Sunday Morning Medicine Vol 167, with Lane 8, Vincent, RAC, + more

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Sunday Morning Medicine Vol 167, with Lane 8, Vincent, RAC, + moreSMM 2400

Sunday Morning Medicine is a feature from Dancing Astronaut dedicated to the mellower side of electronic music. We bring you our favorite therapeutic selections—old and new—in attempts to alleviate the agonizing effects of a long weekend of partying.

Like a lucid dream, Robotaki‘s latest, “Meant To Be,” swirls and struts through the consciousness with its Tame Impala/Daft Punk-esque psychedelia/synth-wave. Start your Sunday on the right side of Robotaki’s ultraviolet fantasy.

Lane 8 introduces some pensive splendor to Virtual Self‘s sweeping smash, “Ghost Voices,” and the result is a rousing, subtly danceable sonic sonnet.

RAC lends furrowing keys and blooming builds to an already-idyllic Giraffage offering. “Maybes” stands for sweet, swimming possibility this Sunday.

From his latest EP, Vincent‘s “I’m No Magician” is the sensual savor we all crave for end-of-weekend dopamine replenishment. Love, Alexa’s pulsing vocal chops and Vincent’s throbbing bass hit like a beckoning Sunday strobe light.

Arriving from Lee Burridge‘s All Day I Dream imprint, Sébastien Léger’s “Rocket To Lee’s Little Cloud” is the quixotic vessel you ordered to deliver from intrusive thoughts of the upcoming work week. With its chugging beat wistful, reverberating synth line, swift escape is imminent.

Lane 8 flips Virtual Self’s ‘Ghost Voices’ on its head with enamoring new remix

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Lane 8 flips Virtual Self’s ‘Ghost Voices’ on its head with enamoring new remixLane 8 Crssd Fest

Fresh from the Grammys Red Carpet, Virtual Self has gifted fans with Lane 8‘s remix of “Ghost Voices.” More popularly known as Porter Robinson, the producer was this year nominated for the Best Dance Recording category as Virtual Self for his wall-to-wall sensation, “Ghost Voices.” Though he did not win, the track has still not only had a tremendous impact on the electronic sphere, but has also reverberated through the music industry at large.

Lane 8’s take on the release flips the track inside out, pulling the piano to the forefront and shrinking the electronic elements out of focus in the introduction. Crescendoing notes eb and flow through the forefront of the track, while the vocal dances around the new sound structure. While the remix evokes an entirely different, more pensive set of emotions and energy than the original, it still soothes and sonically pleases the listener. The remix has been released on Robinson’s own YouTube channel.

Photo Credit: Jason Siegel

Zedd, Disclosure, FISHER and more garner 2019 Grammy nominations

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Zedd, Disclosure, FISHER and more garner 2019 Grammy nominationsScreen Shot 2017 11 28 At 9.52.34 AM

The biggest night in music for artists and producers alike, the Grammy Awards will air its 61st annual ceremony on February 10. Whereas the 60th edition of the seminal awards event headed east to recognize 2018’s top artists and their productions across a variety of categories from Madison Square Garden in New York, the 61st iteration will return to the West Coast, to air live from the Staples Center in Los Angeles. The Recording Academy formally released its nominations for the 2019 Grammy Awards on December 7.

A central energizer of hip-hop circles throughout the year, Cardi B collected two nominations for “Album of the year” for Invasion of Privacy, and “Record of the year,” for her celebrated collaboration with Bad Bunny and J. Balvin, “I Like It.” A perennial staple of Grammy nomination lists, Drake also received nods for “Album of the year” for his double-sided offering, Scorpion, and “Record of the year” for his newly diamond certified mega hit, “God’s Plan.”

Zedd is notably the sole electronic artist to secure a nomination outside of the Grammy’s dance focused category, “Best dance recording.” Zedd will face off with Cardi B and Drake for “Record of the year,” thanks to his collaborative effort with Maren Morris and Grey on “The Middle.” Zedd will also compete with Childish Gambino, Brandi Carlile, Lady Gaga and Bradley Cooper, Kendrick Lamar and SZA, and Post Malone, who also received nominations within the category.

Above & Beyond, Disclosure, FISHER, Silk City & Dua Lipa, and Virtual Self will battle it out in the “Best dance recording” category, for “Northern Soul,” “Ultimatum,” “Losing It,” “Electricity,” and “Ghost Voices,” respectively. Meanwhile, the “Best dance album” feature dives a bit more into the avant-garde side of electronica, with Jon Hopkins’ stunning LP Singularity stealing a nomination, along with edit album Woman Worldwide by Justice, Sofi Tukker‘s Treehouse, TOKiMONSTA‘s Lune Rouge, and SOPHIE’s Oil of Every Pearl’s Un-Insides.

The remix category also had some strong contenders, with Kaskade and his protégé, CID earning individual nominations, along with Cosmic Gate, Mura Masa, and EDX. The complete list of nominations can be seen here.

2019 Grammy Awards Nominations:

Best new artist

  • Chloe X Halle
  • Luke Combs
  • Greta Van Fleet
  • H.E.R.
  • Dua Lipa
  • Margo Price
  • Bebe Rexha
  • Jorja Smith

Album of the year

  • “Invasion of Privacy,” Cardi B
  • “By the Way, I Forgive You,” Brandi Carlile
  • “Scorpion,” Drake
  • “H.E.R.,” H.E.R.
  • “Beerbongs & Bentleys,” Post Malone
  • “Dirty Computer,” Janelle Monae
  • “Golden Hour,” Kacey Musgraves
  • “Black Panther: The Album,” Featuring Kendrick Lamar

Record of the year

  •  “I Like It,” Cardi B, Bad Bunny & J Balvin
  • “The Joke,”  Brandi Carlile
  • “This is America,” Childish Gambino
  •  “God’s Plan,” Drake
  • “Shallow,” Lady Gaga and Bradley Cooper
  • “All The Stars,” Kendrick Lamar and SZA
  • “Rockstar,” Post Malone feat. 21 Savage
  • “The Middle,” Zedd, Maren Morris and Grey

Song of the year

  • “All The Stars,” Kendrick Duckworth, Mark Spears, Al Shuckburgh, Anthony Tiffith and Solana Rowe
  • “Boo’d Up,” Larrance Dopson, Joelle James, Ella Mai, and Dijon McFarlane
  •  “God’s Plan,” Aubrey Graham, Daveon Jackson, Brock Korsan, Ron Latour, Matthew Samuels and Noah Shebib.
  • “In My Blood,” Teddy Geiger, Scott Harris, Shawn Mendes and Geoffrey Warburton
  • “The Joke,” Brandi Carlile, Dave Cobb, Phil Hanseroth and Tim Hanseroth
  • “The Middle,” Sarah Aarons, Jordan K. Johnson, Stefan Johnson, Marcus Lomax, Kyle Trewartha, Michael Trewartha and Anton Zaslavski
  • “Shallow,” Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
  • “This Is America,” Donald Glover and Ludwig Göransson

Best R&B album

  • “Sex & Cigarettes,” Toni Braxton
  • “Good Thing,” Leon Bridges
  •  “Honestly,” Lalah Hathaway
  •  “H.E.R.” H.E.R.
  • “Gumbo Unplugged (Live),” PJ Morton

Best country album

  • “Unapologetically,” Kelsea Ballerini
  • “Port Saint Joe,” Brothers Osborne
  • “Girl Going Nowhere,” Ashley McBryde
  • “Golden Hour,” Kacey Musgraves
  • “Volume 2,” Chris Stapleton

Best pop solo performance

  • “Colors,” Beck
  • “Havana (Live),” Camila Cabello
  • “God Is A Woman,” Ariana Grande
  • “Joanne (Where Do You Think You’re Goin’?),” Lady Gaga
  • “Better Now,” Post Malone

Best pop vocal album

  • “Camila,” Camila Cabello
  • “Meaning Of Life,” Kelly Clarkson
  • “Sweetener,” Ariana Grande
  • “Shawn Mendes,” Shawn Mendes
  • “Beautiful Trauma,” P!nk
  • “Reputation,” Taylor Swift

Best dance recording

  • “Northern Soul,” Above & Beyond Featuring Richard Bedford
  • “Ultimatum,” Disclosure (Featuring Fatoumata Diawara)
  • “Losing It,” Fisher
  • “Electricity,” Silk City & Dua Lipa Featuring Diplo & Mark Ronson
  • “Ghost Voices,” Virtual Self

Best dance album 

  • Singularity – Jon Hopkins
  • Woman Worldwide – Justice
  • Treehouse – Sofi Tukker
  • Oil of Every Pearl’s Un-Insides – SOPHIE
  • Lune Rouge – TOKiMONSTA

Best remixed recording

  • “Audio (CID Remix)” — CID, remixer (LSD)
  • “How Long (EDX’s Dubai Skyline Remix)” — Maurizio Colella, remixer (Charlie Puth)
  • “Only Road (Cosmic Gate Remix”) — Stefan Bossems & Claus Terhoeven, remixers (Gabriel & Dresden Featuring Sub Teal)
  • “Stargazing (Kaskade Remix)” — Kaskade, remixer (Kygo Featuring Justin Jesso)
  • “Walking Away (Mura Masa Remix)” — Alex Crossan, remixer (Haim)

Best rock song

  • “Black Smoke Rising,” Jacob Thomas Kiszka, Joshua Michael Kiszka, Samuel Francis Kiszka & Daniel Robert Wagner, songwriters (Greta Van Fleet)
  • “Jumpsuit,” Tyler Joseph, songwriter (Twenty One Pilots)
  • “MANTRA,” Jordan Fish, Matthew Kean, Lee Malia, Matthew Nicholls & Oliver Sykes, songwriters (Bring Me The Horizon)
  • “Masseduction,” Jack Antonoff & Annie Clark, songwriters (St. Vincent)
  • “Rats,” Tom Dalgety & A Ghoul Writer, songwriters (Ghost)

Best urban contemporary album

  • “Everything Is Love,” The Carters
  • “The Kids Are Alright,” Chloe x Halle
  • “Chris Dave And The Drumhedz,” Chris Dave And The Drumhedz
  • “War & Leisure,” Miguel
  • “Ventriloquism,” Meshell Ndegeocello

Best jazz vocal album

  • “My Mood Is You,” Freddy Cole
  • “The Questions,” Kurt Elling
  • “The Subject Tonight Is Love,” Kate McGarry With Keith Ganz & Gary Versace
  • “If You Really Want,” Raul Midón With The Metropole Orkest Conducted By Vince Mendoza
  • “The Window,” Cécile McLorin Salvant

Best gospel album

  • “One Nation Under God,” Jekalyn Carr
  • “Hiding Place,” Tori Kelly
  • “Make Room,” Jonathan McReynolds
  • “The Other Side,” The Walls Group
  • “A Great Work,” Brian Courtney Wilson

Best Latin pop album

  • “Prometo,” Pablo Alboran
  • “Sincera,” Claudia Brant
  • “Musas (Un Homenaje Al Folclore Latinoamericano En Manos De Los Macorinos), Vol. 2,” Natalia Lafourcade
  • “2:00 AM,” Raquel Sofía
  • “Vives,” Carlos Vives

Best Americana album

  • “By The Way, I Forgive You,” Brandi Carlile
  • “Things Have Changed,” Bettye LaVette
  • “The Tree Of Forgiveness,” John Prine
  • “The Lonely, The Lonesome & The Gone,” Lee Ann Womack
  • “One Drop Of Truth,” The Wood Brothers

Best comedy album

  • “Annihilation,” Patton Oswalt
  • “Equanimity & The Bird Revelation,” Dave Chappelle
  • “Noble Ape,” Jim Gaffigan
  • “Standup For Drummers,” Fred Armisen
  • “Tamborine,” Chris Rock

Best song written for visual media

  • “All The Stars,” Kendrick Duckworth, Solána Rowe, Alexander William Shuckburgh, Mark Anthony Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA), Track from: Black Panther
  • “Mystery Of Love,” Sufjan Stevens, songwriter (Sufjan Stevens), Track from: Call Me By Your Name
  • “Remember Me,” Kristen Anderson-Lopez & Robert Lopez, songwriters (Miguel Featuring Natalia Lafourcade), Track from: Coco
  • “Shallow,” Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper), Track from: A Star Is Born
  • “This Is Me,” Benj Pasek & Justin Paul, songwriters (Keala Settle & The Greatest Showman Ensemble), Track from: The Greatest Showman

Producer of the year, non-classical:

  • Boi-1da
  • Larry Klein
  • Linda Perry
  • Kanye West
  • Pharrell Williams

H/T: CBS News

Mountain Terrace takes ‘Ghost Voices’ for a high-speed run

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Little is known about Japanese producer, Mountain Terrace, aside from his solitary, though impressive, upload on SoundCloud: a drum ‘n’ bass remix of Virtual Self‘s “Ghost Voices.” Released just on the cusp of 2018, “Ghost Voices” acquired instant applaud, serving as the masthead for Porter Robinson‘s newly instated, “neo-trance” alias, Virtual Self.

Though the track has been heavily remixed in recent months, few have opted, like Mountain Terrace has, for such a dramatic tempo change. MT immediately propels the listener into a full-tilt drum ‘n’ bass whirlwind of an intro. However, he then moves the rendition into VS’ original, weighty, and slightly slowed trance interlude to lend the track a soothing sentiment before erupting again into an unhinged vortex of amen breaks.

Adventure Club Teases ‘Ghost Voices’ Remix In New Teaser Video And It Sounds Glorious

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Porter Robinson made waves with the reveal of his new alias in the last quarter of 2018. Virtual Self was unlike anything many had ever heard, and the passion project of Porter soon grew into a life of its own. The biggest hit from the side project so far has undoubtedly been ‘Ghost Voices’. The

The post Adventure Club Teases ‘Ghost Voices’ Remix In New Teaser Video And It Sounds Glorious appeared first on EDM Sauce.

Virtual Self – Ghost Voices (Raito Remix)

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Virtual Self Ghost Voices

Virtual Self has made gargantuan waves in the global EDM sphere since the release of his self-titled, debut EP Virtual Self. After making his festival debut at Buku Music + Art Project last weekend, the elusive alias is set for a plethora of upcoming performances around the world at Ultra, EDC, Bonnaroo, Spring Awakening and Creamfields.

Listeners continue to dig up new remixes of the EP’s second single, “Ghost Voices,” with the latest coming from the illustrious French techno producer known as Raito. Raito injects his own driving backbeat to the track, stripping it down into its minimalist decor.

Raito’s effort is one of the most forthright remixes of Virtual Self to date. It’s engaging, simplistic, and the convergence of styles we’ve been waiting for.

Virtual Self aka Porter Robinson Announce “Ghost Voices” Video Release

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Virtual Self took shape a few months back and sent the entire Electronic Music scene into a frenzy. Over the past few years, Porter Robinson has become a staple in and Electronic Music conversation and the transition from the “Worlds” star into this new demention of music was something that many questioned. That questioning has

The post Virtual Self aka Porter Robinson Announce “Ghost Voices” Video Release appeared first on EDM Sauce.

Hex Cougar Drops Unique Flip Of ‘Ghost Voices’ By Virtual Self

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Rising DJ/producer Hex Cougar has been making some serious waves throughout the scene this past year. He has been releasing some breathtaking originals and remixes that are truly all in a league of their own. Recently he released a flip of Virtual Self’s ‘Ghost Voices’ and it is no different from the bombs he has

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Virtual Self – Ghost Voices (AWE Bootleg)

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AWE has revealed a remix of Virtual Self’s ‘Ghost Voices.’

Virtual Self, a new alter ego from Porter Robinson, first released the track in his debut self-titled EP. Now, AWE flips the script on the track, altering its structural nature from a deep ballad to trap anthem and injecting his own blend of askew drum samples. AWE’s expansion of the original track is a testament to his experimental production M.O., an element which has certainly payed off on this rework.

Read More:

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Porter Robinson unveils second Virtual Self track

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The hype around Porter Robinson‘s new project, Virtual Self, is quickly approaching a fever pitch. The producer caught fans off guard with the release of the first track under the new alias and has been surreptitiously unveiling details around the project’s first show — likely to be held in Brooklyn. Now, the producer has yet again unveiled a new track with little warning: “Ghost Voices.”

In contrast to Virtual Self’s first track, “Eon Break,” which at times became utterly frenetic, “Ghost Voices” demonstrates a more reserved tempo and energy. Still, the producer’s talent for clever production choices and an ear for melody are on full display — though, perhaps the most intriguing facet of the track is that Virtual Self seems to be a project of considerable breadth in style.

Read More:

Porter Robinson’s Virtual Self Twitter account tweets out telling phone number

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Porter Robinson’s seminal ‘Worlds’ is now three years old