Pop music is a crazy industry, even more so in our fractured age. It’s crazy how many songs can be blowing up in some corner of the world, online or off, without ever spilling over into the mass consciousness. It’s crazy how many of those songs actually do spill over without some of us realizing … More »
In the early days of this century, you could still turn on your television and, every so often, catch a music video. It didn’t last. Music videos still exist on television, but niche ventures like the MTV Jams Channel only exist in the shadowy nether reaches of cable subscriptions, and that’s not where music videos … More »
Y’all wanna hear something crazy? I’ve been writing this weekly pop column for five whole years now. It seems like just yesterday that I published the inaugural installment explaining why The Week In Pop would be a good addition to the Stereogum portfolio. As we approach the precipice of 2019, I’m fairly certain … More »
For more than a decade, DJ Earworm has been blending the year’s top songs into a massive “United States of Pop” mashup at the end of each year. He began the series in 2007, kicking off with a combo of songs from Soulja Boy, Akon, Avril Lavigne, Rihanna, Fergie, and more. It’s been 11 years since that inaugural mashup, and Earworm hasn’t slowed down in the slightest.
His 2018 edition just made its YouTube debut on December 4, highlighted by tracks from Ariana Grande, Post Malone, Zedd, Childish Gambino, Marshmello, and more. The four-minute mashup kicks off with songs from Bebe Rexha and Florida Georgia Line, and Maroon 5 and Cardi B, before cycling through Drake‘s iconic “In My Feelings,” Bruno Mars and Cardi B’s “Finesse,” Travis Scott and Drake’s “Sicko Mode,” and dozens others.
A while back, we, your Stereogum staff, made the decision to stop posting new music from the young Florida rap star Kodak Black. Kodak has been accused, multiple times, of abusing women. He’s a talented rapper and an important figure in the new rap ecosystem, but it didn’t seem like anything he could … More »
At first, Korn were a myth to me. When they released their self-titled debut album in 1994, I was 11. I may have glimpsed their spooky dreadlocked scowls in magazines or TV ads, or wherever I found out about new music in that nascent internet era. But for a suburban Christian kid who spent his … More »
For the eighth year in a row, I strolled into an all too familiar Lollapalooza at Chicago’s own Grant Park. As in years past, I found myself immediately met with groups of festival goers adorned in the staple Tune Squad jersey and all too many crop tops to count. Mutterings of lobster corndogs ran rampant,
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