Forbidden Kingdom reveals expansion details for 2020, along with bass-laced phase one lineup

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Forbidden Kingdom reveals expansion details for 2020, along with bass-laced phase one lineupEcision Rukes Hollywood Palladium Dinosaurs

Forbidden Kingdom Music Festival took over Sunset Cove in Florida for its inaugural edition this year, and now the festival has announced it will be coming back once again for its second iteration in February of 2020. Taking place on February 15 – 16 in Boca Raton’s beautiful Sunset Cove Amphitheater, ​Forbidden Kingdom​ is set to expand the event in many ways for its second iteration.

Festival organizers have revealed that Forbidden Kingdom will seek to diversify its programming, while continuing to explore the widening bass music spectrum. They will be adding a new stage as well as an expansion of the festival area through the park to be able to accommodate multiple activations and relaxation areas for the fans. Forbidden Kingdom will also be doubling the line-up size to over 40 acts, which is great news for bass fans.

Acts who have already been announced include Excision​ performing two sets (Solo + Detox), Rezz​, ​Svdden Death, Sullivan King, Dion Timmer, and more. To relive Forbidden Kingdom 2019 and to see what is in store for 2020, check out the festival’s official after-movie below. Tickets can be purchased here.

Good Morning Mix: Excision delivers unremitting bass in vigorous Lost Lands set [Watch]

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Good Morning Mix: Excision delivers unremitting bass in vigorous Lost Lands set [Watch]Ecision Lost Lands

The low end activity that set attendees’ teeth chattering during Lost Lands‘ 2019 iteration has extended beyond Legend Valley to YouTube. Complete with aerial shots of the stage as it appeared during the live set, Excision‘s full-length Lost Lands appearance is now available in all of its climactic, two-hour glory.

Replete with the potent, unremitting bass for which the festival founder has come to be known, the showing positions Excision originals such as “Evolution” alongside efforts from other esteemed electronic entities. Streamers can catch the new ID that Excision presented at Lost Lands just before the 20-minute mark.

The producer recently confirmed the once anonymous inclusion to be a collaboration with Downlink on Twitter. Fortunately for bass enthusiasts everywhere, what happens in Legend Valley doesn’t stay in Legend Valley.

Excision Uploads Full Two Hour Lost Lands Set

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Lost Lands 2019 was hands down the best Lost Lands to date. With revamped operations and festival design, Lost Lands was smooth sailing for everyone. It was five days of pure bass bliss. If you’re finding yourself missing the dinosaurs and the beauty of Legend Valley, fear no more! We’re slowly getting recorded sets so

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Excision and Illenium Debut Unreleased Collaboration during B2B at Lost Lands

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Just a few minutes ago, Excision and Illenium debuted a new unreleased collaboration during the last few moments of their B2B at Lost Lands. Popular dubstep DJ, Excision, stated that the two of them created the new track when their set at Bass Canyon was canceled due to unforeseen weather conditions. Attendees at the festival,

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Wooli and Excision converge on ‘Evolution’ EP for an exhibition of bass variance [Review/Q&A]

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Wooli and Excision converge on ‘Evolution’ EP for an exhibition of bass variance [Review/Q&A]Ecision Wooli At Bass Canyon 2 Credit Oh Dag Yo

When the old and new titans of the bass world coalesce on a distinctive vision, the witnesses quake in anticipation of its residual impact. In the case of Excision and Wooli, their latest collaborative project Evolution has demanded the inexhaustible attention of bass fans not just for its impeccable sound design, but for its decisive showcase of stylistic colors in a formidable four-tracker EP package. The burgeoning Wooli is capitalizing on his momentous rise in the heavy bass scene, and Evolution both dictates a pivotal act of artistry in his career while heralding the continuum of his genre-morphing inclinations as he looks forward to his next move.

Cementing his early status in a portfolio of “briddim” and hard dubstep, Wooli, born Adam Puleo, first broke onto the scene with his remix of Excision and Dion Timmer‘s “Her” and rapidly accumulated a fanbase devoted to his production prowess in thrashing bass music. His imposing sound earned him the weighty support of mainstay Excision following the latter’s inclusion of Wooli’s track, “Wave It Up” in the 2016 iteration of his iconic Shambhala mix.

Dancing Astronaut spoke to Wooli about all the creative elements that shaped his journey to present day, including his relationship with co-producer and dubstep behemoth Excision.

“Excision was one of the first people to ever support my music at that kind of scale. He’s actually really easy to approach as far as sending music. He’s been supporting my music his last two or three tours and playing probably anywhere from three to six of my songs per set. Then, it transitioned into me playing a lot of the shows on his tours. So that’s where we finally met. It was just a natural relationship that evolved. As long as you find some way to become friends with that person, it comes pretty naturally wanting to write music with them later.” 

The rest is history; since then, Wooli has collected a stacked set of songwriting, sound development, and tour experience in a short time—embarking on Adventure Club‘s Death or Glory tour, debuting two tracks on Seven LionsOphelia Records, and gracing festival circuits from the likes of Electric Forest, Bass Canyon, Electric Zoo, and more. Now, the Rochester native acts to prove his fledging reputation is no act of luck, but a culmination of sheer talent as he simultaneously takes on his own headlining tour, The Voyage, alongside peer Trivecta and releases his joint Evolution EP with Excision.

“It started with just one song. We wrote “Evolution” with Sam King and we had some more ideas for different projects that we either started, never finished or just had in the back of our head. He had me come up to his house up in Canada, we wrote up there for about five or six days, and pretty much finished the EP there.”

Evolution spans four tracks each characterized by their respective tonal marks and constructed by idiosyncratic intentions. The EP opens with “Lockdown” —the only track devoid of features— for a heavy-hitter signature of screeching synths and pounding bass; the ensuing dubstep production is exactly what listeners expect from the combined forces of Wooli and Excision. Titular track “Evolution” also echoes the chaotic menace of the opener, its foreground perforated by the growls of mammoths while Sam King‘s vocals pave the way for a deadly drop. With primal instincts and raw energy, both numbers will be destined as crowd favorites for the live stage, undoubtedly seizing their full potential with the capabilities of bass-thundering sound systems.

“The most fun to make was “Lockdown” just because it was me and Excision in his basement/mega studio and it was my first time ever working in the studio; I always just work over the internet. It was a really fun experience and he’s got like the loudest, biggest, bass-iest speakers you could buy.”

As much as “Lockdown” and “Evolution” epitomize the expected product of a Wooli and Excision collaboration, the rest of the EP signifies a dynamism outside of their supposed expertise that grants endless bounds of excitement in relation to the former. Finding middle ground between melodic and heavy, “Another Me” lies on the cusp of genre nuances. Although driven by Seven Lion’s imprint on melodic dubstep, Wooli and Excision’s own taste of elbow-throwing soundscape make their presence equally known.

“‘Another Me’ was a favorite personal song just because I’ve always wanted to work with Dylan Matthew; his vocals are amazing and he’s an amazing artist. Then, obviously there’s Seven Lions who I’ve worked with before; we always just kill it together when it comes to the melodic side.”

However, the star of Evolution is Trivecta triple-collaboration, “Oxygen” and its poignant rendering of Wooli and Excision’s softer productions. Vocals from Julianne Hope reflect the emotive lyricism: “Swimming in the deep end / Breath away from drowning / Kiss me like I’m oxygen”. A clear divergence from its adjacent tracks, “Oxygen” trades a dubstep drop for future-bass inspired crescendos; the resulting product is breathtakingly beautiful. Exercising minimalistic instrumentals, keyboard chords and guitar strums pepper the delicate structure before the track builds into a sublime melodic drop and ephemerally descends into melancholic repose again.

“I’m really happy with the EP and response. My only concern was how open people were going to be specifically to the song “Oxygen” because there’s not a dubstep drop, but the fans…they kind of get it and they like it. I’m just happy with everything right now.” 

Evolution‘s selection of songs leaves no question for Wooli and Excision’s collective versatility and its sonic range may leave some fans curious, others disappointed, but many hungry for more. However, treading outside his staple comes as no surprise to Wooli himself, whose path to dubstep first found its origins in other forms of electronic music.

“Drum n’ bass was basically my first introduction to bass music when I was a lot younger. It was something my brother would listen to in the car when he was driving me around. In my city Rochester, New York, there’s no local dubstep scene. It was either tech house or drum n’ bass. Those were the only two things that people would listen to and if you wanted to be a DJ locally you had to play those kinds of genres. So when I learned how to start DJing, —before I was making music, just wanting to be a DJ— I was mixing drum n’ bass a lot.” 

More importantly, the inherent risk-taking in juxtaposing the harsh, heavy-hitting productions with melodic territory reflects Wooli’s own personal goals with where he believes he can take his music and where his motivations have always resided. Unconfined by the arbitrary lines of sub-genres, Wooli intends to carve his own visionary definitions of quality music into the bass scene. While his previous releases have harbored traces of experimentation, they act as playing ground in comparison to Evolution—the large-scale release of which has validated Wooli’s concrete ability time-and-time again to step with ease into any musical area he wishes to explore. Evolution ultimately showcases equal parts stylistic breadth and depth, refusing to relinquish Excision and Wooli’s beloved hard dubstep in light of new directions. Now, welding another massive collaborative project under his belt, Wooli finds himself at the crux of another jumping point in his artistic growth and overarching career.

“I’m going to keep on exploring what I could do with combining the melodic and the heavy. If not melodic and heavy, just two different genres like with my single “Psyclone” where it was heavy and psy trance. Anything that I feel like would keep the listener guessing to what’s going to happen next is what I’m really interested in and focusing on who I can get as far as a vocal feature to elevate the songs to the next level. My whole goal now is to make music that’s going to feel more like a complete song rather than just a dubstep drop.”

Stream Evolution below.

Photo Credit: Oh Dag Yo

HiJinx Festival unleashes destructive lineup with Bassnectar, Skrillex, Porter Robinson and more

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HiJinx Festival unleashes destructive lineup with Bassnectar, Skrillex, Porter Robinson and moreSkrille Smokin Amazon AWS 2018 Rukes

Bass music lovers rejoice—the lineup for you has landed. Hijinx Festival returns to Philadelphia this year with a killer lineup for December 27 – 28 featuring the likes Bassnectar, Skrillex, Excision going back-to-back with Slander, GRiZ, a DJ set from Porter Robinson, Zeds Dead and more. Additional firepower comes by way of talented supporting acts like bass up-and-comer Subtronics, Big Wild, CloZee, DROELOE, SoDown, Brainfeeder duo The Underachievers, and veteran talents like Zion I and Kittens

Last year’s roster included Bassnectar and ODESZA alongside GRiZ, Big Gigantic, RL Grime, and Illenium. Now building on that caliber of talent, this year’s cast of electronic heavy hitters look to close out the year with a rumbling wave of low end bass at the Pennsylvania Convention Center,

Tickets to this year’s festival are on sale starting Friday, September 13 at noon EST.

HiJinx Festival unleashes destructive lineup with Bassnectar, Skrillex, Porter Robinson and moreHiJin Festival

Featured image: Rukes

NMF Roundup: Oliver Heldens and Riton team up, No Mana remixes Kiiara + more

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NMF Roundup: Oliver Heldens and Riton team up, No Mana remixes Kiiara + moreOlivierHeldens ByPatBeaudry 012 Resize

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Oliver Heldens and Riton link with Vula for their new groovy collaboration, “Turn Me On,” and No Mana takes on Kiiara’s “Bipolar.” Kaskade takes his Meghan Trainor collab to another level with the release of a “club mix,” and The Knocks tap R&B crooner Gallant for “Exit Sign.” 3LAU caters to a wide audience on “Miss Me More,” and M83 follows up “Temple of Sorrow” with “Lune de fiel.” Armin van Buuren and Tempo Giusto take things up a notch with “Mr. Navigator,” and Sub Focus and Wilkinson prove to be a formidable drum ‘n’ bass duo on “Illuminate.” AC Slater delivers some new Night Bass heat with “Laid Off,” and DROELOE and Kalulu keep it light on “Broken Bricks.” After debuting the tune on DA earlier this week, Nora En Pure releases her remix of “Lost Souls,” and Machinedrum reveals new possibilities for San Holo’s “Lost Lately.” In another DA-debuted piece this week, Eli Brown rocks steady on “Come Together,” and Morgan Page and HAILENE tug at listeners’ heartstrings on “Footprints.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Pat Beaudry

EXCLUSIVE INTERVIEW: Wooli On His New EP With Excision, Voyage Tour, And The Future

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Over the past year, Wooli has skyrocketed within the EDM realm. From releasing collabs with the likes of Seven Lions and Trivecta, Wooli is slowly taking over the dubstep world. And to top it all off, today he’s releasing a brand new collaborative EP with Excision – “Evolution”. Wooli and Excision first worked together when

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Excision, Wooli, Trivecta, and Julianne Hope craft emotive dubstep anthem, ‘Oxygen’

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Excision, Wooli, Trivecta, and Julianne Hope craft emotive dubstep anthem, ‘Oxygen’Ecision Lost Lands

Excision and Wooli have offered up a peek into their forthcoming EP Evolution via “Oxygen,” and by the sound of it, fans are in for quite the ride. This cut in particular is one born from a large team effort, with Trivecta and vocalist Julianne Hope sprinkling their talents into it. The result is an emotive dubstep piece headed straight toward anthem territory.

Hope’s vocals float over ethereal piano chords and sweeping melodic builds, which eventually coalesce into a soaring climax. The process is repeated, with “Oxygen” ending on a strong note through its second drop. It’s exactly the kind of piece designed for hands-in-the-air moments on the dancefloor; it’s also a nice showing of Excision’s softer side as a producer, and the team’s chemistry as a whole.

Evolution comes out on September 13. Pre-save it here

Excision Announces Collaborative EP With Wooli

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Excision is keeping the bass music rolling this year. From his collaborative EP with Dion Timmer, tracks with Illenium and producing Bass Canyon and Lost Lands, he still has more coming. Two heavyweight dubstep producers, Wooli and Excision are coming together to release a brand new EP. Their Evolution EP will be available Friday, September 13th. Wooli has been on

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