San Holo is here with his first standalone track of 2019, and the release could be the producer’s most honest offering to date. “Lost Lately” is a continuation of Holo’s mounting attempts to open up to fans, which came to a crest at his EDC Las Vegas performance after priming Twitter that the set would be his most “emotional set to date.”
The vocals of “Lost Lately” take the listener through the ebbs and flows of achieving success and ultimately feeling lost and pondering one’s purpose in life. Holo taps into heavily vocoded vocals for added texture, while blending melodic synths into the backdrop amidst a kicking beat.
“But then what happens when that fantasy you’ve always dreamed about suddenly becomes real?” Holo questioned in a recent press release tracing the inspiration for the track. “And you re-live that fantasy over and over every night? Getting used to this lifestyle made me feel kind of lost.”
“Lost Lately” is out via San Holo’s own imprint, bitbird.
REZZ put her transcontinental cult (and undoubtedly a few unsuspecting victims) in a beautifully bemused trance this past May at the annual Las Vegas installment of Electric Daisy Carnival.
This particular witching hour is full of unearthly surprises, like warped bludgeons of wonky, free-form bass, titillating transitions (see Linkin Park “One Step Closer” into “Alien,” near the midpoint) even a nasty dose of drumstep. And you can bet your bottom dollar it’s a real REZZ riot when you hear the crowd sing along to the lyric-less, diabolical bass rhythm of “Edge.”
REZZ also took the opportunity to invite Underoath drummer/vocalist Aaron Gillespie, whom she’s formerly expressed interest in working with, onstage to perform their forthcoming collaborative track, “Falling.” The unreleased song appears on the official tracklist for REZZ’s impending EP, Beyond The Senses.
In the modern age of electronic music, an endless amount of producers claim to have an affinity for every genre. Yet there are only a handful who really put in the time and effort to create a catalog that encompasses multiple tempos, sounds, and styles. Chief among those select few—Zeds Dead.
However, despite their ever-expanding library of different styles of electronic music (accelerated further by their multi-genre label, Deadbeats), those who have been with D.C. and Hooks since the beginning know that dubstep holds a special place in the Canadian duo’s hearts.
Seminal tracks from early in their careers like “Rude Boy,” “In The Beginning,” and “Adrenaline,” gave them a platform to succeed, and they were going to honor their roots at EDC Vegas this year with a surprise throwback set at BassPod Sunday night. Unfortunately, high winds on Saturday night forced RL Grime to cancel his set. In response Zeds Dead graciously offered him their surprise slot on Sunday, preventing them from performing their throwback set.
Those circumstances may have been a blessing in disguise though. Rather than play the throwback set for only one crowd to hear, Zeds Dead have released the set as episode 100 of Deadbeats Radio. Now, fans can enjoy the headbanging nostalgia over and over.
The mix is primarily dubstep tracks from Zed Dead’s own catalog as well as legends of the genre like Caspa, Skrillex, and Emalkay. It also features house, drum ‘n’ bass, and other heavy-handed offerings. Get down with Zeds Dead below.
A Las Vegas man named Ryan Mansour has been charged with attempted murder following a dispute with his girlfriend over attending EDC “against his wishes.” According to authorities, the fight began on Tuesday after the festival when the suspect angrily left his work early to confront his significant other over pictures he found of her at the Speedway gathering. At some point amid the fighting, which also involved endeavors to throw out shared memorabilia, the girlfriend (whose name has been redacted) got into her boyfriend’s car. Upon her exit from the vehicle, he allegedly ran her over in a bout of rage.
Mansour claims the accident was unintentional, advising he wasn’t paying attention on account of his anger and that he’d “made a dumb mistake,” according to his lawyer. Immediately after noticing what he’d done, he’d immediately began to “jack the car up” to get his girlfriend out from underneath. Luckily, her life was saved; but she did sustain injuries which include skin and liver lacerations, a collapsed lung, and a broken arm, leg, and pelvis. The suspect is currently in jail with a $25,000 bail posted.
Closing out a stage at EDC Las Vegas is an intimidating task for any artist, but the burgeoning WHIPPED CREAM did so with ease. The Canadian-born bass artist held nothing back as she took the festival’s Circuit Grounds stage for its final run, giving onlookers a final, enormous burst of energy with cuts like Gesaffelstein‘s “Pursuit,” Skrillex‘ remix of “Humble” by Kendrick Lamar, the RL Grime/What So Not classic “Tell Me,” and an array of her own originals. The set riled the crowd and instantly became a cult favorite among EDC goers, and now the cult favorite performance has been releases exclusively on Apple Music for all to hear and relive.
WHIPPED CREAM has seen skyrocketing success in recent years. After five years cutting her teeth on the circuit, the past couple have seen her taking the stage at mega festivals like Ultra Miami, Shambhala, and Lollapalooza all while selling out tour stops across North America. On the musical front, her recent re-work of ZHU’s “Desert Woman” ended up becoming a huge hit, while she also received widespread support for her second record on Mad Decent, “Time.” She’s established herself as a key talent to watch as she continues her ascension into the top ranks of bass music.
EDC Las Vegas can easily be described as the biggest party ever. EDC takes over 90% of the Las Vegas Motor Speedway for three days and doesn’t stop all night long. It’s truly its own world. EDC 2019 brought some surprises – such as low temperatures, fierce winds, and some stage closures – but it was
Electric Daisy Carnival is known to be one of the largest music festivals around the world. Taking place in Las Vegas, headliners from around the world have the chance to enjoy three magnificent days of beautiful neon lights, great performances, powerful dance music, carnival rides, and one-of-a-kind firework shows. These are some of the things
Chris Lake continues to define and perfect tech house with his latest release “Stay With Me.” The producer is fresh off of his EDC Las Vegas set, and looks forward to a b2b set with FISHER in NYC, which sold out in less than a day.
The track initially follows the layout one might expect from Chris Lake, encapsulating the listener in a pulsing tech house backdrop with groovy basslines and soaring vocals. It builds and builds upon itself until climax, when it explodes into a robotic, melody-laced cacophony of synth riffs and heady percussion. It’s a piece built for live performance, and is expected to rile up dancefloors in NYC and across the world as Lake continues his joint tour.
Art cars at festivals are underrated and I feel like more people should check them out. Art cars – at EDC Las Vegas at least – give you the chance to get up close and personal with the DJ playing and really feel the music. EDC Las Vegas also proved that you never know who may
Couldn’t make it out to Sin City this year for the most colorful festival in dance music? No problem.
As the sun has set on another ecstatic chapter of Electric Daisy Carnival Las Vegas, Dancing Astronaut rounded up the extended weekend’s most enticing displays from the May 17-19 festivities. From Alison Wonderland‘s trap-tainted main-stage return, to Tchami and Malaa‘s bombtastic joint takeover of cosmicMEADOW, to Skrillex‘s surprise Saturday guest appearance, there’s no shortage of memorable music to muse over for months to come. The bar for the imminent 2019 festival season has been set exceedingly high indeed.