Dexter’s Beat Laboratory Vol. 123 | Top Tracks of 2019

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Dexter’s Beat Laboratory Vol. 123 | Top Tracks of 2019Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic—to say nothing of a name that lends itself to punnery—DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


When I started using SoundCloud in early 2014, I made playlists weekly (read: obsessively). I’ve backed off a bit in recent years, but I still take time to collect songs for my yearly “best of” playlist, which I create every January and add to throughout the year. In late December for the past five years, I’ve narrowed it down to my 50 favorite releases of the year. They range from hard-hitting anthems to serene soundscapes, which truly sums up my music preferences.

In 2019, I was fortunate enough to premiere a few of my absolute favorite tracks of the year, including The Midnight‘s remix of SYML‘s “Clean Eyes,” Com Truise‘s remix of Gold Fields‘ “Waterfall,” and Essenger‘s “After Dark.” (A big thank you to all the artists who choose DA as their platform to reveal new music—we love you!)

2019 was a stellar year for drum ‘n’ bass, exhibited in tracks like Kove‘s “Le Retour,” Koven‘s “Love Wins Again,” 1991‘s “Guiding Light,” Metrik‘s “Hackers,” and so many more. The genre took some fun twists and turns, which fans heard in Mat Zo‘s Latin-infused “Games” and Sub Focus‘ earth-shattering remix of Bring Me The Horizon‘s “Mother Tongue.”

This year saw the arrival of a slew of monstrous collaborations—some unexpected and some that simply made sense. Regardless, tracks like Sullivan King and Grabbitz‘s “Crazy As You” and Delta Heavy and Zeds Dead‘s “Lift You Up” blew my mind. I was delighted when Fox Stevenson and Feint teamed up on a remix of the former’s “Out My Head,” since it flawlessly combined both their styles.

Speaking of Fox Stevenson, the UK producer released his highly anticipated album, killjoy, this year, and it’s a dynamic journey through all sides of the producer’s capabilities. Goldroom wowed me with his double-sided, multi-faceted Plunge/Surface effort, which has quite a story behind it. I had a hard time picking a favorite from A R I Z O N A‘s nostalgic Asylum LP, which is gorgeous and heart-wrenching from start to finish. I also need to mention what was likely my most-listened-to album of the year, which isn’t on SoundCloud: Ollie Wride’s Thanks in Advance. It’s gold. I lived in the aforementioned albums this year, and I’m so grateful to the artists who made them for sharing their creativity with the world.

Without further ado, here are my 50 favorite songs of 2019, in no particular order.


A look back…

5 SETS YOU CANNOT MISS AT HOLY SHIP! WRECKED 2020 IN PUNTA CANA

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We are one month away from one of the most exciting parties to hit in the Caribbean. Holy Ship! Wrecked will start the new year off right with their 4 day/ 3 night all inclusive land party at the Hard Rock Hotel and Casino in Punta Cana, Dominican Republic. The party will start on Wednesday,

The post 5 SETS YOU CANNOT MISS AT HOLY SHIP! WRECKED 2020 IN PUNTA CANA appeared first on EDM Sauce.

Dancing Astronaut’s Top Tracks of 2019

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Dancing Astronaut’s Top Tracks of 2019Madeon Top Tracks Eoy 2019

2019 has been a remarkable year for new music.

The past twelve months brought with them a collection of highly anticipated LPs: Madeon‘s Good Faith, Avicii‘s posthumous Tim, Gesaffelstein‘s Hyperion, Illenium‘s ASCEND, along with a Flume mixtape. Notable collaborations like REZZ and Malaa‘s “Criminals,” Seven Lions, Wooli, Trivecta, and Nevve‘s “Island,” and GRiZ and Subtronics‘ “Griztronics” hit the airwaves in blazes of glory. Supergroups like Dog Blood (Skrillex and Boys Noize) and Get Real (Claude VonStroke and Green Velvet) showcased the power of doubling up on brainpower. And, of course, countless singles had us hitting repeat more times than were calculable: Dillon Francis‘ “Still Not Butter,” i_o‘s “House of God,” Habstrakt‘s “De la Street,” Alesso‘s “Progresso,” and so many more.

In no particular order, we present a 30-track collection of our favorite songs of the year, chosen by DA writers and editors.

NMF Roundup: Blond:ish remix Diplo and Born Dirty, ATTLAS previews forthcoming LP + more

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NMF Roundup: Blond:ish remix Diplo and Born Dirty, ATTLAS previews forthcoming LP + moreCredit Aneta Pruszynska 01

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Aneta Pruszynska

Gorgon City mesmerize with new single, ‘Roped In’ [Stream]

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Gorgon City mesmerize with new single, ‘Roped In’ [Stream]Gorgon City Delicious

“Roped In” isn’t just the title of Gorgon City‘s latest–it’s also a description of the hold that it exerts on listeners. The cut’s unusual rhythmic structure causes it to stand apart from the slew of fellow recently released house records. It’s an imaginative diversion from the commercial brand of house music that’s presently pervading mainstream circles, and Gorgon City are deft in their deviation.

Gorgon City’s emphasis on building anticipation and subsequently eliciting an exclamation from the crowd is evident in “Roped In’s” arrangement. Agile beats deftly scale up and down. They slow and they accelerate, climaxing in tantalizing crescendos. There’s something Prydz-ian about the deliberateness of each mount and descent of “Roped In” that suggests that the stimulating quality of the song would only further augment in a live setting.

Some listeners will already be familiar with the immersive live potential of “Roped In”; Gorgon City debuted the track as an ID at Burning Man and later incorporated it into several of their sets. “Roped In” is the magnetic successor to Gorgon City’s collaboration with MK, “There For You.”

Photo credit: Gorgon City/Facebook

Seismic Dance Event 2019 brought massive tech and house vibes to Austin, TX – photos by Alexis Sturm, Mario Garza and Edgar Valdes

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Seismic Dance Event 2019 brought massive tech and house vibes to Austin, TX – photos by Alexis Sturm, Mario Garza and Edgar ValdesEdgarValdes01

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NMF Roundup: Laidback Luke remixes Knife Party, Jason Ross and Dabin team up + more

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NMF Roundup: Laidback Luke remixes Knife Party, Jason Ross and Dabin team up + moreLaidbackLuke TimSnow 20140816 3

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

After the release of their Lost Souls EP earlier this year, Knife Party have tapped Laidback Luke for a groovy remix of “Death & Desire,” and Jason Ross, Dabin, and Dylan Matthew team up for “One That Got Away.” Wave Racer has released a new single, “This N That” with LunchMoney Lewis, and Martin Garrix links with Dean Lewis for “Used to Love.” Walker & Royce tackle Dom Dolla’s “San Frandisco,” and Hot Since 82 takes it one deeper on “Tilted.” Arty lends his spirited hand to Gorgon City and MK’s “There For You,” and Axwell remixes Halsey’s “Graveyard.” Four Tet’s dingbat-riddled moniker unveils new content, and Nicky Romero, Mike Williams, and Amba Shepherd collaborate on “Dynamite.” REZZ and Malaa take no prisoners on “Criminals,” and Golf Clap deliver their iteration of “Let It Go” by Hood Rich and BRUX. NGHTMRE flexes on an interpretation of Habstrakt’s “The One,” and Herobust cranks up the intensity on “Smoke.” Chime keeps the Halloween spirit alive with “Haunted,” and Modestep sound the “Alarm” on their new single.

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Tim Snow

Gryffin solidifies two years of preparation with his 16-track debut LP, ‘Gravity’

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Gryffin solidifies two years of preparation with his 16-track debut LP, ‘Gravity’69338567 2222304668060523 8495674662383820784 N

It’s been more than a two-year odyssey for Gryffin since the groundwork for his freshman full-length effort, Gravity, was initially set into motion during the fall of 2017. The project’s aggregate roll-out, which constituted a formal five-track EP release last December, as well as close to a dozen official singles, has decisively come full circle following its lead single introduction with “Nobody Compares To You.”

From bubbling beneath the charts with unofficial SoundCloud remixes to formally producing music in tandem with an abundance of Grammy-nominated acts, Gryffin has navigated a meticulous avenue to his current feat: Gravity out in its entirety, containing a track list that spans 16 sublime titles.

While there are more than a modest number of never-before-heard Gryffin productions to briskly dive into, the 11 previous singles from Gravity cannot be forgotten, including hits like “Remember” with Zohara, “Tie Me Down” with Elley Duhé, “All You Need To Know” with Slander, “OMG” with Carly Rae Jepsen in addition to a myriad of others.

In preparation for the album’s forthcoming release just over the past month, Gryffin unwrapped two final gifts as he continued to exemplify that there would not be a single mediocre listing on Gravity with “Baggage” alongside Gorgon City and AlunaGeorge, and most recently, “Body Back.” In terms of brand new music from Gryffin, perhaps the most enticing listen from the unbeknownst album designations is his long-awaited union alongside Seven Lions, which was debuted during the very first GRAVITY II LIVE spectacle in Brooklyn this past August.

Comprehensively, Gravity is engulfed with transcendent productions that encompass further collaborations with DROELOE, a reunion alongside Zohara, and a duet between MARINA and Model Child. For those fortuitous enough to be in attendance for any of Gryffin’s live performances this past summer, he treated fans to his ethereal drumline-induced introductory piece as the project’s commencing piece that provides the cherry on top to one of the year’s most remarkable dance music bodies of work.

Stream Gravity in full below, and purchase tickets to any of Gryffin’s forthcoming GRAVITY II LIVE shows during the remainder of this fall and winter.

Photo credit: Juliana Bernstein

Seismic Dance Event unveils daily lineup, topped by Cirez D and TESTPILOT

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Seismic Dance Event unveils daily lineup, topped by Cirez D and TESTPILOTSeismic Dance Event I O

For the second year, Seismic Dance Event makes its return to Austin, Texas to bless attendees with two days of world-class performances. In September 2018, the inaugural event brought a stellar lineup to the Travis County Exposition Center, including Lane 8, Drezo, Golf Clap, Green Velvet, Sacha Robotti, and more.

In 2019, festival organizers look to build on last year’s success by bringing in headliners Cirez D and TESTPILOT, along with a piping hot array of other artists like Bicep, Idris Elba, Nic Fanciulli, Gorgon City, Nora En Pure, and more.

Now, the festival has revealed its daily lineups, featuring deadmau5’s TESTPILOT alias topping day one and Eric Prydz’s Cirez D moniker at the top of day two at The Statesman. Saturday, Nov. 16 will also feature acts like Chris Lake, i_o, and Rinzen, and Sunday, Nov. 17 will bring performances from Lee Burridge, Gorgon City, Dom Dolla and many more. Along from the dynamic lineup, the festival will also feature live painting and art installations, live performers, totem, and costume contests.

“We couldn’t be more pleased with the glowing feedback from our debut year and now with this year’s lineup,” said RealMusic Events & Seismic co-founders Kelly Gray & Andrew Parsons. “Many US festivals tend to have very similar lineups so we really wanted to switch it up and cater to the more seasoned, underground connoisseur – and yes, believe it, in Texas.”

View the full lineup below and get tickets here.

Seismic Dance Event unveils daily lineup, topped by Cirez D and TESTPILOTSeismic 2019 PRINT

Photo credit: Seismic Dance Event

NMF Roundup: Zedd and Kehlani create a ‘Good Thing,’ Boys Noize links with Francis and the Lights + more

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NMF Roundup: Zedd and Kehlani create a ‘Good Thing,’ Boys Noize links with Francis and the Lights + moreZedd Rukes

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Zedd and Kehlani kick things off this final Friday of September with their new collaboration, “Good Thing,” and Boys Noize links with Francis and the Lights for “Why Not?” Kaskade keeps it mellow on his new collaboration with TELYkast, “No One Else,” and Zeds Dead join forces with Funkin Matt an Fiora for “Feel So.” AC Slater’s new album includes tunes like “Bad Behavior” with Chris Lorenzo and Purple Velvet Curtains, and Mercer takes on DJ Snake and Majid Jordan’s “Recognize.” Golf Clap and MASTERIA deliver “Mystery Scene” on mau5trap/Insomniac, and Gareth Emery follows “Laserface 01 (Aperture)” with “Laserface 02 (Thoughts In Pieces).” Dimension remixes himself on “If You Want To,” and Gorgon City reveal “Warehouse Mix” and “Terrace Dub” iterations of “There For You.” Tritonal team up with Rosie Darling on “Never Be The Same,” and NGHTMRE remixes Saven Lions, SLANDER, Dabin, and Dylan Matthew’s “First Time.” Galantis bring their piano-filled joy to “Holy Water,” and Tinlicker reveal their new LP, This Is Not Our Universe. Anna Lunoe and Nina Las Vegas cook up a weekend heater, “One Thirty,” and YehMe2 remixes Matoma and Bryn Christopher’s “All Around The World.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Rukes