Elephante has officially kicked off his Glass Mansion Estate Tour after the long-awaited release of his full Glass Mansion EP. While “The In Between” featuring vocals by Anjulie has been the hit single of the compilation, fans also got to see a new side of the producer with title track “Glass Mansion,” where he sings the vocals on the release. The LA-based producer is just a few stops into the tour, and in addition to dropping the full remix package for “The In Between,” he has decided to show fans another dimension to his performance abilities. At Irving Plaza in New York City, he sang in front of a sold out crowd, showcasing his versatility as a performer. View a video of it here.
The producer spoke with Dancing Astronaut on his music career and how he has evolved into a performing vocalist, saying “I started my music career as a singer-songwriter, so I’ve always wanted to sing on my tracks, but I only wanted to do it if my voice fit perfectly for the song, and not just sing for the sake of it. ‘Glass Mansion’ was when the stars finally aligned. It’s such a personal song, and it pulled together all of the threads of my EP, so I knew it was the one.” He continues, “Singing it live was always a dream. It knew it could be a really special moment to cap off the Estate show, just like it does on the EP. Plus, it gets me one step closer to becoming John Mayer, who really is the only reason to do anything, isn’t it?”
In addition to singing live, fans can also see ZAXX as an opener during some of his tour stops. The up-and-comer put out an official remix of “The In Between,” adding additional synth layers framing Anjulie’s vocals. The euphoric chords are an interesting addition, and certainly will play well in his opening sets. Codeko‘s previously released rendition of the track and Elephante’s own revamped take on the release round out the remix package.
Fans can see if Elephante will be performing in a city nearby here.
When Travis Scott takes the stage alongside John Mayer and Tame Impala, it’s more than safe to say that “Sicko Mode” is fully engaged. Scott made his Saturday Night Live debut during the October 6 installment of the show, when he circled through New York to vocalize several Astroworld selections alongside genre-bending assistants, John Mayer and Tame Impala. Scott delivered a smooth “Skeletons” and “Astrothunder” medley, additionally catering to the crowd in his performance of recent fan-favorite, “Sicko Mode.” Kevin Parker of Tame Impala assisted on the guitar, as did the equally illustrious John Mayer.
A production that has witnessed some of the most rapid chart upstarts of 2018 thus far, Astroworld charted all 17 of its total tracks on Billboard’s Hot 100. Scott’s sophomore outing, Astroworld followed the chart movement of Birds in the Trap Sing McKnight, Scott’s debut album that also rocketed to the number one spot on the charts immediately after its 2016 release. Astroworld saw a number of noteworthy appearances from industry fixtures like The Weeknd, Quavo, Pharrell, and more.
Travis Scott was the musical guest on last night’s episode of Saturday Night Live. He performed three songs from his recent #1 album Astroworld: “Sicko Mode” and a medley of “Skeletons” and “Astrothunder.” He was joined by Tame Impala’s Kevin Parker and John Mayer for the medley. Parker co-produced and co-wrote … More »
Mac Miller died of an apparent overdose last month at the tragically young age of 26. And on Halloween, his family and friends are coming together to honor his life and legacy with a star-studded tribute concert in Los Angeles called Mac Miller: A Celebration Of Life. Chance The Rapper, Anderson … More »
You read the headline correctly: Courtney Love wants John Mayer to find out if Grateful Dead bassist Phil Lesh is her godfather. Let that string of proper nouns settle in for a minute, and when you’re ready I’ll lay another one on you. Take your time. More »
It’s been a collaborative summer for Justin Vernon. He’s been working with the National’s twin brothers Bryce and Aaron Dessner on a collectivist music platform called PEOPLE — he has an album in the works with Bryce — and he appeared on Swamp Dogg’s recent song “I’ll Pretend.” Last … More »
Along with her fellow ex-Mousketeers Britney Spears and Justin Timberlake, Christina Aguilera proved to be one of the most durable hit-makers of the Y2K-era teen-pop explosion. Long after most of their peers found alternate careers in show business or disappeared from pop culture entirely, these artists kept sending singles to the top 10. Spears survived … More »
Several Stereogum staffers were at Governors Ball on New York City’s Randall’s Island a couple of weekends ago, taking in sets from the likes of Yeah Yeah Yeahs, James Blake, the Gaslight Anthem, and Kali Uchis. And apparently, Scott Rogowsky, comedian and host of the wildly popular HQ Trivia App, was … More »
Mac Miller surprise released three new songs late last night; they’re called “Programs,” “Buttons,” and “Small Worlds.” These tracks follow Miller’s 2016 album The Divine Feminine. “Small Worlds” features John Mayer on guitar and Jon Brion on piano. More »
As of May 16, YouTube will take additional measures to provide song credit information for more than half a billion of the music videos that are currently available on YouTube’s website.
Entitled “music in this video,” the new feature will be located below the “show more” area underneath a given music video, and will identify all of the contributing artists, from the songwriters to the labels and publishers who represent said songwriters. The information will appear under music that is uploaded to official artist channels, as well as under the YouTube user content that uses recorded music.
Photo Credit: The Verge
“Music in this video” will provide the crediting insight that has long remained inaccessible on YouTube and on other online streaming outlets. The topic of crediting recalls YouTube’s 2016 settlement with the National Music Publishers Association. Reported to have sat somewhere between $30 and $40 million, the settlement paid royalties to the songwriters who did not receive appropriate accreditation on YouTube.
A general lack of credit related information for music is primarily responsible for most of the previous and existing instances of such music accreditation issues, but increasing correspondence between online streaming services, record labels, and music publishers has helped to combat this problem. John Mayer, for instance, followed the release of his recent single, “New Light,” with a full list of song credits for the track, uploaded to his Instagram account. “Digital music shouldn’t kill credits. Here’s what the back of the single would have looked like if it were in your hands,” Mayer wrote.