A five-track guide to Chris Lake’s categorical club stompers

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A five-track guide to Chris Lake’s categorical club stompersChris Lake

In the realm of house music, Chris Lake remains a preeminent staple, eternally filed under the category “needs no introduction.” For those just tuning in now, the UK-born producer has been in the four-by-four game for over a decade, and assumes responsibility for some of the most pandemic dance hooks to hit the earth’s atmosphere. Currently amidst his Black Book Experience fall tour across North America and managing his recently revealed Black Book Records label, fans have seen the reemergence of Lake’s chunky, hard-hitting bass lines featured in his recent singles.

In preparation for any night spent percolating atop the dancefloor, Dancing Astronaut has scoured for our top five most beloved stompers in Chris Lake’s discography.

I Want You

A reflection of an ingenious act of synergy, Lake and OWSLA came together to birth a house-focused compilation of tracks, better known by HOWSLA. With ease, “I Want You” fuses an infectiously nuanced bassline and beat to create one of the most recognizable hooks in modern house music.

Give It Right Back

In curating a static-ridden bassline and cheeky vocals from Dances With White Girls, “Give Her Right Back” amplifies with intensity as pulsing bass comes ready to surge through speakers. Both attributes work seamlessly to push out a resplendent collaboration, and an undeniably rambunctious dancefloor stomper.

“Patience” (Chris Lake Remix)

Reworking what was initially produced as a slower, hip-hop focused track, Lake twists “Patience” into a thumping house bop. Almost unrecognizable when juxtaposing the two, Lake’s rework brings in detailed laser and clap effects to enhance the magnitude of the bassline.

Dance With Me

Recently announcing the birth of his “Black Book Records” label, Lake has released a slew of collaborations to propel the venture. Most prominently, “Dance With Me” was the second-half of Lake’s Close Your Eyes EP, featuring Dirtybird favorites Walker & Royce to pursue a hypnotic and off-the-wall avenue for this track.

Deceiver

His latest release to hit the ground sprinting, “Deceiver” enlists a longtime house deity, Green Velvet to pursue a darker, and more beguiling underground effect. It’s easy to get lost within the incantations of the repeated “Whatchu talking bout?” vocal cut, as it paves the way for unfettered movement on the dancefloor.


A five-track guide to Chris Lake’s categorical club stompersCHRIS LAKE

Chris Lake continues on his tour and touches down in Toronto for a sold-out show at CODA Nightclub on November 2.

Celebrate seven years of OWSLA with this new playlist stocked full of label highlights [Stream]

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Celebrate seven years of OWSLA with this new playlist stocked full of label highlights [Stream]Skrille Baauer Slushii Wsn Owsla 5 Birthday

This month, Skrillex‘s LA-based artist collective, OWSLA, celebrates seven years in business. In those seven years, Skrillex went from promising mau5trap recruit, to burgeoning label head, to one of the most ubiquitous talents in electronic music history — and in turn, one of the most renown A&Rs in the game. Skrillex has achieved icon status as one of the most popular producers on the planet. His catalog speaks for itself. But perhaps more a testament to Sonny Moore’s abilities, and possibly what could wind up making a larger impact on his legacy than his own music, is the body of work he’s curated since OWSLA opened its doors seven years ago.

As the story goes, the label, named for the rabbit army in Richard Adams’ Watership Down, came into existence in 2011, shortly after Skrillex connected online with an emerging Porter Robinson. The young wunderkind instantly gripped Skrillex’s attention, and it wasn’t long before he was making plans to launch his own publishing imprint in order to host some of Robinson’s earliest, and most prolific works. Seven years later and here we are. Dancing Astronaut rounded up some of our favorite highlights from OWSLA’s first seven years, including work from Zedd, Anna Lunoe, Kill The Noise, Louis The Child, and many many more. Good people, good times.

Weekend standouts: 10 artists who showed up to show off at Moonrise Festival 2018

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Weekend standouts: 10 artists who showed up to show off at Moonrise Festival 2018Moonrise Festival

Words by Rachel Narozniak, Josh Hymowitz, and Alexander Krinsky

As the ‘moon rose,’ the bass dropped across Moonrise Festival‘s four stages over the course of the Maryland’s event’s two-day occupancy at Pimlico Race Track. Diversely decorated with talent that spanned dance music’s many subgenres, Moonrise’s 2018 lineup drew a variety of acts ranging from MIJA to Timmy Trumpet to Zeds Dead, and a crowd comprised of fans with equally divergent tastes.

Dancing Astronaut went live on location for one of the final festivals of the 2018 season. What follows are ten artists who brought the Moonrise momentum, throwing down sets that made new fans out of attendees, and astonished longer term listeners.

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3LAU, Stellar Stage

Rachel Narozniak

3LAU broke out of the 2018 release gate with a fervor that was anything but tempered on his debut full-length outing, Ultraviolet. The 11-track offering asserted that the producer’s 2016 “Into You” remix only nascently evinced 3LAU’s astute ear for electronic experimentation, one that gained extended exhibition on Ultraviolet.

A standout in the current context of EDM, given the album’s distinctive spin on commercial house, Ultraviolet’s edge derived from its confident re-imagination of what music branded as “EDM” could sound like. Fast forward to August 13 at Baltimore’s Pimlico Race Track, and 3LAU would translate the energy of Ultraviolet–but on a larger scale, of his career to date–to his live set at Moonrise Festival’s Stellar Stage. A robust showing rife with vivid bass, jumps into electro territory, and 3LAU classics–“How You Love Me,” for one–the set exemplified 3LAU’s maturity both as a producer in the studio, and as a performer behind the decks. 3LAU’s inclusion of Zeds Dead’s bass oriented flip of Touch” proved a highlight of the set.

Weekend standouts: 10 artists who showed up to show off at Moonrise Festival 2018Screen Shot 2018 08 18 At 1.15.47 PM

Diplo, Stellar Stage

Josh Hymowitz

Unfortunately, festivals don’t always proceed as planned. Festival organizers paused the first day of Moonrise about 30-minutes before Diplo’s hour-long set at the Stellar stage due to inclement weather. With reports of lightning a few miles out, and with thousands of people on the open grass infield of Pimlico Race Course, the city of Baltimore was bound to take precautions.

Attendees were moved to the grandstand until further notice, but once Moonrise resumed just after what would have been the end of Diplo’s set, ticket holders still got a 25-minute set from Diplo. Despite the limited time frame, Mr. Wentz to give fans everything they’d would want. He played all the hits, including “Revolution,” Major Lazer’s “Lean On,” his latest collaboration with Get It Right,” and more. The highlight had to be this Benzi Mashup, which blends the Smookie Illson Boot of “Club Action” (a go-to during Skrillex and Jack Ü sets back in the day) with the classic “We Like To Party” by Vengaboys and 4B’s “WHISTLE.” Diplo dropped craziness right into the sunset to prep fans for Kaskade.

Weekend standouts: 10 artists who showed up to show off at Moonrise Festival 2018Chris Lake Rukes

Chris Lake, Celestial Stage

Alexander Krinsky

Chris Lake’s beats leveled the ground at the Celestial Stage. What started as a grassy field was ready for the pouring of concrete after Moonrisers were done thumping. Lake’s unique and often deep darker tracks were a welcome reprieve from the headbanging dub-sets throughout the day for many, that tech house can sometimes just be home.

Chris Lake served up style with toppings of hilarity with his collab track with Chris Lorenzo‘s “Pizza,” while simultaneously extending solid nods to the homies out of the Dirtybird collective by incorporating several of the label mates’ releases in his set, including–among others–FISHER‘s “Losing It.”

Photo Credit: Rukes

Weekend standouts: 10 artists who showed up to show off at Moonrise Festival 2018Screen Shot 2018 08 18 At 1.17.28 PM

MK, Celestial Stage

Rachel Narozniak

Give MK an hour behind the decks and a disco ball, and he’ll transform the grassy grounds of a race track into an open air house oasis. While Moonrise resides as one of the East Coast’s best festivals for big name bass performances, the event’s Celestial Stage effected the intimacy of an underground club in the middle of Baltimore.

When it comes to crowd captivation, there is indeed no better duo to initiate immersion than MK and Chris Lake. Lake joined MK at the decks for a surprise b2b that scaled the house to tech house continuum with each track of the set. Hearts palpitated to MK’s “17,” and all in attendance could unanimously agree that the b2b was one of the most serendipitous outcomes of August 11th’s rain related scheduling adjustments.

Weekend standouts: 10 artists who showed up to show off at Moonrise Festival 2018Screen Shot 2018 08 18 At 1.18.15 PM

Two Friends, Stellar Stage

Josh Hymowitz

Although they had one of the earlier time slots at Stellar Stage, Two Friends crushed their set in front of a huge crowd turnout.

It’s always bound to be a great performance from the duo, considering they’ve remixed every song millennials would want to hear at a party. Two Friends’ revamps range anywhere from The Killers to Blink-182 to Kanye West. Their remix of West’s classic hit, “Touch The Sky,” can be hard to find on the web nowadays due to copyright reasons, so having the privilege of seeing it live is always a treat, an an undeniable high point of Two Friends’ Moonrise set, at that. Luckily for fans, there’s still a few links out there for the remix, and those who missed out on the exclusivity at Two Friends’ set can still get in on the action with this rip of the rework.

Weekend standouts: 10 artists who showed up to show off at Moonrise Festival 2018Screen Shot 2018 08 18 At 1.19.36 PM

Emancipator, Lunar Stage

Alexander Krinsky

Douglas Appling has had an incredible talent for tying the flow of electronic production with live instruments since Emancipator‘s inception. Appling’s sound is eclectic yet grounded, provoking yet calming, and organic yet able to take the listener to a different planet. With his full live band, along with the heart of the Ensemble’s melodic flow violinist, Ilya Goldberg, Emancipator’s vibrations became one with the airwaves around Moonrise 2018. Rain would eventually begin to fall to the sounds of Emancipator’s ambient trip-hop on Sunday afternoon of the festival, and although the weather would briefly pause the party, there was a moment of pure stillness and near palpable peace at this set.

Weekend standouts: 10 artists who showed up to show off at Moonrise Festival 2018Screen Shot 2018 08 20 At 12.40.51 PM

JOYRYDE, Stellar Stage

Rachel Narozniak

JOYRYDE proved impervious to the weekend rain as he resumed Sunday activity at the Stellar Stage following the final day’s brief pause. The Skrillex collaborator greeted the Moonrisers who traipsed back onto festival grounds from the grandstand area with potent, punching bass from the very first track of his set, driving energy and adrenaline with bass lines that traveled from the decks, to race track grass, and up through the soles of attendees’ shoes.

JOYRYDE’s characteristically eclectic, bass-inflected aesthetic behind the decks commanded a distinctive brand of live energy accented with UK grime tilts and grittier turns.

Photo Credit: Run The Trap

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Illenium, Stellar Stage

Josh Hymowitz

The Denver based breakout producer had one of the most talked-about sets of the weekend, and rightfully so, as Illenium‘s music boasts an ethereal sentimentality that provides an entirely unique live experience while creating a positive atmosphere amongst the crowd.

That being said, Illenium slightly switched gears during his Moonrise 2018 set, incorporating some heavy bass drops that signaled a departure from Illenium’s wheelhouse, the typical slow feels trip that listeners are familiar with. Although he stepped into some grittier territory for the set, a DJ’s unexpected maneuvers never fail to engross crowd members, and as such, Illenium’s Moonrise showing was probably his most notable performance to date.

A particularly noteworthy moment of the set included Illenium’s dropping of “Gold,” his highly celebrated collaboration with Excision, featured on Excision’s latest album, Apex.

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REZZ, Solar Tent

Alexander Krinsky

Hardly unexpected or surprising, Dancing Astronaut’s Break Out Artist of 2016 did not disappoint during her climactic Moonrise performance.

REZZ sent out heavy vibrations that transfixed the minds of those assembled in the crowd at the Solar Tent for the bass prodigy’s set. It was clear before Moonrise that REZZ wasn’t going to be playing around, and Space Mom indeed came strapped, loaded, and ready to break some backs with a ‘Certain Kind Of Magic,’ in the same titular fashion of her second studio album. Her dubbed out dark dance music absolutely slayed the Solar Tent, providing a proper finale for the festival’s opening night.

Weekend standouts: 10 artists who showed up to show off at Moonrise Festival 2018KASKADE2014

Kaskade, Stellar Stage

Rachel Narozniak

To evade mention of Kaskade’s ‘Stellar’ showing on August 11 would be to overlook a set that evinced the electronic veteran’s reliability and limitless energy with an especial, if not glaring, clarity.

After sharing a portion of his originally allotted set time with Diplo following Saturday’s rain induced pause, Kaskade took to the decks to ensure that Moonrise goers would have some “Fun.” In many ways a ‘greatest hits’ styled set, longtime Kaskade fans enjoyed classic productions like “Disarm You” and “Something Something Champs Remix” interwoven among comparatively more recent releases like the Phoebe Ryan assisted “Almost Back.” Rife with atmospheric electro and pumping, progressive house festival drops, the set underscored the  ethereal caliber of a Kaskade set, one that endured even with unexpected adjustments.

How Chris Lake Helped Deadmau5 Become A Household Name

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This past weekend both Chris Lake and Deadmau5 took the stage at Das Energi Festival outside of Salt Lake City, Utah. I was watching Chris Lake’s Instagram story when I saw him re-post a fan’s video of his set. The caption reminded me of a story that I forgot over the years. While many dance

The post How Chris Lake Helped Deadmau5 Become A Household Name appeared first on EDM Sauce.

These are 10 hype-building songs to listen to ahead for Moonrise Festival 2018

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These are 10 hype-building songs to listen to ahead for Moonrise Festival 2018Moonrise

Moonrise Festival 2018 is shaping out to be one of Baltimore’s most exciting events of the year. The two-day festival — held at the Pimlico Race Course – is preparing for its 5th installment, which will feature a wide and diverse range of artists, catering toward fans of almost any dance music sub-genre. Performers include Kaskade, Zeds Dead, 3LAU, JOYRYDE, Ookay, GRiZ, Illenium, A Boogie Wit Da Hoodie, Ekali, MK, and more.

In honor of the upcoming festivities, we’ve compiled a 10-track playlist that includes tunes from some of the weekend’s most anticipated acts — perfect for any pre-game or long road-trips to Baltimore.

1. Silk City (Diplo & Mark Ronson) – “Only Can Get Better”

The latest single from Diplo & Mark Ronson’s newest side project Silk City. This is definitely a collaboration attendees will hear during Diplo’s headline set at the Stellar Stage Saturday night. Ronson has since teased their second upcoming release, so maybe he’ll give fans a little taste at the festival?

2. DJ Snake & Mercer – “Let’s Get Ill”

One of DJ Snake’s hottest 2018 collaborations saw linking up with Mercer for a rapid, future house heater. Check out Snake headlining the Stellar Stage Saturday night alongside Kaskade, Diplo, Zeds Dead, and more.

3. Marshmello – “Rooftops”

Marshmello recently released his Joytime II album, which has been very well-received by the Mello Gang. “Rooftops” a groovy one from the album where the DJ/producer throws on his own 90’s punk rock-sounding vocals. He’ll take the Stellar Stage Sunday night and will likely close out the weekend.

4. SNRBN – “If I Can’t Have You” feat. Harloe

The LA-based DJ/producer, who will also be taking over the Stellar Stage on Sunday afternoon, where he will more than likely take his audience out of the racetrack an instead place them on a mental beach. His latest single “I Can’t Have You” accomplishes this feat in mere minutes.

5. Two Friends – “While We’re Dreaming” feat. Kevin Writer

We enjoy this 2017 throwback from the duo, who will be treating their guests to a heavy dose of their cheery brand of dance music.

6. Galantis – “Mama Look At Me Now”

“Mama Look At Me Now” is one of two tracks from Galantis’ latest EP release, and it gives us a taste of what’s in store for the mischevious Swedes’ infectiously raucous Sunday set.

7. Cashmere Cat, Major Lazer, Tory Lanez – “Miss You” (Akira Akira & Hikeii Remix)

This is one of the most poppin’ remixes of his hit collaboration “Miss You” with Major Lazer and Tory Lanez. Festival goers can expect to hear either the original or an assortment of remixes, yet knowing Cashmere Cat, he often has a strictly Jersey club section of the set, to which this fits perfectly. Check out his set at the Lunar Stage on Sunday.

8. Rezz & 1788-L – H E X

Rezz is blowing up the scene with dark synths and heavy beats that are nothing short of an innovative sound. Check out her latest release, which she’ll most likely use to destroy the Solar Tent atmosphere on Saturday.

9. Chris Lake, Chris Lorenzo, Anti-Up – “Pizza”

Anyone want pizza? No? How about after a few hours of constant movement and house beats at the Celestial Stage? Chris Lake will be headlining the house-geared stage Saturday night and will probably trap listeners into his set right as they’re deciding to leave for some pizza.

10. Eric Prydz – “Liberate” (Lane 8 Remix)

This remix for Eric Prydz’ “Liberate” is one of Lane 8’s hidden gems released back in 2014. He’s pushed out a lot of new music since then, but it doesn’t mean we have to stop showing this perfect blend of deep and melodic house some love. Check him out headlining the Celestial Stage Sunday night.

Purchase tickets via the Moonrise Festival website and if this song selection didn’t do justice, check out the festival’s 2018 Spotify playlists, which are curated by stage.

 

Chris Lake and Destructo unleash hard-hitting new tune, ‘Y.O.D.O’

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Chris Lake and Destructo unleash hard-hitting new tune, ‘Y.O.D.O’Screen Shot 2018 07 13 At 1.36.20 PM

House music mainstays Chris Lake and Destructo are both known for their deep, dirty sounds that have been destroying dance floors for years. The pair have now come together on Lake’s own Black Book Records to collaborate on a new track, titled “Y.O.D.O.”

The track begins with an atmospheric build, before diving into a drop full of aggressive synths, bouncing percussion, and lasers that are sure get the listeners attention. While the completely instrumental track does not provide any hints as to what “Y.O.D.O” might stand for, an explanation from Chris Lake and Destructo is not necessary for a track that hits this hard.

Both collaborators have had quite the musical developments as of late; Lake recently unveiled his collaborative new “Anti Up” project alongside Chris Lorenzo, while Destructo has been hard at work manifesting his brand new, All My Friends festival.

Chris’ Lake & Lorenzo merge into Anti Up and play a wild hand in ‘Pizza’

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Chris’ Lake & Lorenzo merge into Anti Up and play a wild hand in ‘Pizza’Anti Up Pizza

Two UK house stalwarts by the name of Chris have merged into what one might call a “supergroup” in the house arena. Anti Up’s members are largely celebrated figures in their own right; Chris Lake has forged some of the most infectious hits in his years on the circuit, from his 2011 electro hit “Sundown” to this year’s tech-based cut “Loose My Mind,” while Bristol’s Chris Lorenzo has carved his own niche in what some have labeled “bassline house.”

Together, they’ve upped the “Anti” in their raucous debut under their new project, “Pizza.” Both of their influences can be heard in the production, whose heavy basslines and chunky, low-frequency synth womps are ripped into by electro elements to command a wild reaction from those it touches. Vocal samples speaking of strong, alcohol-fueled pizza cravings make the piece even more appropriate for a party setting, or a keen trip down a hazy memory lane of one’s own similar nights.

It was only a matter of time before Lake and Lorenzo cemented their chemistry with a studio partnership. Their previous collaboration, “Nothing Better,” was an instant crowd pleaser that has amassed well over five million Spotify streams alone.

 

[Q&A] Meet the artists bringing the house down at Mamby: Walker & Royce

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walker & Royce

Since 2015, Mamby On The Beach has been allowing Chicago’s festival-goers to relish a diverse roster of acts right from the lakefront, the awe-inspiring Chicago skyline as its backdrop. Perched quite literally atop the sands of Oakwood Beach, Mamby is known for its eclectic lineup, which this year features everything from Chicago rapper, Common, to the indie accents of Cold War Kids, along with ample electronic titans like Gorgon City, Duke Dumont, and Jai Wolf. Dancing Astronaut sought to get a closer look at a few of the festival’s cant-miss house acts before Mamby hits the beach June 23-24. 

Sam Walker and Gavin Royce of Walker & Royce know that two house heads are better than one. The pair weaved through several of dance music’s most sought after labels, including Crosstown Rebels and Green Velvet‘s Relief Records, before finding an imprint they felt at-home enough to release Self Help, their first studio album, under: the equally eccentric Dirtybird Records. Even before the album’s release, its zany lead single “Take Me To Your Leader,” featuring Dances With White Girls, swept across festival grounds in 2017 like a quirky, four-on-the-floor Hallelujah chorus.

Walker & Royce put the fun back in dance music, with their animated sampling and groove-heavy club hooks. Though lighthearted, the duo’s music is anything but elementary, propelled by a meticulous, image-oriented sound design. Most recently, the two teamed up with another house habitué and dance music effigy, Chris Lake, for their percolating, two-track EP, Close Your Eyes. 

The guys sat down with DA to speak a bit about working with Lake, their group dynamic, and what they’re looking forward to most about Mamby before they hit the Mixmag Tent Sunday, June 24.

Tickets to Mamby On The Beach, as well as the full lineup, can be found here


How are you guys feeling about coming back to Chicago? You guys played at Spybar last year, right?
Sam: Yeah, literally one of the best gigs we ever had.

Gavin: We always love coming to Chicago to begin with. It’s one of my favorite cities in the world. It’s exciting to come back to Chicago in more of a festival setting, and then we still get to come back to Spybar afterwards.

How does working with the Dirtybird team compare to working at the other big dance music hotbeds you’ve worked with in the past?
G: With Dirtybird, and it’s nothing against the other ones, but I feel like we fit in more. It feels more at home for us, and more like a family. I’m sure other people have the same feeling about other labels. But with us it felt like the right place. They made us feel comfortable and not self conscious about what we wanted to do with the music. Even before we started doing the album, we were feeling that way. And then when that came up, we felt like it was really the right home for us to make the album we wanted to make.

You think your music fits in pretty well there?
G: I don’t think that we were typical Dirtybird. It fits in there, but is also kind of pushing the Dirtybird sound forward maybe, too. We kinda have our own unique sound. We don’t take ourselves insanely seriously with our music. We want it to be fun.

S: Sometimes we’ll start thinking about something when we’re writing music. We’ll think of like animated robots, but quirky, crazy, cartoony. And you almost have that sort of mental picture when you’re putting a track together—sonically fitting that image to couple it with.

What release would you guys say you’re most proud of thus far and why?
G: I can’t not say the full album. It was such an endeavor. We had this vision, and there was a time when we didn’t think it was going to come together the way we wanted it to. But it ended up coming together that way. When we’re doing EPs you definitely have a vision of what you want to be presented, but with this we paid so much attention to every aspect of it.

S: One of the cool things that happens with an album is when you’re not trying to write certain tracks, they happen naturally. I feel like some of our best dance music tracks came out of not trying to write them. The album gave us the ability to do that because we weren’t pressured into writing it.

What was it like working with another legend like Chris Lake on your last EP, and what spawned that idea?
G: Chris reached out to us a while ago and told us he had been a fan for a while. We had been familiar with Chris for many years and he recently kind of switched up his sound a little bit. He’s always made incredible music. I felt like our music started to really align together in the last year. So we got in the studio. The EP is better than I even thought it could be.

S: Also we were both working with Dances With White Girls. That was another connection. Chris’s sound started to move in a direction. Our sound started to move in a direction. It just sorta made sense. I’m really happy with what we came up with. And the weird thing about “Dance With Me” is we thought it was cool, but we didn’t think it would be this popular.

G: Both tracks are doing really well. “Drop Top” was kinda done last, and we didn’t think anything of that one either. But now we’re getting a really huge reaction.

How would you describe the dynamic of your musical partnership? Are there different things each of you brings to the table?
S: If we’re working on something, a lot of times, I’m probably overcomplicating it. I might just have some little sketch that I’m not sure about and Gavin will be like ‘Dude, that’s a track right there. We should finish that.’ Three months later, when it’s done, then I can’t believe I was second guessing it. At this point, we can get away with putting out something that’s a bit weird. And if it doesn’t go over, it’s back to the drawing board. We’ll do something else.

G: Our history is very much that Sam was always a producer and I was always a DJ. I started producing because I DJed so much. Sam and I had been friends for years. We started to help each other out on a few tracks. That’s how it kinda fell into place. Even now Sam is more in the studio kind of guy. And I swoop in and I help simplify things or help arrange things. It’s very yin and yang.

Any new music in the pipeline/will we be hearing any of it at Mamby?
G: We have a few unreleased remixes that we’re going to be playing at Mamby. We’ve been working on a few things. Another track with Sophiegrophy is in the works, who was on our album before.

Who are your three must-see acts this year at Mamby?
G: Richie Hawtin, who is an absolute legend.

S: Gorgon City. They’re playing a live set. I would also like to see Common, who is just something totally different from what we do. This is a cool festival for us to do. A lot of other festivals are electronic only. Mamby is a lot more wide open.

Chris Lake and Walker & Royce team up for new EP, ‘Close Your Eyes’

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Chris Lake and Walker & Royce each spent the last few years refining their energetic and fun-loving approach to house music. While the Dirtybird duo and Black Book head honcho have enjoyed their individual successes, they decided to come together for their exciting, two-track Close Your Eyes EP.

The first track, “Dance With Me,” is a perfect showcase of both artists eclectic styles, featuring Walker & Royce’s iconic pitched down vocals and distorted rumbles reminiscent of Chris Lake’s “Lose My Mind.” The second offering, “Drop Top,” stands as another testament to the producers’ technical skill, with stretched vocal samples and lively synth work coming together to make a track worth many listens.

Ante up: stream full sets from day two of EDC Las Vegas

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Both the stakes and the temps were higher for EDC Las Vegas’ second day of production on May 19.

Attendees of Insomniac’s flagship Electric Daisy Carnival and at home viewers alike can relive their favorite sets from the festival, or catch up on the performances that they missed with Dancing Astronaut’s list of live sets from day two of the landmark electronic event, featuring showings from Marshmello, Jauz, Moksi, and more.

Listen to sets from EDC Vegas’ opening day, here.

Kygo, Kinetic Field

Jauz, Kinetic Field

NGHTMRE, Kinetic Field

Tiësto, Kinetic Field

Marshmello, Kinetic Field

Moksi, Kinetic Field

Chris Lake, Kinetic Field