Illenium takes a step closer to commercial crossover territory with new song,”Good Things Fall Apart”—featuring pop vocalist Jon Bellion. It’s these artists’ first time collaborating, and the outcome is the perfect combination of Illenium’s signature style with Bellion’s enamoring vocals that take center stage in the release.
“Good Things Fall Apart” features a simple guitar backdrop laying the framework for Bellion’s vocals to shine through amidst percussion and a crossover friendly electronic note progression pumped with euphoria. Bellion writes on Twitter that the collaboration with Illenium is “one of his favorite things he has worked on.” He also writes “The 2003 me is mood boarding furiously.”
The track is an angsty break up ballad that showcases the best from both artists, and they will be speaking more about the track today at 3P EST on Instagram Live if fans want to learn more about how the track came to be. “Good Things Fall Apart” is out now via Astralwerks.
The two-day Moonrise Festival at Baltimore’s Pimlico Race Course will return for its sixth installment Aug. 10-11 with a wave of diversity in its lineup.
Streaming services are breaching new territory on the genre side of things, with viral charts becoming largely saturated by hip-hop acts. This festival season is starting to reflect these changes, with a prime example in Moonrise Festival. The genre-led ripple effect brings rappers 21 Savage and Smokepurpp, among others, to a largely electronic-based lineup at the race track’s infield.
Illenium had to do something that no artist wants to do last week. Due to his girlfriend having major health issues, he decided to postpone shows in London, Cologne, and Haag. The DJ went to Twitter to announce the show postpones and then later updated fans on the exact reason for the cancelations. Illenium’s girlfriend’s health
Back for its third year in the running, Lost Lands officially revealed its full lineup for 2019. Packed with fan favorites as well as fresh talent, the Excision-curated festival returns to Legend Valley, Ohio for three days of headbanger heaven Sept. 27-29.
Since Lost Lands’ inception, creator Excision has continued working to improve the festival experience for attendees. Some focus points promised for this year’s iteration include introduction of Wednesday early entry, reformatting of the “Dino Den” area to include three camping options, relocation of late-night sound camps to the main venue, and stop additions to the long haul shuttles.
YOUR 2019 LINEUP IS HERE!! @Excision has pulled out all the stops this year! Get ready to headbang with the most legendary names in Bass and discover the freshest sounds from the underground. Tickets, camping and payment plans are on sale now at https://t.co/LWSQGOkUfApic.twitter.com/WNaRvXAj6U
Ultra Music Festival 2019 has come to an end, and with that, endless IDs have surfaced, giving the electronic music community plenty to anticipate in the months to come. The Chainsmokers were among the artists to debut new music after an unexpected announcement that the duo linked up with none other than Illenium for a forthcoming track in the middle of their set.
The new release was debuted at the 42-minute mark of The Chainsmokers’ Ultra set, and it’s a recognizable blend of the artists’ styles. The vocals are undeniably catchy, as one would expect in a Chainsmokers’ track, but Illenium’s signature echoed layering of the vocals transports the listener to another realm. The Chainsmokers’ Drew Taggart also sings on the song, which falls into a chilling future bass drop.
Alex Pall and Taggart noted that this is the first time they’ve ever debuted a track at Ultra Music Festival. They did not announce when fans can expect the track to be released, but given they recently announced another full-length album in 2019, it would not be surprising if the track is set to be featured on the compilation in the year to come.
Ultra Music Festival‘s second day of production was nothing short of explosive. Martin Garrix fans found an unexpected new Garrix single on major streaming platforms everywhere just minutes after Garrix took Ultra’s main stage. Sound familiar? It should have, for that single was none other than Matisse & Sadko and Alex Aris’ collaboration, “Mistaken,” which comprised the opening of Garrix’s Ultra set. Garrix’s swift progression from the live debut of an unreleased ID, to the formal release thereof, however, was but one of the many noteworthy electronic developments of Ultra’s second day.
From deadmau5‘s presentation of the cutting-edge technology that is Cube 3.0 for the very first time during his main stage closing set, to Zedd’s gritty remix of Swedish House Mafia‘s “Save to World,” not to mention Illenium‘s Ultra debut, day two of the Miami flagship kept live streamers and attendees alike engaged in their uncertainty of just what would happen next. Relive the festival’s momentous sequel to day one with sets from Zedd, Armin van Buuren, Illenium, NGHTMRE & Slander (Gud Vibrations), Tchami, deadmau5, and Martin Garrix.
Ever adept at striking a balance between expressive supplicatory lyrics, temperate melodies, and bass, Illenium illustrates his ability to seamlessly blend these elements in his new single, “Pray.” The emotive number sources its vocal contribution from featured artist, Kameron Alexander, whose raspy vocal tone lends a ruggedness to the track’s soft, mellifluous opening. Gentle guitar plucks undergird Alexander’s vocal, to guide the song to a lush, future bass-leaning flood of sound that serves as the song’s first drop.
The placidity of “Pray” eventually gives way to what materializes as a sonic plot twist, a gritty dubstep bridge that lends an edge to the single’s sedative character. Illenium will recognize “Pray” as the ID that Illenium originally debuted during his recent performance at Atlanta’s Believe Music Hall in February.
It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.
Tame Impala returns for the first release since 2015’s Currents with the appropriately titled “Patience.” JOYRYDE continues to show 2019 is his year with the release of “YUCK” with GOLD, and Dabin reveals his sophomore album, Wild Youth, featuring tracks like “Home” with Essenger. Gorgon City deliver the tasty “Delicious,” and Illenium teams up with Kameron Alexander for the soulful “Pray.” Tiësto kicks off NMF with a bouncy big room number, “Can You Feel It,” and Blasterjaxx tap Jack Wilby for “Super Friends.” DJ Snake and Eptic take us to the “SouthSide” with their new bass-heavy collaboration, and Kölsch and Sasha deliver a meditative joint effort, “The Lights.” Zedd reveals a remix pack for “365” and Whipped Cream warps listeners’ eardrums on “Time.” Delta Heavy and Muzzy join forces for s hefty drum & bass tune, “Revenge.” Sofi Tukker paint a relaxing soundscape in “Fantasy,” and Lost Kings unveil a remix pack for “Don’t Kill My High,” which includes a rock-inspired take from Sullivan King. SNBRN gets ready for warm weather with “Feel My Love” and Maya Jane Coles takes on Hozier in her latest remix.
As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.
Illenium is on the rise again. From selling out Red Rocks and Madison Square Garden, we know there must be tons of new music around the corner. Last week, Illenium released a pack of remixes of his newest single “Crashing”. Remixes come from DROELOE, KLOUD, and Rock Mafia. To start, DROELOE takes the first of