Martin Garrix’s STMPD RCRDS to host its own stage at Ultra Music Festival for the first time in 2019

This post was originally published on this site

Martin Garrix’s STMPD RCRDS to host its own stage at Ultra Music Festival for the first time in 2019Martin Garri Ultra

If 2018 has proven anything, it’s that Martin Garrix cannot be stopped. The producer has continued his stream of chart topping crossover releases — he put out a 5-track club ready progressive EP, and he teamed up with unexpected subway singer Mike Yung for a gospel-inspired “Dreamer,” proving that the young beatmaker isn’t letting celebrity get in the way of creativity, in terms of breaking the EDM mold.

While Garrix himself has seen considerable success in 2018, his label STMPD RCRDS has gone from just finding its footing to a blooming powerhouse of a label in just a little more than a year. After hosting stages at Tomorrowland, Balaton Sound, and having a label night during Amsterdam Dance Event, in 2019 STMPD RCRDS will be hosting a stage at Ultra Music Festival for the first time. The STMPD RCRDS Stage will feature label frequenters Matisse & Sadko, TV Noise, Lost Frequencies, Junior Sanchez, Brooks, and of course, Garrix himself. Hosting a stage at Ultra will continue to build on the label’s continued success, and this showcases that STMPD is a force to be reckoned with after hosting a stage at one of the most prestigious festivals in the world.

Martin Garrix put up a year for the books in 2018, and with a full stage secured at Ultra next year, it looks like he’ll be continuing his hot streak into 2019.

NMF Roundup: The Glitch Mob slows things down, Borgeous reups Marshmello, ATTLAS stuns, Daniel Avery delivers + more

This post was originally published on this site

The most important day of every week: New Music Friday. As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed.

Break out your Tigers Beat: The White Panda elevates the hottest rising boy band, save for Brockhampton, lifting Why Don’t We’s empowering hit single “Trust Fund Baby” to newfound heights with an injection of feel-good vibes and upbeat danceability that beckons innumerable repeats.

Raito digs into a bag of old-school garage tricks with a burgeoning breakbeat remix of Virtual Self‘s hyperactive, fantasy-themed electronic “Ghost Voices,” transforming the number into an even heavier, drum-sweltering beast.

Borgeous reupholsters Marshmello‘s “FRIENDS” with a most passionate swatch, ditching the track’s acoustics, and accentuating its passionate lyrics tenfold.

Ashley Wallbridge‘s uplifting Gareth Emery rework and effervescent trance tune aligns itself with an era of Armada‘s finest amidst its formal release.

With the vocal help of Tima Dee, Fareoh asserts his versatile studio reign once more.

Midnight Kids consider Shaun Frank‘s “Addicted” in a compelling new ’80s-centric dance-heavy decorum.

Big Gigantic ushers everyone to the dancefloor with a groovy new take on The KnocksFoster The People collaboration.

Though the track’s title and lyrical content is lacking sincere cerebral depth, SNBRN coalesces Peking Duk‘s “Wasted” into a digestible summertime tune, making the number’s monotone vocals and cringeworthy frat bro vibes a smaller, but bearable pill to swallow.

Marcel Dettman‘s burgeoning warehouse Mount Kimbie remix of “Four Years And One Day” meets streaming services as a meticulously crafted far cry from its shoegazey original.

The Glitch Mob slow things down with Elohim, showcasing their softer side, and highlighting their carefully calculated production capabilities.

Junior Sanchez embodies the essence that’s come to define him on “Forget” — always moving forward, without ever losing sight of where he’s been.

Sofi Tukker busts out a thrashing, ridiculously colorful new tune ahead of their debut album Treehouse out next Friday, April 13, elevating its anticipation to unforeseen heights.

ATTLAS is at home in the treetops and ensures listeners his glittery techno is a style which will only continue to define an era of mau5trap in years to come.

At long last Chris Lake has found his mind…. It seems this beat has taken it, and we’re glad to finally have it back, even if it was just for the sake of this one tantalizing tune.

Daniel Avery’s cavernous, contemplative techno album Song For Alpha has arrived. Perhaps best encapsulating the aforementioned, “Glitter” is a flurry from the club space, rife with atmosphere, and embedded influence of the greats that came before him.

Saving the best for last, Icelandic multi-instrumentalist and composer Ólafur Arnalds bestows his latest sonic gift “re:member.” Enough said.