Dexter’s Beat Laboratory Vol. 58

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Dexter’s Beat Laboratory Vol. 58Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Goshfather has a unique ability to see things in songs others never would or could. Flip Drake into a fiery disco track? Check. Up next? Lil Pump and Kanye West‘s raunchy “I Love It.” Going into this funk-ified remix, it’s hard to know what to expect. But like he did with “Nice For What,” Goshfather’s concocted a refreshing take on the wide-shouldered track. He kicks off with a steady-rocking bassline to back Lil Pump’s vocals, hinting at what’s to come with subtle horns. At the drop, he drenches his listener in the grooviest of beats, aiding to the retro atmosphere of the track with an irresistible horn melody. It’s brilliant.


Jaguar Dreams are continuing their recent slew of releases with the next from their arsenal: “Behind Those Clothes.” After a killer debut with their cover of Fleetwood Mac’s “Dreams,” this New York trio are back with new original that oozes a smooth and sexy aura. With slick vocals and instrumentals that glide effortlessly behind them, it’s evident this newly formed group is swiftly paving a road to success. “Beauty has a way of momentarily conquering us, but stripping down to our essence is what makes us fall in love,” they said of the song’s release. “‘Behind Those Clothes’ can be sexual if you want it to be, but at its core, it’s about discovering truth through vulnerability.”


Beware: This is a catchy one. Micky Kojak’s “All That Acid” popped up on SoundCloud just days ago after premiering on Triple J and has since garnered attention from artists like San Holo, Robotaki, and Unlike Pluto. The up-and-coming Australian producer takes his listeners on a ride in this release, with infectious vocals and a funky warped synth melody leading to a beat that’s simultaneously laid-back and energizing. Though it clocks in at less than three minutes long, Kojak packs a powerful punch in “All That Acid,” ensuring it’ll be stuck in listeners’ heads for days to come.


Enschway‘s music typically skews trap, but not this time. For his latest, he’s reworked Golden Features‘ “Telescope” in drum & bass fashion. The rapid beat he’s crafted works impeccably with the track’s sultry vocals, tying the two together for an intense experience. This song, too, clocks in at less than three minutes, but Enschway wastes no time demonstrating his production versatility. This genre suits his music style and was met with enthusiasm in the comment section. “Finished this remix off a while back and thought I’d just chuck it up for everyone to enjoy instead of sitting on my hard drive doing nothing,” he said of the release.


My love of Metrik goes back many years. “Freefall” is one of my favorite songs of all time, and I have such respect for him as an artist. It’s no surprise that I fell in love with his newest production upon first listen. Metrik wrote “Dawnbreaker” for Forza Horizon 4, and it’s out on a Hospital Records compilation that also includes Fred V & Grafix, Etherwood, and more. It’s a gorgeous piece of music that builds a serene soundscape that sounds like what flying must feel like. His melodies are heavenly, and his sound design is unparalleled. For the full five-minute version, listen on Spotify.

Goshfather remixes Kanye West and Lil Pump’s ‘I Love It’ into raunchy disco

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Goshfather remixes Kanye West and Lil Pump’s ‘I Love It’ into raunchy discoGoshfather Kanye Lil Pump I Love It Remi

No song is safe these days from a Goshfather flip. The producer’s infectious retro disco stylings have spiced up tracks from artists ranging from JAUZ to Skrillex. The remixes follow the same cheeky dance-first ethos as his originals on labels like Spinnin’ and Hysteria. Now, Goshfather is follows his “Nice For What” remix up with another full makeover, this time taking on Kanye West and Lil Pump‘s internet-burning track “I Love It.”

The original track’s highly NSFW verses were built around the instrumental’s undeniably groovy bassline, and Goshfather’s take most definitely follows suit — but that’s about the similarities end. The remix is a sped-up disco romp that drops the track’s slow and slinky feel into a ’70s bowling alley. Slap bass is joined by wailing saxophone and an uptempo four-to-the-floor beat, and the effect is almost enough to distract from the rappers’ raunchy lyrics still tucked into the rework. Goshfather’s take proves any track can go disco if he puts his mind to it.

Kanye West x Lil Pump – I L

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So many remixes are coming in hot for this tune, so I wasn’t even going to listen to this one at first. But when the song started and continued to evolve into something super bad ass I loved what I heard and I had to review it in some way. Goshfather flipped “I Love It”

The post Kanye West x Lil Pump – I L<3ve It [Goshfather Remix] appeared first on EDM Sauce.

Dexter’s Beat Laboratory Vol. 44

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Dexter's Beat Laboratory Vol. 44

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


This is the track I’ve been most excited about this week. Hot off his release with Bingo Players earlier this year, Los Angeles producer Goshfather returns with a dirty disco remix of Drake‘s “Nice For What.” He cranks up the original’s intensity and adds an irresistibly groovy beat. It’s impossible to sit still during this one, and I’m probably responsible for half of the plays on it. I’m not sorry.


Los Angeles label Silk Music continues to tap some of the most creative and emotive pieces of work for their releases, thrilling listeners with each new feature. One of this week’s is Polish producer Andromedha’s two-track return to the label: “Luminosity” and “Purple Skies.” While both are beautifully atmospheric progressive house pieces, “Luminosity” in particular caught my ear, with its airy, heavenly feel drawing me in each time I listened.


UK drum & bass maven Friction turns up the heat in his latest: a collaboration with vocalist JP Cooper. “Friction,” out now on Elevate Records, masterfully combines fiery drum & bass production with impassioned vocals from JP Cooper. The award-winning producer demonstrates time and time again that there’s a reason he’s garnered so many accolades over the past several years: he’s endlessly talented and knows exactly the right formula for the perfect drum & bass piece.


Sinden continues to expand on his Houseline imprint with the release of Houseline Vol. 3 last week, featuring three tracks that flex the grooving g-house muscles of the compilation’s featured aritsts. While the volume’s first two tracks highlight artists CLB, Steve Darko and Danny Kolk, Sinden himself teams up with Wongo on the final track. The pair have crafted a deep, powerful house track, and it’s a true treat.


Disco Fries are letting the good times roll with a remix of Stanaj and Ty Dolla $ign to kick off the weekend. They’ve put their signature feel-good stamp on Stanaj and Ty Dolla $ign’s original piece of work, decking their remix out with a catchy background melody and rocking beat. The New York duo are on a roll this year, following up their self-titled November EP with funky originals like “The Cut” and “U Make Me.”

Dexter’s Beat Laboratory Vol. 37

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Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


Step into this beautiful house haven that Zookëper and Goshfather have created called “For Real.” With Goshfather still riding the high of his massive hit, “Everybody” with the Bingo Players, “For Real” makes an exceptional follow up. Zookëper ended his 2017 on a high note with a feisty remix for The Knocks, so these two teaming up was bound to be a surefire hit.


New Jersey brother duo Synchronice just released a self-titled five-track EP. The introductory track, “Light,” makes for a gorgeous lead-in to the Synchronice EP. With a gradual build and layers of heavenly synths, it paves the way for the remaining four tracks. Choir-like vocals and even a brief guitar melody draw the listener in beautifully.


13 is about to blow up in 2018. Already this year, he’s followed up last year’s massive REZZ collaboration with a remix for Krayysh, a Nest HQ mix, and now, an original. “Physical” brings 13’s signature dark style in full force, mounting his attack and sneaking up on the listener with an anticipatory, moody introduction. He layers in Darth Vader-like breathing for added eeriness, pausing midway through the song to drum up another build reminiscent of someone running. It’s haunting in every sense of the word.


Colorado producer brothel has taken on one of modern pop-punk’s biggest voices: Paramore. He steps up the intensity of Hayley Williams’ vocals by kicking them up an octave and adding heavy amounts of bass. One Reddit user says brothel is able to “merge filth and beauty like no one,” and I have to say I agree.


Outcry plays with melodies in this playful new original, “Skydancer.” The Australian producer lets a lively melody carry throughout the song, though he toys with stutter effects and other variants on the lighthearted theme that carry through as hits of bass weaves in and out. “Skydancer” is a long time in the making, as Outcry notes in the track description that he’s been working on it for two and a half years.

Bingo Players release remix of hit single ‘Everybody’

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Bingo Players decided to put a new spin on his track “Everybody” with LA-based DJ Goshfather. The original collaboration was released off his imprint Hysteria prior to the “Everybody” US tour kick-off.

For this remix, Bingo Players clearly decided to replace the funky, 80s dance-influenced feel of the original with a more futuristic house sound. The old-school vibes are still there, however, listeners get a voxed-out, electronic vocal and off-beat lead synths on the drop.

Bingo Players will be touring the US through June 2018. See a full list of dates and ticket info here.

New Music Friday featuring Marshmello, The Chainsmokers remixes and more

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Music festival

The most important day of every week: New Music Friday. As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed.


Marshmello got back to his EDM roots in a brand new single with serene vocals from Leah Culver.

Indie duo Salt Cathedral test poppier waters with their tropical-infused single “No Love.”

Luca Schreiner offered a welcome twist on hip-hop auteur TYLERxCORDY’s viral track “Cheap Situation.”

Patrick Baker serves lush instrumentation and chill vibes on his latest EP, Dusk, courtesy of Armada


KSHMR gets funky on this bass-heavy disco noir number via his side project, The MVI.

Vicetone take it way back on their newest release, a high energy EDM track with Cozi Zuehlsdorff.

It’s hard to pick out the best re-spin from The Chainsmoker‘s newest remix package for their pop-punk crossover single “You Owe Me.”

Borgeous taps into classic electro melodies on his infectious new release — his first as a Casablanca Records signee.

Bingo Players and Goshfather team up for a high energy collab on new single “Everybody.”

Dannic‘s latest via Spinnin’ will have dance floors heating through festival season with its minimal structure and infectious drop.

Graves gets moody on a textured, future-bass inspired new release, a collab with bitbird cohort Duskus.

Klingande‘s collaboration with vocalist Krishane channels late tropical EDM vibes with a pitched up vocal and blissed out tribal-influenced instrumentation.

Hot Chip put their virtuosic twist on Troye Sivan‘s “My My My!” with this nuanced and funky house flip.

Sahar Z & Vic F provide a lush, ethereal progressive contribution to Anjunadeep’s fifth Explorations edition.

Swedish veteran Zoo Brazil makes his LNOE debut, closing out his EP with an entrancing, yet gritty “Socialism.”

Rebelski channels nostalgia and gentle meditation with this sentimental piece from his new ADID EP.

TWO LANES target the brain’s feel-good center with a euphoric future bass cut packed with jubilant guitar riffs and a satisfying drop.

Bingo Players & Goshfather – Everybody

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goshfather bingo players everybody

Back in April 2017, Goshfather released a disco-injected track called “Everybody.” Now, nearly a year later, the track has been re-released as a collaborative effort with legendary producer Bingo Players.

The track takes off on a high note, ushering in a funky, carefree vibe right from the get-go. With cheery vocals that’ll take any party up a notch, the two producers build up to a disco-infused chorus. “Everybody” brings back the 1970s while still maintaining the atmosphere of modern house music.

“We made ‘Everybody’ with big plans in mind: we want to bring joy and dancing back to dance music,” Goshfather says. “No frills, no agendas, just pure energy as if it was your fist time at your first dance music show. Bingo Players and I want you all to enjoy this brand new track!”

Bingo Players and Goshfather Drop One Of 2018’s Best Singles Yet – ‘Everybody’

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Bingo Players and Goshfather have teamed up on a new collaboration called ‘Everybody’, and all we have to say it “WOW” because this tune will absolutely get you moving with a smile on your face. The disco inspired single is absolutely captivating. Upon first listen a production style akin to that of Daft Punk jumps

The post Bingo Players and Goshfather Drop One Of 2018’s Best Singles Yet – ‘Everybody’ appeared first on EDM Sauce.

Goshfather ft. Catalyst – Crazy (Original Mix)

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2017 has been a breakout year for Los Angeles-based producer Goshfather.

From a remix with Aylen of Post Malone to a remix of Savoy and Bright Lights, Goshfather brings the heat with each new production.

For his latest original track, he’s teamed up with Catalyst for a disco-infused song called “Crazy.” With production and singing by Goshfather and rapping from Catalyst, the track caters to a wide audience of listeners. Both vocalists skillfully build the track’s momentum leading up to a drop that features clean-cut trumpet stabs and a rousing house beat.

The track is out now on Bakermat‘s Big Top Amsterdam label, fitting in perfectly with the groovy fresh releases coming out of the Netherlands powerhouse.

Read more:

Post Malone – Congratulations (Goshfather & Aylen Remix)

Savoy release full 12-track remix pack for ‘Tomorrow Today, Pt. 1’

Goshfather’s bringing disco back with his latest track ‘Everybody’