The Grammys are creeping up on us quite quickly. Thanks to the Oscars moving up their broadcast to 2/9 and the Super Bowl going down 2/2, Music’s Biggest Night™ will be 1/26 at the Staples Center in LA. That’s only 11 days away, so the performer schedule is filling up. More »
The results are in, and according to Nielsen Music/MRC Data Post Malone‘s Hollywood’s Bleeding was the most successful album of 2019 in the US market. Combining streams with 357,000 album sales, the pop-rapper’s third LP hit an impressive 3.001 million equivalent album units.
These numbers lead to Hollywood Bleeding enjoying five straight weeks at the top of Billboard’s weekly top 200. As is expected in today’s market, the majority of the sales came from stream equivalent albums (SEA’s). 2.452 million SEA units to be precise, which translates to 3.371 billion on-demand audio streams in 2019.
Hollywood Bleeding also lead the charts for track equivalent albums (TEA’s) with 192,000, but in terms of album sales, it was fourth. Taylor Swift‘s lauded Lover sales went into seven figures with 1.085 million. Second place went to Billie Eilish‘s masterful debut WHEN WE ALL FALL ASLEEP WHERE DO WE GO?, with the soundtrack from Lady Gaga’s A Star Is Born coming in at third with 486,000 sales.
On the single front, the highest streamed song of the year was unsurprisingly Lil Nas X‘s “Old Town Road” with 2.5 billion on-demand streams. This number includes the figures from the remix featuring Billy Ray Cyrus as well as the other versions with RM of BTS, Young Thug and Mason Ramsey, and even Diplo‘s official remix.
The 2.5 billion figure represents yet another broken record attached to the hip-hop/country crossover as it is the first single to break 2 billion on-demand streams in a calendar year.
Of the singles with the most streams in 2019, the first runner up is over a billion streams behind “Old Town Road.” Post Malone & Swae Lee’s, “Sunflower” made for Spider-Man: Into the Spider-Verse came in just under 1.5 billion on-demand streams with Billie Eilish once again in the top three as her lead single “Bad Guy” raked in just under 1.3 billion streams.
Featured image: Adam Degross
Rare is an accurate title for a Selena Gomez album. Gomez, the former Disney Channel teen actress turned pop superstar and tabloid fixation, is part of the class of big-time pop singers who haven’t released a full-length project since the middle of last decade — a group that includes Adele, Rihanna, and her former boyfriends … More »
The #1 song in America this week was released more than 25 years ago. Mariah Carey’s “All I Want For Christmas Is You” is often deemed the most recent tune to become a holiday standard, but for reasons mostly related to business, technology, and Billboard chart rules, it was not a Hot 100 … More »
Billie Eilish has experienced many superstar milestones this year, among them a #1 album in debut WHEN WE ALL FALL ASLEEP, WHERE DO WE GO, a #1 song in “bad guy,” a slew of Grammy nominations. And now she’s become the latest (and quite possibly the youngest) performer to … More »
Within the macro tradition that is year-end list season, we at Stereogum have carved out our own micro tradition: Every December, instead of publishing a staff list of the year’s best tracks, we present a bunch of personally selected top-10 lists from our staffers and contributors. So although our rundown of 2019’s best … More »
James Corden, star of the movie Cats, is not hosting his Late Late Show this week. Instead, he’s pulling the classic late-night move where a series of celebrities is filling in for him, possibly while he promotes his role in the movie Cats. Last night, once and future Grammy host Alicia … More »
Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic—to say nothing of a name that lends itself to punnery—DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.
Listen in playlist format here.
Feint’s “Vagrant” is a drum ‘n’ bass classic. The late 2015 release with Veela thrilled Liquicity listeners upon its original debut, and it’s remained near and dear to Feint fans since then. Slovenian producer Smooth has put his own spin on the beloved track, refreshing it and giving fans a new angle from which to appreciate it.
AWOLTALK is helping lead the US drum ‘n’ bass scene, and he’s doing it in a big way. His most recent creation is a remix of chart-topping Billie Eilish and her song “Everything I Wanted.” He takes Eilish’s moody vocals and backs them with a racing rhythm that somehow complements the sonic atmosphere of the tune. It’s addicting.
Hot Date’s new EP is an adventure in all things funk. The three-track Lonely Heart compilation arrived on Dec. 3, comprised of an assortment of groovy elements that make it completely irresistible. The second track “So Good,” catches the listener’s ear with its funky leading melody and introduces mighty vocals to make it even more endearing.
Gareth Emery returns to Monstercat to deliver a collaboration with Kovic, “Somebody.” A delicate guitar melody kicks off the tune, and the singer’s moving voice showcases the heartfelt emotion behind the lyrics. Emery’s production is subdued in the verses but shines in the gorgeously atmospheric chorus.
Spanish producer Dosem follows up his recent EP with a tantalizing remix of Yotto‘s “Hyperlude.” The Anjunadeep release clocks in at more than six minutes, giving fans a chance to dive deep into the world Dosem’s creating in his rendition. It’s both dark and uplifting—a fine line that Dosem walks with style.