Deadmau5 Apologizes For His Remarks About Slushii, Announces Hiatus To Seek Professional Help

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Today stories broke around the dance music industry that Deadmau5 made some less than flattering remarks towards Slushii. Between calling his music “AIDS” and going further to call it “Autistic”, Deadmau5’s comments were not well received. While in any light, Mau5’s comments left a lot to be desired, they were specifically ill-chosen because Slushii is

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deadmau5 to take indefinite hiatus

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deadmau5 to take indefinite hiatusScreen Shot 2017 12 08 At 12.32.49 PM

deadmau5 is going offline indefinitely, per a statement posted to Twitter.

He acknowledged his longtime struggle with mental health had taken a toll on him to fans, indicating issues had magnified over “the past several years” and a guilty feeling over not realizing his label’s vision. At the beginning and end of his note, deadmau5 offered an apology to those he’d offended in the past with unfiltered comments that he admitted were offensive. These two items are what ultimately led to his decision to “go off the radar and taking time necessary to work on myself.”

It’s unclear if by “going off the radar,” deadmau5 meant be taking a break from social media only, or his career/pursuits in general. He simply advised he’d be seeking professional help to aid him in his mission to become a better person. This departure follows up one where similar issues were cited in 2015.

 

deadmau5 to take indefinite hiatusDeadmau5 Twitter

Deadmau5 Calls Slushii’s Music “Aids Music”

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Just days ago, Deadmau5 made the news for being accused of making homophobic and transphobic statements. Since his comments, Deadmau5 has since deleted his tweets and apologized. Now Deadmau5 is under the microscope again for his recent comments about Slushii’s music. During a gaming stream, Deadmau5 turned on a song from Slushii which he then

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Dexter’s Beat Laboratory Vol. 59

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Dexter’s Beat Laboratory Vol. 59Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Putting his own “post-apocalyptic horror house” spin on AWAY‘s “Honest to God,” Bloodtone returns in full force. The producer ramps up the energy from the original, bolstering it with a pounding bassline and down-pitched vocals. He calls the original “one of the my favorite electronic tracks that I have heard in the last five years” and brings his own creative flair to the piece by building a dark, eerie atmosphere. He gave a similar treatment to Alison Wonderland‘s “U Don’t Know” a few months ago and returns with an equally sinister reworking here.

F.O.O.L‘s new EP is one of the most fascinating bodies of work I’ve heard this year. Highway weaves its way from mystery-filled synthwave to high-powered electro, teaming up with collaborators like Laura Brehm and Anzo to complete the collection. After releasing the EP’s title track in June, fans knew to expect something dynamic and fresh from the Swedish producer — and that’s precisely what happened. The EP’s second track, “Escape Plan,” follows the synthwave path, thrilling with a frantic orchestral melody and backed by racing ’80s-style synths in the verses. The synthwave takeover is nigh, friends.

Oliverse recent joined the Disciple Records family, and he bursts onto the label with an EP that showcases his versatile production skills. The title track for the EP, “Get High,” is a powerful piece. Catchy vocals lead into a forceful, wobble-filled drop, pounding the ears with a perfect balance of old-school dubstep and contemporary elements. He makes an impressive showing for his Disciple debut, dropping a 30-minute mix just days before the release of Get High. From his Koo remix in 2015 to now, I’ve thoroughly enjoyed observing his experimentation across the EDM spectrum.

The release of deadmau5‘s “Monophobia” with Rob Swire in July led to an onslaught of remixes. Artists couldn’t wait to get their hands on the mau5trap masterpiece, and rightfully so. It’s been reworked every which way, but one in particular’s caught my ear. Essenger took the time not only remix “Monophobia,” but cover it as well. His take is a minimalist, garage-influenced one, leaving space for the listener to absorb the dreamy essence of his production and vocals. A guitar melody takes the place of the song’s plucky introduction, leading the unassuming listener into a dramatic synthwave switch-up about halfway through the cover. It’s a refreshing and compelling take on the original.

There’s just something special about this 11-minute piece from Chasing Dreams. I first heard it at the beginning of a Gorm Sorenson Silk Music mix and was captivated by its gorgeous ascending melodies and peaceful atmosphere. “The One Who Watches” begins with a simple piano melody and leads into harmonious chords, gently easing the listener into the serene soundscape that lingers long after the song has come to a close. It’s an uplifting, hopeful piece that’s part of Chasing Dreams’ Ascesa album, which has been described as “a lingering, gentle, pensive rise presented as a melodious milkshake of stories, experiences, and feelings.”

deadmau5 announces new mau5trap radio series on SiriusXM

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deadmau5 announces new mau5trap radio series on SiriusXMUnnamed 1

The mau5trap maven himself, Joel Zimmerman (deadmau5), has now vamped his very own weekly radio show, mau5trap radio, through SiriusXM. The first edition aired late last week, September 28, featuring a fitting, hot-button guest mix from Getter, who just recently released his mau5trap-certified concept album, Visceral.

The internationally-aired series is set to feature a sundry of other mau5trap talent, with debuts lined up from the label’s most auspicious acts, including REZZ, ATTLAS, No Mana, Rinzen, and more. The show has found a home on SiriusXM’s BPM (channel 51): a sacred staple in the electronic airwaves. This landmark achievement for Zimmerman and the esteemed imprint comes just one year after mau5trap’s momentous 10-year anniversary.

After a three-day period, each show will be plugged onto Mixcloud, where listeners can stream freely. Additionally, the show will air regularly across the globe, through the following mediums:

Germany – ENERGY NRJ
Turkey – Radyo S – Monday 11pm
Dubai – Dance FM – Tuesday 22:00 PM
Mexico – Beat FM
Cyprus – ENERGY NRJ (Prime time – Saturday agreed).
Bulgaria – Radio Nova (If music & Jingle only)
Thailand – Kiss FM
Russia – DFM – Saturday 23:00 Moscow Time
Sri Lanka – Fox 91.4 12pm Friday (Repeated 11am Friday afternoon, the week after)
Kiss Fm, Australia – Saturday 6.30 – 7.30pm

 

DA Presents: ’30 Days of Fright’ featuring REZZ, Gesaffelstein, Noisia, Drezo, and more [Playlist]

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DA Presents: ’30 Days of Fright’ featuring REZZ, Gesaffelstein, Noisia, Drezo, and more [Playlist]SPOOKS PLAYLIST 1

Grab a mask, slam back some candy corn, and get primed to get spooky: it’s October and officially witching season. Electronic music fanatics might be creatures of the night all year round, but there’s something so undeniably righteous about the Halloween season that makes the rapturous roar of dance music even more spellbinding. Whether in the form of diabolic dubstep or demonically deviant techno, the advent of electronic music has given the world some of its most truly terrifying tunes. In that vein, the Dancing Astronaut terror squad is proud to present 30 Days of Fright, our most dastardly dance music favorites for the spookiest month of the year.

By Asher Norris and Bella Bagshaw 


Surrender your consciousness and step inside REZZ‘s world of swirling asphyxia with “Relax.”

Feel your blood begin to bubble and your pulse hectically hasten as BlackGummy and Brooks’s “Neverdeader” breathes a bit of electronic hellfire.

Stream if you dare, as this flame-throwing dubstep track from Kill The Noise, “Black Magic,” will leave your eardrums scorched, but entirely satiated.

Zeds Dead offers up the score for entertainment of the entirely un-dead variety with their timelessly terrifying, “Demons.”

Careful – Megan James’s delectably delicate voice may seem perfectly benevolent, but make no mistake: lofty pipes like hers are witchy by nature.

ZHU plays maestro for all things that boogie and bump in the night with “Nightcrawler.”

Taste the psychedelic strangeness of An-Ten-Nae and Alice D.’s “Raindrops On Roses,” and fall into their preternatural purgatory.

Ever wanted to dance with the devil himself? Habstrakt‘s harrowing house track, “She Goes,” is an opportunity to do just that.

Zomboy invites you to venture through his dubstep-riddled zombie apocalypse with “Ressurected.”

Crowned prince of menacing sound design, Drezo sprinkles a ghastly vocal cut and some unearthly growls in one of his most downright evil releases, “Dead.”

Ivy Lab puts a wickedly delicious spin on an already-crazed Noisia classic, “Tentacles.”

Bask in the eerie ecstasy of Eekkoo and Forrest’s pulsating house production, “Preach.”

NERO solidifies their title as masters of destruction and drum ‘n’ bass with “Doomsday.”

Slithering and psychotic, Noisia’s “Lilith’s Club” will summon spooky sentiments from listeners across the board.

Catch a case of the techno scaries with Gesaffelstein‘s devilishly danceable “Viol.”

Magic Sword wields triumphant electrowave, “In The Face Of Evil,” to fend off even the most nefarious of forces in the days leading up to this All Hallow’s Eve.

Phantogram‘s off-kilter ambiance from “Funeral Pyre,” is the ideal supernatural soundscape, topped with seductive static and levitation-inducing guitar chords.

An undoubtedly foreseen, but fundamental addition to the list, deadmau5‘s “Ghosts ‘n’ Stuff” keeps the freaky, phantasmic fun flying all season long.


Float through the ectoplasm of The Upside Down with this exquisitely melodic synthwave track direct from the second Stranger Things soundtrack.

We’re not really sure what Moody Good is investigating in the malignantly-sampled “This Is The Investigation,” but we’re pretty sure it’s not natural.

Step inside Pryda‘s low-lit techno tunnel and experience the roaring mania of “Rebel XX.”

Those with a predilection for the creepy crawly end of the electronic continuum need only submit themselves to Knife Party‘s iconic “Centipede.”

Street Fever’s winding techno musings inside “Dispose” may be simplistic, but they’ll leave listeners reeling with haunted rejoice.

Feed Me‘s two-headed trap/dubstep hybrid “Pink Lady” will have you seeing phantom strobes well into the afterlife.

It’s virtually impossible to overload on REZZ tracks during any month, but it’s especially tricky this time of year. Her immortal state of “Delusion” thrusts listeners below ground, where the most formidable forces can frolic freely.

Virtual Riot unleashes a bloodcurdling, cinematic ruckus with zombie-apocalypse-themed, “Haunted.”

Names are not at all deceiving as Shadient takes Wavedash and Quest‘s unnervingly vocalized “Devil Music” for ransom.

Coast the un-departed synth-pop streets of Dance With The Dead’s chillingly regal “Nightdrive.”

Spirits loom overhead, as Stephan Bodzin’s “Singularity” permeates shuddersome sounds of uncertainty.

The evil computers of the underworld unite on Knife Party’s riot-conjuring, “Internet Friends.”


There’s too many spooky dance cuts to round up all at once, alas, we’ve got you going with a pretty good start. Keep the spooks in rotation all month long, and don’t forget to mix in “Monster Mash” a few times to get into the spirit of things this season. Stream the full 30 Days of Fright collection below.

Rezz Shares The First Teaser Of Her Collaboration With Deadmau5

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Even though Rezz hasn’t gone on a coffee run with DJ, producer, and label head of Mau5trap Records, Rezz has just shared the first teaser for her collaboration with Deadmau5. Earlier today, Rezz tweeted out “working on music at deadmau5 studio. I feel spoiled being able to have access to all these noises.” Despite the

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Check Out The Top 10 Tracks That Dominated Summer 2018

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Well folks, over here in the USA, summer has officially ended. It was 55 degrees here in New York yesterday and I already saw some leaves falling. As the seasons change, I took a look back at all the massive tunes that were released this summer. What were the top EDM tracks from Summer 2018 you

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The Film Deadmau5 Has Been Working On A Score For Has Been Revealed

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We have known for quite some time that Deadmau5 has been busy at work on a film score. It is the artist’s first time being at the helm of producing a full score for a motion picture. Deadmau5 has shared on his socials constantly about the experience and seems more excited about the project than

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deadmau5 is working on his film score debut

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deadmau5 is working on his film score debutDeadmau5 Mau5ville Level 2

The mau5 is “out of the bag” and in the studio working on the inaugural film score of his career. deadmau5 originally declared his interest in film score writing following the release of where’s the drop?, the mau5trap producer’s full-length orchestral album. “I’ve always wanted to go into film scoring,” deadmau5 said at the time of where’s the drop?‘s arrival. “I think that this is a better entry point because now I’m like fucking walking the walk, as opposed to fucking talking the talk. Which is all you can do before anyone would think that you are capable of scoring a film, you know what I mean?”

deadmau5 similarly expressed his hope that where’s the drop? would resonate with figures in the film industry. “Hopefully this kind of puts me on the radar with professionals in that area or even the public to want something like that,” deadmau5 stated, “It would be cool to custom-write music for some kind of story. That’d be cool.” Judging by deadmau5’s recent tweet, where’s the drop? certainly registered on the “radars” of film producers, as the mau5ville head has now landed his first film score. deadmau5 will compose the score for Constantin Film and Netflix’s joint production, Polar.

Photo credit: F. Scott Schafer