accepting mellifluous assistance from dance music vocalizer, Kaleena Zanders, for a groove-infused bass house cut, “Final Fantasy.”

Zanders has been a friend of Night Bass for several years running. She lent her vocals to the label’s 2015 release — a single with Petey Clicks entitled “The One.” Since then, she has become an established member of the Night Bass family, working with BOT, Jack Beats, and more on offerings from the imprint.

Zanders’ first co-production with AC Slater, “Another You,” came in 2017 on Slater’s album, Outsiders. Where that track fits the bouncing, garage-influenced Night Bass sound like a glove, “Final Fantasy” demonstrates a level of collaborative growth for both artists. Slater reigns in the bassline to make it more organically supportive of Zanders, while she melds her voice to a more dance-able hook with more ease than ever before.

This single includes three ancillary remixes attached to the arrival, featuring fellow Night Bass cohorts, Steady Rock and Jay Robinson, as well as a drum ‘n’ bass flip from Turno.

Photo Credit: Relentless Beats

Dexter’s Beat Laboratory Vol. 22

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Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


Over the past few weeks, the United States has been racked with harsh winter conditions. As cruel as winter can be, there are some songs make the perfect soundtrack for the more serene, peaceful side of the season. Ennja’s latest release, “Mirrors” is such a song. With glistening vocals and a minimalist, ambient pattern, the nearly 7-minute song is an ethereal journey that encompasses the sounds of the season in an impeccable manner.


StéLouse has been on a roll lately, releasing a fiery cover of Post Malone just last month and following it up with a fresh flip of Khalid‘s “Young Dumb & Broke.” He’s transformed the R&B track into an EDM-friendly future bass remix that’s more lighthearted than its foundation track. “[I] wanted to throw it back to some of that OG StéLouse sound I was doing back in ’14-’15,” the producer explains.


Crystalize promised his fans a big 2018, and he wasn’t kidding. Just four days into the new year, he unleashed a powerful remix of Knife Party‘s iconic “Rage Valley.” It kicks off with pure bass madness that’s rings true to the song’s name. Halfway through, Crystalize steps back, then builds to something even more intriguing: a shimmery, synth-laden, downtempo pattern that’s bursting with creativity and passion. The second half of the song is by far my favorite, and it makes me wish I had more than a minute and a half of it.


It’s been 14 years since ATB‘s “Ecstasy” came out, but passing time hasn’t stopped producers of all persuasions from modernizing the track in their own way. The latest such artists are “8-bit rogue” duo Pixel Terror. Their revival of “Ecstasy” uses the original’s vocals to draw the listener in before building into a formidable melodic drop. Its harmonized layers of synths lay the groundwork for a rework that’s glitchy and computerized, while still maintaining the emotive power of the root song.


BIJOU is in for a huge year. Just watch. The g-house guru has been cranking out a steady stream of top-notch songs for a few years now, making appearances on AC Slater‘s Night Bass imprint and kicking it into high gear the past few months with originals like “Warning” and “Assassin.” He tells of the work that went into his latest, “Count On Me,” on SoundCloud. “This song has been over a year in the making with over 10 different versions worked during that time. This final record is one that is a crossover record with Kaleena’s beautiful vocals, but a dark and driving drop that has the potential to be a dance floor killer.”


Read More:

Dexter’s Beat Laboratory Vol. 21 | Top Tracks of 2017

Dexter’s Beat Laboratory Vol. 20

Dexter’s Beat Laboratory Vol. 19