When this decade began, MP3s still reigned supreme. Now, at the end of it, a song is no longer even a file — it’s ephemera, on every streaming service and available to hear in myriad ways. For better and worse, the song (and the single) have become the norm for the general public’s music consumption. More »
A decade is an arbitrary measurement. They seem confined, these neat little symmetrical 10-year runs, but it’s only in hindsight that we define them, that their signifiers and trends and shorthand become codified. In reality, there are bleeds, the timbre and events of one chunk of time sliding over the border into another. If you’re … More »
It’s been more than a two-year odyssey for Gryffin since the groundwork for his freshman full-length effort, Gravity, was initially set into motion during the fall of 2017. The project’s aggregate roll-out, which constituted a formal five-track EP release last December, as well as close to a dozen official singles, has decisively come full circle following its lead single introduction with “Nobody Compares To You.”
From bubbling beneath the charts with unofficial SoundCloud remixes to formally producing music in tandem with an abundance of Grammy-nominated acts, Gryffin has navigated a meticulous avenue to his current feat: Gravity out in its entirety, containing a track list that spans 16 sublime titles.
While there are more than a modest number of never-before-heard Gryffin productions to briskly dive into, the 11 previous singles from Gravity cannot be forgotten, including hits like “Remember” with Zohara, “Tie Me Down” with Elley Duhé, “All You Need To Know” with Slander, “OMG” with Carly Rae Jepsen in addition to a myriad of others.
In preparation for the album’s forthcoming release just over the past month, Gryffin unwrapped two final gifts as he continued to exemplify that there would not be a single mediocre listing on Gravity with “Baggage” alongside Gorgon City and AlunaGeorge, and most recently, “Body Back.” In terms of brand new music from Gryffin, perhaps the most enticing listen from the unbeknownst album designations is his long-awaited union alongside Seven Lions, which was debuted during the very first GRAVITY II LIVE spectacle in Brooklyn this past August.
Comprehensively, Gravity is engulfed with transcendent productions that encompass further collaborations with DROELOE, a reunion alongside Zohara, and a duet between MARINA and Model Child. For those fortuitous enough to be in attendance for any of Gryffin’s live performances this past summer, he treated fans to his ethereal drumline-induced introductory piece as the project’s commencing piece that provides the cherry on top to one of the year’s most remarkable dance music bodies of work.
Stream Gravity in full below, and purchase tickets to any of Gryffin’s forthcoming GRAVITY II LIVE shows during the remainder of this fall and winter.
Photo credit: Juliana Bernstein
Carly Rae Jepsen has covered No Doubt’s Tragic Kingdom single “Don’t Speak” for her Spotify Singles series. The pop star — who released her latest album, Dedicated, earlier this year — hews close to the original, though it’s a bit of a softer, more sentimental take. During the same session, which … More »
We’re a few months removed from the release of Carly Rae Jepsen’s newest album, Dedicated — the more low-key followup to 2015’s blockbuster E•MO•TION — and Jepsen has spent much of that time on the road. But today she’s back with some new visuals, a music video for “Want … More »
In just a handful of years, San Francisco native Gryffin has asserted himself into headliner-status prestige, aside some of dance music’s most critically acclaimed acts. To formally discover himself atop the electronic apex, Gryffin shaped out a formerly untrodden pathway early on in his career by establishing an exhaustive record of hungrily streamed indie SoundCloud-hosted reworks, for Grammy-associated talents such as Ellie Goulding, Tove Lo and the late Whitney Houston. After formally anchoring down with a batch of original productions, including his debut release “Heading Home” in addition to “Whole Heart” featuring Bipolar Sunshine, Gryffin was properly equipped to roll out the first segment of his freshman effort, Gravity beginning in late 2017.
Meticulously stamped with Gryffin’s rhapsodic acoustic arrangements, Gravity, Pt. 1 surfaced nearly one year thereafter, having spawned six imaginative productions including “Nobody Compares to You,” “Remember,” “Just For A Moment,” and perhaps Gryffin’s most famed original thus far, “Tie Me Down.” After a mild interlude following the album series’ first arm of releases, the producer sought to conclude what he started with another scattering of singles during 2019’s first half. Four tracks have been credited to Gryffin’s name since the year commenced, including numerous high-profile collaborations alongside Slander, Aloe Blacc, and most recently, Carly Rae Jepsen. Surprisingly enough, the fourth output from Gryffin in 2019 was something that his core audience had been longing for as he re-entered the aural avenue that helped jump-start his career with an official remix for Shawn Mendes’ hit single, “If I Can’t Have You” this past July.
As Gryffin set his eyes on the premiere of “OMG” just days before he was bound to appear at Chicago’s Lollapalooza, he noted to his fans that the album was still slated for an early fall release, though he was still fine-tuning the project’s final tracklist. During the Saturday afternoon preceding Gryffin’s sensational GRAVITY LIVE spectacle during Lollapalooza Perry’s Stage sunset slot, Dancing Astronaut took the chance to down with him to learn more about his plans for Gravity, Pt. 2, readying its coinciding GRAVITY II LIVE show at The Brooklyn Mirage, honoring Avicii alongside Aloe Blacc at Coachella, and more.
During your Coachella set this past April, you treated fans to not just one, but two unreleased originals, including an early version of your Carly Rae Jepsen collaboration, which is officially out now. How did “OMG” actually come together?
I basically had been working on that one for a while and the end of last year was when I really started finishing it. Ali Tamposi was the vocalist. She’s an incredible writer along with Andrew Wyatt, who are a lethal team that’s made so many smashes together. She was an amazing part of the song and she wrote an amazing record so once I finished the production on it, I was just sitting on it for a while. I was just trying to figure out what was missing in terms of who could cut it and some of the production elements weren’t quite there. I then played it at Coachella and as a Hail Mary. I messaged Carly’s team and said “You know what would be sick for this record is if Carly Rae Jepsen sung it.” Through some channels we got to her management and they were like “Hey so we actually really do like it and we’re going to play it for her. She’s super selective on this stuff.” Within the next day, they said that Carly loved it and wanted to cut it next week in LA. The next week I met her in the studio for the first time and we were cutting it and within the first five minutes of her singing the hook, I just had crazy chills. It felt really strong and I was so excited about it so it took me a couple weeks to finish it all up.
Towards the end of 2018, you released the former half of your debut album, Gravity and now you’re officially three singles deep for the latter portion of it with “All You Need To Know,” “Hurt People,” and now “OMG.” What can we expect from the remainder of the project and can you disclose any other collaborations you have in the works?
I’m basically finishing it up right now but I honestly can’t say anything about who’s on it. There’s some big things coming though and I’m trying to put it out in September because my tour starts in October. It’s just a matter of how fast I can finish up these records in the next few weeks.
This is set to be your first Lollapalooza appearance since 2017 and it wasn’t explicitly labeled on the lineup poster, so are we experiencing a ‘GRAVITY LIVE’ show or a Gryffin DJ set? Either way, what do you have in store for it? Any surprises we can prepare for?
So it’s going to be the live Gravity show. I’m going to have Quinn XCII for an edit of “Winnebago” and Elley Duhé is coming out for “Tie Me Down” so I’m really excited for that. For these multi-genre festivals, I try to always do it live and even though I’m on the Perry’s Stage, I felt it’s a better representation of my music.
Earlier this summer, you re-entered the remix game with your very first since 2017 with a spin of Shawn Mendes’ “If I Can’t Have You.” What was the driving force behind the decision to release another remix and do you have a particular preference between doing those versus creating original music?
Nowadays I’m definitely a lot more focused on my originals with the album. I always like to do a remix because it’s fun and that’s how everything got started for me anyway… but I just haven’t prioritized it for a while. Shawn hit me up, asked me to remix it and we were communicating back and forth on feedback. It was a cool process working with him that closely and I just felt like it was a cool opportunity because I really liked the original. I immediately had an idea of what I wanted to do with it so it just worked out that way and I’m going to do remixes again for sure but right now it’s just total album mode.
Throughout the length of your career, you’ve obviously worked alongside a list of some impressive names. If you could narrow it down to just one, who was your favorite artist you’ve worked with?
That’s so tough because they’re all so different and awesome in their own ways. For a producer collab, working with Illenium was really cool because we just vibe on a personal level really well. We’re both from the Bay Area and we’re both chill people so it was a really fun process working on that record. On the vocal side, probably one of my best friends out of all them was Bipolar Sunshine. He’s one of my favorite human beings and he’s one of the coolest dudes ever. The Carly track was honestly really cool too because I had never really worked with an artist that was that big in the pop level so that was a cool experience. Even working with Aloe Blacc too.
That Avicii tribute at Coachella on the first anniversary of his passing was seriously nothing short of unbelievable...
Thanks man and it was Aloe’s idea too. I didn’t even put that on him at all. We were just planning to do “Hurt People” and he said to me “Hey, what do you think about this tribute?” So he was the one who pitched the idea and I had thought of it but I definitely wasn’t going to make Aloe do that. If he wanted to do it, I was down.
If you could pick just one release that you’re most proud of between all of your remixes, originals and collaborations, which would it be?
My personal favorite is “Nobody Compares To You.” That’s one of my favorite tracks that I’ve ever done because that was just a really meaningful record to me personally and I was really proud of that production. On the songwriter side, “Feel Good” and “Whole Heart” were both really fun to do. Honestly some of these upcoming ones too are big ones for me so I just really feel fortunate because lately I’ve been able to work with a lot of really cool artists on both the production side and singer/songwriter side so it’s been a good ride and I’m excited for the new music.
You’re set to premiere the official first performance of your GRAVITY II LIVE show at The Brooklyn Mirage just a couple of weeks following Lollapalooza. What do you have in store that we may not be able to experience here in Chicago?
It’s basically going to be the most Gravity II show of the tour. I’m not going to play the full album because it won’t be out by then but I am going to sneak in three or four new records that people haven’t heard yet so I’m really hyped about that. I haven’t even been able to go there yet but my team wanted me to play there so I’m really looking forward to it. I’ve got a lot a prep to do before then but everyone tells me that it’s the spot to watch music in the summer.
Featured image: Lollapalooza
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Gryffin’s mellifluous presentation beneath the seminal Coachella fixture, the Sahara Tent, this past April reverberated through the livestream and well beyond. Aside from being joined onstage by omnipresent vocalist, Aloe Blacc for both an Avicii memorial and the unveiling of a brand new collaboration, Gryffin teased a second unreleased union alongside pop sensation Carly Rae Jepsen.
Not even two weeks removed from a glistening rendition of Shawn Mendes’ “If I Can’t Have You,” Gryffin is seeking assistance from another Grammy-nominated moniker, as he and the “Call Me Maybe” superstar have officially delivered “OMG.” The collaboration serves as the third offering from the second portion of his debut LP, Gravity, currently slated for release later this fall.
By now, listeners know to never expect a Gryffin production to arrive without a downpour of acoustic components. “OMG” promptly convenes as deepening strums mingle alongside Carly Rae Jepsen’s temperate vocals before breaking off into a sensual lyrical harmony and some unsurprisingly arresting guitar riffs from Gryffin himself.
As “OMG” swiftly starts to tower the dance pop charts over the next few days, Gryffin’s timing could not be more exact, as the release stands to erect an astounding level of anticipation for his Saturday performance at Lollapalooza’s Perry’s Stage. In addition to the collaboration’s official release, Gryffin took the time to craft an exclusive Orbit Playlist on Dancing Astronaut‘s Spotify channel, featuring 15 of his fondest tracks of the moment, including, of course, “OMG,” as well as music from Jai Wolf, Flume, RÜFÜS DU SOL and Kygo among others.
Featured image: Juliana Bernstein
A couple of months ago, boutique-pop queen Carly Rae Jepsen returned after a long wait, releasing her new album Dedicated. And now she’s got another new song, though it’s not actually hers. On the new single “OMG,” Jepsen is the guest of Gryffin, a Los Angeles EDM producer and prodigious remixer who’s made … More »