Dexter’s Beat Laboratory Vol. 87

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Dexter’s Beat Laboratory Vol. 87Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Culture Shock continues to cement his name on the drum ‘n’ bass ranks, delivering heater after heater for the past 15 years. His latest installment is “Renaissance,” which makes its debut on Andy C‘s RAM Records. In this newest release, Culture Shock uses mighty female vocals to power the emotive aspect of the song and builds an intense, pounding rhythm around them. “Renaissance” marks the sixth part of his Sequence Series, which he kicked off in 2017.

Parisian house maven Dustycloud continues his reign of dance floor-primed numbers with his newest, “The Way.” Released via BIJOU‘s Do Not Duplicate Recordings, “The Way” is one of the first songs Dustycloud made after coming to America last year. “It’s a song about the journey because that’s been the best part, so far,” he notes in the song description. “Most people are afraid to do what they really want in life because there is a big chance they won’t make it, but it’s not about ‘making it.’ It’s about being able to do what you love, every step of ‘The Way.’”

Oliver Nelson and Tobtok have teamed up on multiple occasions, combining their talents to create a perfect blend of pop and house music. They follow up February’s blissful “Yellow” with a new single, “Something ‘Bout the Music.” This one leans more into the house realm than the pop-oriented “Yellow,” using a grooving beat to drive the song’s message home. These two Swedish producers continue to heat up dance floors around the world with funky numbers like this one.

Last week, Jay Cosmic announced a new alias and its forthcoming debut on Monstercat on April 16. What followed was his first release under the name Desert Star, kicking off with “Foreign Land,” a short-but-sweet pop-oriented piece that gives the artist a chance to express himself in a different way. “I kept realizing I was trying to find a middle ground while making music,” he told a fan on Twitter. “By splitting it up, I can make this one thing, and the new alias totally another.”

Tycho embraces 2019 with open arms in his first venture of the year, “Easy.” The easygoing piece is as breezy as the early warm-weather winds that usher in the spring season, sweeping the listener up in dreamy, drifting melodies and a relaxing pattern of percussion. Soft female vocals ebb and flow, too, weaving their way in between subtle guitar plucks. “Easy” gives listeners a first glimpse into the artist’s forthcoming LP, which is sure to be just as heavenly as its initial offering.

NMF Roundup: Arty returns with ‘Avalanche,’ Kygo and Rita Ora team up, Spencer Brown and Raito become ‘Star Allies’ + more

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NMF Roundup: Arty returns with ‘Avalanche,’ Kygo and Rita Ora team up, Spencer Brown and Raito become ‘Star Allies’ + moreArty Press Shot E1555682005545

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Russian producer Arty kicks off New Music Friday in fine fashion with a gorgeous new single called “Avalanche,” and Kygo and Rita Ora are a dream team on their new collaboration, “Carry On.” Spencer Brown and Raito deliver a dark and powerful mau5trap release, “Star Allies,” and R3HAB crafts a dreamy remix of Sofi Tukker‘s “Fantasy.” Rusko brings a classic dubstep feel to GRiZ and Boogie T‘s “Supa Fly,” and Dustycloud takes listeners deep into a shadowy nightclub on “The Way.” Peggy Gou has released her Moment EP, featuring songs like “Starry Night,” and David Guetta takes on Bebe Rexha‘s “Last Hurrah.” Two Friends hit the drive thru on “Dollar Menu,” and Sam Void brings groovy house beats to Nicky Romero and David Guetta’s “Ring the Alarm.” Culture Shock debuts a drum ‘n’ bass heater, “Renaissance,” and Steve Aoki and Alok “Do It Again” on their new collaboration. Blanke remixes Illenium and Kameron Alexander’s “Pray,” and Young Bombs release a four-track remix pack for “Starry Eyes.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Lunar Lunes: Dr. Fresch and Sinden are up to ‘No Good,’ Crankdat teams up with Sara Skinner, Stephen returns + more

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Lunar Lunes: Dr. Fresch and Sinden are up to ‘No Good,’ Crankdat teams up with Sara Skinner, Stephen returns + more11.9.17 DrFRESCH 020 Edit

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

Dr. Fresch and Sinden grind out a groovy house number, “No Good,” released via Insomniac Records. Mat Zo‘s four-track Tracing Steps EP has arrived, kicking off with a cheery track that shares its title with the EP. Louis The Child have released a remix EP for Kids At Work, which includes a blissful rework from Win & Woo. Half An Orange have revealed part one of their Mostly We Grow EP on Monstercat, which is stacked with diverse tracks like “Buzz Lightyear,” and Stephen returns after almost a year with the it’s too much love to know my dear EP. AC Slater and TS7 cook up a ferocious house number on Night Bass, and Syn Cole shakes off the winter blues with a sun-soaked funky song, “Horizon 83.” Showtek encourage fans to listen to their mothers in their new collaboration with Leon Sherman on Skink. Teminite and Whales have composed an anthemic dubstep heater, “Mayhem,” and Young Bombs have unveiled their debut original track, “Starry Eyes.” Crankdat welcomes fans to the jungle in a dramatic new release on Welcome Records, and DNMO taps Noy Markel for a bass-fueled Deadbeats release, “No Way Out.”

The selection is updated every Lunes (Monday).

Lunar Lunes: Chet Porter remixes ODESZA, Walker & Royce spread the ‘Word,’ YehMe2 takes on the Spice Girls + more

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Lunar Lunes: Chet Porter remixes ODESZA, Walker & Royce spread the ‘Word,’ YehMe2 takes on the Spice Girls + moreODESZA Bumbershoot 8 Jonathan Gipaya

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

As part of ODESZA‘s newest set of A Moment Apart remixes, Chet Porter has put an ethereal spin on album standout, “Line of Sight.” Louis Futon flips James Blake’s “Retrograde” in his newest release, and YehMe2 takes on the Spice Girls’ iconic “Wannabe” in his freshest remix. BIJOU has released some new house heat on Insomniac Records, and Walker & Royce have done the same on HotBoi Records with “Word.” The Knocks reveal the latest to remix a New York Narcotic track: Wankelmut with a funky new take on “Retrograded.” DUCKY thrills with a new EP, and formidable Swarm puts a dark twist on Roniit’s “Visceral.” Dustycloud returns to Tchami‘s CONFESSION imprint with “Reckless,” and Braxton channels nighttime vibes with a new Anjuna release, “When The Sun Goes Down.” Sweekuh taps Love, Alexa and Faze on a new single, “Where Do We Let Go” and R3HAB turns the energy up on Mabel’s “Don’t Call Me Up.”

The selection is updated every Lunes (Monday).


Photo credit: Jonathan Gipaya

Dexter’s Beat Laboratory Vol. 77

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 77Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


After a slew of impressive originals in 2018, Mielo kicks off his 2019 with the first single from his debut EP, “ILY.” His contemplative style is beautifully exhibited here, ands he teams up with vocalist Sarah De Warren to bring an even more heavenly element to the tune. Gorgeous piano melodies and dreamy synths create a perfect backdrop for the vocals and subdued percussion in “ILY.” Mielo leaves listeners wanting more with this one, and it serves as an introspective precursor to the forthcoming EP.

Speaking of first singles from new EPs, Haywyre has returned to kick off his funky-fresh Panorama: Form EP with “Let Me Hear That.” This one, like much of his music, is irresistibly groovy. It’s packed full of lively piano and synth melodies that embody Haywyre’s sound in every way. He’s categorized this surefire hit as “maximum funk,” and rightly so. It’ll be tricky to get this one out of your head.

Camo & Krooked are putting themselves on the map with the release of “Atlas.” This one manages to contain the powerful, wall-busting energy their tracks tend to have, bottling it carefully with meticulous production. Its journey-like qualities truly make the title appropriate, and the prolonged introduction builds anticipation in a spectacular way. When the drop hits, the listener is taken on a wild ride of dramatic drum & bass rhythms and thrilling themes.

House heavy-hitter Dustycloud has returned to deliver yet another powerful number. The Parisian powerhouse looks to be asserting his dominance in 2019 with “Brave,” which pounds the listener with copious doses of bass right from the get-go. He gives a brief taste of what to expect in the beginning before diving into a deep canyon of bass. A restrained break in the middle of the song gives the listener a brief chance to catch their breath again before the bass again takes over. It’s pure intensity.

Fans of i_o know that he’s been teasing a massive collaboration with Tommy Trash for weeks. “Let Me Go” has finally arrived on mau5trap, much to the delight of those who’ve been waiting seemingly for ages (read: me). The dance floor-primed track reunites the two producers, who first collaborated on “Oxygen” in 2017. They’ve tapped the gorgeous vocals of songstress Daisy Guttridge to deliver this silky-smooth progressive track—and it’s well worth the wait.

Dexter’s Beat Laboratory Vol. 34

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dexter's beat lab

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


Dustycloud has done it again. With hollow hits of bass and haunting vocals, Dustycloud casts an ominous shadow on the dance floor with “Jumpin’.” Gradual, daunting builds give way to a forceful house beat of 126 BPM, priming it for shufflers around the world. “Jumpin’” closely follows a succession of the French producer’s 2018 hits, including “Move” and “Those Nights.”


Keeping on the house train, BIJOU has unleashed his latest house heater. The g-house sensation has built this bass-fueled house number from fiery vocals by Davonyea Marcel. “‘Pringles’ really started when I heard the original vocal from [Marcel] & asked if I could take a stab at it for a house tune,” BIJOU says of the tune. “Putting my own twist on it, I really wanted to combine every aspect of my own sound into one.”


Rameses B never lets me down. The UK artist’s latest piece of work is an emotive drum & bass original, “Story.” He uses chopped-up vocals and an adventurous tone to piece together his story, told through a rapid-fire drum & bass pattern and focus on the melody. Though contrasting greatly, “Story” serves as an exceptional follow-up to his ambient-focused new album, Spacewalk, which came out in January.


It’s been a few months since a new INTERCOM track has blessed the Monstercat airwaves. The Canadian project is less than a year old but has already given the music world treats such as a thrilling remix of Seven Lions and Echos‘ “Cold Skin” and a creative take on music from Stranger Things. This latest original, a feisty electro track called “Truth and Malice” is an energy-packed journey that’s perfect for the Rocket League compilation album it’s part of.


1788-L tackles electronic music in one of its earliest forms in a clever rework of Kraftwerk‘s 1975 hit, “Radioactivity.” A menacing revival of the decades-old song, 1788-L taps into the dark, brooding mood of the original and magnifies it for his own bass-filled, glitchy take on the song.

Dexter’s Beat Laboratory Vol. 30

This post was originally published on this site

dexter's beat lab

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


Aylen‘s latest remix is a groovy take on Wuki and Wax Motif‘s “Buns.” He uses a deep bassline to cement the mood of the song: dark, but still funky. I haven’t been able to get this one out of my head.


The vocals in this recent Hegemon release hooked me right away. Ivan Reys, T.Wild and Stinie Whizz mesh together for a beautifully catchy, pop-leaning number. A soaring guitar that fades out into a piano melody toward the end wraps up the track in a captivating way.


French producer Dustycloud continues his tour de force with a new single, “Move.” He uses passionate old-school vocals to fortify this track, driving the chorus with a growling bassline. It’s another excellent addition to his growing discography.


Matrix & Futurebound continue to prove their ranking as two of drum & bass’ head honchos with each new release. This BBC Radio 1 premiere of “Mystery Machine” shows the pure energy and controlled chaos behind the UK duo’s music in the best way.


Ever hear a song and get completely mesmerized by the sheer power behind it? Element‘s new song, “Needles,” had me hooked from the first few seconds. The Brooklyn producer builds a foreboding atmosphere in the introduction, leading to a gut-wrenching drop. Gritty bass and a mysterious melody combine impeccably for three minutes the listener won’t soon forget.

NMF Roundup: Carnage & Steve Aoki team up for ironic track, Deorro samples his son’s voice, Martin Garrix, David Guetta, and Brooks team up + more

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rave-music-festival-1

The most important day of every week: New Music Friday. As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed.

Carnage teamed up with Steve Aoki and Lockdown for “Plur Genocide.” The most impressive thing about this track is that it could be a contender to beat out The Chainsmoker‘s “Selfie” as electronic music’s most annoying track.

Anjunabeats released an epic remix by Cosmic Gate for Gabriel & Dresden‘s “Only Road” featuring Sub Teal.

The Funk Hunters dropped the second track off of their upcoming album with groovy “Party Rockin.”

Dash Berlin and DBSTF teamed up for catchy progressive track featuring Josie Nelson “Save Myself.”

Bailo has created the perfect radio hit and club drop with new release “Rush” featuring M.E. Swank and Sauce.

Everyone can breathe easy because that ID that Martin Garrix, David Guetta, and Brooks have been teasing for months is finally out, and it is just as good as we thought it would be.

Chris Lake infuses a surprising drop with pulsing chords in “Turn Off The Lights.”

G-House fans can get their fix with Dustycloud’s newest release “Move.”

DJ Zinc and Chris Lorenzo fuse piercing chords with smooth beats in their VIP Mix of “Gammy Elbow.”

Mokita’s soulful new track “When I See You” is the perfect electronic pop track to unwind to after a long day at work.

There is no lack of energy in Deorro’s hardstyle release “Offspring,” which samples his own son’s voice.

Danny Avila slows it down with his remix of Marshmello and Selena Gomez’s “Wolves.”

Photo credit: Chemilon

Dustycloud – Those Nights

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Tom Roy, aka Dustycloud, is sending wall-crumbling future house vibrations all the way across the pond to Insomniac headquarters. The Parisian DJ and producer has risen to prominence over the last year with guest mixes on NEST HQ and Dr. Fresch‘s Prescription podcast. Back in October, Roy added to his successes a bass-laden collaboration with Drezo called “House.”

Roy’s newest single, which Insomniac features as their track of the day, sees the producer further hone in on his ability to craft grungy bass lines with the structural components of a traditional house track. As future and G-house continue to infiltrate dance music, Dustycloud will be a name to keep on the radar.

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Dustycloud crafts gripping original, ‘Ride’

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Known for his dark, entrancing beats and ominous progressions, Dustycloud has made a name for himself as one of house music’s cutting-edge newcomers. Dustycloud’s most recent release, “Ride,” is a testament to his developing signature style, as the striking original showcases a deep, rugged bass line, distorted samples of eerie vocals, and intriguing layers of percussion.

Dustycloud’s last piece was a shocking collaboration with none other than g-house guru, Drezo. Their track “House” garnered support for its grim, gritty undertones and prominent kicks, as the two producers created the single with unmatched chemistry. Dustycloud’s sound is comparable to dark house pioneers Malaa and Tchami, yet he adds his own flair into the mix, engineering unexpected, energetic flavor to his work. With his latest, “Ride,” the inventive French artist solidifies his potential as one of house music’s most promising up-and-coming acts.

 

Read More:

Drezo and Dustycloud link up for feverish bass-ridden ‘House’

Drezo unveils nefarious remix of Nas’ ‘Made You Look’

Tchami & Malaa deliver ‘The Sermon’ of house music