RADIOZOO Share Their Musical Guilty Pleasures

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The rather awesome RADIOZOO join us this week to share their 5 Musical Guilty Pleasures (which is always a tricky task for any artist). The duo has just released their new single “Closer,” which you can check out here.  1) Flume – “Never Be Like You”  Probably one of the best songs of this

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Flume talks Future Classic, collaborations, and new music with Zane Lowe on Beats 1

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Flume sat down with Zane Lowe on Beats 1 to dish on past collaborations, life before and after Future Classic, and the two documentaries recently released on him, When Everything Was New and Sleepless: The Story Of Future Classic, both of which are now available via Apple Music. The former is Flume’s own documentary, while the latter divulges into how the Future Classic label catapulted Flume’s career in its most incipient stages.

Flume tells Lowe how he entered a contest with Future Classic, simply to get his name on the map. Though Flume placed runner up in the competition, his decisive entry catalyzed the two entities quintessential relationship.

Known to work some of the industry’s most cerebral, influential rappers into his beat heavy productions, like Vic Mensa and Vince Staples, Flume comments on what he looks for in those types of collaborations.

“I just want to I want to find people who are doing something different and open to working with different sounds and unconventional beats and rigid open-minded people who have something to say,” Flume says. “And yeah I think that’s something that I’ve definitely felt working with Vince and Vic and a bunch of other people.”

Currently, he says he is keen on working with JPEGMAFIA, who recently released his fourth solo record, Veteran.

The Aussie, who has been less active lately than in previous years, also reveals he has bought a one-way ticket to Sri Lanka, where he plans to focus entirely on new music. He says been “writing all the time,” and that this time around he is “going back into the heavy.”

 

 

 

Flume Drops Brand New ID at Australia’s Field Day Festival

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There hasn’t been much word on new Flume music since the release of his 2016 Grammy-winning Skin album. Well this weekend at Australia’s Field Day Festival the producer played a brand new ID, which suggests he’s been spending time in the studio creating. One fan was able to capture the moment and post it to for

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Flume just dropped a brand new ID at Australia’s Field Day Festival [Watch]

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Flume headshot photo

A definitive time scale by which new Flume music will arrive remains elusive, but the ID that the Australian producer shared during a recent performance at Australia’s Field Day Festival arrives as evidence of time spent in the studio.

Defined by its eccentric electronic embellishments and mounting percussive elements, the ID bears the distinct trappings not only of a Flume release, but of a would-be fan favorite, pending release.

H/T: Run The Trap

Flume Co-Wrote A Song Off Of What So Not’s Latest Album

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This is a surprising development in the world of What So Not. Before diving any deeper, let us start with the back story for those who are unaware. Back in the day What So Not used to be a 2 person project. Both Flume and Emoh Instead performed under the name together. Once the Flume

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This Reddit Post From Flume 7 Years Ago Will Motivate You To Do Anything

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Wednesday nights can be kind of tough. It is the point in the week where you should start to feel like you are approaching the end, but you actually still have 2 full days before the weekend can begin. Therefore, we wanted to provide you with some motivation. It seems like Flume has been a

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Watch this poignant orchestral cover of Flume and Beck’s ‘Tiny Cities’

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Flume‘s 2016 sophomore studio LP, Skin was unanimously hailed as a triumph that not only built on his self-titled debut album from four years prior, but cemented the young Australian producer’s reputation as one of the brightest music makers in the world right now. The project brought in firepower from the likes of Kai, Vince Staples, AlunaGeorge, and Beck, all complementing Flume’s amorphous, fluid creations, and ultimately snagged the Grammy Award for Best Dance/Electronic Album in 2017. However, of all the ensuing remixes, reworks, and covers that were inspired from Skin, the Chamber Orchestra at Westridge School in Pasadena, California’s rendition of “Tiny Cities” stands head and shoulders above the rest.

Covering all of the original’s complex intricacies, the orchestra delves into the song’s bold strings, precise piano notes, and fleeting percussive accents. Even without Beck’s syncopated delivery and vocoded topline, this acoustic version of “Tiny Cities” is a justified homage to one of Flume’s top masterworks.

 

Read More:

The organic and the orchestrated converge on Flume’s sophomore album ‘Skin’ [Review]

Listen to Flume preview new music in Greenpeace’s latest environmental awareness video [Watch]

Flume teases new music with Ta-ku in Road to Osaka short film

Flume Collaborates with Greenpeace to Bring Awareness to Global Warming

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In Flume’s own words, “This is important!”

Flume Teases Unreleased Music In Collaboration With Greenpeace

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Even though Flume has previously teased unreleased music during his Japan show video, Flume has once again taken to social media to share with his fans some unreleased music. This time around, Flume has used one of his unreleased songs for the cause of promoting Greenpeace. “Enjoy these previously unreleased sounds in collaboration with Greenpeace

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What So Not Is Gearing Up For 2018 Takeover With New Tune

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What So Not is evidently aiming for the top in 2018. The artist has been laying low for most of the year besides a few shows and a B2B tour with Baauer… other than that he has been preparing for his worldwide takeover in 2018 with the release of his yet to be titled debut LP.

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