Eminem Responds To Critics Of Gunshot Sound With Passive-Aggressive Stage Message

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Eminem received criticism last week for playing what sounded like gunshot effects during his Bonnaroo set. Last night, he responded to the complaints by ignoring them completely. According to USA Today, his Firefly performance included several “gunshot” sounds and a written message, “If you are easily frightened by loud noises or … More »

Eminem Criticized For Using Gunshot Sound Effects At Bonnaroo

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EminemEminem is drawing criticism from festivalgoers who were frightened and upset over the rapper’s use of realistic gunshot sound effects during his headlining performance at Bonnaroo Saturday night (6/9). More »

Park City Teacher Disciplined For Lesson Using Anti-Trump Eminem Song

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EminemA Utah junior high teacher is on leave after she instructed her students to read the lyrics of an Eminem song that slams President Donald Trump. More »

Nicki Minaj Says She’s In A Relationship With Eminem

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After teasing a relationship with a “white guy” on “Barbie Tingz,” Nicki Minaj followed up with an Eminem shout-out in her latest guest feature for YG’s “Big Bank.” Fans put the pieces to the puzzle together, and when one asked the 35-year-old if she’s dating Slim Shady, she offered up an eyebrow-raising reply on Thursday … More »

All eyes on Spotify: The music streaming giant is called to continue removing artists accused of sexual misconduct

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Following last week’s removal of R. Kelly and XXXTentacion from Spotifys “editorial or algorithmic playlists,” as part of the platform’s new Hate Content & Hateful Conduct policy, many voices have sprouted up in response to the controversial move.

To some, the move seems altruistic and honorable. In an age of conscious consumerism, media companies have not only the right, but a duty to uphold the values and beliefs that align with the people who make up the organization. This is the side that Spotify falls into alignment with, as Spotify’s VP/Head of Content, Jonathan Princetold, told Billboard in a statement:

“I think that, frankly, all of us have become increasingly aware of the responsibility that we have when we make recommendations about content, and particularly when we’re doing that in a way that may send signals to our audience about what we believe and what we value.”

On the other hand, proponents of the editorial decision find it contentious and problematic to single out specific artists while leaving others unscathed. In the case of R. Kelly, whose “After Party” tour was cancelled in late 2017 amid allegations that the artist was running a sex cult, a representative from Kelly’s camp told BuzzFeed News that he “supports the pro-women goals of the Time’s Up movement.” The rep alluded to the singling out of Kelly as unfair, considering the artist has never been charged with any of these crimes, adding,

“Spotify has the right to promote whatever music it chooses, and in this case its actions are without merit,” the statement reads. “It is acting based on false and unproven allegations. It is bowing to social-media fads and picking sides in a fame-seeking dispute over matters that have nothing to do with serving customers. Meanwhile, though, Spotify promotes numerous other artists who are convicted felons, others who have been arrested on charges of domestic violence and artists who sing lyrics that are violent and anti-women in nature. Mr. Kelly falls into none of these categories, and it is unfortunate and shortsighted that Spotify fails to recognize this.”

Now, a US-based women’s advocacy group, UltraViolet, has come forth to urge the music streaming giant to do the same with other artists accused of sexual assault and/or gender-based violence. In an open letter, UltraViolet executive director Shaunna Thomas pinpoints artists with a history of sexual abuse, including Chris Brown, Red Hot Chili Peppers, Nelly, Eminem, Don Henley of The Eagles, Steven Tyler of Aerosmith, Tekashi 6ix9ine, and Ted Nugent, citing them as artists “who continue to profit from [Spotify’s] promotion.”

“Every time a famous individual continues to be glorified despite allegations of abuse, we wrongly perpetuate silence by showing survivors of sexual assault and domestic violence that there will be no consequences for abuse,” writes Thomas. “That has a cultural effect far beyond one individual artist.”

Spotify’s next moves are unknown. But, as many new voices continue sprouting new (and hopefully fruitful) conversations, it’s clear that the issue is a tiny microcosm of the identity-based movement in American culture and politics. At the very least, Spotify’s editorial choice has sparked some much-needed debate surrounding issues of sexual misconduct in the music industry, as well as the ongoing related issue of unequal gender representation.

H/T: Consequence of Sound 

Photo: Thomas Trutschel/Photothek via Getty Images

Jay-Z And Eminem Say The Weinstein Company Owes Them Back Payment

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Harvey Weinstein, Jay-Z, and EminemBoth Jay-Z and Eminem have filed court documents alleging that the Weinstein Company owes them for unpaid work. The filings were made as a part of the former powerhouse film studio’s ongoing bankruptcy proceedings, and claim that TWC owes Em and Jay six figures each. According to the celebrity gossip site The Blast, … More »

A New Movie Aims To Be Halsey’s 8 Mile

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Sony Pictures and Halsey have just closed a deal with the intention to make a movie based around the singer/songwriter’s rocky rise to fame. As Deadline reports, Sony hopes the movie acts as a launchpad for Halsey’s career, similar to what 8 Mile did for Eminem. If you’re familiar with 8 … More »

The Coachella Weekend 2 Schedule Has Finally Arrived

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Following all of the buzz from weekend 1 of Coachella Valley Music & Arts Festival, Coachella is gearing us up for weekend 2 with the official Coachella Weekend 2 Schedule. With the Yodeling Walmart Kid and Beyonce being the most tweeted artists from Coachella weekend one, it’s only a matter of time to see what

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Eminem brings out 50 Cent, ODESZA has their crowning moment, Cardi B shows off baby bump: Everything that happened at Coachella Day 3

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The 19th annual edition of Coachella Valley Music & Arts Festival is officially in the books. After Beyoncé handed over her empowering main stage performance on Saturday night, fans probably wondered if the final day of Coachella could ever be as iconic. Fortunately for all, Coachella is a festival that always seems to top itself. Marquee acts, such as Eminem, Miguel, and Cardi B, gave attendees a second wind in the sweltering Indio desert with their closing day performances, along with burgeoning electronic talents ODESZAIllenium, and San Holo.

Here is DA‘s guide to the key moments of day three at Coachella 2018.

Eminem brings out an all-star cast in Dr. Dre, 50 Cent, Skylar Grey, and more 

As Coachella’s closing headliner for an audience of nearly 100,000 people, Eminem knew he had a tough act to follow in Queen B’s landmark two-hour set (which made her the first ever woman of color to headline the festival). Marshall Mathers rounded up an all-star roster to join him on stage — including Dr. Dre50 Cent, Bebe Rexha, Skylar Grey, and Kehlani — to perform some of the biggest career hits.

While Mathers was sure to cover his golden-age hits “The Real Slim Shady” and “Lose Yourself,” his set list didn’t just focus on his own discography. The rap icon was joined by his mentor, Dr. Dre, onstage to perform “Still D.R.E.” and “Forgot About Dre.” The pair even nodded back to Snoop Dogg’s classic, “Nothin’ but a G Thang,” along with a cover of Tupac’s 1996 hit with Dre, “California Love” (which Snoop and Dre had previously resurrected a hologram of Tupac in the latter’s own 2012 headlining appearance).

Photo credit: Kevin Mazur, Getty Images for Coachella

Eminem’s mentee 50 Cent then took to the stage for a medley of “In Da Club” and “My Life,” giving the set a nice bookend appeal as it showcased their own hip-hop family lineage. Finally, Eminem was joined by longtime collaborator Skylar Grey as they performed multiple tracks, including “Stan,” “Walk on Water,” and “Love the Way You Lie,” showing off their electric chemistry.

Photo credit: Kevin Winter, Getty Images for Coachella

ODESZA delivers a milestone performance with aerial drones, a live drum line, and many special guests 

Harrison Mills and Clayton Knight of ODESZA had a sparkling 2017 after releasing their critically-acclaimed studio album, A Moment Apart, which netted their first-ever Grammy nomination. What better way to cap a wildly successful year than a spring kick-off performance in one of the world’s most visible festivals.

Back in 2015, ODESZA made headlines at Coachella when they brought out USC’s full drum line for a stunning rendition of their track “Bloom,” along with a live remix of Alex Adair’s “Make Me Feel Better.” So the Seattle-based duo knew they had to one up themselves.

This year, Knight and Mills’ appearance was nothing short of cutting-edge as they filled the late night headlining slot on Coachella’s main stage. Time sped up and slowed down, hearts stopped and began racing all at once, and technological spectacle felt organic in ODESZA’s live performance at Coachella.

Photo credit: Kevin Winter, Getty Images for Coachella

With this year’s inclusion of the highly-disciplined ODESZA drum line — which the pair has been incorporating in their album-accompanying “A Moment Apart” tour — Knight and Mills took this element to its height by incorporating drum line members throughout the entire set. It’s clear that the coveted ODESZA drum line has become a permanent mainstay during the most commanding moments of their live act.

Along the way, ODESZA brought a number of vocalists onstage to perform their various tracks from the latest album. Naomi Wild was first to take front and center in her live performance of “Higher Ground.” Wild’s mic had issues at the start, for which the design team quickly solved as the young singer belted her soft tune to an awe-inspired audience. To cap it all off, Knight and Mills brought out high-powered soul artist Leon Bridges to perform their single, “Across The Room,” as hundreds of aerial drones floated up into the California night sky to erect ODESZA’s icosahedron logo.

ODESZA have been diligently perfecting their live act over the years, working to incorporate immersive visual elements and surprise guest appearances along the way. But never before has an EDM act integrated such a captivating array of LED drones in their act to bring visual production from the screen into the sky. In addition to pioneering their own new genre, the boys can now count themselves spearheads for the visual production side as well.

Illenium brings his full AWAKE live band to the Sahara tent

Illenium is one EDM act that is currently smashing every bar he’s set for himself artistically; and with incredible candor and humility, one might add. The talented and focused artist out of Denver has been selling out arenas, collaborating with everyone whose anyone, and incorporating a live element to his shows. Now Illenium’s AWAKE act has become a mainstay at festivals, including band members Dabin, Day, and Said The Sky.

While in Indio Valley, the artist covered a full spectrum of his own classics in the Annika Wells-assisted “Crawl Outta Love,” his remix of Flume and Tove Lo‘s “Say It,” and his track, “Rush Over Me,”with Seven Lions and Said the Sky. The melodic dub step producer then paid homage to Excision and Zomboy before ending with his track with MAX, “Beautiful Creatures.”

Perhaps the shinning moment of Illenium’s Coachella debut came in the form of a live VIP of his track with 1788-L and close friend, Said the Sky, “Where’d You Go.” Fans have certainly been going crazy over the live edit online.

Illenium x Said The Sky x 1788-L – Where’d You Go (VIP) from EDM

Migos is plagued by sound issues in the Sahara tent

After walking onto stage 30 minutes late, and having sound issues early on, people were apparently not happy with the Migos‘ performance. Yet, within a couple minutes, Quavo, Offset, and Takeoff easily earned the crowd’s forgiveness. The group began with “Higher We Go,” the opening track of Culture II, and by the time they slipped into their second song, “Slippery,” the crowd was in full-frenzy mode. Migos waited until the set’s final stretch to survey their biggest and most recent hits, which included the classic “Bando” for Offset (whose original was given to him by fiancée Cardi B).

“We thank God for making us the greatest group in the world,” Quavo proclaimed as a closing statement. It was the kind of humble arrogance that didn’t quite match the trio’s rather plagued live performance at Coachella.

Photo credit: Scott Dudelson, Getty Images for Coachella

THEY.’s performance included a nod to Kurt Cobain 

As THEY. took to Coachella’s Mojave stage, the rap/R&B hybrid duo surprised attendees with an refreshing and intriguing rock-crossover by covering Nirvana‘s “Rather Die.” Intriguing, because of how odd it seems to take on such a disturbing song and refit the track with a hip-hop drop. Refreshing, because hip-hop acts rarely, if ever, sample rock ballads. THEY. were certainly keen to rework a song from Nirvana’s Nevermind album beyond the wildly overdone “Smells Like Teen Spirit.”

Perhaps Kurt Cobain might have appreciated the subversive move.

Photo credit: Scott Dudelson, Getty Images for Coachella

Pregnant Cardi B brings out Chance The Rapper, Kehlani, and G-Easy 

Cardi B, who recently revealed her baby bump during an SNL performance, brought out a number of superstar friends during her afternoon Coachella performance, with live collaborations with Chance The Rapper on their single, “Best Life,” and G-Easy on “No Limit.”

The “Bodak Yellow” rapper also performed livcuts of “Bickenhead,” “Drip,” “Bariter Cardi” with 21 Savage, and her remix of Bruno Mars‘ “Finesse.”

Photo credit: Christopher Polk, Getty Images for Coachella

Photo credit: Scott Dudelson, Getty Images for Coachella

Portugal. The Man trolls ODESZA fans, delivers rock history lesson 

Portugal. The Man are known for their silly pre-set messages. Just last week, the band used amusing musings like “Having fun? Getting fucked up? Talking politics at family dinners?” and “Kevin’s got a boner” at a performance in Reno, Nevada. During closing night of Coachella 2018, as the sun began to set, the Alaskan rockers delivered a message to ODESZA campers in quirky fashion.

Portugal. The Man – “If you’re here for Odesza, you’re a little early” from Coachella

Yet it wasn’t only fun and games for Portugal, as they spent the entirety of their set schooling attendees with a serious rock music history lesson. After kicking off with Metallica‘s “For Whom the Bell Tolls,” the alt-rock band then surveyed a broad range of classics from Pink Floyd, T. Rex, and Black Sabbath, before ending with a “Hey Jude” sing-a-long.

“To anybody who says that there’s a lack of rock bands at Coachella, it’s not about genre — it’s about music,” the group’s front man shouted. “But if you are gonna complain about the lack of rock bands at Coachella, this is the only band here you need to see.”

Photo credit: Scott Dudelso, Getty Images for Coachella 

Featured photo credit: Kevin Mazur/Getty Images for Coachella

Watch Eminem’s Coachella 2018 Set: Dr. Dre, 50 Cent and More

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Even though Eminem’s Coachella 2018 set wasn’t live stream, that doesn’t mean that Eminem didn’t bring the heat. To close out Coachella, Eminem brought out Dr. Dre, 50 Cent, Skylar Grey and many others. Fans exploded when Dr. Dre showed up to sting “Still D.R.E.” as well as Snoop Dogg’s “Nothin’ but a G Thang,”

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