Dog Blood, The Martinez Brothers, ZHU’s Blacklizt all top HARD Day of the Dead lineup

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Dog Blood, The Martinez Brothers, ZHU’s Blacklizt all top HARD Day of the Dead lineupDog Blood 10 Min

Last year, HARD revived its beloved Day of the Dead festival for a long-awaited return to LA Historic Park. To celebrate, HARD delivered a lineup teeming with electronic forward-thinkers, topped by Justice and Die Antwoord. This year, Day of the Dead rises once again, returning to its host venue at LA Historic, though for the festival’s seventh iteration, Dog Blood will hold down headlining duties with The Martinez Brothers, TOKiMONSTA, and ZHU’s Blacklizt project also topping the bill.

The Dia De Los Muertos-inspired festival is set to take place on November 2, with additional star power coming from rising songwriter Elohim, enigmatic low-end force 1788-L, Justin Martin, Damian Lazarus, and more. Team Brownies & Lemonade also features on the lineup, suggesting a tightly curated mini-lineup of talent may spring up within the larger Day of the Dead roster. Following a successful outing with the event brand’s flagship summer event, HARD is riding high as we approach the impending Red Rocks Halloween run followed by a stacked Day of the Dead lineup.

Dog Blood, The Martinez Brothers, ZHU’s Blacklizt all top HARD Day of the Dead lineupImage 10

How Gary Richards’ FriendShip cruise is sailing ahead of the pack

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How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship1

Gary Richards (widely known as Destructo) has proven time and time again he can curate a festival with uncontested competence and flair. Though he’s remained humble enough to know even he can outdo himself. From his decisive efforts in erecting the first iteration of Electric Daisy Carnival (EDC) to forging the most formidable dance music brand on the West Coast, HARD Events (HARD Summer/HOLY SHIP!), by now, Richards’ emblem is synonymous with success in the national festival circuit.

His latest and most personal entrepreneurial endeavor yet, his All My Friends label/event series, truly comes alive through its sea-bound fixture: the FriendShip cruise. With the unsullied success of HOLY SHIP!—which bred the feverishly familial “Ship Fam,” the festival’s subsequent seafaring sense of community—under his belt, Richards has sought to bring the intimacy of his previous endeavors to newfangled heights aboard FriendShip. And the Navigator of the Seas, touching off in Miami and coursing through the Caribbean, is the vessel fit for the venture.

With fun firing on all fronts, the Navigator of the Seas is a festival-goer’s utopia. From glow-in-the-dark laser tag, to surf simulation, to its sprawling 17 on-deck bars, the ship is stocked to satiate virtually any itch that may arise aboard its four-night (January 6-10, 2020) charter. But aside from the full-scale waterparks and fully loaded culinary accommodations, music is paramount—of course.

Richards requires that each artist enlisted for the maritime mission embrace the experience as the ticket-holders do. Immersion is key. This mindset comes alive in his newly incepted “Dial a DJ” attraction, in which attendees can quite literally order a DJ to their rooms like On Demand. Plus, with two private island anchor drops at Coco Cay on the 2020 FriendShip agenda, more music and more AMF-approved nonsense aren’t just expected, they’re guaranteed.

The last installment of FriendShip saw an unorthodox, genre-traversing musical makeup, ranging from Boys Noize to Busy P, RÜFÜS DU SOL to Rico Nasty. His towering tenure both behind the decks and in the studio has equipped him with the aural awareness of an entrepreneur, an attendee, and a musician alike. Though Richards has yet to officially announce the 2020 cruise’s lineup, it’s safe to assume an all-bases-covered unveil.

With a 90% return rate for FriendShip alone, and over two decades of experience in the exceedingly competitive event arena, Richards sat down with Dancing Astronaut to expound on his vision for FriendShip, what to expect, and paramount updates he and his team secured for the affair’s upcoming voyage.

Tickets to FriendShip are still available here.

In what ways does FriendShip eclipse other festival cruises? 

The fact the we are able to use so many unique spaces on the boat to have shows really makes it special. We have a service called ‘Dial a DJ’ that was a massive hit with the fans where people can order a DJ to the room like room service. For 2020, shippers can expect a more enlarged menu to choose from. The community that we all have all built over the years with Shipfam is incredible. The bonds are strong and always continue to thrive and live on well past the events.

What do you think Navigator of the Seas and Coco Cay offers that prospective attendees should keep in mind? 

Navigator of the Seas and Coco Cay have received a combined 365 million dollars in upgrades this year. Royal Caribbean delivered something so over the top.

The improvements for FriendShip are going to be felt throughout the entire experience from better venues on board to longer hours spent at Coco Cay (private island) complete with massive water slide parks, wave pools, and swim-up bars. The Sunrise Sermon will take place on Coco Cay this year so we can all watch the sunrise together from the private island. I could not even have dreamed of something this amazing to present to the family. We get to stay at Coco Cay two days in a row and have the island all to ourselves with with longer hours and so many so many fun things to do.  I cannot wait for everyone to experience it.

What goes into curating an atmosphere for a festival cruise?

The key ingredient on the ship is amazing music and most important the people who attend the event. FriendShip family are the ones who make the party so special and are always on the same page. Last year we had zero damage to the ship. I appreciate so much that our group is so respectful. We have a plus 90% return rate so we are doing something right.

What’s your vision for the lineup?

The main key is booking artists who are going to immerse themselves in the event. People who I know are going to get involved with Shipfam and be part of the party. We want artists who are excited to DJ in peoples cabins just as much as the main stage. If they just want to hide in their room then they should just stay at home. I am also looking for a variety of styles music. Obviously the main style is always electronic, house, and, bass but this year we are going to add a little more hip-hop and even some reggae. I have been really getting into the reggae vibes lately. We are also going to expand with other types of entertainment with burlesque, comedy, and maybe even a little magic.

Would you consider FriendShip the cornerstone AMF event? How is it emblematic of your brand as a whole?

Yes it really embodies the essence of All My Friends. People meeting new & old friends through music and events. There is no better way to do that then on FriendShip.

How Gary Richards’ FriendShip cruise is sailing ahead of the packGary
How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship
How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship Island

How Gary Richards’ FriendShip cruise is sailing ahead of the pack

This post was originally published on this site

How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship1

Gary Richards (widely known as Destructo) has proven time and time again he can curate a festival with uncontested competence and flair. Though he’s remained humble enough to know even he can outdo himself. From his decisive efforts in erecting the first iteration of Electric Daisy Carnival (EDC) to forging the most formidable dance music brand on the West Coast, HARD Events (HARD Summer/HOLY SHIP!), by now, Richards’ emblem is synonymous with success in the national festival circuit.

His latest and most personal entrepreneurial endeavor yet, his All My Friends label/event series, truly comes alive through its sea-bound fixture: the FriendShip cruise. With the unsullied success of HOLY SHIP!—which bred the feverishly familial “Ship Fam,” the festival’s subsequent seafaring sense of community—under his belt, Richards has sought to bring the intimacy of his previous endeavors to newfangled heights aboard FriendShip. And the Navigator of the Seas, touching off in Miami and coursing through the Caribbean, is the vessel fit for the venture.

With fun firing on all fronts, the Navigator of the Seas is a festival-goer’s utopia. From glow-in-the-dark laser tag, to surf simulation, to its sprawling 17 on-deck bars, the ship is stocked to satiate virtually any itch that may arise aboard its four-night (January 6-10, 2020) charter. But aside from the full-scale waterparks and fully loaded culinary accommodations, music is paramount—of course.

Richards requires that each artist enlisted for the maritime mission embrace the experience as the ticket-holders do. Immersion is key. This mindset comes alive in his newly incepted “Dial a DJ” attraction, in which attendees can quite literally order a DJ to their rooms like On Demand. Plus, with two private island anchor drops at Coco Cay on the 2020 FriendShip agenda, more music and more AMF-approved nonsense aren’t just expected, they’re guaranteed.

The last installment of FriendShip saw an unorthodox, genre-traversing musical makeup, ranging from Boys Noize to Busy P, RÜFÜS DU SOL to Rico Nasty. His towering tenure both behind the decks and in the studio has equipped him with the aural awareness of an entrepreneur, an attendee, and a musician alike. Though Richards has yet to officially announce the 2020 cruise’s lineup, it’s safe to assume an all-bases-covered unveil.

With a 90% return rate for FriendShip alone, and over two decades of experience in the exceedingly competitive event arena, Richards sat down with Dancing Astronaut to expound on his vision for FriendShip, what to expect, and paramount updates he and his team secured for the affair’s upcoming voyage.

Tickets to FriendShip are still available here.

In what ways does FriendShip eclipse other festival cruises? 

The fact the we are able to use so many unique spaces on the boat to have shows really makes it special. We have a service called ‘Dial a DJ’ that was a massive hit with the fans where people can order a DJ to the room like room service. For 2020, shippers can expect a more enlarged menu to choose from. The community that we all have all built over the years with Shipfam is incredible. The bonds are strong and always continue to thrive and live on well past the events.

What do you think Navigator of the Seas and Coco Cay offers that prospective attendees should keep in mind? 

Navigator of the Seas and Coco Cay have received a combined 365 million dollars in upgrades this year. Royal Caribbean delivered something so over the top.

The improvements for FriendShip are going to be felt throughout the entire experience from better venues on board to longer hours spent at Coco Cay (private island) complete with massive water slide parks, wave pools, and swim-up bars. The Sunrise Sermon will take place on Coco Cay this year so we can all watch the sunrise together from the private island. I could not even have dreamed of something this amazing to present to the family. We get to stay at Coco Cay two days in a row and have the island all to ourselves with with longer hours and so many so many fun things to do.  I cannot wait for everyone to experience it.

What goes into curating an atmosphere for a festival cruise?

The key ingredient on the ship is amazing music and most important the people who attend the event. FriendShip family are the ones who make the party so special and are always on the same page. Last year we had zero damage to the ship. I appreciate so much that our group is so respectful. We have a plus 90% return rate so we are doing something right.

What’s your vision for the lineup?

The main key is booking artists who are going to immerse themselves in the event. People who I know are going to get involved with Shipfam and be part of the party. We want artists who are excited to DJ in peoples cabins just as much as the main stage. If they just want to hide in their room then they should just stay at home. I am also looking for a variety of styles music. Obviously the main style is always electronic, house, and, bass but this year we are going to add a little more hip-hop and even some reggae. I have been really getting into the reggae vibes lately. We are also going to expand with other types of entertainment with burlesque, comedy, and maybe even a little magic.

Would you consider FriendShip the cornerstone AMF event? How is it emblematic of your brand as a whole?

Yes it really embodies the essence of All My Friends. People meeting new & old friends through music and events. There is no better way to do that then on FriendShip.

How Gary Richards’ FriendShip cruise is sailing ahead of the packGary
How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship
How Gary Richards’ FriendShip cruise is sailing ahead of the packFriendship Island

Gary Richards on where he’s been, what he’s learned, and starting over, premieres ‘No Retreat’ with Loge21 [Interview]

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Gary Richards on where he’s been, what he’s learned, and starting over, premieres ‘No Retreat’ with Loge21 [Interview]6E258AEB46AA40EFB93BCEB4B99FD32E

Electronic music consumers over the last two decades would be hard-pressed to pinpoint an individual who’s impacted the dance music event space harder than Gary Richards. Since the 1990s, Richards (also known musically as Destructo) has taken his talents miles above their subterranean roots, largely helping shape the Southern Californian rave scene, relentlessly seeking new ways to secure dance music a more tangible, industry-wide foothold. From championing a quaint little get together, now known as Electric Daisy Carnival (incepted under the ‘Magical Mickey’ masthead, from when the event series bore Richards’ earmark in the ’90s), to hatching the now-legendary HARD Events, which bred the still fervently attended Holy Ship! and HARD Summer, he’s exuded a visionary’s proclivity for predicting (and propelling) the next electronic it thing oozing the je ne sais quoi that really makes an event stand above the rest.

Gary Richards on where he’s been, what he’s learned, and starting over, premieres ‘No Retreat’ with Loge21 [Interview]Destructo3

Richards not only has a promoter’s penchant for garnering the excitement needed to get ideas off the ground, but a masterful musician’s tact to make them stick. A desire to liven up a scene subject to cyclical staleness served as the impetus for Richards’ most recent brainchild, branded AMFAMFAMF (All My Friends).

“The landscape is very competitive,” Richards said of picking up shop in 2017 after a decade at HARD to breathe life into yet another new endeavor. “There’s a lot at stake now and business people don’t want to see new things pop up. But dance music’s all about new and fresh and that really can’t be stopped.”

Though, despite the daunting nature of starting over in one of the most volatile industries in existence, the All My Friends event train gained almost instantaneous headwind, perhaps due to Richards’ own reputation preceding him. The first edition of the company’s cornerstone party, FriendShip Cruise, amassed thousands for its four-night maiden voyage aboard the Celebrity Equinox to the Caribbean. With it, came a colorful stream of genre-traversing acts, from Boys Noize to Busy P, RÜFÜS DU SOL to Rico Nasty. Richards’ seemingly curious curation must have struck a resounding chord, as the 2020 cruise is already 70 percent sold out.

Gary Richards on where he’s been, what he’s learned, and starting over, premieres ‘No Retreat’ with Loge21 [Interview]Destructo1

In addition to a stint captaining Def American’s A&R sector under the emphatically accomplished eye of pioneer producer, Rick Rubin, driving innovation in the music industry is in Richards’ DNA. His father, Barry Richards, a concert promoter and prominent radio personality of the late ’60s and early ’70s, made sure his son’s sonic sonar was firing on all cylinders before he hit puberty, ensuring his kids got to catch everyone from Rick James to Black Sabbath. Barry himself is known for helping to introduce progressive rock to East Coast radio stations in his time. Quite ironically and somewhat timelessly, Barry certainly imparted his intuition and curative periphery to his son, as they stood on the precipice of a consequential musical uprising Barry never saw coming. Barry, it seems, believed Eminem when he quite comically announced “Nobody listens to techno,” on 2002’s unforgettable “Without Me.” Little could Barry have known at the time that Gary would famously sample the line years later for for his 2015 club sensation, “Techno.”

“My dad was always like ‘Don’t mess with that [electronic] music cause no one likes it,’” Richards said. “20 years later, he called me up and was like ‘Hey, what’s a Major Lazer?’”

Gary Richards on where he’s been, what he’s learned, and starting over, premieres ‘No Retreat’ with Loge21 [Interview]Destructo2

With this perpetual irreverence for convention as a promoter/organizer, so comes Richards’ success as DJ-producer, Destructo; a success which can be characterized as a career-long dedication to discovering strange new ways to merge the house and hip-hop domains, which historically has been tough to do properly, even despite the two genres’ inextricably shared origins. Richards maintains his success as a musician is innately linked to his success on the business side of the coin.

“I think when you’re just a concert promoter you’ve never really been in the artists’ shoes, so you don’t really understand the nuances—especially DJing electronic music,” Richards said of his entrepreneurial edge amidst a capitalism-catalyzed sea of eager competitors.

Gary Richards on where he’s been, what he’s learned, and starting over, premieres ‘No Retreat’ with Loge21 [Interview]Destructo Busta Rhymes Fkin Sht Up

Securing collaborations with rap icons like Ty Dolla $ign, YG, Yo Gotti, and Busta Rhymes, Destructo’s music soon became something of a G-house archetype: flippantly feel-good tracks for a night out up to no good. However, his latest record, a Dancing Astronaut exclusive, strides outside the hip-hop-predicated mold of his most notable works, for what Destructo himself dubs his “hardest-hitting track yet.”

“No Surrender” is a bass-driven battle cry primed for the perennially raucous festival frontlines. Bolstered by Parisian bass house duo, Loge21, the track employs Richards’ own thunderous, Sparta-inspired vocal cut. Destructo isn’t asking this time; he’s just cutting to the chase and coaxing listeners directly to dance floors.


AMFAMFAMF recently announced dates for both its Seattle and LA dates— Seattle will see a July 4 affair with Chris Lake and Justin Martin in tow, while LA’s October 19 – 20 event roster still remains a mystery. Though, as Richards’ newest festival property continues to build brand equity within a heavily diluted electronic events circuit, Richards’ is already sure of All My Friends’ longevity, noting it is one of his most important entrepreneurial accomplishments so far. “With that it’s the same Gary, just a different name,” says Richards. And if the last 20 years of dance music events are any indication—if it bears Gary Richards’ name, it’s going to be a hit.

Learn more about AMFAMFAMF’s Seattle and LA dates here.

Audien walks us through his favorite jams ahead of Holy Ship! [Exclusive]

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Audien walks us through his favorite jams ahead of Holy Ship! [Exclusive]Audien Press Shot

A new year is approaching, and with it comes the 12th Holy Ship! edition. Setting sail on January 5, guests will be treated to an array of top tier talent from all over the dance music spectrum; from low-end madness offered up by 4B, JAUZ, and QUIX, to slices of techno by Nicole Moudaber and beyond. The sold-out voyage is primed to be another jewel in shipfam’s history.

Anjuna wunderkind-turned-legend Audien will be gracing the Holy Ship! decks as well come 12.0, injecting euphoria into the the dancefloor via melodic, big room progressive cuts and other multiflavored cuts. Digging deeper, we asked the rising star to tell us about what’s inspiring him these days through music. The following ten tracks, he states, are “a collection of songs I’m thinking about recently, whether that’s in my car, or on a flight, these are guiding me through life.”

1. Audien ft. Liam O’Donnell – Rollercoaster

“This is my brand new song, and let me tell you, it went through so many different versions. It was truly a test, but I’m so happy with the results and I needed you guys to hear this. It’s just another piece to the puzzle.”

2. Sub Focus & Dimension – Desire

“This is probably one of my favorite songs ever. Seriously, guys, listen to this. It’s amazing. I honestly wish I made it.”

3. Louis The Child – Better Not

“This song is so stuck in my head lately. I personally think it’s the biggest song of 2018. Really happy for them because they are truly talented kids through and through — no gimmicks, just good music and good vibes.”

4. Audien & Arty – Never Letting Go

“Arty and I were actual brothers in another life; I believe that. We’re really similar, and I love his work still after 7 years of following him. So glad we could do this together and I have a feeling it’s not the last song we do together.”

5. 3LAU ft. Ninja – Game Time

“Justin killed this song. Honestly it’s one of my favorite things he’s done. Shit bangs for real. Put it on in the car. Justin always showed me his new music in his car on a drive in Vegas, he would always jack the volume up and my mind just melts. Sadly I didn’t get the car test with this one, but in my own car it hits good.”

6. SAINt JHN – God Bless The Internet

“This is a relatively new artist that I think deserves tons of recognition. His music is not only super hard, but I’ve been relating to it lately in my own life. He’s got skills.”

7. Silk City ft. Dua Lipa – Electricity (Alex Metric Remix)

“This is just a vibe, nothing more to say here. You’ll see.”

8. Axwell – Nobody Else

“I love that Axwell went back to the basics with this. It’s clearly him throwing it back to 2010, 2009 era of house and dance music. It’s totally awesome and it sounds sick live.”

9. Hybrid Minds – Lost (Pola & Bryson Remix)

“Pola and Bryson are SO GOOD. GUYS. THE BEST. Listen to all of their music. If you dig liquid Drum & Bass, you will literally adore these guys. Just listen to the drop in this song it’s bananas.”

10. Pola & Bryson – Unsaid


“This is the first P&B song I heard, and I knew immediately that they were making special music. This one is incredible. Play it in the car not on laptop speakers.”

11. Craving – First Feeling

“This is a really weird throwback, 2010-ish. This song used to mean a lot to me. I was in college for that one year I went, and I used to listen to this on repeat. It definitely inspired me back in those days.”

12. Kylie Minogue – Get Outta My Way (Kris Menace Remix)

“This is actually where I got the idea for Leaving You, people know me for those 1/8th note piano melodies, as I’ve done it a few times in songs. Just wanted to point out my inspiration! This remix is old and timeless.”

13. Audien ft. Michael S. – Leaving You


“I was reminiscing recently about my career, and this came up as a bold highlight. It really was the one that got away. I’m still so proud of this song and it still bangs. I’m probably not supposed to say that about my own music but whatever, I’m doing it!”

14. Dominic Fike – She Wants My Money


“Dom is going to be huge in 2019. His first offering was a few months ago and he made a big boom. Also, his music is really really simple and good.”

15. Twenty One Pilots – Chlorine


“Favorite song on their new album. I’ll always dig them. They were different in a time when everything sounded the same, so I’ll always perceive them as unique.”

 

Find last-minute tickets to Holy Ship! 13.0 here

Photo credit: audiendj.com

Exclusive: Noizu sails through sultry seas with Holy Ship! mix

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Exclusive: Noizu sails through sultry seas with Holy Ship! mixNoizu 2400 P

The New Year is around the corner, which means it’s time for those embarking on editions 12 & 13 of HARD’s Holy Ship! to start preparing for the water-based shenanigans that await. Joined by an army of talent which includes the likes of Green Velvet, SAYMYNAME, Rusko, Barclay Crenshaw, and more, guests are primed to earn their sea legs in the most joyful of ways  — by dancing to some of the best music the dance world has to offer across multiple decks of madness.

House extraordinaire Noizu will be helping uphold 13.0’s weekend festivities, and given his record of releases through OWSLA, Confession, and beyond, he’s set to stir up quite the craze on the dancefloor. The exclusive mix he’s provided Dancing Astronaut certainly does this, charting a whirlwind, hour-long journey through jacking beats and grooving basslines that features his own works in addition to those of his colleagues. Use it as a pre-game weapon, or to cause FOMO in friend’s who’ve opted not to take part on the expedition this coming year.

 

Get last-minute Holy Ship! tickets here

Resurrected: HARD Day of the Dead 2018 Review

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At the tender age of four, HARD Events said good-bye to one of its most popular festivals, Day of the Dead. Buried six-feet under the earth and grieved by many, the Southern California event was in its infancy, yet showed many signs of promise and many hoped for a long life ahead. Tragically, the festival

The post Resurrected: HARD Day of the Dead 2018 Review appeared first on EDM Sauce.

HARD Day of the Dead delivers impeccable comeback lineup topped by Justice, Die Antwoord, and Knife Party

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HARD Day of the Dead delivers impeccable comeback lineup topped by Justice, Die Antwoord, and Knife PartyJustice Julian Bajsel Coachella C014875

HARD‘s once defunct Day of the Dead property is officially back, slated for November 3 at the event’s original home at LA Historic Park in downtown Los Angeles. While rumors have been circulating since the event’s announcement earlier this summer, and a too-good-to-be-true lineup surfacing shortly thereafter, the southern California events giant has now followed up with their official roster for 2018’s event, and its damn near just as good. Headlining DOTD’s comeback edition is Justice, breaking out their live stage rig for one final outing, exactly six years to the day after the Parisian legends headlined the inaugural Day of the Dead. South African rave-rap pioneers Die Antwoord and Knife Party also top this year’s lineup, along with a stacked cast of supporting acts.

House heroes Thee Mike B, J. Phlip, Jack Beats, and Shiba San also make their way onto this year’s billing, along with Lee Foss, Cashmere Cat, and DNMO among others. Tickets for HARD Day of the Dead on sale September 27 at 12:00pm PST.

HARD Day of the Dead delivers impeccable comeback lineup topped by Justice, Die Antwoord, and Knife PartyDay Of The Dead 2018

A HARD Day of the Dead poster has surfaced… but it may be too good to be true

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A HARD Day of the Dead poster has surfaced… but it may be too good to be truePrydz Mau5 Hard Dotd

UPDATE: HARD has confirmed this lineup is not the official lineup

 

Los Angeles electronic events giant HARD recently made headlines with the return of their once defunct Day of the Dead property, bringing the festival back to its original home at LA Historic Park this November. The news set the rumor mill ablaze, speculating which HARD alumni might make their return for the festival’s re-inauguration, and now a lineup poster has surfaced. At first glance, it looks like one of the most stacked dance billings of the year, though upon closer examination, some minor fractures in the unconfirmed lineup may reveal this one is too good to be true. No harm in putting our eggs in this basket for the time being and hoping it actually materializes though.

The rumored lineup features a rare 2018 performance from Skrillex — fans might remember the last time Sonny Moore rested the Skrillex project to link up with Boys Noize for Dog Blood in 2013, Moore’s comeback performance was at none other than Day of the Dead. Boys Noize is featured on the lineup as well, and anytime Skrillex and Boys Noize are in the same hemisphere, there arises a glimmer of hope for Dog Blood fans. Gesaffelstein is tapped as a DJ headliner and a Bixel Boys reunion in the undercard are some red flags. Again, this could either be the greatest lineup of the season or a certified fake. Deadmau5, Kaytranada, Bloody Beetroots live, and Baauer all make appearances on the rumored roster as well, with a grip of additional dance music power players. For Day of the Dead’s highly anticipated return to LA, we’re betting HARD pulled out all the stops — fingers crossed this one is confirmed official.

A HARD Day of the Dead poster has surfaced… but it may be too good to be trueHard DOTD Runored Lineup Dancing Astro

Featured Image: HARD Events

Good Morning Mix: Relive Valentino Khan’s set from HARD Summer 2018

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Good Morning Mix: Relive Valentino Khan’s set from HARD Summer 2018Valentino Khan 3 White Rabbit

Summer and festival season might be approaching their close, but aren’t going down to easily. Artists across the dance music board are operating at full throttle, maintaining extensive tour schedules until the final moments and keeping the heat alive musically with an array of fresh singles and numerous gig recordings. Valentino Khan is one of those juggernauts keeping energy levels up, and he’s just granted fans with an expeditious release of his HARD Summer set.

Though the festival itself passed by not too long before Khan shared his hour of throbbing, house-based beats, it easily stands as a highlight of the season for the performer. The producer puts himself and his tastes on full display, whipping his young audience into a frenzy with his raucous brand of electronic. He also threw in a few choice originals from the season, including “Deep Down Low.” Originally broadcasted live on Insomniac Radio, his time behind the Green decks is officially immortalized for all to enjoy.

 

Photo credit: White Rabbit