Gorgon City’s remix of ‘Feel My Needs’ is an easy dance floor jumpstarter

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Gorgon City’s remix of ‘Feel My Needs’ is an easy dance floor jumpstarterGorgon City

Following the release of their critically-acclaimed album Escape, Gorgon City is back with a remix of Weiss‘ house jam “Feel My Needs.” With a widely successful sophomore album and a what appears to be steady new material stocked as well, the English duo has hit their stride this fall season, gearing up for a well-equipped 2018 tour.

The remix is sure to be a fan-pleaser, as Gorgon City stick to their UK underground house roots on this one. The producer duo throw in some beloved deep bass and quick drum hits, topping off their remix effort with interchanging piano chords and echoed vocals cropped from the original mix. The tempo is sped up a bit, which sets this up perfectly with the theme of most Gorgon City live sets. Jump into Gorgon City’s “Feel My Needs” remix below.

Gorgon City release dancehall-tinged single, ‘One Last Song’

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Gorgon City release dancehall-tinged single, ‘One Last Song’Unnamed 4

Gorgon City are extremely skilled at combining their pop sensibilities with the sounds of the underground. Their work ranges from catchy UK house to soulful garage, always brimming with some of the best talent the United Kingdom has to offer. This holds true on “One Last Song,” the most recent single for their upcoming album, Escape.

Bringing on vocalists JP Cooper and Yungen, Gorgon City construct a track that features smooth steel drums and piano keys over a dancehall beat. Cooper’s soulful vocals are a fitting contrast to Yungen’s wistful lyrics, with both yearning for “one last song” with the one they love. The third and final single for their sophomore album, the British duo seem to be building strong anticipation. With the record dropping next week and a tour starting immediately after, Gorgon City will surely be a name to watch over the coming months.

Zeds Dead give Gorgon City’s ‘Go Deep’ a melodic rework

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Zeds Dead give Gorgon City's 'Go Deep' a melodic rework

Zeds Dead have spent the past two years exploring a variety of production styles, from their drum & bass collaboration with Jauz to their future bass work on “Blood Brothers” with Diskord & Reija Lee. The duo have now released a remix of Gorgon City‘s “Go Deep,” which reaches back to the melodic dubstep roots that hooked many of their original fans.

The Toronto-based duo’s take on the track comes as part of a four song remix EP, released today by Gorgon City. Zeds Dead pair the smooth, sultry vocals with an iconic wobbling bass line, keeping the track relaxed and atmospheric until the later half of the track, which breaks down into some classic Zeds Dead dub. Sure to please fans new and old, this remix is another solid addition to the duo’s ever-expanding catalog.

Watch Gorgon City’s dreamlike video for ‘Go Deep’

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Gorgon City has a new video to complement their latest single, “Go Deep.” Originally released in May 2018, the track features a uniquely U.K. house style — one that they’ve coined as their own since their debut in 2012.

The video for “Go Deep” pulls filming techniques from the Oscar-winning film Shape of Water, namely the “dry for wet” technique that uses smoke, colored filters, and lighting effects to mimic the featured characters on screen being under water when actually filmed on a dry stage. The “dry for wet” approach creates quite the juxtaposition against a house beat that with its visuals, suddenly feels more organic in nature.

Gorgon City has also announced a set of tour dates that include both DJ sets as well as live performances to hit cities across the U.S.

Step aside, men: Study of pop music finds rise in sadness, upward trend in female chart toppers

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I’m gunna let you finish, Kanye, but uh…

Female singers with upbeat dance songs are far more likely to top the music charts nowadays, according to new findings by researchers at the University of California, Irvine. The study also found a downward musical trend in happiness and an increase in sadness.

The study, published in the journal Royal Society Open Science, examined 500,000 popular songs released in the UK over a three decade period, from 1985 and 2015, and categorized them each based on their mood.

“‘Happiness’ is going down, ‘brightness’ is going down, ‘sadness’ is going up, and at the same time, the songs are becoming more ‘danceable’ and more ‘party-like,’” co-author Natalia L. Komarova told The Associated Press.

Of course, researchers emphasize that a gradual decrease in the average “happiness” index does not mean that all successful songs in 1985 were “happy” and all successful songs in 2015 were “sad.” They were looking for average trends in the acoustic properties of music and the moods describing the sounds.

The overall mood shifts in the songs’ musical elements fall in line with past studies that have examined lyrical content changes over the years. They have found that positive emotions, on the whole, have declined; while indicators of loneliness and social isolation have increased.

“So it looks like, while the overall mood is becoming less happy, people seem to want to forget it all and dance,” says Komarova, a mathematician and evolutionary biologist who led the study. She added, “The public seems to prefer happier songs, even though more and more unhappy songs are being released each year.”

Some songs with a low happiness index in 2014 include “Stay With Me” by Sam Smith, “Whispers” by Passenger and “Unmissable” by Gorgon City. Songs from 1985 with a high happiness index include “Glory Days” by Bruce Springsteen, “Would I Lie to You?” by the Eurythmics, and “Freedom” by Wham!

Additionally, researchers found the most successful musical genres of recent are dance and pop, with a “clear downward trend” in the success of rock, beginning in the early 2000s.

The researchers also found that the “maleness” of songs — or the frequency of male singers in popular music — has decreased over the last 30 years. “Interestingly, successful songs exhibit their own distinct behavior: They tend to be happier, more party-like, less relaxed and more likely to be sung by a woman than most.”

The same trends hold true for the US market, based on a preliminary review of data by researchers. A few 2014 hits that meet the study’s qualifications for successful pop music include Clean Bandit‘s “Rather Be,” Taylor Swift‘s “Shake It Off,” and Meghan Trainor‘s “All About That Bass.”

The findings arrive at a critical time when the music industry is grappling with issues of gender inequality, where men are overwhelmingly dominating the visible ranks of artists and songwriters, despite studies such as these, which show a strong cultural/consumer yearning for female dance/pop hits in the contemporary global music climate.

Read the fully study by UC Irvine here.

H/T: Stereogum

NMF Roundup: Like Mike releases a solo track, Hardwell manufactures the next mainstage hit, and more

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Like Mike goes solo with new release “Rewind” with smooth vocals and pop chords. “Rewind” is the perfect smooth summer track that is sure to grace radio stations across the world.

Todd Heller brings pac man to music with gaming synths and interesting chord combinations with cutting drops in new release “Ride It.”

Melodic chords flow through Max Styler‘s latest commercial house release with Ella Boh’s captivating vocals.

Hardwell has created an absolutely tremendous production with newest track “Earthquake” with Harrison.

Oliver Tree combines house, rap, and a commanding electronic backdrop to create unique track “Movement.”

Madnap puts a future pop spin on Win and Woo’s “Chasing Tail.”

Duo Super8 & Tab team up for a new single “Burn” featuring Hero Baldwin, which will be a part of their upcoming album Reformation Part 2.

VIRTU remixed Mark Johns and Imad Royal’s “Heart Shaped Box,” which initially slows down the tempo but falls into a bass and dubstep infused crazy drop.

Xan Griffin is doing a Zodiac series where he releases a song based upon each sign. He has released “Taurus” featuring Tedy for the grounded and practical Taurus’s out there.

Gorgon City has created the next dance floor sensation with new release “Go Deep.”

Mike Williams tries his hand at Commercial House and succeeds in new track “Give It Up” with its catchy drop and compelling vocals.

Shaun Frank and Krewella make a formidable production trio given the quality of new release “Gold Wings.”

In an unlikely remix, Steve Aoki tries his hand at remixing Matoma‘s “Lonely.” His remix of the track adds a bouncy chord progression that is hard to get out of the listener’s head.

Ravell teams up with Jack Trades and BAER for house tune “Feelin’ You.”

Slushii proves his tracks will never lose their bounce in new song”Through the Night” featuring Hatsune Miku with its gaming synths and high pitched chords.

Dubstep fans can get their fix with KAI WACHI‘s new two track ICHOR EP.

Lost Kings go full on pop as they continue to experiment with genres in new song “When We Were Young.”

Photo Credit: Love This Pic

Snowbombing Canada returns for second year as winter sports and dance music wonderland (photography by Justine Trickett & Giles Smith)

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Snowbombing Canada 2018

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Insomniac fills out robust 2018 EDC week with over 25 artists and 14 new shows

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Insomniac added over 25 new artists and 14 events to the fifth annual EDC week in Las Vegas, coinciding with the festival’s 22nd annual installment. 

In doing so, the festival welcomes 14 signature party experiences during the week of May 16–23, including the hardstyle focused Basscon Pool Party and two dubstep-fueled Bassrush parties, along with a variety of diverse headliners throughout the week. New programming includes a vast array of parties across the cities hottest nightclubs, including Elephante, Porter Robinson, NGHTMRE, Gryffin, Hot Since 82, Illenium, Yellow Claw, and many more.

Full programming details, more information, and tickets are available here.

Snowbombing Canada announces headliners ODESZA and Cardi B for 2018 edition

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Photo Credit: Andrew Whitton

From Montreal’s Igloofest, to the gone-but-never-forgotten Brrrrr Winter Music Festival in Toronto, Canadians are incredibly fortunate to host a plenitude of outdoor-winter events throughout the years. Though winter is close to being over and the inaugural start to festival season approaches, Snowbombing Canada is here to remind everyone that there’s never a wrong time to party in the snow.

Fusing the worlds of winter-sports and dance music into a winter-wonderland for four days and nights, Snowbombing Canada takes place from April 5–9 amidst Sun Peaks Valley; one of the hidden treasures of Canada’s West coast. With success in booking distinguished and complementary dance/hip-hop headliners, last year’s event saw Kaskade and Ludacris close out the event.

As the 2018 edition nears, fan-favorite duo ODESZA and hip-hop queen Cardi B are set to headline the “Forest Stage”, appropriately located in between the panoramic views of snow-capped mountains and towering trees. Boasting a plethora of additional acts like Black Tiger Sex Machine, Gorgon City and Troyboi, Snowbombing has curated a detailed lineup that suits the festival’s exuberant vibe.

Snowboarders and skiers are treated to the best of both worlds; shredding during the day and dancing at night. Activities like ‘Alpine Yoga’, ‘The Snowlympics’ and some cheeky ‘Chair Life Speed Dating’ add unique attributes that turn guests from attendees, into Snowbombing veterans.

Snowbombing Canada 2018

Festival passes, accommodation and transportation are all available online

Gorgon City release bass-driven house tune, ‘Motorola’

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Gorgon-City motorola

The days of the Motorola Razr are long gone, but aren’t forgotten.

UK duo Gorgon City have just released a bass-driven house tune called “Motorola,” in which the vocalist encourages an admirer to put their number in his Motorola.

The sultry vibe of the track glides along with the assistance of a deep bassline and subtle old-school phone ringtone samples. Evoking the nostalgia of the days when Motorola phones reigned supreme, Gorgon City have crafted a catchy, groovy number guaranteed to take over dance floors across the globe.

They’ve also released an accompanying hour-long “Motorola” mix, which can be found here.