Gessafelstein, the French producer perhaps best known for working on Kanye West’s Yeezus, produced two tracks on the Weeknd’s My Dear Melancholy last year. All this week Gessafelstein (born Mike Lévy) and the Weeknd (born Abel Tesfaye, but you knew that) have been teasing another song together called “Lost In The Fire.” That … More »
Pop music is a crazy industry, even more so in our fractured age. It’s crazy how many songs can be blowing up in some corner of the world, online or off, without ever spilling over into the mass consciousness. It’s crazy how many of those songs actually do spill over without some of us realizing … More »
There is something about The Weeknd that draws in French house music virtuosos. The vocalist’s previous work with Daft Punk helped him ascend the charts as well as enjoy a handful of Grammy nominations. Now another French electronic mastermind has risen out of the darkness with his sights set on ‘The Hills’ singer. Gesaffelstein made
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The pair last linked on two tracks from The Weeknd’sMy Dear Melancholyin early 2018, and now the R&B star and French electronic visionary are priming fans for their next collaboration, arriving today in the form of a short teaser clip. Gesaffelstein’s LP debut, Aleph, first landed back in October of 2013, and he snapped a four year hiatus in December with the release of his sophomore album’s lead single, “Reset.” Currently, there’s no official release date for “Lost In Fire,” though with the newly surfaced teaser, expect the full single to follow closely.
Paring down an entire year’s worth of songs is no easy feat.
2018 saw the explosion of songs like ZEDD‘s “The Middle” and Calvin Harris and Dua Lipa‘s “One Kiss,” dominating both the dance music charts and the radio airwaves. Ear-catching tracks like these, along with fan favorites like FISHER‘s persuasive “Losing It” and Anti Up‘s entertaining “Pizza” wiggled their way into festival sets around the world and — love them or hate them — stood out as notable tracks that do their part in immortalizing this whirlwind of a year.
The biggest news, of course, in Michel Lévy’s recent machinations was the release of “Reset” last week — his first single in years. Coming alongside a video, the eerie, broken-beat track all but confirmed the aforementioned LP rumors. After all, why would the covert Frenchman put so much effort into promoting a solitary song?
At long last, Gesaffelstein has confirmed that he does indeed have a new album on the way: Hyperion.
A mural stating “THIS IS THE COVER OF HYPERION, THE NEW ALBUM BY GESAFFELSTEIN” arose this week in Miami during their ongoing Art Basel festival. Emblazoned in a similar fashion to the famed billboards, it’s not fully clear if the announcement itself is the artwork for Hyperion or if the adjacent picture of a shattering black pane is. If the latter is the case, the LP’s packaging would be evocative of The Black Keys’ 2010 album, Brothers, which famously read, “This is an album by The Black Keys. The name of this album is Brothers.” Suffice it to say, Gesaffelstein wouldn’t find himself in poor company with such self-evident album artwork.
No release date for Hyperion has been confirmed at press time, but at the moment, we can all take a moment to revel in finally being able to say with conviction, “Gesaffelstein has a new album on the way.”
Drezo has spent the past half decade carving out his own lane in the realm of bass-heavy, dark house music. With his spastic percussion and ominous vibe, the LA-based artist draws influences from new wave electronic music while tapping the rave sounds of the past. Now, he’s broken nearly a year of radio silence, taking on the title track of Gesaffelstein‘s seminal debut album, Aleph. Drezo flexes his production prowess with a hard-hitting remix for the French icon, reinventing the track just as Gesaffelstein’s resurgence is beginning.
Drezo begins the remix by playing up the eerie guitar found in Gesaffelstein’s original. As the track begins to build, a bass line eases in, before quickly jumping to prominence with a fierce break. Though his signature heavy low-end is present, this remix stands as a more minimal take on Drezo’s usual style in homage to Gesaffelstein’s characteristically stripped back aesthetic. With hollow synth stabs and a brooding energy, Drezo has put forth a remix fitting for the newly returned French techno luminary, alluding to his own comeback primed for 2019.
French industrial virtuoso, Gesaffelstein started to tease his return following a 5-year hiatus last month. His socials were suddenly updated after not much activity and immediately fans were excited as possible. As the artist continued to tease new music in the form of subtle updates, more eyes began turning to his socials for information. Today,