Dancing Astronaut’s Artists to Watch in 2020

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Dancing Astronaut’s Artists to Watch in 2020Rinzen Eoy

2019 has been an undeniably remarkable year for electronic music, but what will the next decade bring? The Dancing Astronaut team has its fingers on the pulse of the coming months—notably artists who saw an immense upward trajectory in 2019 and are primed for a big 2020. These artists aren’t necessarily freshman newcomers, but rather established artists to keep a close eye on next year. In no particular order, we present our Artists to Watch in 2020 list.


Dancing Astronaut’s Artists to Watch in 2020SUBTRONICS SNAILS
Photo credit: @traumashoots

Subtronics

Subtronics had an impressive 2019, boasting a side to bass music unique unto the cyclops army general himself through catchy fills, grotesque sound design, scintillating syncopation, and provoking dubstep arrangements. Known off-stage as Jesse Kardon, the Philadelphia producer rounded the year with a certified viral, festival hit with “Griztronics,” a collaboration with dance music’s lovable, sax-touting, electro-funk Michigander, GRiZ.

Aside from the bigger font size on lineup cards, the sound slinger boasted numerous grade-A collaborations from touted veterans such as Ganja White Night on their “Headband” offer and Rusko with “Bounce.” Other partnerships included the visually appealing “SNAILCLOPS” with Snails and the menacing “Step Aside” with “Midnight Tyrannosaurus.” After success on the festival and streaming stage, the up-and-coming engineer unleashed a furry of audio with his Wooked On Tronics.

Finishing off 2019, the friendly creator is rounding out the year with a Kayzon collaboration, “BRAINCASE.” He of course also has a Zeds Dead collaboration. Get prepared for a thrashing 2020 that can only bring more carnage, because he’s not stopping or slowing down anytime soon.

Chris Stack


Dancing Astronaut’s Artists to Watch in 2020Wa Motif 1
Photo credit: Leonardo Kaczmarek

Wax Motif

G-house, tech-house, nu-disco, hip-hop, Wax Motif can sweep it all up in a song with a flick of his wrist. The longtime scene staple has experienced nothing like a shortage on the original release front over the years. But it wasn’t until 2019 that he unrolled official album plans. 

And what a rollout it was

The first single to usher in the impending album, poised for a 2020 release, also stood as the first single shared via Wax’s newly minted self-started record label of the same name, Divided Souls. “Divided Souls,” a proper modern-day tech-house stomper, ups the ante for G-house fanatics, featuring a sermon-like vocal cut from the preeminent Diddy—yes, that Diddy. Most recently Wax shared, “Lose Control,” featuring the swiftly ascending Matroda, and sampling the late great Missy Elliot, for a dynamic update to an iconic early 2000s dance floor display. 

2020 has plenty of promising developments on the Waxy horizon, between his album plans, new Divided Souls releases, his prolific touring track record, and expected activity from his House of Wax mix series.  

Bella Bagshaw


Dancing Astronaut’s Artists to Watch in 2020Ben Boehmer Photo Cred Kunter Grau E1575388150708
Photo credit: Kunter Grau

Ben Böhmer

For Ben Böhmer, there might inexplicably be no better way to cap off the year than with his debut album. Delivering the awe-inspiring Breathing filled with thematic nuances and progressive shades, Böhmer has poignantly strategized his gentle climb to the top with a steady stream of releases that have unearthed his grasp on ethereal sonics and conjunctively associated him with prolific peers. From his first appearance on esteemed deep house label Anjunadeep‘s Explorations 04 with the potently dreamy “Flug & Fall,” the Berlin talent had already cemented his ascent as a burgeoning act of his own. Consistently reaping radio play from Above & Beyond‘s Group Therapy, Böhmer has also received support from Ferry Corsten‘s Corsten Countdown, Cosmic Gate‘s Wake Your Mind, Aly & Fila‘s Future Sound of Egypt, and more.

While Böhmer’s full potential has hardly been breached, the culmination of his efforts in 2019 is just on the horizon. Coalescing with label mates Luttrell and Spencer Brown on “Gibberish” and “SF to Berlin” respectively, the fledging Berlin producer has transfixed melodic listeners in the studio and on stage—performing at not only Anjunadeep’s Open Air and Explorations circuit, but also supporting Lane 8‘s This Never Happened tour. Now, Böhmer looks to accelerate his career with his own world tour in support of debut LP Breathing and undeniably prepare for what will be his most defining year yet in 2020.

Jessica Mao


Dancing Astronaut’s Artists to Watch in 2020Peekaboo Photo Credit Anastasia Velicescu
Photo credit: Anastasia Velicescu

Peekaboo

Peekaboo began gaining recognition in 2018 with his Wakaan-backed Imposters EP, as the cinematic “Arrival” shared a glimpse into his previous education as an audio engineer for horror films. Towards the end of 2018, the Michigan-born producer released scintillating bass squirmer “Babatunde” alongside G-Rex, which received multiple makeovers on a Wakaan remix pack released at the beginning of 2019 including a special VIP remix from the two original creators that graced festivals across stages celebrating deep 808 cuts. 

Another early 2019 highlight is the most popular remix—according to Spotify streams—of Zeds Dead and Jauz’s dual imprint-backed “Lights Go Down,” which combined the slashing and ASMR synths atop rumbling low end that have placed Peekaboo in a box outside boxes, crafting sounds that are unique to his style. In March 2019, he released his four-track Wrecking Ball, which debuted at No. 10 on Billboard’s Dance/Electronic Album chart. The real wrecking ball offering came later that month with the thrashing Bassnectar collaboration “Illusion” featuring Born I from the bass forefather’s Reflective (Part 4) series.

After early success in 2019, the bass maven joined REZZ as the premier feature on her Beyond The Senses tour celebrating her debut self-released extended play, a stamp to the artistry and momentum garnered by Peekaboo this year—and sure to continue for the foreseeable future.

Chris Stack


Dancing Astronaut’s Artists to Watch in 2020Drezo Epic Lighting Goldrush Rukes
Photo credit: Rukes

Drezo

The wait for word from the Drezo camp has made for a slow-crawling 2019. Earlier this year, he announced a new EP series, Omens, alongside a standalone single, “Afterlife” from the first batch of tracks. While the electro insurrection was mighty, fans were certainly hoping for a full-length release from the fiercely sought-after LA producer this year.

Despite a multitude of delays with the EP launch, Drezo’s been able to summon a preternatural level of patience from his vastly attentive fanbase.

“I just want to represent where the heart of my whole entity lies,” Drezo recently told Dancing Astronaut of the impending EP series. “The dark, gritty club vibe, an atmosphere, really, which is very addicting to some people.”

He’s known for his “evil” earmark: a deliciously disturbing strain of mid-tempo bass. He’s proven adept enough in the production arena to garner official remixes for the likes of Destructo and Tchami, and is a known accomplice of the ever-elusive DJ Hanzel (aka Dillon Francis). 

So while 2019 may have had Drezo’s tour schedule firing on all cylinders, he’s undoubtedly saved the original material for 2020. Don’t touch that dial.

Bella Bagshaw


Dancing Astronaut’s Artists to Watch in 2020Vincent Photo Credit Steven Truong
Photo credit: Steven Truong

Vincent

Robert Hughes, under his Vincent moniker, already has a lot in store for the start of the new decade. Since stepping on the scene in 2015 with a still-popular remix of Alison Wonderland’s “U Don’t Know,” the Canadian artist has blossomed his career into a vibrant soundscape of dance and techno music.

Accompanied by a world tour at the beginning of the year, his EP For You is his most vulnerable and masterful collection of tracks to date, featuring lyrical and emotive songs, a departure from his typical invigorating electronic sounds. He worked with vocalists like Pauline Herr, Brooke Daye, sad alex, and Love, Alexa on the five-track EP, adding new layers and textures to his sonic palette. Aside from the successful EP, Vincent released many singles throughout the year, most notably his “Falling, Fading” solo venture, his single featuring The Griswolds, “Lost and in Love,” and a collaboration with Naderi, “Wasted Time.” 

Wasting absolutely no time and relishing in his success, Vincent will embark on another world tour starting in January 2020 with The Griswolds.

Mo Kaufer


Dancing Astronaut’s Artists to Watch in 2020Attlas Photo Credit Maria Jose Govea
Photo credit: Maria Jose Govea

ATTLAS

It’s been a fairly quiet 2019 for mau5trap mainstay ATTLAS, but that doesn’t mean something isn’t brewing. After much anticipation, the Canadian producer finally revealed the third installment in his beloved Storyline series in July, ending the year-and-a-half drought since the sophomore’s drop. Additionally, he treated fans to his EDC Las Vegas back-to-back set with Rhett on SoundCloud and even put together an edit called “boxed machinery” after hearing how well the two songs went together during the set. ATTLAS regularly played shows in 2019, including a mau5trap label takeover in London in August and a slot on deadmau5’s Cube V3 tour in September. But the best was yet to come.

In the last month of the decade, the talented producer revealed that he’ll be starting 2020 with a bang—with the release of his debut LP, Lavender God. The first single (and track six from the album), “Sinner Complicated,” arrives on Dec. 6. The artist calls the track a “textured and atmospheric roller that progresses with narrative intention from the beginning.”

While there’s no set release date for the album, ATTLAS noted in a Facebook comment that it would be arriving in less than two months via mau5trap.

Robyn Dexter


Dancing Astronaut’s Artists to Watch in 2020Rinzen Eoplanet Press Shot 2
Photo credit: Michael Drummond

Rinzen

Armed with a vision of world-building through sound, Rinzen and his rise as a house and techno storyteller have dawned rapidly. Entangling multimedia influences of cinema and literature with music, the Los Angeles artist has constructed his own brand to be experienced as a full-immersion concept—flush with visual-inducing soundscapes and intriguing pictorial electronic styles. Catapulting his career beginnings in 2017, Rinzen has garnered the early support of deadmau5 with accumulations of several mau5trap releases since including two official deadmau5 remixes, “acedia (ov)” and “Monophobia.”

2019 has only capitalized on his meteoric developments with scything collaborative executions at its finest and an exponential tour front. The mau5trap fixture released three EPs in the year alone, initiating solo efforts on Prologue while joining forces with Mulya and Sobek for Mirrored Screen and Evan Casey and Marb on Torus. The creation behind Torus proved a triple threat: spotlighting Rinzen’s driving force behind the formation of Desert Hearts Black, marking Rinzen as the first release of the sub-label, and witnessed him opening the warehouse launch party. Simultaneously, Rinzen’s tour presence has grown momentously from one booking a month to career-defining triple header dates while also reaping in debuts at Ultra, EDC, Desert Hearts, and more. As his name calls, Rinzen has only just geared up to give 2020 a “sudden awakening.”

Jessica Mao


Dancing Astronaut’s Artists to Watch in 2020Nina Las Vegas Photo Credit Maria Jose Govea E1575388721481
Photo credit: Maria Jose Govea

Nina Las Vegas

Nina Las Vegas has had herself a hugely successful 2019, and all ears are on the Australian artist to take her powerful girl-boss energy into the new decade.

NLV has cemented her status as an EDM tastemaker, with hosting positions on both Triple J and Beats 1 Radio. Towards the latter part of this year, the artist also (finally) collaborated with old pal and fellow Aussie Anna Lunoe for an absolute club detonator titled “One Thirty.” The track was released on Lunoe’s longtime home label, Mad Decent, as well as on Nina Las Vegas’ own imprint, NLV Records.

“It only took 15 years of friendship and [collaborating] in every other aspect of our life to finally build the courage to work on a song together,” she said of the track. “With so much shared between us already, it might have been the easiest day in the studio for each of us.”

The producer’s electric energy is funneled towards all things music, and she’s a passionate advocate for the revitalization of Sydney club life. Those interested in catching a Nina Las Vegas set can see her at Friendship 2020 on Jan. 6.

Mo Kaufer


Dancing Astronaut’s Artists to Watch in 2020Fo Stevenson Photo Credit Franne Norman E1575480362634
Photo credit: Franne Norman

Fox Stevenson

Fox Stevenson‘s rise has been steady over the course of the past several years, but it’d be hard to argue that any year has been more prominent for the producer than 2019. After releases of varied genres on Liquicity, Monstercat, Disciple, Spinnin’, and more, the 27-year-old UK producer decided that this was the time to put together a live band, a debut album, and a live tour. Killjoy hit the airwaves in full in October after tracks like “Out My Head” and “Dreamland” had gradually trickled out. In a brief documentary released on his YouTube channel, the artist noted that it’s “scary” to put out music like the tracks on Killjoy when he was getting bookings for DJ sets where he needed to play heavier music, but when it came down to it, the singer/songwriter knew the time was now. He says this process has been about getting back to what he is “at [his] core,” and his current work has been part of that self-discovery.

With an even farther-reaching sound, the sky’s the limit for Fox Stevenson in 2020 and beyond.

Robyn Dexter

Lunar Lunes: Louis Futon and The Philharmonix flip ‘Hey Arnold,’ Marshall Jefferson and Solardo deliver ‘Move Your Body’ + more

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Lunar Lunes: Louis Futon and The Philharmonix flip ‘Hey Arnold,’ Marshall Jefferson and Solardo deliver ‘Move Your Body’ + moreLouis Futon

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

Photo credit: Louis Futon/Facebook

Dexter’s Beat Laboratory Vol. 113

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 113Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Faux Tales‘ latest body of work is a beautiful sight to behold and absorb. Titled Hiraeth, the LP has been in the works for nearly two years. Its nine tracks allow the listener to transcend time and space, taking them on a cinematic, journey-like sonic venture. Faux Tales has a story to tell, and the album takes the listener through the chapters with thought-provoking tracks like “Home.”

Speaking of journeys, Murtagh transforms Dezza‘s “Apollo” in his newest piece of work. Dezza crafted an ethereal original track, full of builds and outer space-inspired dreamy synths. Dezza’s was fully otherworldly, abstaining from a beat or drop, but Irish producer Murtagh seizes his opportunity to introduce them. A steady, unobtrusive beat leads the listener through the song, giving it a bit of a mysterious and almost gloomy feel.

Grum starts his new single, “Tomorrow,” on a bold note, leading with bright, colorful synths and ushering in a deep-pounding bass. Wavy synths announce the entrance of emotive vocals, offsetting the tune’s darker feel with the distinctive singer’s voice. After the middle of the song, the flashy synths are reintroduced, lifting the listener back up before plunging them back into the shadowy, bass-filled instrumentals.

Inukshuk and Trove grab hold of the heartstrings and don’t let go on their new collaboration, “Pull Me In.” The joint effort is delicate and beautiful in both its vocal elements and in its instrumentals. Both aspects of the song manage to dig deep into the listener’s emotions and cradle the parts that are vulnerable and raw. It’s a gorgeous piece of work.

Fox Stevenson fans have been waiting for years upon years for the producer’s debut LP, and it’s finally arrived as of Oct. 18. The majority of the songs have been released as singles over time, but a fewlike “Use Me”arrived with the release of the album. The tune is a fun and creative amalgamation of the artist’s modern sound: pop-leaning with impeccable production and his own endearing vocals.

NMF Roundup: Valentino Khan remixes Tchami, Gryffin teams up with Maia Wright + more

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NMF Roundup: Valentino Khan remixes Tchami, Gryffin teams up with Maia Wright + moreValentino Khan 3 White Rabbit

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Valentino Khan tackles Tchami’s “Rainforest” in his latest remix, and Gryffin teams up with Maia Wright for “Body Back.” Lost Kings tap Marc E. Bassy for “Somebody Out There,” and Adventure Club unveil their Death or Glory Sessions. David Guetta remixes Idris Elba’s “On Life” as Jack Back, and Sullivan King reveals his debut album, including tracks like “If My Eyes Are Vampires (Your Body Is My Sunlight)” with TYNAN. Fox Stevenson, too, has a debut album out on Oct. 18, featuring songs like “All Night,” and Hardwell teams up with Deorro, MAKJ, and Fatman Scoop for “Left Right.” Henry Fong encourages listeners to “Jump Up” with his new single, and Flosstradamus and Megatone deliver “Bounce Back” after premiering the track with DA. Faux Tales has released his ethereal Hiraeth LP, and Madnap and Luma have collaborated on “Faces.” YehMe2 and Wuki “Throw It” on their new collaboration, and vowl. and Brock Wilson jointly release “recluse.” Justin Jay puts his own spin on NGHTMRE and A$AP Ferg’s “REDLIGHT,” and Boombox Cartel and Griff Clawson reveal “All I Want.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: White Rabbit

Dexter’s Beat Laboratory Vol. 112

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 112Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Netsky and Aloe Blacc‘s “Snitch” came out swinging in July, thrilling listeners with wobbling synths, powerful bass, and forceful lyrics. Since it’s Netsky, it was only a matter of time before a drum ‘n’ bass iteration made its debut, and the world is treated to just that via Toronto Is Broken‘s remix. This “Snitch” remix is packed with energy from start to finish.

Matrix & Futurebound are slowly unraveling sets of remixes for Mystery Machine on Viper Records. In the latest set, Flite, T & Sugah, and Glitch City lend their production talents to the April LP. Flite takes on “Believe,” which was initially released last October. He gives the dreamy drum ‘n’ bass track a rougher edge, introducing a drop and following rhythm that are more vigorous than the initial track they’re derived from.

The release of Fox Stevenson‘s debut album, Killjoy, is only a week away. He’s been steadily drumming up excitement by revealing some of its components, including the latest, “Headlights.” Stevenson’s songwriting and production shines in this tune, as his vocals soar over a delicate introduction before he kicks it up a notch in the chorus.

Who doesn’t love “Million Voices” by Otto Knows? The tune is nearly at 30 million YouTube plays and has soundtracked countless parties since its release in 2012. Win & Woo have put their signature slow-burning-yet-groovy take on this beloved song after it was well-received by festival crowds over the summer. “We made it for our Lollapalooza set & loved it so much we knew we had to put it out,” the duo said in the song’s description.

A R I Z O N A‘s ASYLUM album has been two years in the making, and it finally made its full debut on Oct. 11 via Atlantic. The nine-track LP includes tunes like the previously released “Nostalgic” and “Freaking Out,” along with several new cuts like “Where You Are.” The New Jersey trio have a special knack for tapping into listeners’ emotions, and their retro instrumentals complement lead singer Zach Hannah’s vocals impeccably.

Dexter’s Beat Laboratory Vol. 110

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 110Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


I’ve loved Maduk and Dennis Pedersen‘s “Miles Apart” since its release last spring and was intrigued to see that Fox Stevenson had done a remix of the tune for Liquicity‘s Reflections Part 3. In true Fox Stevenson fashion, the producer has flipped the tune into a more energetic iteration, complete with his own harmonies underneath Ella Noël’s. It’s flawless.

Tobtok‘s name seems to be popping up everywhere, and his funky vintage style of house music keeps drawing me in. His latest is a collaboration with Adam Griffin and vocalist Hayley May. With a bold, anthemic melody and steady grooving beat, “The Stand Off (I Want You)” is irresistible. The Swedish producer knows how to craft tunes for the dance floor, and this is ready for just that.

Last month brought the arrival of a new Dimension song, “If You Want To”—an aggressive drum ‘n’ bass number with a dramatic, foreboding tone. Here in the following month, the British producer has reworked his own song into an electro interpretation, fueled by the sultry spoken vocals. This one has a more laid-back feel, but its underlying orchestral elements give the tune a bit of an eerie feel.

At long last, the second remix EP for The Midnight has arrived via Silk Music. It’s been more than two years since the release of the first one, but it appears lush remixes featured on this new collection have been worth the way. This take on the Nocturnal song is breathtaking, as Kobana builds a rich sonic landscape with his progressive house-inspired version of the song.

Essenger‘s new single, “Tether,” combines a wide range of styles effortlessly. It opens with a wistful guitar melody, leading into a nostalgia-fueled verse from the producer, who does his own vocals. “Tether” drips with emotion from start to finish and seems to encourage the listener to look inward and absorb the very soul of the song in a raw and real way.

NMF Roundup: Zedd and Kehlani create a ‘Good Thing,’ Boys Noize links with Francis and the Lights + more

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NMF Roundup: Zedd and Kehlani create a ‘Good Thing,’ Boys Noize links with Francis and the Lights + moreZedd Rukes

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Zedd and Kehlani kick things off this final Friday of September with their new collaboration, “Good Thing,” and Boys Noize links with Francis and the Lights for “Why Not?” Kaskade keeps it mellow on his new collaboration with TELYkast, “No One Else,” and Zeds Dead join forces with Funkin Matt an Fiora for “Feel So.” AC Slater’s new album includes tunes like “Bad Behavior” with Chris Lorenzo and Purple Velvet Curtains, and Mercer takes on DJ Snake and Majid Jordan’s “Recognize.” Golf Clap and MASTERIA deliver “Mystery Scene” on mau5trap/Insomniac, and Gareth Emery follows “Laserface 01 (Aperture)” with “Laserface 02 (Thoughts In Pieces).” Dimension remixes himself on “If You Want To,” and Gorgon City reveal “Warehouse Mix” and “Terrace Dub” iterations of “There For You.” Tritonal team up with Rosie Darling on “Never Be The Same,” and NGHTMRE remixes Saven Lions, SLANDER, Dabin, and Dylan Matthew’s “First Time.” Galantis bring their piano-filled joy to “Holy Water,” and Tinlicker reveal their new LP, This Is Not Our Universe. Anna Lunoe and Nina Las Vegas cook up a weekend heater, “One Thirty,” and YehMe2 remixes Matoma and Bryn Christopher’s “All Around The World.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Rukes

NMF Roundup: Diplo remixes Kaskade, Spencer Brown takes on deadmau5 + more

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NMF Roundup: Diplo remixes Kaskade, Spencer Brown takes on deadmau5 + moreSpencer Brown Press 3 E1568995205752

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Diplo leads the charge this NMF with a sultry remix of Kaskade, Felix Cartal and Jenn Blosil’s “More,” and Spencer Brown previews deadmau5’s forthcoming here’s the drop! remix LP with his take on “fn pig (ov).” Cashmere Cat’s sophomore album makes its debut on Sept. 20, featuring song like the Christina Aguilera-sampled “WATERGIRL,” and Chris Lorenzo takes on Boombox Cartel and MadeinTYO’s “NEW WIP.” M83’s much-anticipated 15-song DSVII is out now, featuring songs like “Feelings,” and Kill Paris puts an even groovier spin on Haywyre’s already-funky “Storyteller.” Opiuo and Lafa Taylor shine in “Send It,” and Muzzy tackles Knife Party’s “Ghost Train” with a sinister rendition of his own. Billy Kenny and Huxley take to the dance floor on “SWEAT,” and Feenixpawl and Marcus Santoro bring the feels with “Forever Young.” Cristoph puts his own spin on The Temper Trap’s “Sweet Disposition,” and Dom Dolla plays with words on “San Frandisco.” David Guetta remixes himself as Jack Back in a new remix of “Thing For You,” and Luttrell paints a serene soundscape with his remix of Jai Wolf and Mr Gabriel’s “Lose My Mind.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Dexter’s Beat Laboratory Vol. 107

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 107Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Goldroom is less than two months away from the arrival of his new LP, Plunge/Surface, and continues to share snippets of what fans can expect from the two-part album. The latest of these is “Running Wild” with former collaborator Nikki Segal. This relaxed piece ushers the autumn season in with ease.

RÜFÜS DU SOL blessed their fans with a new set of remixes for Solace on Sept. 6, sharing among them Gerd Janson‘s vocoder mix. The German producer brings a sparkling, bright new atmosphere to “Treat You Better,” putting a twist on the original’s vocals by incorporating a vocoder.

Fox Stevenson has been hard at work on his live show, a documentary, and his debut album, so it’s crazy to see the amount of material he’s been releasing. The latest in a string of releases is “Dreamland,” a vocal-powered drum ‘n’ bass-but-otherwise-hard-to-define song. He calls it “maybe [his] favourite song [he’s] ever made,” and it’s easy to see why.

deadmau5 and Kaskade‘s iconic “I Remember” is chillingly haunting in its original format, so when BLOODTONE got his hands on it, he somehow found a way to make it even more so. He’s given it what he calls “a dark warehouse feel” and plunged it to the depths of the shadows in a thrilling way.

The opening notes of RL Grime‘s “Core” are undeniably some of the most recognizable in today’s EDM scene. The 2014 tune has received a frantic drum ‘n’ bass facelift from Flite, and it’s nearly three minutes of pure energy. It’ll make your head spin—but in the best possible way.

NMF Roundup: ZHU and The Bloody Beetroots link for ‘Zoning,’ RÜFÜS DU SOL release new set of ‘Solace’ remixes + more

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NMF Roundup: ZHU and The Bloody Beetroots link for ‘Zoning,’ RÜFÜS DU SOL release new set of ‘Solace’ remixes + moreRUFUS PressShot LeFawnhawk 1

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

In perhaps one of the biggest collaborations to hit the airwaves on Sept. 6, The Bloody Beetroots and ZHU have teamed up for “Zoning.” RÜFÜS DU SOL have dropped off a new set of remixes for Solace, including an irresistibly groovy one by Hot Since 82. Grimes and i_o unexpectedly deliver “Violence,” and M83 returns with the dreamy “Temple of Sorrow.” Audien and Nevve bring blissful energy to “Buzzing,” and Cashmere Cat reveals “FOR YOUR EYES ONLY.” Arty is on a journey to “Find You” in his latest, and Walker & Royce team up with VNSSA for “Rave Grave.” KOAN Sound’s new EP lands pm Sept. 6, featuring sounds like “Vibrant,” and Claude VonStroke unleashes a new original, “Slink.” Sullivan King has released a two-track EP, and Armin van Buuren and David Hodges link for “Waking Up With You.” Fox Stevenson finally uncovers “Dreamland,” and 3LAU remixes San Holo’s “Lost Lately.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: LeFawnhawk