Dexter’s Beat Laboratory Vol. 42

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Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Since he started releasing music again at the beginning of last year, Party Ghost has been on a roll with originals. Each one’s been quite varied in style, tied together with his signature dark and somewhat glitchy vibe. “Kill,” released in early April, slams its listener with deep, reverberating bass — much like his most recent: “Phantom.” This stormy, brooding vibe is executed perfectly in “Phantom,” though it’s more subdued than its April predecessor. “In the year 2145 the world is ran by Spectre Industries,” Party Ghost notes in the song description. “The story begins with Phantom.”

Ryan Browne has been consistently wreaking havoc on the dance music world with fiery remixes and originals that put a hardcore twist on tracks like Krewella‘s “Alive” and Alison Wonderland‘s “Messiah.” In his latest, a cover of the classic “Everytime We Touch” by Cascada, Browne whips out the drum sticks for a powerful take on the 2007 classic, mixing in elements of hardstyle and dubstep for a rendition that’s not for the faint of heart.

Armada powerhouse Armin Van Buuren has followed up his mid-April “Therapy” with the release of a funk-injected remix from Throttle. The Melbourne artist has made a name for himself with groovy hits like his take on “Hit the Road Jack” and his remix of Earth, Wind & Fire’s iconic “September.” His “Therapy” remix looks to be another stellar addition to his discography, as he adds a classic disco vibe to James Newman’s vocals.

There are few things I love more than the mixing of genres. German drum & bass duo Neonlight have put a VIP spin on one of their own tracks, combining gorgeous orchestral elements, soaring electric guitar and a drum & bass rhythm for a formidable four-minute venture. Its action-packed, cinematic feel is bolstered by hefty bass and dramatic builds that leave the listener wanting more as the synths peter out at the end.

Fresh off a four-track NEST HQ EP, Canadian duo Chuurch have come back with a sultry remix of REZZ and 13‘s celebrated collaboration, “DRUGS!” Digging into the style they call “lean bass,” the pair have crafted a remix saturated with wobbles and weighty bass. REZZ and 13’s haunting melody drifts in and out of the remix, allowing the duo to carry it through while adding their own unique twist.

Pythius drops D&B Headbanger “Monster Black Hole”

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Get ready to blow out your speakers when you listen to Drum and Bass aficionado Pythius’s new track, “Monster Black Hole”. Hailing in as the Dutch producers first release of the year, “Monster Black Hole” takes listeners on a mind-blowing interstellar musical journey. Packed with high intensity bass lines and racing drum patterns that are

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Premiere: Audio drops off blistering new drum n’ bass weapon ‘Hypebeast’

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South London’s Audio has always been true to his craft, shaping the course of drum n’ bass production with a stocked catalog that spans numerous notable labels over nearly two decades. The veteran beat maker’s newest, “Hypebeast,” is the final cut from his inbound EP Rat Race, rolling out just ahead of the full project’s November 10 release on Netherlands-based imprint Blackout Music. In characteristic Audio form, “Hypebeast” packs staggering sonic mayhem into a heart-racing drum n’ bass tempo, weaving together thundering drum arrangements at breakneck pace.

Heavily distorted and unapologetically aggressive, Audio’s new product is a percussive assault, polished with simple, aced sample work, designed specifically to bulldoze underground dancefloors. As Audio gears up to deliver his Rat Race collection in full, “Hypebeast” gives an electrifying taste of the one two punch fans can expect when the EP drops.

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