Glitterer Steps Out On His Own

This post was originally published on this site

There’s a song on Glitterer’s official debut album, Looking Through The Shades, called “The News.” Unlike the other 13 tracks on the record, which are all speckled with synths and/or propelled by a thumping drum machine, “The News” is just Ned Russin singing a simple melody over an equally rudimentary bassline. “Saw my face up … More »

Grant Hutchison On The Frightened Rabbit Tribute Compilation Tiny Changes

This post was originally published on this site

In April of last year, Frightened Rabbit’s landmark, breakthrough sophomore album The Midnight Organ Fight turned 10. It was cause for celebration: This was the album on which the band came into its own, featuring some of Scott Hutchison’s most enduring songwriting, the album that fans would latch onto in their times of … More »

Holding Court With Maxo Kream, Rap’s Reigning Storyteller

This post was originally published on this site

Maxo KreamI have to constantly remind myself that Maxo Kream is a little less than two years older than me. Besides the black-and-green Supreme jersey, everything about the 29-year-old rapper emanates an OG persona. When he comes downstairs to a Flatiron District hotel lobby, he gives the type of hard handshake that makes you aware you’re … More »

Roger Sanchez Talks About His Upcoming elrow Performance In NYC & More [Interview]

This post was originally published on this site

Grammy winner and Ibiza staple Roger “S-man” Sanchez will be making his worldwide elrow debut and playing an unmissable house classics sunset set July 27th at elrow: Rowllywood at the Brooklyn Mirage in New York City. Ahead of the massive event which will be the hottest house show in NYC this summer, we got the

The post Roger Sanchez Talks About His Upcoming elrow Performance In NYC & More [Interview] appeared first on EDM Sauce.

Hannah Wants Talks Etiquette Label, Travel Gym Routines & More In Exclusive Interview

This post was originally published on this site

Born Hannah Alicia Smith, Birmingham-based DJ and producer Hannah Wants has developed quite a name for herself in the electronic music scene. Following an 18-month battle with breast cancer, the former professional soccer player-turned DJ/producer has ramped it up in full force, just wrapping up a month-long tour through the United States, as well as

The post Hannah Wants Talks Etiquette Label, Travel Gym Routines & More In Exclusive Interview appeared first on EDM Sauce.

Anthony Naples Thrives In The Fog

This post was originally published on this site

The first time I saw Anthony Naples, he was shrouded in fog. He was DJing his residency at the Ridgewood, NY club Nowadays, lighting the misty dancefloor up with thorny techno and scrappy house. I saw an artist in full control of his craft as a DJ, unconcerned with appearances as a “performer.” Now, Naples … More »

How Gary Richards’ FriendShip cruise is sailing ahead of the pack

This post was originally published on this site

How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship1

Gary Richards (widely known as Destructo) has proven time and time again he can curate a festival with uncontested competence and flair. Though he’s remained humble enough to know even he can outdo himself. From his decisive efforts in erecting the first iteration of Electric Daisy Carnival (EDC) to forging the most formidable dance music brand on the West Coast, HARD Events (HARD Summer/HOLY SHIP!), by now, Richards’ emblem is synonymous with success in the national festival circuit.

His latest and most personal entrepreneurial endeavor yet, his All My Friends label/event series, truly comes alive through its sea-bound fixture: the FriendShip cruise. With the unsullied success of HOLY SHIP!—which bred the feverishly familial “Ship Fam,” the festival’s subsequent seafaring sense of community—under his belt, Richards has sought to bring the intimacy of his previous endeavors to newfangled heights aboard FriendShip. And the Navigator of the Seas, touching off in Miami and coursing through the Caribbean, is the vessel fit for the venture.

With fun firing on all fronts, the Navigator of the Seas is a festival-goer’s utopia. From glow-in-the-dark laser tag, to surf simulation, to its sprawling 17 on-deck bars, the ship is stocked to satiate virtually any itch that may arise aboard its four-night (January 6-10, 2020) charter. But aside from the full-scale waterparks and fully loaded culinary accommodations, music is paramount—of course.

Richards requires that each artist enlisted for the maritime mission embrace the experience as the ticket-holders do. Immersion is key. This mindset comes alive in his newly incepted “Dial a DJ” attraction, in which attendees can quite literally order a DJ to their rooms like On Demand. Plus, with two private island anchor drops at Coco Cay on the 2020 FriendShip agenda, more music and more AMF-approved nonsense aren’t just expected, they’re guaranteed.

The last installment of FriendShip saw an unorthodox, genre-traversing musical makeup, ranging from Boys Noize to Busy P, RÜFÜS DU SOL to Rico Nasty. His towering tenure both behind the decks and in the studio has equipped him with the aural awareness of an entrepreneur, an attendee, and a musician alike. Though Richards has yet to officially announce the 2020 cruise’s lineup, it’s safe to assume an all-bases-covered unveil.

With a 90% return rate for FriendShip alone, and over two decades of experience in the exceedingly competitive event arena, Richards sat down with Dancing Astronaut to expound on his vision for FriendShip, what to expect, and paramount updates he and his team secured for the affair’s upcoming voyage.

Tickets to FriendShip are still available here.

In what ways does FriendShip eclipse other festival cruises? 

The fact the we are able to use so many unique spaces on the boat to have shows really makes it special. We have a service called ‘Dial a DJ’ that was a massive hit with the fans where people can order a DJ to the room like room service. For 2020, shippers can expect a more enlarged menu to choose from. The community that we all have all built over the years with Shipfam is incredible. The bonds are strong and always continue to thrive and live on well past the events.

What do you think Navigator of the Seas and Coco Cay offers that prospective attendees should keep in mind? 

Navigator of the Seas and Coco Cay have received a combined 365 million dollars in upgrades this year. Royal Caribbean delivered something so over the top.

The improvements for FriendShip are going to be felt throughout the entire experience from better venues on board to longer hours spent at Coco Cay (private island) complete with massive water slide parks, wave pools, and swim-up bars. The Sunrise Sermon will take place on Coco Cay this year so we can all watch the sunrise together from the private island. I could not even have dreamed of something this amazing to present to the family. We get to stay at Coco Cay two days in a row and have the island all to ourselves with with longer hours and so many so many fun things to do.  I cannot wait for everyone to experience it.

What goes into curating an atmosphere for a festival cruise?

The key ingredient on the ship is amazing music and most important the people who attend the event. FriendShip family are the ones who make the party so special and are always on the same page. Last year we had zero damage to the ship. I appreciate so much that our group is so respectful. We have a plus 90% return rate so we are doing something right.

What’s your vision for the lineup?

The main key is booking artists who are going to immerse themselves in the event. People who I know are going to get involved with Shipfam and be part of the party. We want artists who are excited to DJ in peoples cabins just as much as the main stage. If they just want to hide in their room then they should just stay at home. I am also looking for a variety of styles music. Obviously the main style is always electronic, house, and, bass but this year we are going to add a little more hip-hop and even some reggae. I have been really getting into the reggae vibes lately. We are also going to expand with other types of entertainment with burlesque, comedy, and maybe even a little magic.

Would you consider FriendShip the cornerstone AMF event? How is it emblematic of your brand as a whole?

Yes it really embodies the essence of All My Friends. People meeting new & old friends through music and events. There is no better way to do that then on FriendShip.

How Gary Richards’ FriendShip cruise is sailing ahead of the packGary
How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship
How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship Island

How Gary Richards’ FriendShip cruise is sailing ahead of the pack

This post was originally published on this site

How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship1

Gary Richards (widely known as Destructo) has proven time and time again he can curate a festival with uncontested competence and flair. Though he’s remained humble enough to know even he can outdo himself. From his decisive efforts in erecting the first iteration of Electric Daisy Carnival (EDC) to forging the most formidable dance music brand on the West Coast, HARD Events (HARD Summer/HOLY SHIP!), by now, Richards’ emblem is synonymous with success in the national festival circuit.

His latest and most personal entrepreneurial endeavor yet, his All My Friends label/event series, truly comes alive through its sea-bound fixture: the FriendShip cruise. With the unsullied success of HOLY SHIP!—which bred the feverishly familial “Ship Fam,” the festival’s subsequent seafaring sense of community—under his belt, Richards has sought to bring the intimacy of his previous endeavors to newfangled heights aboard FriendShip. And the Navigator of the Seas, touching off in Miami and coursing through the Caribbean, is the vessel fit for the venture.

With fun firing on all fronts, the Navigator of the Seas is a festival-goer’s utopia. From glow-in-the-dark laser tag, to surf simulation, to its sprawling 17 on-deck bars, the ship is stocked to satiate virtually any itch that may arise aboard its four-night (January 6-10, 2020) charter. But aside from the full-scale waterparks and fully loaded culinary accommodations, music is paramount—of course.

Richards requires that each artist enlisted for the maritime mission embrace the experience as the ticket-holders do. Immersion is key. This mindset comes alive in his newly incepted “Dial a DJ” attraction, in which attendees can quite literally order a DJ to their rooms like On Demand. Plus, with two private island anchor drops at Coco Cay on the 2020 FriendShip agenda, more music and more AMF-approved nonsense aren’t just expected, they’re guaranteed.

The last installment of FriendShip saw an unorthodox, genre-traversing musical makeup, ranging from Boys Noize to Busy P, RÜFÜS DU SOL to Rico Nasty. His towering tenure both behind the decks and in the studio has equipped him with the aural awareness of an entrepreneur, an attendee, and a musician alike. Though Richards has yet to officially announce the 2020 cruise’s lineup, it’s safe to assume an all-bases-covered unveil.

With a 90% return rate for FriendShip alone, and over two decades of experience in the exceedingly competitive event arena, Richards sat down with Dancing Astronaut to expound on his vision for FriendShip, what to expect, and paramount updates he and his team secured for the affair’s upcoming voyage.

Tickets to FriendShip are still available here.

In what ways does FriendShip eclipse other festival cruises? 

The fact the we are able to use so many unique spaces on the boat to have shows really makes it special. We have a service called ‘Dial a DJ’ that was a massive hit with the fans where people can order a DJ to the room like room service. For 2020, shippers can expect a more enlarged menu to choose from. The community that we all have all built over the years with Shipfam is incredible. The bonds are strong and always continue to thrive and live on well past the events.

What do you think Navigator of the Seas and Coco Cay offers that prospective attendees should keep in mind? 

Navigator of the Seas and Coco Cay have received a combined 365 million dollars in upgrades this year. Royal Caribbean delivered something so over the top.

The improvements for FriendShip are going to be felt throughout the entire experience from better venues on board to longer hours spent at Coco Cay (private island) complete with massive water slide parks, wave pools, and swim-up bars. The Sunrise Sermon will take place on Coco Cay this year so we can all watch the sunrise together from the private island. I could not even have dreamed of something this amazing to present to the family. We get to stay at Coco Cay two days in a row and have the island all to ourselves with with longer hours and so many so many fun things to do.  I cannot wait for everyone to experience it.

What goes into curating an atmosphere for a festival cruise?

The key ingredient on the ship is amazing music and most important the people who attend the event. FriendShip family are the ones who make the party so special and are always on the same page. Last year we had zero damage to the ship. I appreciate so much that our group is so respectful. We have a plus 90% return rate so we are doing something right.

What’s your vision for the lineup?

The main key is booking artists who are going to immerse themselves in the event. People who I know are going to get involved with Shipfam and be part of the party. We want artists who are excited to DJ in peoples cabins just as much as the main stage. If they just want to hide in their room then they should just stay at home. I am also looking for a variety of styles music. Obviously the main style is always electronic, house, and, bass but this year we are going to add a little more hip-hop and even some reggae. I have been really getting into the reggae vibes lately. We are also going to expand with other types of entertainment with burlesque, comedy, and maybe even a little magic.

Would you consider FriendShip the cornerstone AMF event? How is it emblematic of your brand as a whole?

Yes it really embodies the essence of All My Friends. People meeting new & old friends through music and events. There is no better way to do that then on FriendShip.

How Gary Richards’ FriendShip cruise is sailing ahead of the packGary
How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship
How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship Island

Finding Balance With Florist

This post was originally published on this site

“Where do you go when you just wanna go? Where do you go when you let it all go?” Emily Sprague asks on a song from Florist’s third album, which was written as an escape — from life’s external pressures, from the constant buzzing inside your own mind. It’s an album that’s constantly looking for … More »

Kiesza reflects on the meaning of ‘Sweet Love’ [Interview]

This post was originally published on this site

Kiesza reflects on the meaning of ‘Sweet Love’ [Interview]Kiesza Press Shot Credit Rasmus Luckmann

Kiesza became in instant star in 2014 when her impassioned vocal tune “Hideaway” caught America’s ear and became a smash radio hit. Marquee talents rushed to work with her, and soon we saw the rising Canadian talent’s name appearing alongside projects like Skrillex and Diplo’s Jack Ü, Duran Duran, Djemba Djemba, and Bakermat. It’s clear that she’s poised to be an enduring force within the pop and electronic arenas.

Life hasn’t been free of struggle for this singer, however. Before becoming a full-time musician, she knew a life of heavy discipline and grit via training in her home country’s military. Hardship also struck right as she hit her prime, when a terrible car crash left her with a near-career-ending brain injury and no choice to but to take a couple years off to focus on returning to full health and stability. If we know anything, however, it’s that Kiesza is an enduring character—and her unrelenting passion for her craft ultimately translated to an inevitable return to the arts.

“Sweet Love” thus serves as powerful comeback single, and a public expression of Kiesza’s shift in paradigm. Her recent struggles have given way to a different outlook on life and what’s important, and as a result, we see her taking a more stripped-down, raw, and emotive approach to her music making. “Sweet Love” is simultaneously haunting and wistful, allowing her crisp voice to take center stage while subconsciously communicating a hopeful message. It’s interpretive accompanying video is a visual manifestation of this new direction.

We caught up with Kiesza upon her new tune’s release, digging into her new inspirations and direction, her artistic journey, and beyond.

“Sweet Love” is a bit of a change of pace for you sonically. What led you down this direction, and how was the process in choosing a producer/collaborator that could help you realize your vision?

On this next musical chapter, I’m taking my audience on a more expansive musical journey. I came up as a songwriter on the New York music scene, so pushing boundaries with writing and dipping my toe into uncharted genres has always been second nature to me. That’s why I felt it was necessary to go independent for this next leg. I see this as a chance to evolve and expand in so many directions. But don’t worry, there is lots of dance music on the horizon! “Sweet Love” is a special song. I wrote it with the same baritone opera singer that sang with me on the first of my Halloween series, “Phantom of the Dance Floor.” His name is Philippe Sly and I asked him if he would ever be interested in writing a song together. He hesitated at first, but what I love about Phil is that he is so open-minded, and ultimately he just dove right into it with me! My friend Kid Harpoon joined us in the writing room. It was an amazing songwriting session and I have always loved this song. I struggled to put it out while in the major label system, so releasing this is so exciting. It needs to come out of hiding!

When it came to producing “Sweet Love,” it just so happened that while I was in Denmark, I showed the demo to the production duo Namafalcon, and they immediately had ideas that were aligned with my own vision for the song. I always go where the enthusiasm is strong and where the creativity starts to flow. Once we got going, it was effortless, and I love how it turned out.

The lyrical content and the dancing in the music video give off a very nostalgic, “young love” type of tone [in our subjective opinion]. Was this inspired by an early love in your life, or a profound experience where you really felt “love” for the first time?

It’s definitely painted with those emotions, both “young love” and even “forbidden love.” The feeling of already being so deep in, that you know there’s no turning back, while all-the-while trying to reconcile with the sense of underlying risk that comes with it.

Do you feel your sound evolving toward this softer, more sentimental direction or do you think you still might be involved in the dance music sphere as a vocalist in the future?

It’s about to become quite a musical rollercoaster ride, as I’ve been on a rollercoaster myself, both in life and in the industry I’m in. I think by now I’ve felt almost everything there is to feel on some degree. Extreme love, unimaginable loss, the fulfillment of dreams and the rush that comes with it, self confidence, self doubt, winning and then losing, an open road that ran straight into a brick wall, and then the sense of being derailed completely and without warning, followed by the struggle of fighting my way back. I have a lot say now. A lot to express. To vent. But also a lot to be thankful for.

Dancing has always been my medicine, and for this reason I will always continue to write dance music. But now you’re going to have a bigger window into who I am, as the songs unveil themselves. I’m sort of moving in all directions at once I guess…expanding.

You’ve definitely been stepping into your own power artistically as of late. What advice can you offer other young musicians who might be struggling to find themselves or assert themselves in this crazy industry?

True, as difficult as it is to cut through all the noise, it’s ultimately an amazing time to be an independent artist. There are so many avenues and unique pathways for new musicians to share their art with the world. The secret is to just keep at it and be willing to work harder than you ever could imagine. When you feel like giving up, you just keep going. And it’s important to be critical of your own music. That may sound harsh, but no one writes a hit song every day. I write bad ideas all the time. You just have to have the guts to throw your work away when you know it isn’t strong enough. And simplify as much as possible. There’s no getting around hard work. And be willing to adapt as the winds change. Expect the unexpected, and give it right back.

As a songwriter, do you have any particular routines or techniques that help you get the lyrics flowing when working on a project? What do you do when faced with writer’s block?

Movement in general helps stimulate ideas. Going for a walk, or riding a bike. Even taking public transportation helps me come up with ideas, believe it or not. Anything that puts you into a flow state.

Let’s poke a bit more into your past here, as we’re a dance site and we first learned about you through your numerous high profile collaborations. How did you first end up getting involved in this side of the music world, and what methods did you use to get your self out there and get noticed by the likes of Jack Ü, Bakermat, Djemba Djemba, etc?

“Hideaway” was my bridge from the realm of the unknown into the limelight. It was that song that paved the way for all the collaborations that followed. When it comes to collaborations, I just go with what feels right. I usually collaborate with people that resonate.

What is your favorite aspect of the dance music scene in general, and the crossover/pop world you’ve found yourself in more recently?

Dance music brings people together, and it makes people happy. Even if it’s just for a moment, when you’re dancing, you always feel good. You don’t have to think about the things that are weighing you down. In that moment, it’s just complete suspension. The new music I’m releasing knows no boundaries. You’ll never know what’s coming next. Sweet Love is a song that allows me to tell a story. It harkens to that familiar lure of lust becoming love. Sometimes the purpose of a song is to be heard. And some of my music in this upcoming chapter will be those songs. Songs with stories, or messages, where the lyrics matter. I try not to make my dance songs too complicated lyrically, for the simple reason that I myself prefer dance songs to be simple and light hearted, when I’m dancing to them. But I have a lot to say, and the time has come to go deeper. I want to share more of who I am with the world.

Finally, the number one question: what’s coming next down the Kiesza pipeline?

For starters, I have more songs written then I know what to do with. But once I get started, there’s no more stopping. I’m really looking forward to lots of collaborations, and expressing so many different sides of my personality through the upcoming music and performances.

Photo credit: Rasmus Luckmann